Ventes d'œuvres le 1804.02.24

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  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[An interior with Figures; near the left a woman sits at a table with a cabbage in her hand, which she is going to cut; on her right sits her husband giving orders to a young man, who listens to him: on the foreground are onions and different sorts of roots, with which the table is also covered: an highly-finished and well-coloured picture on canvas (Rombouts)|An interior with Figures; near the left a woman sits at a table with a cabbage in her hand, which she is going to cut; on her right sits her husband giving orders to a young man, who listens to him: on the foreground are onions and different sorts of roots, with which the table is also covered: an highly-finished and well-coloured picture on canvas]] réalisée par Rombouts, vendue par David Geddes. [91]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A View on the Via Appia, with ruins, and trees in luxuriant foliage: on the side of the road two women with children rest themselves, one of whom is listening to a fortune-teller: the distance, a beautiful country with a serene evening sky. One of the best landscapes of the master, on pannel (A. Runciman)|A View on the Via Appia, with ruins, and trees in luxuriant foliage: on the side of the road two women with children rest themselves, one of whom is listening to a fortune-teller: the distance, a beautiful country with a serene evening sky. One of the best landscapes of the master, on pannel]] réalisée par A. Runciman, vendue par David Geddes. [98]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A Landscape. On the right, near the bottom of some lofty trees, are seated a shepherd and shepherdess: the centre is occupied by a group of cattle, finely illumed by a warm setting sun, whilst, to the left, a goat is browsing on some weeds in the shade: the prospect bounded by a hilly country. This has always been considered as one of the best and highest-finished pictures of the master: on canvas (Vogelson)|A Landscape. On the right, near the bottom of some lofty trees, are seated a shepherd and shepherdess: the centre is occupied by a group of cattle, finely illumed by a warm setting sun, whilst, to the left, a goat is browsing on some weeds in the shade: the prospect bounded by a hilly country. This has always been considered as one of the best and highest-finished pictures of the master: on canvas]] réalisée par Vogelson, vendue par David Geddes. [103]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[Dead game upright. In the centre a fowl is tied by the leg to a stick, with its wings extended. On the ground lies a wild duck and other game, with a musket and other articles for fowling: in the distance a view of a nobleman's seat. A masterly picture, on canvas, gilt frame (artiste anonyme)|Dead game upright. In the centre a fowl is tied by the leg to a stick, with its wings extended. On the ground lies a wild duck and other game, with a musket and other articles for fowling: in the distance a view of a nobleman's seat. A masterly picture, on canvas, gilt frame]] réalisée par un.e artiste anonyme, vendue par David Geddes. [104]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A large mountainous landscape, with trees and figures: on the foreground a wooden bridge is thrown across a water, over which a woman and boy are passing, driving before them two bulls, one of which is attacking a dog; painted with great spirit: to the right a cottage with figures, &c. A grand composition, on canvas (Van Artois)|A large mountainous landscape, with trees and figures: on the foreground a wooden bridge is thrown across a water, over which a woman and boy are passing, driving before them two bulls, one of which is attacking a dog; painted with great spirit: to the right a cottage with figures, &c. A grand composition, on canvas]] réalisée par Van Artois, vendue par David Geddes. [105]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A party in a garden regaling; when a quarrel ensuing, one has drawn his sword, overturning the table, bottles, &c. on which his neighbour lays hold of him: to the right a woman is running off, whilst, on the left, another is fainting. The whole boldly painted and well coloured, on canvas (artiste anonyme)|A party in a garden regaling; when a quarrel ensuing, one has drawn his sword, overturning the table, bottles, &c. on which his neighbour lays hold of him: to the right a woman is running off, whilst, on the left, another is fainting. The whole boldly painted and well coloured, on canvas]] réalisée par un.e artiste anonyme, vendue par David Geddes. [107]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[Jachimo shewing the bracelet to Posthumus; Cymbeline, Act III. scene II. Jach. "Then if you can be pale, I beg but leave to air this jewel: see!" -- The surprise of the one finely contasted with the villanous look of the other The hands finely drawn, and the whole painted in a bold and mellow stile of colouring, on canvas (A. Runciman)|Jachimo shewing the bracelet to Posthumus; Cymbeline, Act III. scene II. Jach. "Then if you can be pale, I beg but leave to air this jewel: see!" -- The surprise of the one finely contasted with the villanous look of the other The hands finely drawn, and the whole painted in a bold and mellow stile of colouring, on canvas]] réalisée par A. Runciman, vendue par David Geddes. [108]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A small landscape, painted in distemper, with the Holy Family, in their flight to Egypt, resting near the side of a water: to the right is a lofty pile of ruins, beyond which is a group of trees diminishing to the distance, consisting of broken ground, ruins, and hills lost in serene sky: framed and glazed This, as well as the preceding lot, is painted in a clear and natural tone of colour, and both most exquisitley finished (Patel)|A small landscape, painted in distemper, with the Holy Family, in their flight to Egypt, resting near the side of a water: to the right is a lofty pile of ruins, beyond which is a group of trees diminishing to the distance, consisting of broken ground, ruins, and hills lost in serene sky: framed and glazed This, as well as the preceding lot, is painted in a clear and natural tone of colour, and both most exquisitley finished]] réalisée par Patel, vendue par David Geddes. [109]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A small landscape, companion to the above: a view on the sea-shore, with the story of Peter's want of faith: on the left are some ruins, beyond which a high tower is situated on a rock ornamented with trees and shrubs; the coast is crowded with ships and boats. This, as well as the preceding lot, is painted in a clear and natural tone of colour, and both most exquisitely finished: framed and glazed (Patel)|A small landscape, companion to the above: a view on the sea-shore, with the story of Peter's want of faith: on the left are some ruins, beyond which a high tower is situated on a rock ornamented with trees and shrubs; the coast is crowded with ships and boats. This, as well as the preceding lot, is painted in a clear and natural tone of colour, and both most exquisitely finished: framed and glazed]] réalisée par Patel, vendue par David Geddes. [110]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A brisk gale, with shipping: to the right is a pier, near which two fishermen in a boat are dragging their net: farther off a frigate is going before the wind: to the left, a sloop tacking, and other ships in the distance: well-coloured and finely penciled: on canvas, elegant carved gilt frame (Monamy)|A brisk gale, with shipping: to the right is a pier, near which two fishermen in a boat are dragging their net: farther off a frigate is going before the wind: to the left, a sloop tacking, and other ships in the distance: well-coloured and finely penciled: on canvas, elegant carved gilt frame]] réalisée par Monamy, vendue par David Geddes. [111]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A turning gale, companion to the above: near the centre, a frigate is tacking about, to the right of which a Dutch schuyt is beating up against the wind: in the distance are seen a sea-port and more shipping, equally well painted as the former; on canvas, elegant carved and gilt frame (Monamy)|A turning gale, companion to the above: near the centre, a frigate is tacking about, to the right of which a Dutch schuyt is beating up against the wind: in the distance are seen a sea-port and more shipping, equally well painted as the former; on canvas, elegant carved and gilt frame]] réalisée par Monamy, vendue par David Geddes. [112]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A Holy Family: the Virgin is seated in the centre of the picture dressed in red and blue drapery with the infant in her lap; to the right is St John, whom she desires to approach our Saviour, which attracts the attention of Joseph, who has been reading on her right hand: the distance a beautiful landscape; painted with equal force and delicacy, on copper, in an elegant gilt frame (C. Maratti)|A Holy Family: the Virgin is seated in the centre of the picture dressed in red and blue drapery with the infant in her lap; to the right is St John, whom she desires to approach our Saviour, which attracts the attention of Joseph, who has been reading on her right hand: the distance a beautiful landscape; painted with equal force and delicacy, on copper, in an elegant gilt frame]] réalisée par C. Maratti, vendue par David Geddes. [113]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A small landscape, with cattle and figures. Near the centre, on the highway, are two travellers, and a woman driving a loaded ass; the middle distance is occupied by a sheet of water, cattle, and buildings; and on the right are some lofty trees relieved from a warm evening sky. A beautiful little cabinet picture, painted in their best time, on pannel, in a rich ebony frame (Bout)|A small landscape, with cattle and figures. Near the centre, on the highway, are two travellers, and a woman driving a loaded ass; the middle distance is occupied by a sheet of water, cattle, and buildings; and on the right are some lofty trees relieved from a warm evening sky. A beautiful little cabinet picture, painted in their best time, on pannel, in a rich ebony frame]] réalisée par Bout, vendue par David Geddes. [114]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A skirmish; in the centre a number of horsemen finely grouped are fighting furiously, one of whom is dismounted and killed with his horse; to the left, another horseman riding up at full speed is stopped by his horse falling, which seems completely worn out: at some distance nearer the right, the fight is continued with vigour on both sides: in the distance a detachment is going off the field, near a river which loses itself in the distance. The horses finely drawn, and the whole painted with that freedom and spirit usual with this great artist; on canvas (G. Cortesi, called (Bourguignon.))|A skirmish; in the centre a number of horsemen finely grouped are fighting furiously, one of whom is dismounted and killed with his horse; to the left, another horseman riding up at full speed is stopped by his horse falling, which seems completely worn out: at some distance nearer the right, the fight is continued with vigour on both sides: in the distance a detachment is going off the field, near a river which loses itself in the distance. The horses finely drawn, and the whole painted with that freedom and spirit usual with this great artist; on canvas]] réalisée par G. Cortesi, called (Bourguignon.), vendue par David Geddes. [115]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A Romantic Landscape; to the right a piece of rocky ground on which two goats are browsing; at the bottom sits a shepherd-boy and dog; the fore ground finely broken, on which are three other goats; to the left of the picture rises a steep rock, on which are some houses; at the bottom, on the highway, a man is travelling on horseback; the view closed by a distant hill and broken ground; on canvas These two preceding lots, designed in a grand stile, for force of colouring and execution, are worthy of a place in any cabinet, however select (Philip Roos, called Rosa da Tivoli)|A Romantic Landscape; to the right a piece of rocky ground on which two goats are browsing; at the bottom sits a shepherd-boy and dog; the fore ground finely broken, on which are three other goats; to the left of the picture rises a steep rock, on which are some houses; at the bottom, on the highway, a man is travelling on horseback; the view closed by a distant hill and broken ground; on canvas These two preceding lots, designed in a grand stile, for force of colouring and execution, are worthy of a place in any cabinet, however select]] réalisée par Philip Roos, called Rosa da Tivoli, vendue par David Geddes. [117]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A Landscape, companion to the above; a view at Tivoli. On the foreground a number of sheep are feeding at a small distance, from which a shepherd on horseback is going towards the right; rocks and shrubbery on the left, and at a distance a high rock, out of which issues a water-fall; on canvas, 25 1-half inches by 19 3 4ths These two preceding lots, designed in a grand stile, for force of colouring and execution, are worthy of a place in any cabinet, however select (Philip Roos, called Rosa da Tivoli)|A Landscape, companion to the above; a view at Tivoli. On the foreground a number of sheep are feeding at a small distance, from which a shepherd on horseback is going towards the right; rocks and shrubbery on the left, and at a distance a high rock, out of which issues a water-fall; on canvas, 25 1-half inches by 19 3 4ths These two preceding lots, designed in a grand stile, for force of colouring and execution, are worthy of a place in any cabinet, however select]] réalisée par Philip Roos, called Rosa da Tivoli, vendue par David Geddes. [118]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A Concert of Birds, of various descriptions and species, with a Landscape back ground; painted with great judgment; the plumage of the fowls admirably and transparently coloured, and painted with a neat and delicate pencil This picture has been reckoned by complete judges as one of the finest and best-finished ever painted by this Master, and is in the highest preservation, on canvas (Melchior Hondekoeter)|A Concert of Birds, of various descriptions and species, with a Landscape back ground; painted with great judgment; the plumage of the fowls admirably and transparently coloured, and painted with a neat and delicate pencil This picture has been reckoned by complete judges as one of the finest and best-finished ever painted by this Master, and is in the highest preservation, on canvas]] réalisée par Melchior Hondekoeter, vendue par David Geddes. [120]
  • 1804.02.24/ maison de ventes : Martin (William). Vente de l'œuvre décrite comme [[A Party of Pleasure with Dancing; near the centre, in front of a stately edifice, a party, in the cool of a Summer's evening, are seated around a table, some playing on musical instruments, others singing; and to the left a Gentleman and Lady are dancing a minuet; in the back ground, a Gentleman's Seat, and behind it a lofty hill with a warm sky: a finely-coloured picture, highly finished, and spiritedly touched; on canvas, in an elegant gilt frame (Neveu)|A Party of Pleasure with Dancing; near the centre, in front of a stately edifice, a party, in the cool of a Summer's evening, are seated around a table, some playing on musical instruments, others singing; and to the left a Gentleman and Lady are dancing a minuet; in the back ground, a Gentleman's Seat, and behind it a lofty hill with a warm sky: a finely-coloured picture, highly finished, and spiritedly touched; on canvas, in an elegant gilt frame]] réalisée par Neveu, vendue par David Geddes. [121]
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