Ventes d'œuvres le 1822.03.23

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  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Interior, with a Woman who has cleaned two Ducks, a Servant Maid stands by her with Cabbage, at the side of her a Spaniel; another Female carrying a Basket is seen in the second Apartment, with sun-shine painted with great effect, in a masterly style. From the collection of Burgomaster Metelenkamp at Gouda (P. de Hooge)|An Interior, with a Woman who has cleaned two Ducks, a Servant Maid stands by her with Cabbage, at the side of her a Spaniel; another Female carrying a Basket is seen in the second Apartment, with sun-shine painted with great effect, in a masterly style. From the collection of Burgomaster Metelenkamp at Gouda]] réalisée par P. de Hooge, vendue par [[[Josi]]], achetée par [[C Harvey [?]]] au prix de 34.13 £. [45]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Storm, in a Mountainous Landscape, by night. On the fore-ground, in the Valley, are some large Trees, yielding to the gust of Wind; an Ox, frightened by the Lightning, plunges into a Torrent of Water, which rushes down the hill. Painted with great fire and spirit. From Vander Pott's collection (A. Pynaker)|A Storm, in a Mountainous Landscape, by night. On the fore-ground, in the Valley, are some large Trees, yielding to the gust of Wind; an Ox, frightened by the Lightning, plunges into a Torrent of Water, which rushes down the hill. Painted with great fire and spirit. From Vander Pott's collection]] réalisée par A. Pynaker, vendue par [[[Josi]]], achetée par Bartie au prix de 16.5 £. [50]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Interior, in which a Woman sits suckling her Child by Candle-light, at the side of a Spinning-wheel, and of a Bench with greens; another Woman, with a light, is seen at a Window in the back-ground. A very highly finished specimen of this rare Master (P. van Slingeland)|An Interior, in which a Woman sits suckling her Child by Candle-light, at the side of a Spinning-wheel, and of a Bench with greens; another Woman, with a light, is seen at a Window in the back-ground. A very highly finished specimen of this rare Master]] réalisée par P. van Slingeland, vendue par [[[Josi]]], achetée par Thompson Martin au prix de 19.19 £. [51]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Two Cavaliers of distinction, outside a Stable on the foreground of a Hilly Landscape. The one is seated on a chestnut-coloured Horse, before which a dog is sitting on the ground. The other is going to mount a dapple-grey Horse, while yet speaking to the Ostler. This beautiful picture is coloured in the golden tone of the Master with great force and effect (A. Cuyp)|Two Cavaliers of distinction, outside a Stable on the foreground of a Hilly Landscape. The one is seated on a chestnut-coloured Horse, before which a dog is sitting on the ground. The other is going to mount a dapple-grey Horse, while yet speaking to the Ostler. This beautiful picture is coloured in the golden tone of the Master with great force and effect]] réalisée par A. Cuyp, vendue par [[[Josi]]], achetée par Pacey au prix de 30.9 £. [55]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Interior of a Smoking-house. In front are two Peasants playing at Cards; a third, who sits looking on, seems to tell the old one that he is going to loose the game, of which his young antagonist appears already convinced. These characters are expressed with great intelligence and truth of nature. A Woman is looking at them from behind a Screen. In the back-ground are several other Figures, round the hearth. This pure and beautiful cabinet picture, the only one which Mr. de Smeth possessed, was thought an exquisite and a sufficient specimen of this great Master (D. Teniers)|Interior of a Smoking-house. In front are two Peasants playing at Cards; a third, who sits looking on, seems to tell the old one that he is going to loose the game, of which his young antagonist appears already convinced. These characters are expressed with great intelligence and truth of nature. A Woman is looking at them from behind a Screen. In the back-ground are several other Figures, round the hearth. This pure and beautiful cabinet picture, the only one which Mr. de Smeth possessed, was thought an exquisite and a sufficient specimen of this great Master]] réalisée par D. Teniers, vendue par [[[Josi]]], achetée par Pacey au prix de 97.13 £. [57]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Fresh Morning Scene in Italy. On the green and hilly fore-ground are two Shepherd Boys sitting by two Lambs, a Cow, and a Horse standing near a Tree. The enlightened clouds moving along an azure sky announce the speedy rising of the Sun, whilst the extensive hilly Landscape lies yet covered with the dew of the Night. This charming and silvery specimen of this rare Master is delicately pencilled, and very highly finished. The late great connoisseur, Le Brun, used to call it le Bijou du maître, and, as such, it has been long admired in the cabinet of Van der Pott, at Rotterdam, at whose sale the present proprietor bought it, in opposition to the commissions from this country, and from that of Louis, the Ex-King of Holland (K. du Jardin)|A Fresh Morning Scene in Italy. On the green and hilly fore-ground are two Shepherd Boys sitting by two Lambs, a Cow, and a Horse standing near a Tree. The enlightened clouds moving along an azure sky announce the speedy rising of the Sun, whilst the extensive hilly Landscape lies yet covered with the dew of the Night. This charming and silvery specimen of this rare Master is delicately pencilled, and very highly finished. The late great connoisseur, Le Brun, used to call it le Bijou du maître, and, as such, it has been long admired in the cabinet of Van der Pott, at Rotterdam, at whose sale the present proprietor bought it, in opposition to the commissions from this country, and from that of Louis, the Ex-King of Holland]] réalisée par K. du Jardin, vendue par [[[Josi]]], achetée par La Fontaine au prix de 102.18 £. [58]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Two beautiful Views on the Tiber, near Rome, enlivened by a variety of finely-drawn Figures, Animals, and Vessels on the River: Painted in a clear warm tone of colour. These companion pictures, the chefs d'oeuvres of the Master, are from the collection of Baron Taets Van Amerongen, at Utrecht (J. de Heusch)|Two beautiful Views on the Tiber, near Rome, enlivened by a variety of finely-drawn Figures, Animals, and Vessels on the River: Painted in a clear warm tone of colour. These companion pictures, the chefs d'oeuvres of the Master, are from the collection of Baron Taets Van Amerongen, at Utrecht]] réalisée par J. de Heusch, vendue par [[[Josi]]], achetée par Thompson Martin au prix de 27.16 £. [60]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[This capital Landscape is generally known in Holland by the name of The Sphinx; it represents a charming Scene, embellished by the Holy Family reposing at the side of an Obelisk, opposite a running Fountain of Water. The eye is farther delightfully led across a River to the wall of a large City, behind which a range of high Mountains appear. In the corner of the Fore-ground, under two Oak-trees, a Sphinx is placed; on its Pedestal is written the name of the Master, and dated 1727; next to this, a Rose-tree in full bloom is painted, asthe seal of the Painter The rich and luxuriant composition, the brilliancy of colouring, the charming harmony produced by the aerial perspective, added to the admirable execution, are the reasons that these two Landscapes have been always considered, in Holland, by artists and conoisseurs, as matchless productions in that line, having been painted in the zenith of Van Hiüizum's talent. As a proof of his exertion to produce these chefs d'oeuvres, it is worth observing, that he previously made of each, besides several sketches, three fine drawings, one pair with pen and ink, one of which is added to the second picture. One pair in bistre and one pair in colours. M. Gildemeester, who possessed the pictures, paid for the last mentioned Drawings at the sale of Fock, in 1790, 2350 Guilders, (upwards of 200 Pounds.) They are still in the Family of his Executor, the late refined Amateur, B. de Bosch, at Amsterdam, at whose sale, in 1816, the present proprietor bought these two Pictures (J. van Huizum)|This capital Landscape is generally known in Holland by the name of The Sphinx; it represents a charming Scene, embellished by the Holy Family reposing at the side of an Obelisk, opposite a running Fountain of Water. The eye is farther delightfully led across a River to the wall of a large City, behind which a range of high Mountains appear. In the corner of the Fore-ground, under two Oak-trees, a Sphinx is placed; on its Pedestal is written the name of the Master, and dated 1727; next to this, a Rose-tree in full bloom is painted, asthe seal of the Painter The rich and luxuriant composition, the brilliancy of colouring, the charming harmony produced by the aerial perspective, added to the admirable execution, are the reasons that these two Landscapes have been always considered, in Holland, by artists and conoisseurs, as matchless productions in that line, having been painted in the zenith of Van Hiüizum's talent. As a proof of his exertion to produce these chefs d'oeuvres, it is worth observing, that he previously made of each, besides several sketches, three fine drawings, one pair with pen and ink, one of which is added to the second picture. One pair in bistre and one pair in colours. M. Gildemeester, who possessed the pictures, paid for the last mentioned Drawings at the sale of Fock, in 1790, 2350 Guilders, (upwards of 200 Pounds.) They are still in the Family of his Executor, the late refined Amateur, B. de Bosch, at Amsterdam, at whose sale, in 1816, the present proprietor bought these two Pictures]] réalisée par J. van Huizum, vendue par [[[Josi]]], achetée par Fennell au prix de 47.15 £. [61]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Companion to the last picture, known by the name of The Fête de Priape. It represents a romantic Scene in Arcadia. On one side of three high Oak-trees a kneeling Nymph, accompanied by two others, is offering up Flowers to the god of the Gardens, whose Statue, adorned with festoons of Flowers, is placed beneath the steps leading to a Temple, where several Figures are engaged in burning incense on an Altar. This piece is marked with the name of the Master, and dated 1728, on a stone in the right corner. The rich and luxuriant composition, the brilliancy of colouring, the charming harmony produced by the aerial perspective, added to the admirable execution, are the reasons that these two Landscapes have been always considered, in Holland, by artists and connoisseurs, as matchless productions in that line, having been painted in the zenith of Van Hiüzum's talent. As a proof of his exertion to produce these chefs d'oeuvres, it is worth observing, that he previously made of each, besides several sketches, three fine drawings, one pair with pen and ink, one of which added to the second picture. One pair in bistre and one pair in colours. M. Gildemeester, who possessed the pictures, paid for the last mentioned Drawings at the sale of Fock, in 1790, 2350 Guilders, (upwards of 200 Pounds.) They are still in the Family of his Executor, the late refined Amateur, B. de Bosch, at Amsterdam, at whose sale, in 1816, the present proprietor bought these two Pictures (J. van Huizum)|Companion to the last picture, known by the name of The Fête de Priape. It represents a romantic Scene in Arcadia. On one side of three high Oak-trees a kneeling Nymph, accompanied by two others, is offering up Flowers to the god of the Gardens, whose Statue, adorned with festoons of Flowers, is placed beneath the steps leading to a Temple, where several Figures are engaged in burning incense on an Altar. This piece is marked with the name of the Master, and dated 1728, on a stone in the right corner. The rich and luxuriant composition, the brilliancy of colouring, the charming harmony produced by the aerial perspective, added to the admirable execution, are the reasons that these two Landscapes have been always considered, in Holland, by artists and connoisseurs, as matchless productions in that line, having been painted in the zenith of Van Hiüzum's talent. As a proof of his exertion to produce these chefs d'oeuvres, it is worth observing, that he previously made of each, besides several sketches, three fine drawings, one pair with pen and ink, one of which added to the second picture. One pair in bistre and one pair in colours. M. Gildemeester, who possessed the pictures, paid for the last mentioned Drawings at the sale of Fock, in 1790, 2350 Guilders, (upwards of 200 Pounds.) They are still in the Family of his Executor, the late refined Amateur, B. de Bosch, at Amsterdam, at whose sale, in 1816, the present proprietor bought these two Pictures]] réalisée par J. van Huizum, vendue par [[[Josi]]], achetée par Preston au prix de 42.10 £. [62]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[View of the Port of Amsterdam; in front the State Yacht under orders, is seen on the tack, to loof alongside a Man of War under weigh in squally weather; a part of the Dock-yard and City is seen in the distance. This capital Picture having successively adorned the renowned cabinets of Braamcamp, Burgomaster Calkoen, de Smeth, and lastly that of Hoguer, at Amsterdam, has been universally allowed by the best judges, as the happiest effort of the genius of the Master, who certainly never has produced a more striking effect of nature, nor has expressed the motion of his figures, and of the water, with such illusion as he has done in this piece, the excellence of which is equalled by its high state of preservation (L. Bakhuizen)|View of the Port of Amsterdam; in front the State Yacht under orders, is seen on the tack, to loof alongside a Man of War under weigh in squally weather; a part of the Dock-yard and City is seen in the distance. This capital Picture having successively adorned the renowned cabinets of Braamcamp, Burgomaster Calkoen, de Smeth, and lastly that of Hoguer, at Amsterdam, has been universally allowed by the best judges, as the happiest effort of the genius of the Master, who certainly never has produced a more striking effect of nature, nor has expressed the motion of his figures, and of the water, with such illusion as he has done in this piece, the excellence of which is equalled by its high state of preservation]] réalisée par L. Bakhuizen, vendue par [[[Josi]]], achetée par Col Hugh Bailey Bristol au prix de 262.10 £. [68]
  • 1822.03.23/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Farewell Picture, produced by these two brother Artists previous to the departure of Andrew for Venice, to commemorate their final separation, after having been always closely united in the most exemplary manner. It represents their favourite and picturesque site near Tivoli, with an extensive view of the adjacent Mountains. From the high Rocks on the other side, the Water falls in two Torrents, forming, lower down, a Cascade, which, running under a Wooden Bridge, loses itself between the Trees and Shrubs behind the Fore-ground, on the Road of which the two Brothers are seen on Horseback, taking their final leave: John seems uneasy about the future lot of Andrew, who appears to persuade his Brother that he is well protected, by pointing to his armed Guide, who is likewise on Horseback, and only waiting to depart. The subject is highly interesting; the Portraits are very faithful, and the united talents of these two eminent Masters were never displayed in a higher style of composition, nor in a more brilliant manner of execution, than in this desirable and capital Picture, which, (if any thing can add to its merit and value,) is in its native purity and preservation, being yet on its original straining frame, on which it was painted. It is from the well-known collection of Feitama Vollenhoven, of Amsterdam, and more amply described in the Preface and Work of Ploos van Amstel The Print of the Portrait of John Both, in the very same costume as in the Painting, will accompany the picture (John Both)|The Farewell Picture, produced by these two brother Artists previous to the departure of Andrew for Venice, to commemorate their final separation, after having been always closely united in the most exemplary manner. It represents their favourite and picturesque site near Tivoli, with an extensive view of the adjacent Mountains. From the high Rocks on the other side, the Water falls in two Torrents, forming, lower down, a Cascade, which, running under a Wooden Bridge, loses itself between the Trees and Shrubs behind the Fore-ground, on the Road of which the two Brothers are seen on Horseback, taking their final leave: John seems uneasy about the future lot of Andrew, who appears to persuade his Brother that he is well protected, by pointing to his armed Guide, who is likewise on Horseback, and only waiting to depart. The subject is highly interesting; the Portraits are very faithful, and the united talents of these two eminent Masters were never displayed in a higher style of composition, nor in a more brilliant manner of execution, than in this desirable and capital Picture, which, (if any thing can add to its merit and value,) is in its native purity and preservation, being yet on its original straining frame, on which it was painted. It is from the well-known collection of Feitama Vollenhoven, of Amsterdam, and more amply described in the Preface and Work of Ploos van Amstel The Print of the Portrait of John Both, in the very same costume as in the Painting, will accompany the picture]] réalisée par John Both, vendue par [[[Josi]]] au prix de 535 gs. [69]
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