Ventes d'œuvres le 1828.06.28

De Wikipast
Aller à la navigation Aller à la recherche
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Woman taken in Adultery. This group is finely conceived, and in conscious guilt of the accused, and disappointment of her accusers, happily contrasted by the meekness and dignity of the Saviour -- most elaborately finished, and in fine perservation. From the collection of Chanoine Keneifat, of Antwerp (Lucas Cranach)|The Woman taken in Adultery. This group is finely conceived, and in conscious guilt of the accused, and disappointment of her accusers, happily contrasted by the meekness and dignity of the Saviour -- most elaborately finished, and in fine perservation. From the collection of Chanoine Keneifat, of Antwerp]] réalisée par Lucas Cranach, vendue par J. Taylor, Esq., achetée par Trower au prix de 80.17 £. [10]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Holy Family. In the foreground is seated the Virgin, with her right hand resting on an open book, and her left thrown lightly over the finely drawn body of the Infant Saviour, who on his knees, is resting his head on her lap; in the rear, near some steps leading to an archway, is Joseph conversing with the young St. John: further on are buildings, and St. Elizabeth reading. The composition of this fine picture, which is much in the style of Michael Angelo Buonaroti, shows that the commendations of that great artist, said to have been bestowed on Pontormo, and to have created the jealousy of Andrea del Sarto, were not undeserved (Pontormo)|The Holy Family. In the foreground is seated the Virgin, with her right hand resting on an open book, and her left thrown lightly over the finely drawn body of the Infant Saviour, who on his knees, is resting his head on her lap; in the rear, near some steps leading to an archway, is Joseph conversing with the young St. John: further on are buildings, and St. Elizabeth reading. The composition of this fine picture, which is much in the style of Michael Angelo Buonaroti, shows that the commendations of that great artist, said to have been bestowed on Pontormo, and to have created the jealousy of Andrea del Sarto, were not undeserved]] réalisée par Pontormo, vendue par J. Taylor, Esq. au prix de 48 gs. [15]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Interior of a Chamber, with a Lady and Gentleman drinking Tea, attended by a Black Servant; an open door on the right shows an inner chamber with a person entering, and on the left, an open windown displays a distant landscape, over which the Sun is setting, giving a magical appearance to the whole (De Hooge)|Interior of a Chamber, with a Lady and Gentleman drinking Tea, attended by a Black Servant; an open door on the right shows an inner chamber with a person entering, and on the left, an open windown displays a distant landscape, over which the Sun is setting, giving a magical appearance to the whole]] réalisée par De Hooge, vendue par J. Taylor, Esq. au prix de 51 gs. [18]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Interior of a Great Church at Antwerp. In this splendid work the artist seems to have determined that every part of the building should be known as well as its general appearance. The clear and beautiful stream of light that pervades every part, exhibits the minuter parts to perfection; and even the several decorations of the altar pieces are distinguishable in their subjects. To render this work more valuable, his skilful friend Gonzales seems to have introduced the figures (P. Neefs)|Interior of a Great Church at Antwerp. In this splendid work the artist seems to have determined that every part of the building should be known as well as its general appearance. The clear and beautiful stream of light that pervades every part, exhibits the minuter parts to perfection; and even the several decorations of the altar pieces are distinguishable in their subjects. To render this work more valuable, his skilful friend Gonzales seems to have introduced the figures]] réalisée par P. Neefs, vendue par J. Taylor, Esq. au prix de 41 gs. [19]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Saviour and the Woman of Samaria. In subjects of this description, where the story is of a confined nature, it is the great art of a painter to make up in character and colour all that is required to satisfy the judgement; and in this picture Guercino has thrown all his powers into sentiment and character, giving an appropriate dignity to this interesting and sublime conversation: like all good pictures, it rivets itself still stronger on the judgement the more it is contemplated. From the Balbi Palace (Guercino)|The Saviour and the Woman of Samaria. In subjects of this description, where the story is of a confined nature, it is the great art of a painter to make up in character and colour all that is required to satisfy the judgement; and in this picture Guercino has thrown all his powers into sentiment and character, giving an appropriate dignity to this interesting and sublime conversation: like all good pictures, it rivets itself still stronger on the judgement the more it is contemplated. From the Balbi Palace]] réalisée par Guercino, vendue par J. Taylor, Esq. au prix de 66 gs. [21]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An upright Landscape with Cottages and Figures, and Children playing at Blindman's Buff. By the monogram on one of hte upper branches of the large tree, this picture appears to have been painted in 1647, when Ruysdael was only about twelve years old (Ruysdael)|An upright Landscape with Cottages and Figures, and Children playing at Blindman's Buff. By the monogram on one of hte upper branches of the large tree, this picture appears to have been painted in 1647, when Ruysdael was only about twelve years old]] réalisée par Ruysdael, vendue par J. Taylor, Esq., achetée par Sr C Scott au prix de 65.2 £. [26]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Prodigal Son. This noble gallery picture displays a grandeur of conception and greatness of execution, that entitles it to considerable distinction: the composition is masterly and striking, the drawing correct and beautiful, the finishing elaborate, and such as is seldom seen in so grand a performance. The poor Prodigal, corrected of his vices, returns humiliated to the house of his affectionate Father, who, with the rest of the family, are come out to receive him. The bold management of the chiaro-scuro gives a wonderful effect to the figures, and shews the architectural back-ground to great advantage. From the collection of John Willett Willett, Esq. (Calabrese)|The Prodigal Son. This noble gallery picture displays a grandeur of conception and greatness of execution, that entitles it to considerable distinction: the composition is masterly and striking, the drawing correct and beautiful, the finishing elaborate, and such as is seldom seen in so grand a performance. The poor Prodigal, corrected of his vices, returns humiliated to the house of his affectionate Father, who, with the rest of the family, are come out to receive him. The bold management of the chiaro-scuro gives a wonderful effect to the figures, and shews the architectural back-ground to great advantage. From the collection of John Willett Willett, Esq.]] réalisée par Calabrese, vendue par J. Taylor, Esq. au prix de 90 gs. [30]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Portrait of Milton at the age of Twenty, while a student at Cambridge. This high finished unique Portrait is painted with great breadth of effect and beauty of colouring, and is in the finest state of preservation. Aubrey in his letters thus describes it. "He was scarce so tall as I am, he had light brown hayre, oval face, his eie a dark gray. His widow has his picture very well and like when a Cambridge scholar, which ought to be engraven, for the pictures before his books, is not at all like him." (Cor. Jansen)|The Portrait of Milton at the age of Twenty, while a student at Cambridge. This high finished unique Portrait is painted with great breadth of effect and beauty of colouring, and is in the finest state of preservation. Aubrey in his letters thus describes it. "He was scarce so tall as I am, he had light brown hayre, oval face, his eie a dark gray. His widow has his picture very well and like when a Cambridge scholar, which ought to be engraven, for the pictures before his books, is not at all like him."]] réalisée par Cor. Jansen, vendue par J. Taylor, Esq. au prix de 130 gs. [31]
  • 1828.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Landscape with St. Joseph in a sitting posture bending the stem of a lilly in blossom towards the Infant Saviour, who is leaning over the right knee of St. Joseph, and extending his hand to reach the flower. The head of St. Joseph spirited and fine, and the whole treated with great elegance -- from the collection of Sir Mark Masterman Sykes (Guido)|A Landscape with St. Joseph in a sitting posture bending the stem of a lilly in blossom towards the Infant Saviour, who is leaning over the right knee of St. Joseph, and extending his hand to reach the flower. The head of St. Joseph spirited and fine, and the whole treated with great elegance -- from the collection of Sir Mark Masterman Sykes]] réalisée par Guido, vendue par J. Taylor, Esq. au prix de 475 gs. [46]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Cupid mortified at his ill success, complains to Venus. This very charming composition, painted by one of the most esteemed Masters of the Venetian School, and one whose genuine works are as rare as those of Raffaelle, held for many years a distinguished place in the fine Collection of the Duc D'Orleans. There is a suavity in its rich and mellow tone of colouring, and a beauty in the characters represented, which harmonize finely together, and render it one of the most desirable productions of that school, which may be regarded as the Alma Mater of fine colouring (Giorgione)|Cupid mortified at his ill success, complains to Venus. This very charming composition, painted by one of the most esteemed Masters of the Venetian School, and one whose genuine works are as rare as those of Raffaelle, held for many years a distinguished place in the fine Collection of the Duc D'Orleans. There is a suavity in its rich and mellow tone of colouring, and a beauty in the characters represented, which harmonize finely together, and render it one of the most desirable productions of that school, which may be regarded as the Alma Mater of fine colouring]] réalisée par Giorgione, vendue par [[[William Buchanan]]] au prix de 240 [?] gs. [88]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, Child, and Magdalen. Nothing can exceed the delicacy or beauty of the tones in the flesh of the figures of this charming composition; they are perfect of their kind, and prove beyond all contradiction, how well Titian deserved the title of "Prince of Colourists." This Picture formerly held a place on the walls of the Borghese Palace, from whence it was acquired by the late mr. Fagan, at the period when the French army occupied Rome. When it came to England it was covered with a heavy oil, which from time, had became of a reddish brown, and completely obscured the genuine colour of the Picture itself -- its beautiful grey tints, its tender carnations. To get rid of this with safety, it was necessary that the Picture should be re-lined; and when Peel, of Naylor's Yard, to whom the operation was lately entrusted, had removed the lining, he discovered two most important documents on the back of the original canvas, which proved not only its authenticity, but for whom the Picture was painted; one of these was contained in a large shield at the top of the Picture, in which Titian in his own hand, and in the same characters precisely as those on his Picture of the Bacchus and Ariadne, now in the National Gallery, had written in the colour called Rosso Venetiano -- Ticianus. F. after which followed several lines which had become illegible. The second was a smaller shield at the corner of the Picture, in which were painted the Arms of the Family for whom the Picture was painted -- probably those of the Borghese; as the Picture is known to have been in that Family for a very long period previous to the French army having visited Rome, and it still bears the No. which it held in the Catalogue of the Borghese pictures, viz. 126, painted at the bottom of the Picture, in the left hand corner. (Titian)|The Virgin, Child, and Magdalen. Nothing can exceed the delicacy or beauty of the tones in the flesh of the figures of this charming composition; they are perfect of their kind, and prove beyond all contradiction, how well Titian deserved the title of "Prince of Colourists." This Picture formerly held a place on the walls of the Borghese Palace, from whence it was acquired by the late mr. Fagan, at the period when the French army occupied Rome. When it came to England it was covered with a heavy oil, which from time, had became of a reddish brown, and completely obscured the genuine colour of the Picture itself -- its beautiful grey tints, its tender carnations. To get rid of this with safety, it was necessary that the Picture should be re-lined; and when Peel, of Naylor's Yard, to whom the operation was lately entrusted, had removed the lining, he discovered two most important documents on the back of the original canvas, which proved not only its authenticity, but for whom the Picture was painted; one of these was contained in a large shield at the top of the Picture, in which Titian in his own hand, and in the same characters precisely as those on his Picture of the Bacchus and Ariadne, now in the National Gallery, had written in the colour called Rosso Venetiano -- Ticianus. F. after which followed several lines which had become illegible. The second was a smaller shield at the corner of the Picture, in which were painted the Arms of the Family for whom the Picture was painted -- probably those of the Borghese; as the Picture is known to have been in that Family for a very long period previous to the French army having visited Rome, and it still bears the No. which it held in the Catalogue of the Borghese pictures, viz. 126, painted at the bottom of the Picture, in the left hand corner.]] réalisée par Titian, vendue par [[[William Buchanan]]]. [89]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. Cecelia. This fascinating Picture is painted in what is termed his Titianic manner, and is indeed one of those examples which may be said to vie with the works of that Master, while the fine frescos by Paul Veronese, with which it is here surrounded, will indelibly stamp its authenticity (Paul Veronese)|St. Cecelia. This fascinating Picture is painted in what is termed his Titianic manner, and is indeed one of those examples which may be said to vie with the works of that Master, while the fine frescos by Paul Veronese, with which it is here surrounded, will indelibly stamp its authenticity]] réalisée par Paul Veronese, vendue par [[[William Buchanan]]] au prix de 240 gs. [90]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Titian's Lecture to his Daughter on the subject of Mortality. This very interesting and fine work was formerly in the celebrated Collection of the Borghese Palace at Rome. The Portrait represented is that of the Painter himself when he was above eighty years of age; and, independent of the beauty of this work, the picture must be regarded as highly valuable, from containing the genuine Portrait of One whose works have, during a period of three centuries, maintained the highest rank in the art fo (Titian)|Titian's Lecture to his Daughter on the subject of Mortality. This very interesting and fine work was formerly in the celebrated Collection of the Borghese Palace at Rome. The Portrait represented is that of the Painter himself when he was above eighty years of age; and, independent of the beauty of this work, the picture must be regarded as highly valuable, from containing the genuine Portrait of One whose works have, during a period of three centuries, maintained the highest rank in the art fo]] réalisée par Titian, vendue par [[[William Buchanan]]] au prix de 395 gs. [91]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A grand and noble Landscape; formerly in the collection of Prince Pio. This Picture appears to be a view in the Appennines, near Subiaco; the sky is admirably composed, and the whole subject is of that grand and sublime cast which so strongly mark the best works of this master of Landscape; the Figures are by Nicolo (Gaspar Poussin)|A grand and noble Landscape; formerly in the collection of Prince Pio. This Picture appears to be a view in the Appennines, near Subiaco; the sky is admirably composed, and the whole subject is of that grand and sublime cast which so strongly mark the best works of this master of Landscape; the Figures are by Nicolo]] réalisée par Gaspar Poussin, vendue par [[[William Buchanan]]] au prix de 238 gs. [92]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Boar Hunt. This celebrated Picture is, also, well known by the fine engraving from it by Woollet, under the title of "The Meleager and Atalanta." The figures are by Mortimer, and combine well with one of the most beautiful and finished compositions of this master. (Richard Wilson)|The Boar Hunt. This celebrated Picture is, also, well known by the fine engraving from it by Woollet, under the title of "The Meleager and Atalanta." The figures are by Mortimer, and combine well with one of the most beautiful and finished compositions of this master.]] réalisée par Richard Wilson, vendue par [[[William Buchanan]]] au prix de 390 gs. [93]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Apollo and the Seasons. This fine Picture is well known from the engraving of it by Woollet, under the name of Apollo and the Seasons. It is one of those delightful compositions which has given him a fair title to being designated "the English Claude." (Richard Wilson)|Apollo and the Seasons. This fine Picture is well known from the engraving of it by Woollet, under the name of Apollo and the Seasons. It is one of those delightful compositions which has given him a fair title to being designated "the English Claude."]] réalisée par Richard Wilson, vendue par [[[William Buchanan]]] au prix de 390 gs. [94]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Niobe. It is hardly necessary to offer any eulogium on the merits of this fine picture, which was painted for his friend and patron, Sir Peter Leicester, the father of the late Lord de Tabley, and is, probably, the most powerful, as it is the Original picture of that same subject, which was afterwards twice painted on a larger scale, by Wilson, with many variations, and which are well known to the world of taste; suffice it, therefore, to say, that the present Picture is in the finest state of preservation, and that its real and superlative merits best speak for themselves k (Richard Wilson)|The Niobe. It is hardly necessary to offer any eulogium on the merits of this fine picture, which was painted for his friend and patron, Sir Peter Leicester, the father of the late Lord de Tabley, and is, probably, the most powerful, as it is the Original picture of that same subject, which was afterwards twice painted on a larger scale, by Wilson, with many variations, and which are well known to the world of taste; suffice it, therefore, to say, that the present Picture is in the finest state of preservation, and that its real and superlative merits best speak for themselves k]] réalisée par Richard Wilson, vendue par [[[William Buchanan]]]. [95]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Evening Scene. This beautiful subject, which formed one of the fine Collection of the Duke de Grammont, was brought from this country about 25 years ago, by the late Mr. Panne. The vapoury and hazy atmosphere which is produced after a sultry summer's day is well described in this fine picture, while the perspective is given with that truth and effect which is so characteristic of this esteemed master's works (Claude)|An Evening Scene. This beautiful subject, which formed one of the fine Collection of the Duke de Grammont, was brought from this country about 25 years ago, by the late Mr. Panne. The vapoury and hazy atmosphere which is produced after a sultry summer's day is well described in this fine picture, while the perspective is given with that truth and effect which is so characteristic of this esteemed master's works]] réalisée par Claude, vendue par [[[William Buchanan]]] au prix de 295 gs. [96]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Siege of Antwerp. This has always been considered the chef d'oeuvre of this master. It presents the amusing, varied, and interesting details of a Camp; and to be justly appreciated must be patiently examined. From the extreme point of view where the approaches to the place are distinctly described, through the whole gradations of space, the subject is filled with groups, each holding correctly its place in the line of perspective, all full of interest, and the figures executed in the most perfect manner (Lingleback)|The Siege of Antwerp. This has always been considered the chef d'oeuvre of this master. It presents the amusing, varied, and interesting details of a Camp; and to be justly appreciated must be patiently examined. From the extreme point of view where the approaches to the place are distinctly described, through the whole gradations of space, the subject is filled with groups, each holding correctly its place in the line of perspective, all full of interest, and the figures executed in the most perfect manner]] réalisée par Lingleback, vendue par [[[William Buchanan]]] au prix de 215 gs. [97]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Landscape and Figures. The scene from which this beautiful Ppicture is taken is probably, in Norway, where Hobbema resided for several years. It is painted with a vigour of colouring and freedom of pencil which mark the best period of the master; the picture itself is in the greatest purity (Hobbema)|Landscape and Figures. The scene from which this beautiful Ppicture is taken is probably, in Norway, where Hobbema resided for several years. It is painted with a vigour of colouring and freedom of pencil which mark the best period of the master; the picture itself is in the greatest purity]] réalisée par Hobbema, vendue par [[[William Buchanan]]] au prix de 325 gs. [98]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Old Woman at a window, with a Pail in one hand, and with the other she is reaching forward a lighted Candle; a dead Cock lies before her, and a Bird-cage is suspended above, two small Figures appear in conversation in a chamber behind, and on a label beneath the window is inscribed "G. Dow, Anno 1671." This beautiful specimen was formerly in the Collection of W. Smith, Esq. M.P. (Gerard Dow)|An Old Woman at a window, with a Pail in one hand, and with the other she is reaching forward a lighted Candle; a dead Cock lies before her, and a Bird-cage is suspended above, two small Figures appear in conversation in a chamber behind, and on a label beneath the window is inscribed "G. Dow, Anno 1671." This beautiful specimen was formerly in the Collection of W. Smith, Esq. M.P.]] réalisée par Gerard Dow, vendue par [[[William Buchanan]]] au prix de 145 gs. [103]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Woman at the Well; the magical, rich, and powerful effect of this Master's colouring must be seen to be sufficiently felt and appreciated. The present picture is an example of the extent to which the effect of chiaro scuro in painting can be carried; parts of the subject appear made up of solid masses of colour, while others are touched with the greatest delicacy; it may be ranked among the finest works of the Master, and will maintain its consequence in any Cabinet of the first consideration, being in the most pure and genuine state (Rembrandt)|The Woman at the Well; the magical, rich, and powerful effect of this Master's colouring must be seen to be sufficiently felt and appreciated. The present picture is an example of the extent to which the effect of chiaro scuro in painting can be carried; parts of the subject appear made up of solid masses of colour, while others are touched with the greatest delicacy; it may be ranked among the finest works of the Master, and will maintain its consequence in any Cabinet of the first consideration, being in the most pure and genuine state]] réalisée par Rembrandt, vendue par [[[William Buchanan]]] au prix de 235 gs. [106]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Artist himself in his Study; this Picture is painted with a depth of colouring and effect approaching to the works of Rembrandt; is is one of those subjects which he has etched, and appears to have been a favourite one of the Master himself; it was formerly brought to England by Monsieur Delahante (Adrian Ostade)|The Artist himself in his Study; this Picture is painted with a depth of colouring and effect approaching to the works of Rembrandt; is is one of those subjects which he has etched, and appears to have been a favourite one of the Master himself; it was formerly brought to England by Monsieur Delahante]] réalisée par Adrian Ostade, vendue par [[[William Buchanan]]] au prix de 115 gs. [107]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Reposo of the Holy Family, where an Angel is bending down the branches of a Tree that Joseph may gather the Fruit; the Group is composed with great taste, and the grace and loveliness of the Virgin, who is seated on the ground, are exquisite; from the Collection of the late Lord Radstock (Annibal Carracci)|A Reposo of the Holy Family, where an Angel is bending down the branches of a Tree that Joseph may gather the Fruit; the Group is composed with great taste, and the grace and loveliness of the Virgin, who is seated on the ground, are exquisite; from the Collection of the late Lord Radstock]] réalisée par Annibal Carracci, vendue par [[[William Buchanan]]] au prix de 390 gs. [112]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Magdalen in a pensive attitude, seated between two Infant Angels, one of whom holds a Skull and a Book, while the other is embracing the Vase of Unguent; painted in a rich tone with a powerful effect of light, and warmth of colour; originally from the Collection of the King of Naples, and last from that of the late Lord Radstock (Schidone)|A Magdalen in a pensive attitude, seated between two Infant Angels, one of whom holds a Skull and a Book, while the other is embracing the Vase of Unguent; painted in a rich tone with a powerful effect of light, and warmth of colour; originally from the Collection of the King of Naples, and last from that of the late Lord Radstock]] réalisée par Schidone, vendue par [[[William Buchanan]]] au prix de 185 gs. [113]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A fine Pastoral; what has just been said of Gaspar may, with equal truth and justice, be applied to Wilson; he is the Gaspar of the English School. This charming composition, which has met with universal admiration, may be ranked among the very best of the small works of this fashionable Master (Richard Wilson)|A fine Pastoral; what has just been said of Gaspar may, with equal truth and justice, be applied to Wilson; he is the Gaspar of the English School. This charming composition, which has met with universal admiration, may be ranked among the very best of the small works of this fashionable Master]] réalisée par Richard Wilson, vendue par [[[William Buchanan]]], achetée par Dr Barry au prix de 157.0 £. [116]
  • 1828.06.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Study for his great Picture of the Triumph of Silenus; a picture full of spirit, and possessing that rich and broad effect for which the works of this Master are so justly esteemed. It belonged to, and was much valued by the late Mr. President West (Rubens)|Study for his great Picture of the Triumph of Silenus; a picture full of spirit, and possessing that rich and broad effect for which the works of this Master are so justly esteemed. It belonged to, and was much valued by the late Mr. President West]] réalisée par Rubens, vendue par [[[William Buchanan]]] au prix de 11.0 £. [124]
Récupérée de « https://wikipast.epfl.ch/index.php?title=Ventes_d%27œuvres_le_1828.06.28&oldid=3988191 »