Ventes d'œuvres le 1828.05.03

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  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Magnificent Assemblage of Flowers, tastefully grouped in a vase of terra cotta standing on a marble table, on which, also are placed a bunch of auriculas and a bird's nest with three eggs in it: a variety of splendid butterflies are distributed among the flowers. On a light back ground. This capital picture is one of the four painted expressly for the Prince of Hesse Cassel, and was subsequently in the Collection at Malmaison, and that of the Count Pourtales. (John Van Huysum)|A Magnificent Assemblage of Flowers, tastefully grouped in a vase of terra cotta standing on a marble table, on which, also are placed a bunch of auriculas and a bird's nest with three eggs in it: a variety of splendid butterflies are distributed among the flowers. On a light back ground. This capital picture is one of the four painted expressly for the Prince of Hesse Cassel, and was subsequently in the Collection at Malmaison, and that of the Count Pourtales.]] réalisée par John Van Huysum, vendue par John Smith, achetée par Emmerson au prix de 283.10 £. [1]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Trinity; or, an Allegory of the Christian Faith and Worship. The first person is represented holding a sceptre, and the second a cross, both seated with their feet upon a globe, which is borne up by three angels. Above are three angels, amidst numerous cherubim. The lower part of the picture is occupied by St. John the Evangelist, who holds a chalice in one hand and his Gospel in the other; and St. Paul, the Apostle of the Gentiles, with his right hand placed on the shoulder of a child, directing his attention to the mysteries of the Godhead. This capital picture was painted for the church of the Guardian Angel, at Madrid (P. P. Rubens)|The Trinity; or, an Allegory of the Christian Faith and Worship. The first person is represented holding a sceptre, and the second a cross, both seated with their feet upon a globe, which is borne up by three angels. Above are three angels, amidst numerous cherubim. The lower part of the picture is occupied by St. John the Evangelist, who holds a chalice in one hand and his Gospel in the other; and St. Paul, the Apostle of the Gentiles, with his right hand placed on the shoulder of a child, directing his attention to the mysteries of the Godhead. This capital picture was painted for the church of the Guardian Angel, at Madrid]] réalisée par P. P. Rubens, vendue par John Smith, achetée par Norton au prix de 262.10 £. [2]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Interior of a Chamber, in which is an elderly lady, dressed in the costume of the period, taking napkins from a younger female, (probably her daughter,) and depositing them in a press. The young lady is dressed in a red satin gown, lined with yellow, the skirts of which are pinned up and shew a blue petticoat, bordered with silver lace. A linen basket and tray stand on the marble floor; a child playing with a ball is near the door, and through the door-way are seen the houses on the opposite side of the street, illumined with sunshine. From the Collection of Baron Lockhorst, Rotterdam (Peter De Hooge)|The Interior of a Chamber, in which is an elderly lady, dressed in the costume of the period, taking napkins from a younger female, (probably her daughter,) and depositing them in a press. The young lady is dressed in a red satin gown, lined with yellow, the skirts of which are pinned up and shew a blue petticoat, bordered with silver lace. A linen basket and tray stand on the marble floor; a child playing with a ball is near the door, and through the door-way are seen the houses on the opposite side of the street, illumined with sunshine. From the Collection of Baron Lockhorst, Rotterdam]] réalisée par Peter De Hooge, vendue par John Smith au prix de 399.0 £. [3]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Grand Landscape exhibiting an extensive view over a flat country illumined by a transient gleam of sunshine, beautifully varied with woods, meadows, and corn-fields, and interspersed with churches, cottages, and a windmill. The ruins of an ancient fortification, with its surrounding moat bordered with bushy trees, occupy the whole extent of the fore-ground; on a bastion, on the right, are a shepherd seated, a boy with a dog and three sheep near him; a few more sheep are on the opposite bastion, and a man standing in a breach. The cattle and figures are by Adrian Vander Velde. From the Collection of the Marquess of Marialva (J. Ruysdael)|A Grand Landscape exhibiting an extensive view over a flat country illumined by a transient gleam of sunshine, beautifully varied with woods, meadows, and corn-fields, and interspersed with churches, cottages, and a windmill. The ruins of an ancient fortification, with its surrounding moat bordered with bushy trees, occupy the whole extent of the fore-ground; on a bastion, on the right, are a shepherd seated, a boy with a dog and three sheep near him; a few more sheep are on the opposite bastion, and a man standing in a breach. The cattle and figures are by Adrian Vander Velde. From the Collection of the Marquess of Marialva]] réalisée par J. Ruysdael, vendue par John Smith, achetée par Abraham au prix de 472.10 £. [4]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape, exhibiting the splendid Effect of Sunset after Rain. In front is a canal, with some figures in a boat angling, and a rude bridge, with a man, preceeded by a herd of cows, passing over; beyond these, on the left, are a lofty tree and two cottages. On the opposite side is seen a varied undulating country, with the town of Horne in the distance. From the Collection of Willett Willett, Esq. (Albert Cuyp)|A Landscape, exhibiting the splendid Effect of Sunset after Rain. In front is a canal, with some figures in a boat angling, and a rude bridge, with a man, preceeded by a herd of cows, passing over; beyond these, on the left, are a lofty tree and two cottages. On the opposite side is seen a varied undulating country, with the town of Horne in the distance. From the Collection of Willett Willett, Esq.]] réalisée par Albert Cuyp, vendue par John Smith au prix de 362.5 £. [5]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Hurdy-Gurdy Player. A christening, at which are assembled a number of merry gossips, who seem emulous of complying with the motto on the garland ("Let Old and Young be glad"); and the effect of the instruments, consisting of the hurdy-gurdy, bagpipe, fiddle, and flute, assisted by the voices of a gay old man and woman, is seen in the joy and good-humor which pervade every countenance. From the Collection of the Chevalier Erard (Jan Steen)|The Hurdy-Gurdy Player. A christening, at which are assembled a number of merry gossips, who seem emulous of complying with the motto on the garland ("Let Old and Young be glad"); and the effect of the instruments, consisting of the hurdy-gurdy, bagpipe, fiddle, and flute, assisted by the voices of a gay old man and woman, is seen in the joy and good-humor which pervade every countenance. From the Collection of the Chevalier Erard]] réalisée par Jan Steen, vendue par John Smith, achetée par Norton au prix de 246.15 £. [6]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape, presenting a rural and sequestered Scene. On the right is a sedgy brook, with bold broken banks on which are an old oak, the stump of a silver beech, various wild plants and bulrushes; some geese, ducks, and a stork, are on the pool in front; and two men angling are at the foot of the oak. In the second distance, a sportsman, with dogs, is passing over a hill on the left, beyond which is a thick forest. On the opposite side, the view opens over corn-fields and meadows; and the churches of Haerlem (the birth-place of Wynants) are seen in the distance. From Count Pourtales's Collection (Wynants)|A Landscape, presenting a rural and sequestered Scene. On the right is a sedgy brook, with bold broken banks on which are an old oak, the stump of a silver beech, various wild plants and bulrushes; some geese, ducks, and a stork, are on the pool in front; and two men angling are at the foot of the oak. In the second distance, a sportsman, with dogs, is passing over a hill on the left, beyond which is a thick forest. On the opposite side, the view opens over corn-fields and meadows; and the churches of Haerlem (the birth-place of Wynants) are seen in the distance. From Count Pourtales's Collection]] réalisée par Wynants, vendue par John Smith, achetée par Forster au prix de 194.5 £. [7]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A View in Italy, presenting a mountainous landscape, with a river flowing towards the fore-ground, where it is in part traversed by the ruins of a stone bridge, beyond which are seen some buildings on the summit of a mountain. A group of figures, consisting of a man on a gray horse, and another with two asses, on the declivity of a bank in front; near these is a peasant inciting a dog to attack a young ass (Jan Asselyn)|A View in Italy, presenting a mountainous landscape, with a river flowing towards the fore-ground, where it is in part traversed by the ruins of a stone bridge, beyond which are seen some buildings on the summit of a mountain. A group of figures, consisting of a man on a gray horse, and another with two asses, on the declivity of a bank in front; near these is a peasant inciting a dog to attack a young ass]] réalisée par Jan Asselyn, vendue par John Smith, achetée par R. [8]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape with Cattle and Figures. In the fore-ground of a meadow, bounded by high rocks, clothed with trees and underwood, are a goat and a yellow cow lying down, and a brown cow standing; on the back of the last, a herdsman is leaving and looking towards a man who is driving some sheep up a bank. A woman and several sheep are on the farther side of the field. Formerly in the Collection of M. Paignon Dijonval, and latterly in that of J. Barchard, Esq. (Adrian Vander Velde)|A Landscape with Cattle and Figures. In the fore-ground of a meadow, bounded by high rocks, clothed with trees and underwood, are a goat and a yellow cow lying down, and a brown cow standing; on the back of the last, a herdsman is leaving and looking towards a man who is driving some sheep up a bank. A woman and several sheep are on the farther side of the field. Formerly in the Collection of M. Paignon Dijonval, and latterly in that of J. Barchard, Esq.]] réalisée par Adrian Vander Velde, vendue par John Smith, achetée par Breda au prix de 152.5 £. [9]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Sea-Port. Amongst the many figures that compose this busy scene are two gentlemen, the one in red and the other in black, who appear to be directing two porters in the removal of bales of mercandise: near these is a group of five men, four of them reposing: and beyond them a man taking a package from the back of a gray horse; a waggon, filled with casks, drawn by two horses; and a loaded mule: several vessels lie alongside the shore, and in front are two women washing. From the Duke of Bedford's Collection (Philip Wouwermans)|A Sea-Port. Amongst the many figures that compose this busy scene are two gentlemen, the one in red and the other in black, who appear to be directing two porters in the removal of bales of mercandise: near these is a group of five men, four of them reposing: and beyond them a man taking a package from the back of a gray horse; a waggon, filled with casks, drawn by two horses; and a loaded mule: several vessels lie alongside the shore, and in front are two women washing. From the Duke of Bedford's Collection]] réalisée par Philip Wouwermans, vendue par John Smith au prix de 378.0 £. [10]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A View in the Woods at the Hague, a bright morning scene, the flickering rays of the sun sparkling on the trees with fine effect. A hunting party, with their dogs and attendants, appear in the centre: these are from the pencil of Adrian Vander Velde. From the Collection of M. Muller, of Amsterdam (Hackaert)|A View in the Woods at the Hague, a bright morning scene, the flickering rays of the sun sparkling on the trees with fine effect. A hunting party, with their dogs and attendants, appear in the centre: these are from the pencil of Adrian Vander Velde. From the Collection of M. Muller, of Amsterdam]] réalisée par Hackaert, vendue par John Smith, achetée par Emmerson au prix de 241.10 £. [11]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Sea View during a Calm. Two fishing-vessels at anchor, a row-boat lying on a sandbank in front, and several vessels in the distance, form the composition Companion to the preceding, and both from the Collection of M. Muller of Amsterdam (William Vander Velde)|A Sea View during a Calm. Two fishing-vessels at anchor, a row-boat lying on a sandbank in front, and several vessels in the distance, form the composition Companion to the preceding, and both from the Collection of M. Muller of Amsterdam]] réalisée par William Vander Velde, vendue par John Smith, achetée par Hume au prix de 173.5 £. [13]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A View over a Mountainous Waste. In the fore-ground are a man on a gray horse (seen in a foreshortened point of view) dropping a piece of money into a hat of a beggar, a woman in a blue jacket standing near, and behind her two men seated on the ground. On a hill, in the second distance, to the right, are four cows, one of which a woman is milking, and two sheep. An evening sun sheds a rich glow over the scene. The picture has been engraved by Visscher, and is from the St. Victor Collection, at the sale of which it brought 7500 francs (Berghem)|A View over a Mountainous Waste. In the fore-ground are a man on a gray horse (seen in a foreshortened point of view) dropping a piece of money into a hat of a beggar, a woman in a blue jacket standing near, and behind her two men seated on the ground. On a hill, in the second distance, to the right, are four cows, one of which a woman is milking, and two sheep. An evening sun sheds a rich glow over the scene. The picture has been engraved by Visscher, and is from the St. Victor Collection, at the sale of which it brought 7500 francs]] réalisée par Berghem, vendue par John Smith, achetée par Artis au prix de 178.10 £. [14]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more truth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has represented him with a joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His dauthger stands the willing as well as the devoted victim: oriental custom commanded and enforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam (Rembrandt)|Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more truth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has represented him with a joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His dauthger stands the willing as well as the devoted victim: oriental custom commanded and enforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam]] réalisée par Rembrandt, vendue par John Smith, achetée par Norton au prix de 420.0 £. [15]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A View of the Château of Teniers, and the surrounding country, under the aspect of an impending shower. In the fore-ground are a gentleman wearing a scarlet cloak, and two ladies (supposed to be the artist and his daughters) in conversation with an old man, who holds a spade in one hand and a red cap in the other, with which he is pointing to a cottage as inviting them to enter. A dog seated in front, and a few culinary utensils lying near the cottage, complete the composition (David Teniers)|A View of the Château of Teniers, and the surrounding country, under the aspect of an impending shower. In the fore-ground are a gentleman wearing a scarlet cloak, and two ladies (supposed to be the artist and his daughters) in conversation with an old man, who holds a spade in one hand and a red cap in the other, with which he is pointing to a cottage as inviting them to enter. A dog seated in front, and a few culinary utensils lying near the cottage, complete the composition]] réalisée par David Teniers, vendue par John Smith, achetée par Norton au prix de 241.10 £. [16]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A young lady playing the guitar in a morning dress, consisting of a gray skirt with a red body and sleeves, and a black kerchief, is seated at a table, covered with a Turkey carpet, on which are a music-book open, and a smaller book shut; a young gentleman in a cloak, and holding a large hat, stands on the farther side of the lady. From the Collection of M. Muller, of Amsterdam (Gerhard Terburgh)|A young lady playing the guitar in a morning dress, consisting of a gray skirt with a red body and sleeves, and a black kerchief, is seated at a table, covered with a Turkey carpet, on which are a music-book open, and a smaller book shut; a young gentleman in a cloak, and holding a large hat, stands on the farther side of the lady. From the Collection of M. Muller, of Amsterdam]] réalisée par Gerhard Terburgh, vendue par John Smith, achetée par Emmerson au prix de 68.5 £. [17]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[On a marble terrace, near a noble building, with a garden extending in front, are two ladies and three gentlemen in conversation. The old gentleman, who appears to be lecturing, is Joannes Van Buyten, M.D. whose portrait has been engraved from this picture. The animals and landscape are by Peter Gyssels, and the architecture by Harenberg (Gonzales)|On a marble terrace, near a noble building, with a garden extending in front, are two ladies and three gentlemen in conversation. The old gentleman, who appears to be lecturing, is Joannes Van Buyten, M.D. whose portrait has been engraved from this picture. The animals and landscape are by Peter Gyssels, and the architecture by Harenberg]] réalisée par Gonzales, vendue par John Smith, achetée par Emmerson au prix de 136.10 £. [19]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A lady seated at a table, which is covered with a carpet, is playing at cards with a gentleman, who appears to be her dupe; a man standing at the side of the gentleman is aiding the imposition; two women, one seated with her back to the spectator, and a man filling his pipe, are near the chimney, and complete the group. Through an open doorway, at the end of a passage from the back of the room, another apartment is seen, in which are a lady and gentleman. A dog lying asleep, a sword and belt hanging at the back of the lady's chair, and a wine-cooler, are among the accessories which embellish the front chamber (Jan Steen)|A lady seated at a table, which is covered with a carpet, is playing at cards with a gentleman, who appears to be her dupe; a man standing at the side of the gentleman is aiding the imposition; two women, one seated with her back to the spectator, and a man filling his pipe, are near the chimney, and complete the group. Through an open doorway, at the end of a passage from the back of the room, another apartment is seen, in which are a lady and gentleman. A dog lying asleep, a sword and belt hanging at the back of the lady's chair, and a wine-cooler, are among the accessories which embellish the front chamber]] réalisée par Jan Steen, vendue par John Smith, achetée par Emmerson au prix de 194.5 £. [21]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A party of four persons assembled round a table; the two in front are playing at tric-trac; a group of six others are at the fire at the back of the room. This little cabinet picture was formerly in St. Victor's Collection, and subsequently in that of Count Pourtales (David Teniers)|A party of four persons assembled round a table; the two in front are playing at tric-trac; a group of six others are at the fire at the back of the room. This little cabinet picture was formerly in St. Victor's Collection, and subsequently in that of Count Pourtales]] réalisée par David Teniers, vendue par John Smith, achetée par Artis au prix de 34.13 £. [26]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Winter Scene. An open flat country, traversed by a canal and a roadway, terminating with the town of Delft in the distance. A solitary cottage, near which a single traveller is passing, and a few leafless trees, occupy the middle ground. The clouds, surcharged with rain or snow, impend with solemn gloom over the dreary landscape, and produce an effect illusive and sublime (Jacob Ruysdael)|A Winter Scene. An open flat country, traversed by a canal and a roadway, terminating with the town of Delft in the distance. A solitary cottage, near which a single traveller is passing, and a few leafless trees, occupy the middle ground. The clouds, surcharged with rain or snow, impend with solemn gloom over the dreary landscape, and produce an effect illusive and sublime]] réalisée par Jacob Ruysdael, vendue par John Smith, achetée par Hume au prix de 71.8 £. [27]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Interior of a Doctor's Cabinet. The son of Esculapius, habited in his robe de chambre, has just risen from his arm-chair to examine the contents of a bottle at the light of a window; a table covered with a rich carpet, on which are several books, stands before him, and a variety of objects relating to the profession are distributed about the room (Dullaert)|The Interior of a Doctor's Cabinet. The son of Esculapius, habited in his robe de chambre, has just risen from his arm-chair to examine the contents of a bottle at the light of a window; a table covered with a rich carpet, on which are several books, stands before him, and a variety of objects relating to the profession are distributed about the room]] réalisée par Dullaert, vendue par John Smith au prix de 23.2 £. [28]
  • 1828.05.03/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A finished Study, shewing the back-court to a house, in which are a pump, a pail, two earthen pans, &c.; the foliage of a vine ornaments the house, and a figure is seen at the end of the court approaching a doorway. From the St. Victor Collection (Adrian Ostade)|A finished Study, shewing the back-court to a house, in which are a pump, a pail, two earthen pans, &c.; the foliage of a vine ornaments the house, and a figure is seen at the end of the court approaching a doorway. From the St. Victor Collection]] réalisée par Adrian Ostade, vendue par John Smith, achetée par [[[Slater]]] au prix de 29.8 £. [30]
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