Ventes d'œuvres le 1835.05.09

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  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[A Burgomaster on Horseback giving orders to a Fisherman. On the right of the former are Cattle feeding on the bank of a River, on which are Vessels, and in the distance are seen some Peasants; this estimable specimen is painted with strong character, both of life and nature, and finished with such masterly effect, that many most competent judges have found it difficult to determine whether it were not from the pencil of Cuyp himself. (J. van Stry)|A Burgomaster on Horseback giving orders to a Fisherman. On the right of the former are Cattle feeding on the bank of a River, on which are Vessels, and in the distance are seen some Peasants; this estimable specimen is painted with strong character, both of life and nature, and finished with such masterly effect, that many most competent judges have found it difficult to determine whether it were not from the pencil of Cuyp himself.]] réalisée par J. van Stry. [14]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[A Splendid Whole Length Portrait of the Earl of Bristol, attired in an Admiral's Uniform, standing on the Sea Shore, leaning upon an Anchor, and holding a Telescope in his left Hand; a distant View of the Sea with Ships of War, complete the composition: this capital picture may be classed among the finest of the artists productions. (Gainsborough)|A Splendid Whole Length Portrait of the Earl of Bristol, attired in an Admiral's Uniform, standing on the Sea Shore, leaning upon an Anchor, and holding a Telescope in his left Hand; a distant View of the Sea with Ships of War, complete the composition: this capital picture may be classed among the finest of the artists productions.]] réalisée par Gainsborough, vendue par [[[Lady Murray]]]. [16]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[A Splendid Whole Length Portrait of the Earl of Mulgrave, in an Admiral's Uniform, standing at the Window of a Gallery, with a View of Shipping in the Offing; on a Chair before him is the Portrait of Nelson when a Junior Officer: this picture is a suitable companion to the preceding, having been painted at the same period, and in every respect of equal merit. (Gainsborough)|A Splendid Whole Length Portrait of the Earl of Mulgrave, in an Admiral's Uniform, standing at the Window of a Gallery, with a View of Shipping in the Offing; on a Chair before him is the Portrait of Nelson when a Junior Officer: this picture is a suitable companion to the preceding, having been painted at the same period, and in every respect of equal merit.]] réalisée par Gainsborough, vendue par [[[Lady Murray]]]. [17]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[The Dutch Kermess. This Scene is taken in a Village near the Banks of a Canal; the merry holiday folk are variously enjoying themselves; in the centre of the picture are seen two Men on Horseback apparently in conversation with a Lady and Gentleman; a Boat with Five Persons is on the Water, beyond is a lofty Bridge with two Men on it; the great number of Figures here introduced, the spirit and freedom with which this picture is painted, render it a very superior specimen of the artist. From the collection of the Earl of Mulgrave. See Smith's Catalogue Raisonné, part 4, page 65. (Jan Steen)|The Dutch Kermess. This Scene is taken in a Village near the Banks of a Canal; the merry holiday folk are variously enjoying themselves; in the centre of the picture are seen two Men on Horseback apparently in conversation with a Lady and Gentleman; a Boat with Five Persons is on the Water, beyond is a lofty Bridge with two Men on it; the great number of Figures here introduced, the spirit and freedom with which this picture is painted, render it a very superior specimen of the artist. From the collection of the Earl of Mulgrave. See Smith's Catalogue Raisonné, part 4, page 65.]] réalisée par Jan Steen. [18]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[A grand gallery picture, representing Flora, Ceres and Pomona with a Cornucopia of Fruit, on the top of which is perched a Parrot, in the fore-ground is a Monkey eagerly seizing some Fruit, which one of the Graces is reaching towards it. This picture may justly be regarded as a splendid work of the master. (Rubens)|A grand gallery picture, representing Flora, Ceres and Pomona with a Cornucopia of Fruit, on the top of which is perched a Parrot, in the fore-ground is a Monkey eagerly seizing some Fruit, which one of the Graces is reaching towards it. This picture may justly be regarded as a splendid work of the master.]] réalisée par Rubens, vendue par [[[Joseph Robins]]]. [20]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Preparing for the Chase, taken on the margin of a River in the Neighborhood of a Mountainous Country, a Negro Servant is holding two Horses, one of which is a Dappled Grey, and in charge also of three Dogs, while the Master is Seated at the foot of a Tree drawing on his Boots: an admirable and carefully finished picture. (Cuyp)|Preparing for the Chase, taken on the margin of a River in the Neighborhood of a Mountainous Country, a Negro Servant is holding two Horses, one of which is a Dappled Grey, and in charge also of three Dogs, while the Master is Seated at the foot of a Tree drawing on his Boots: an admirable and carefully finished picture.]] réalisée par Cuyp. [21]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[The Battle of Waterloo: this highly interesting picture is a faithful Portrait of the Field of Battle, and it presents the moment of the fierce and sanguinary conflict which took place close to the Farm of Hugomont: the Duke of Wellington and his Aidecamps are galloping up on the left of the foreground, and the opposed Armies are seen either moving in masses or engaged in detachments on the surrounding hills; the bustle and direful effects of this eventful day are evident in every part of the scene. (C. Coenes, of Brussels)|The Battle of Waterloo: this highly interesting picture is a faithful Portrait of the Field of Battle, and it presents the moment of the fierce and sanguinary conflict which took place close to the Farm of Hugomont: the Duke of Wellington and his Aidecamps are galloping up on the left of the foreground, and the opposed Armies are seen either moving in masses or engaged in detachments on the surrounding hills; the bustle and direful effects of this eventful day are evident in every part of the scene.]] réalisée par C. Coenes, of Brussels, vendue par [[[Joseph Robins]]]. [23]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[The Quack Doctor: in the centre of the fore-ground is a table, furnished with the necessary preparations shaded by a large Umbrella, at the side of which stands a Charletan offering to an afflicted patient some of his nostrums, at the same time his wife is counting out the needful; the doctor's daughter is recommending the sovereign remedy to the astonished bystanders: the subject is exceedingly well composed in every particular, and finished in a masterly style: the expression of the various villagers is exceedingly natural. (Victor)|The Quack Doctor: in the centre of the fore-ground is a table, furnished with the necessary preparations shaded by a large Umbrella, at the side of which stands a Charletan offering to an afflicted patient some of his nostrums, at the same time his wife is counting out the needful; the doctor's daughter is recommending the sovereign remedy to the astonished bystanders: the subject is exceedingly well composed in every particular, and finished in a masterly style: the expression of the various villagers is exceedingly natural.]] réalisée par Victor. [24]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[St. Nicholas Moralizing among the Wild Beasts of the Desert, this picture exhibits the Saint habited in the Robes of his Order standing in the entrance of a Cave, in the act of addressing himself to the Wild and Ferocdious Animals of the Wilderness, whose savage propensities hs is said to have subdued; the Lion, the Tiger & the Deer, are therefore amicably assembled together, his crozier & books lie on a bank at the side. This happy illustration of the power of the Gospel by the eloquence of the Saint, is treated throughout with that prominent science for which all this great master's works are distinguished. (Cavaliere Giovanni Lanfranco)|St. Nicholas Moralizing among the Wild Beasts of the Desert, this picture exhibits the Saint habited in the Robes of his Order standing in the entrance of a Cave, in the act of addressing himself to the Wild and Ferocdious Animals of the Wilderness, whose savage propensities hs is said to have subdued; the Lion, the Tiger & the Deer, are therefore amicably assembled together, his crozier & books lie on a bank at the side. This happy illustration of the power of the Gospel by the eloquence of the Saint, is treated throughout with that prominent science for which all this great master's works are distinguished.]] réalisée par Cavaliere Giovanni Lanfranco, vendue par [[[Joseph Robins]]]. [26]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Landscape and Figures, this View is taken from a rising ground at the side of a Road which commands an extensive prospect of a highly picturesque Country, with the neighbouring & distant Church Spires and Towers, the Figures are attributed to David Teniers: an admirable composition, and painted with a warmth and freshness of coloring beautifully harmonious. (D'Artois)|Landscape and Figures, this View is taken from a rising ground at the side of a Road which commands an extensive prospect of a highly picturesque Country, with the neighbouring & distant Church Spires and Towers, the Figures are attributed to David Teniers: an admirable composition, and painted with a warmth and freshness of coloring beautifully harmonious.]] réalisée par D'Artois. [31]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Shepherdess wearing a wreath of Flowers, Feeding Sheep, a very charming and highly finished picture: rendered increasingly interesting by a striking resemblance to the Portraiture of Her late Royal Highness the Princess Charlotte. (H. Van Mij, 1715, Pupil of William Mieris)|Shepherdess wearing a wreath of Flowers, Feeding Sheep, a very charming and highly finished picture: rendered increasingly interesting by a striking resemblance to the Portraiture of Her late Royal Highness the Princess Charlotte.]] réalisée par H. Van Mij, 1715, Pupil of William Mieris, vendue par [[[Joseph Robins]]]. [33]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Interior of a Barn or Cattle Shed, the scene of this masterly production is in the neighbourhood of a Country Town, as appears by the Church and adjacent Buildings, in the Shed is a group of six Sheep in a Pen, attended by a Man in a Red Jacket, in the foreground are a Goat, a Spaniel and a Cock: painted with that truth to nature which characterizes the master's works. (Albert Cuyp)|Interior of a Barn or Cattle Shed, the scene of this masterly production is in the neighbourhood of a Country Town, as appears by the Church and adjacent Buildings, in the Shed is a group of six Sheep in a Pen, attended by a Man in a Red Jacket, in the foreground are a Goat, a Spaniel and a Cock: painted with that truth to nature which characterizes the master's works.]] réalisée par Albert Cuyp. [34]
  • 1835.05.09/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Six Exquisite Carvings in Pear-Tree Wood, representing the Batrtles of Alexander the Great, (from the celebrated paintings by Le Brun, in ebony cases with ploate glass Fronts;-- No.1. The Victory of Alexander over the Persians at the Passage of the Granicus. 2. Alexander's Conquest of Darius at the Battle of Arbela. 3. Alexander's noble Act of Clemency to the Mother and Wife of Darius. 4. Victory of Alexander over Porus. 5. Porus Wounded and brought before Alexander. 6. Triumphant Entry of Alexander into Babylon. These very elaborate examples of the art challenge the closest examination, whether we contemplate the immense number of Figures which meet the eye in every part, the just proportions, and correct natural expressions of the Warriors, the Horses and the Elephants most prominent in the conflicts; the Surrender of Porus, wounded; the Triumphal Entry with the Car of the Conquerors; the posture of the fair Captives in their pathetic appeal to Alexander; or the more minute details of the series,-- each and every part will be found so critically correct, and the whole so excellent in preservation, as to be regarded with pecular interest, as specimens of the first order in this department of the graphic art. (artiste anonyme)|Six Exquisite Carvings in Pear-Tree Wood, representing the Batrtles of Alexander the Great, (from the celebrated paintings by Le Brun, in ebony cases with ploate glass Fronts;-- No.1. The Victory of Alexander over the Persians at the Passage of the Granicus. 2. Alexander's Conquest of Darius at the Battle of Arbela. 3. Alexander's noble Act of Clemency to the Mother and Wife of Darius. 4. Victory of Alexander over Porus. 5. Porus Wounded and brought before Alexander. 6. Triumphant Entry of Alexander into Babylon. These very elaborate examples of the art challenge the closest examination, whether we contemplate the immense number of Figures which meet the eye in every part, the just proportions, and correct natural expressions of the Warriors, the Horses and the Elephants most prominent in the conflicts; the Surrender of Porus, wounded; the Triumphal Entry with the Car of the Conquerors; the posture of the fair Captives in their pathetic appeal to Alexander; or the more minute details of the series,-- each and every part will be found so critically correct, and the whole so excellent in preservation, as to be regarded with pecular interest, as specimens of the first order in this department of the graphic art.]] réalisée par un.e artiste anonyme. [37]
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