Ventes d'œuvres le 1771.03.09

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  • 1771.03.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The assumption of the Virgin, supported by angels; a great and beautiful composition, very clear and bright, touched with great spirit. -- This picture was intended for a cieling-piece for the Royal Chapel at Versailles. -- From the collection of the Duke of Sully (Le Sueur)|The assumption of the Virgin, supported by angels; a great and beautiful composition, very clear and bright, touched with great spirit. -- This picture was intended for a cieling-piece for the Royal Chapel at Versailles. -- From the collection of the Duke of Sully]] réalisée par Le Sueur au prix de 12.12 gs. [28]
  • 1771.03.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The mouth of truth, or the ancient proof of virgin purity, corresponding to the ordeal trial among the Goths and Saxons: -- The composition of this picture is great; it is painted with singular transparency, brilliancy, and vagezza; and is on the whole a very beautiful performance, and finely preserved. -- From the collection of Madame la Comtesse de Verrue. It is engraved. (Sebastian Conca)|The mouth of truth, or the ancient proof of virgin purity, corresponding to the ordeal trial among the Goths and Saxons: -- The composition of this picture is great; it is painted with singular transparency, brilliancy, and vagezza; and is on the whole a very beautiful performance, and finely preserved. -- From the collection of Madame la Comtesse de Verrue. It is engraved.]] réalisée par Sebastian Conca au prix de [illeg.] gs. [61]
  • 1771.03.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A party of soldiers plundering a waggon in a cornfield: In this piece the artist has succeeded in uniting the most delicate finishing, and the most beautiful transparency and clearness of colouring, with the greatest freedom of pencil, and the most spirited touch (Philip Wovermans)|A party of soldiers plundering a waggon in a cornfield: In this piece the artist has succeeded in uniting the most delicate finishing, and the most beautiful transparency and clearness of colouring, with the greatest freedom of pencil, and the most spirited touch]] réalisée par Philip Wovermans au prix de 19.19 gs. [63]
  • 1771.03.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A parable of our Saviour, speaking to his disciples: This picture, in point of design and composition, is in the stile of Raphael and Poussin: it is also of the highest finishing; and is a most undoubted and perfect composition of that master (Sebastian Bourdon)|A parable of our Saviour, speaking to his disciples: This picture, in point of design and composition, is in the stile of Raphael and Poussin: it is also of the highest finishing; and is a most undoubted and perfect composition of that master]] réalisée par Sebastian Bourdon au prix de 40.17 [?] gs. [65]
  • 1771.03.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A holy family, painted in emulation of the picture of Hannibal Carracci, called the Silence, in the collection of the King of France: In the expression, composition, beautiful simplicity, harmony and mellowness of the colouring, he hath so happily succeeded, as, if not to deserve the preference, at least to leave the palm doubtful between the illustrious rivals. -- This is an undoubted great performance that painting can boast (Sebastian Bourdon)|A holy family, painted in emulation of the picture of Hannibal Carracci, called the Silence, in the collection of the King of France: In the expression, composition, beautiful simplicity, harmony and mellowness of the colouring, he hath so happily succeeded, as, if not to deserve the preference, at least to leave the palm doubtful between the illustrious rivals. -- This is an undoubted great performance that painting can boast]] réalisée par Sebastian Bourdon, achetée par [[Sir Rbt Anliffe[?]]] au prix de 120.15 gs. [68]
  • 1771.03.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The card-players, with a company of boors merrymaking, in the back-ground: The transparency and glow of the colouring, the extreme high-finishing, and harmonious arrangement of the toute ensemble, shew this to be one of the most perfect productions of that celebrated artist, in his best time (D. Teniers)|The card-players, with a company of boors merrymaking, in the back-ground: The transparency and glow of the colouring, the extreme high-finishing, and harmonious arrangement of the toute ensemble, shew this to be one of the most perfect productions of that celebrated artist, in his best time]] réalisée par D. Teniers au prix de 95.11 [?] gs. [70]
  • 1771.03.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A holy family: This picture, in respect of the noble simplicity of the expression, the accuracy of contour, and the beautiful composition; the harmony of the colouring, and the divine air that beams in the countenance of the babe, his mother, and St. John, can never be sufficiently admired: it is in exceeding fine preservation, and was painted for Mons. Dechanteloup, anno 1653. -- It is engraved (N. Poussin)|A holy family: This picture, in respect of the noble simplicity of the expression, the accuracy of contour, and the beautiful composition; the harmony of the colouring, and the divine air that beams in the countenance of the babe, his mother, and St. John, can never be sufficiently admired: it is in exceeding fine preservation, and was painted for Mons. Dechanteloup, anno 1653. -- It is engraved]] réalisée par N. Poussin, achetée par [[Ld Jornham[?]]] au prix de 99.15 gs. [71]