Ventes d'œuvres le 1783.05.09

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  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A view of that much admired spot, called Schevening: on the strand is seen a whale, the water being low, several figures going to see the monster; the whole is with boats, and other casualties pleasingly decorated, finished to a nicety, and makes a desirable object, which has no other ornament than pure nature (Devlieger)|A view of that much admired spot, called Schevening: on the strand is seen a whale, the water being low, several figures going to see the monster; the whole is with boats, and other casualties pleasingly decorated, finished to a nicety, and makes a desirable object, which has no other ornament than pure nature]] réalisée par Devlieger, vendue par Mr. Bertels, from Brussels. [41]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[The wise men's offering. This ancient piece of painting has not that freedom of pencilling, or fine keeping of later artists, yet has its merit in representing the objects as they appeared, and finishes every part equally. This picture for it's antiquity, is perfect and well perserved. (Jan V. Eyck, (the first Inventor of oil colours))|The wise men's offering. This ancient piece of painting has not that freedom of pencilling, or fine keeping of later artists, yet has its merit in representing the objects as they appeared, and finishes every part equally. This picture for it's antiquity, is perfect and well perserved.]] réalisée par Jan V. Eyck, (the first Inventor of oil colours), vendue par Mr. Bertels, from Brussels. [45]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[This great and busy scene represents the feast given in honour of the Duke and Duchess of Brabant on their arrival; a rope dancer preparing to exhibit, and entertain the company which is very numerous. The author of this was most of his time employed in making sketches and designs for Rubens, the rest of his time was engaged at court, for which this piece was painted (Sallaert)|This great and busy scene represents the feast given in honour of the Duke and Duchess of Brabant on their arrival; a rope dancer preparing to exhibit, and entertain the company which is very numerous. The author of this was most of his time employed in making sketches and designs for Rubens, the rest of his time was engaged at court, for which this piece was painted]] réalisée par Sallaert, vendue par Mr. Bertels, from Brussels. [57]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A true piece of rural nature. The author has, as usual, introduced a ruined brick dwelling, at the bottom, a wooden pigstye, and a landing place at the water's edge, where a woman is rincing linen. The figures in this landscape are painted by A. Ostade; It is very scarce to meet with these two masters in one picture (Decker)|A true piece of rural nature. The author has, as usual, introduced a ruined brick dwelling, at the bottom, a wooden pigstye, and a landing place at the water's edge, where a woman is rincing linen. The figures in this landscape are painted by A. Ostade; It is very scarce to meet with these two masters in one picture]] réalisée par Decker, vendue par Mr. Bertels, from Brussels. [58]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[An assemblage of gods and goddesses; Apollo, and one of the muses playing to a group of dancing Cupids, Juno pointing to them; on the other side, Bacchus receiving the juice of the grape administered by Ceres; Diana sitting next to Apollo, and admiring the festivity (Rottenhamer)|An assemblage of gods and goddesses; Apollo, and one of the muses playing to a group of dancing Cupids, Juno pointing to them; on the other side, Bacchus receiving the juice of the grape administered by Ceres; Diana sitting next to Apollo, and admiring the festivity]] réalisée par Rottenhamer, vendue par Mr. Bertels, from Brussels. [59]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A view of a low flat country; the scene near Utrecht; on the right hand is a pleasing group of figures under the trunk of an old tree near some cottages; on the left side is seen at a great distance, a post-coach and some figures coming from coursing. The colouring is very clear and gay, and must be allowed one of the best pictures existing of that master (Van Goyen)|A view of a low flat country; the scene near Utrecht; on the right hand is a pleasing group of figures under the trunk of an old tree near some cottages; on the left side is seen at a great distance, a post-coach and some figures coming from coursing. The colouring is very clear and gay, and must be allowed one of the best pictures existing of that master]] réalisée par Van Goyen, vendue par Mr. Bertels, from Brussels. [60]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A most beautiful landscape, the distance clear, and represents an agreeable valley on the second ground, a lime kiln, and figures there employed; in the fore ground, women rincing linen, and gentlemen on horseback crossing the water. The fine aerial perspective and glow of colour, are equal to Claude (C. Du Jardin)|A most beautiful landscape, the distance clear, and represents an agreeable valley on the second ground, a lime kiln, and figures there employed; in the fore ground, women rincing linen, and gentlemen on horseback crossing the water. The fine aerial perspective and glow of colour, are equal to Claude]] réalisée par C. Du Jardin, vendue par Mr. Bertels, from Brussels. [65]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[The intombing of Christ; a grand composition of eleven figures, some holding lights, from which the principal objects are illuminated; -- the same is spread with profusion througout the whole, very advantageously, for the keeping, and great harmony in this performance, and for which this master is so justly renonwed. -- Ths is one of his most correct and best finished pictures, it was purchased out of the collection of Dr. Tack, at Leyden (Rembrandt)|The intombing of Christ; a grand composition of eleven figures, some holding lights, from which the principal objects are illuminated; -- the same is spread with profusion througout the whole, very advantageously, for the keeping, and great harmony in this performance, and for which this master is so justly renonwed. -- Ths is one of his most correct and best finished pictures, it was purchased out of the collection of Dr. Tack, at Leyden]] réalisée par Rembrandt, vendue par Mr. Bertels, from Brussels. [73]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[This picture, which was the property of the late Duke of Lorain, at Brussels, contains portraits of Guido Cavalcantes, Dantes, Joannes Boccatius, Franciscus Petrarcha, Angelus Politianus, and Marsilius Ficinus disputing on Virgil. There is an engraving after this piece, by Hironinus Cock (Raphael)|This picture, which was the property of the late Duke of Lorain, at Brussels, contains portraits of Guido Cavalcantes, Dantes, Joannes Boccatius, Franciscus Petrarcha, Angelus Politianus, and Marsilius Ficinus disputing on Virgil. There is an engraving after this piece, by Hironinus Cock]] réalisée par Raphael, vendue par Mr. Bertels, from Brussels. [78]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A venerable old character. -- This inestimable picture confirms what all authors have related of the high finishing and painting of this wonderful master, and by what we now see before us, it must be acknowledged that in finishing, he surpassed Gerard Dow, Meries, and Vanderwerf; and we may with wonder and amazement say, that nature cannot be represented with more truth. Some writers who describe the merits of this author, have even gone so far as to say that, "it might be imagined to see the blood circulate in the veins," and except we see, of this artist's work, it is impossible to represent to our ideas, that art could produce such a prodigy. His works are scarce, and but very few of this quality; there are two, an old man and woman in the cabinet at Manheim, in cases, under lock and key; the same at Vienna, in the Emperor's cabinet, for which court this head was painted; Denner receved for it, 1000 ducats, and it was made a present by the late Emperor, to his Brother Prince Charles, of Lorain (Denner)|A venerable old character. -- This inestimable picture confirms what all authors have related of the high finishing and painting of this wonderful master, and by what we now see before us, it must be acknowledged that in finishing, he surpassed Gerard Dow, Meries, and Vanderwerf; and we may with wonder and amazement say, that nature cannot be represented with more truth. Some writers who describe the merits of this author, have even gone so far as to say that, "it might be imagined to see the blood circulate in the veins," and except we see, of this artist's work, it is impossible to represent to our ideas, that art could produce such a prodigy. His works are scarce, and but very few of this quality; there are two, an old man and woman in the cabinet at Manheim, in cases, under lock and key; the same at Vienna, in the Emperor's cabinet, for which court this head was painted; Denner receved for it, 1000 ducats, and it was made a present by the late Emperor, to his Brother Prince Charles, of Lorain]] réalisée par Denner, vendue par Mr. Bertels, from Brussels. [81]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[This scene represents a kermise in a country viliage, near the painter's residence, called Vilvoord, in the neighbourhood of Brussels. This brilliant of the first water, is enriched with about seventeen figures, which are disposed into different groupes, some dancing, others drinking, and every character seems enlivened with mirth and jollity. This jewel, we may with justice say is unique of the master, as there has not been seen so great a composition in such a small compass. The figures are finished equal to Brughel, penciled with more freedom, and we may justly make use of the French expression, "Une Tableau vierge & argentine." -- It is painted on copper (D. Teniers)|This scene represents a kermise in a country viliage, near the painter's residence, called Vilvoord, in the neighbourhood of Brussels. This brilliant of the first water, is enriched with about seventeen figures, which are disposed into different groupes, some dancing, others drinking, and every character seems enlivened with mirth and jollity. This jewel, we may with justice say is unique of the master, as there has not been seen so great a composition in such a small compass. The figures are finished equal to Brughel, penciled with more freedom, and we may justly make use of the French expression, "Une Tableau vierge & argentine." -- It is painted on copper]] réalisée par D. Teniers, vendue par Mr. Bertels, from Brussels. [82]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A reposing after a chace; Nymphs are discovered sleeping, by Satyrs; Cupid silencing the hounds, signifying that their howling will awaken the weary; the landscape highly finished; and kept in a still and serene light, to favour the figures and hounds; of which there is a rich assemblage, painted with great accuracy, as are the productions of their sport by Velvet Breughel, the figures by -- (Rubens)|A reposing after a chace; Nymphs are discovered sleeping, by Satyrs; Cupid silencing the hounds, signifying that their howling will awaken the weary; the landscape highly finished; and kept in a still and serene light, to favour the figures and hounds; of which there is a rich assemblage, painted with great accuracy, as are the productions of their sport by Velvet Breughel, the figures by --]] réalisée par Rubens, vendue par Mr. Bertels, from Brussels. [83]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A gallery, in which is represented a great assemblage of paintings, statues, antiques, and various other curiosities; the whole a scene of abundance, in every kind relative to the virtue; and in possessing a picture of this nature, a lover may enjoy the different manners and style of several artists, notwithstanding the place is a confusion of paintings, hanging and standing one before the other, it has a great repose in keeping, the back ground is a long gallery, with statues, conducting to a door, through which is seen part of the garden, the perspective is well observed and the whole is a most agreeable scene, painted and signed in the year 1660 (Bouvet)|A gallery, in which is represented a great assemblage of paintings, statues, antiques, and various other curiosities; the whole a scene of abundance, in every kind relative to the virtue; and in possessing a picture of this nature, a lover may enjoy the different manners and style of several artists, notwithstanding the place is a confusion of paintings, hanging and standing one before the other, it has a great repose in keeping, the back ground is a long gallery, with statues, conducting to a door, through which is seen part of the garden, the perspective is well observed and the whole is a most agreeable scene, painted and signed in the year 1660]] réalisée par Bouvet, vendue par Mr. Bertels, from Brussels. [85]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[An allegorical composition of fifteen figures, alluding to the martyrdom of a female saint, who is ordered to be destroyed by the Emperor Constantine, he sitting upon a white horse; the female figure partly reposing on a globe, and devoting her last moments to heaven, from whence appears two angels with the emblems of christianity (for which it is supposed she suffers) to strengthen her in the pursuit of her resolution. The expressions are great, the compostion heroic and noble, in that great style, for which this artist is so highly renowned; the colouring brilliant and transparent, and it must be acknowledged one of the best productions of so justly admired an artist; few cabinets possess sketches of such a quality (Rubens)|An allegorical composition of fifteen figures, alluding to the martyrdom of a female saint, who is ordered to be destroyed by the Emperor Constantine, he sitting upon a white horse; the female figure partly reposing on a globe, and devoting her last moments to heaven, from whence appears two angels with the emblems of christianity (for which it is supposed she suffers) to strengthen her in the pursuit of her resolution. The expressions are great, the compostion heroic and noble, in that great style, for which this artist is so highly renowned; the colouring brilliant and transparent, and it must be acknowledged one of the best productions of so justly admired an artist; few cabinets possess sketches of such a quality]] réalisée par Rubens, vendue par Mr. Bertels, from Brussels. [86]
  • 1783.05.09/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[The virgin, a reposo under a large tree, with her infant sleeping, attended by angels; Joseph bearing down the branches, whilst one of the cherubims, suspended on air, is gathering the fruit; the whole represented in a bright landscape, which renders this performance the more agreeable and lively. This is one of the paintings under the name of Rubens, which like the gallery of Luxemburg, and most of his large works were painted by some of his disciples, and then corrected and spirited by himself, which brought the performance before us, to its great brilliancy of colouring (Rubens)|The virgin, a reposo under a large tree, with her infant sleeping, attended by angels; Joseph bearing down the branches, whilst one of the cherubims, suspended on air, is gathering the fruit; the whole represented in a bright landscape, which renders this performance the more agreeable and lively. This is one of the paintings under the name of Rubens, which like the gallery of Luxemburg, and most of his large works were painted by some of his disciples, and then corrected and spirited by himself, which brought the performance before us, to its great brilliancy of colouring]] réalisée par Rubens, vendue par Mr. Bertels, from Brussels. [87]
  • 1783.05.09/ maison de ventes : Barford. Vente de l'œuvre décrite comme [[A lapis lazuli bust, set in gold, 6 small enamels, an agate smelling bottle, 2 gold crosses, a gold key, a buckle, a small silver box, a miniature of George I. a piece of agate, and 7 intaglios Various Antiquities, in Painting, Rings, &c. (artiste anonyme)|A lapis lazuli bust, set in gold, 6 small enamels, an agate smelling bottle, 2 gold crosses, a gold key, a buckle, a small silver box, a miniature of George I. a piece of agate, and 7 intaglios Various Antiquities, in Painting, Rings, &c.]] réalisée par un.e artiste anonyme, vendue par Ingham Foster, achetée par Young au prix de ? gs. [92]