Ventes d'œuvres le 1809.05.01

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  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[Boys with Dogs, in a landscape The works of this eminent painter stand so high in the estimation of the connoisseur, that, amidst the various stiles of art, they rank with the productions of the most celebrated colorists: their scarcity on a scale exceeding a cabinet size will render this masterpiece of his pencil highly valuable. The tints and general hue of the picture are harmonious in the highest degree, combining all the richness of the Flemish school with the strongest expression of juvenile character (Cuyp)|Boys with Dogs, in a landscape The works of this eminent painter stand so high in the estimation of the connoisseur, that, amidst the various stiles of art, they rank with the productions of the most celebrated colorists: their scarcity on a scale exceeding a cabinet size will render this masterpiece of his pencil highly valuable. The tints and general hue of the picture are harmonious in the highest degree, combining all the richness of the Flemish school with the strongest expression of juvenile character]] réalisée par Cuyp, vendue par Jeffrey. [3]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[Infant Christ and Saint John. This great painter, who first broke through the dry and gothic taste of his predecessors, in the early stages of paintings, -- who gave an expression and dignity to the art, unknown since the period of the ancients, may justly claim the distinguished situation for his works they now hold in the cabinets of the greatest monarchs; and this little bijou in the eye of the lover and judge of art will substantially maintain that character. The expressive sweetness of the infants embracing, combined with a degree of sublimity in the countenance of the infant Christ, make the most agreeable impressions (Leonardo da Vinci)|Infant Christ and Saint John. This great painter, who first broke through the dry and gothic taste of his predecessors, in the early stages of paintings, -- who gave an expression and dignity to the art, unknown since the period of the ancients, may justly claim the distinguished situation for his works they now hold in the cabinets of the greatest monarchs; and this little bijou in the eye of the lover and judge of art will substantially maintain that character. The expressive sweetness of the infants embracing, combined with a degree of sublimity in the countenance of the infant Christ, make the most agreeable impressions]] réalisée par Leonardo da Vinci, vendue par Jeffrey. [7]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[St. Jerome. The St. Jerome of Michael Angelo is one of those extraordinary efforts of genius which have stamped a reputation on the name of that artist. The school of the Carracci, of which this noble production is a first-rate specimen, combines, within itself, the dignity and elevation of the best Roman painters, together with the breadth and sweetness of Corregio, and convinces us how happily they may be blended. The fine composition before us cannot be contemplated without sentiments of the greatest admiration and satisfaction (Agostino Carracci)|St. Jerome. The St. Jerome of Michael Angelo is one of those extraordinary efforts of genius which have stamped a reputation on the name of that artist. The school of the Carracci, of which this noble production is a first-rate specimen, combines, within itself, the dignity and elevation of the best Roman painters, together with the breadth and sweetness of Corregio, and convinces us how happily they may be blended. The fine composition before us cannot be contemplated without sentiments of the greatest admiration and satisfaction]] réalisée par Agostino Carracci, vendue par Jeffrey. [13]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Woman taken in Adultery Giorgione was the master of Titian, and first discovered the true method of giving harmony and clearness to his colors. -- He possesses more depth and richness than his celebrated pupil, although he is inferior to him in other respects. -- His pictures are very rare, and this is an undoubted specimen, from the collection of the late President, Sir Joshua Reynolds (Giorgione)|The Woman taken in Adultery Giorgione was the master of Titian, and first discovered the true method of giving harmony and clearness to his colors. -- He possesses more depth and richness than his celebrated pupil, although he is inferior to him in other respects. -- His pictures are very rare, and this is an undoubted specimen, from the collection of the late President, Sir Joshua Reynolds]] réalisée par Giorgione, vendue par Jeffrey. [14]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures (Sir James Thornhill)|The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures]] réalisée par Sir James Thornhill, vendue par Jeffrey. [21]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures (Sir James Thornhill)|The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures]] réalisée par Sir James Thornhill, vendue par Jeffrey. [22]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures (Sir James Thornhill)|The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures]] réalisée par Sir James Thornhill, vendue par Jeffrey. [23]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures (Sir James Thornhill)|The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures]] réalisée par Sir James Thornhill, vendue par Jeffrey. [24]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures (Sir James Thornhill)|The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures]] réalisée par Sir James Thornhill, vendue par Jeffrey. [25]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures (Sir James Thornhill)|The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures]] réalisée par Sir James Thornhill, vendue par Jeffrey. [26]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures (Sir James Thornhill)|The Seven Cartoons, after. Paul preaching at Athens. Death of Annanias. Elymas the Sorcerer struck blind. Paul and Barnabas at Lystra. The Miraculous Draught of Fishes. Peter and John healing the lame. Christ with the Apostles delivering the Keys. (Now engraving by Holloway.) These are the Copies mentioned by Lord Orford, painted by Sir James Thornhill, after the celebrated originals in the King's Collection, at Hampton Court, and are supposed to be the only ones extant, excepting those by the same artist, lately presented by the Duke of Bedford to the Royal Academy. They are in excellent preservation, and well worthy the attention of the admirers of Raphael, as are also the two following Pictures]] réalisée par Sir James Thornhill, vendue par Jeffrey. [27]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[Flowers. The fresh and pearly look of this picture, the brilliancy of the colors, and exquisite finishing attendant on the whole, in a manner realizes this charming nosegay. The proprietor has had the acknowledgment of the best judges, that this is one of the very finest productions of the master (Van Huysum)|Flowers. The fresh and pearly look of this picture, the brilliancy of the colors, and exquisite finishing attendant on the whole, in a manner realizes this charming nosegay. The proprietor has had the acknowledgment of the best judges, that this is one of the very finest productions of the master]] réalisée par Van Huysum, vendue par Jeffrey. [34]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[Ecce Homo. The encomium already passed on the Lombard School, in the St. Jerome of Agostino Carracci, may be applied, in its most unlimited sense, to this picture, painted by Ludovico; indeed words can scarcely express the sensation created by a view of the Redeemer oppressed by insult, and operating on our feelings (through the medium of this painter) to the heart. It must be seen to be properly appreciated, as well as the following, its companion (L. Carracci)|Ecce Homo. The encomium already passed on the Lombard School, in the St. Jerome of Agostino Carracci, may be applied, in its most unlimited sense, to this picture, painted by Ludovico; indeed words can scarcely express the sensation created by a view of the Redeemer oppressed by insult, and operating on our feelings (through the medium of this painter) to the heart. It must be seen to be properly appreciated, as well as the following, its companion]] réalisée par L. Carracci, vendue par Jeffrey. [62]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Flight into Egypt. "This very picture is mentioned in the life of the artist, as specifically his masterpiece. It is, in truth, a fine picture, and well preserved. The parts, though minute, are of so high a finish, as to bear a microscopic examination. The principal figures are disposed with the most precise propriety. The graceful dignity and noble ease of the personages represented, suit their respective characters. It is a night scene, to which the thick wood gives a solemn and fine relief. Yet, to avoid too great a mass of shade, the artist has judiciously introduced a fire made by shepherds attending their flocks. The full moon throws so clear a light on the objects, that though extremely small, they appear perfect at a considerable distance." -- Vide Pawson's Catalogue. This piece was in the Cabinet of M. C. de Hauteville (Elsheimer)|The Flight into Egypt. "This very picture is mentioned in the life of the artist, as specifically his masterpiece. It is, in truth, a fine picture, and well preserved. The parts, though minute, are of so high a finish, as to bear a microscopic examination. The principal figures are disposed with the most precise propriety. The graceful dignity and noble ease of the personages represented, suit their respective characters. It is a night scene, to which the thick wood gives a solemn and fine relief. Yet, to avoid too great a mass of shade, the artist has judiciously introduced a fire made by shepherds attending their flocks. The full moon throws so clear a light on the objects, that though extremely small, they appear perfect at a considerable distance." -- Vide Pawson's Catalogue. This piece was in the Cabinet of M. C. de Hauteville]] réalisée par Elsheimer, vendue par Jeffrey. [80]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The Assumption of the Virgin, designed as a model for a ceiling painting on a larger scale. It is very finely composed, and the expression highly interesting; her arms extended, and filled with the glory of her apotheosis. The foreshortning of the angels and seraphim, supporting the clouds, possess all the knowledge and difficulty of the art (An. Carracci)|The Assumption of the Virgin, designed as a model for a ceiling painting on a larger scale. It is very finely composed, and the expression highly interesting; her arms extended, and filled with the glory of her apotheosis. The foreshortning of the angels and seraphim, supporting the clouds, possess all the knowledge and difficulty of the art]] réalisée par An. Carracci, vendue par Jeffrey. [106]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable. The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable. The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [119]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [120]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [121]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [122]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [123]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [124]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [125]
  • 1809.05.01/ maison de ventes : Jeffrey (H.). Vente de l'œuvre décrite comme [[The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides (Muoltscher (Hans))|The following curious antiquities are inscribed with the name of this painter, a native of Ulm, in Suabia, and the year 1436, which is nearly the period when oil painting was first introduced, and renders them particularly valuable The Adoration of the Shepherds The Adoration of the Magi Christ on the Mount of Olives Christ before Pilate The bearing of the Cross The Resurrection of Christ The Descent of the Holy Ghost The Death of the Virgin On four folding pannels, painted on both sides]] réalisée par Muoltscher (Hans), vendue par Jeffrey. [126]