Ventes d'œuvres le 1791.-.-

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  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Moses and Aaron before Pharoah King of Egypt. "They cast down every man his rod, and they became serpents: but Aaron's rod swallowed up their rods." The compostion, expression, and design, equal to Raphael himself, it may be truly stiled a Chef d'oeuvre, for here the artist has absolutely exceeded himself (Seb. Bourdon)|Moses and Aaron before Pharoah King of Egypt. "They cast down every man his rod, and they became serpents: but Aaron's rod swallowed up their rods." The compostion, expression, and design, equal to Raphael himself, it may be truly stiled a Chef d'oeuvre, for here the artist has absolutely exceeded himself]] réalisée par Seb. Bourdon. [11]
  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[An elegant composition of six figures representing the Triumph of Beauty, painted when this artist was at the very meridian of his powers; his pictures of this time are rarely to be met with, and are truly valuable, this was purchased at the sale of Comte D'Holbach academician of Manheim, Berlin, and St. Petersburgh (La Seur)|An elegant composition of six figures representing the Triumph of Beauty, painted when this artist was at the very meridian of his powers; his pictures of this time are rarely to be met with, and are truly valuable, this was purchased at the sale of Comte D'Holbach academician of Manheim, Berlin, and St. Petersburgh]] réalisée par La Seur. [14]
  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The portrait of his wife, she who had the power of transforming a blacksmith and a farrier into an excellent artist. "Omnia vincit amor." He has here represented this beloved object spinning, the wheel and attributes finished to a deception. Indeed, when we consider how deeply the subject of this picture was imprinted in his imagination, we shall in some degree cease to wonder at the excellence of the representation. The celebrated picture of the two misers in the gallery, at Windsor, is also by the hand of this master, out of the collection of Baron de Fraula (Quintin Matsys)|The portrait of his wife, she who had the power of transforming a blacksmith and a farrier into an excellent artist. "Omnia vincit amor." He has here represented this beloved object spinning, the wheel and attributes finished to a deception. Indeed, when we consider how deeply the subject of this picture was imprinted in his imagination, we shall in some degree cease to wonder at the excellence of the representation. The celebrated picture of the two misers in the gallery, at Windsor, is also by the hand of this master, out of the collection of Baron de Fraula]] réalisée par Quintin Matsys. [48]
  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Decius Mus, anno Romæ 458, solemnly devoting himself to the Gods, after which he plunged into the thickest of the enemy with incredible bravery and resolution, saved his army, but fell himself a sacrifice for the good of his country, following the signal example his father had set him about forty years before. From the collection of Baron de Huysmans (Rubens (Cartoon))|Decius Mus, anno Romæ 458, solemnly devoting himself to the Gods, after which he plunged into the thickest of the enemy with incredible bravery and resolution, saved his army, but fell himself a sacrifice for the good of his country, following the signal example his father had set him about forty years before. From the collection of Baron de Huysmans]] réalisée par Rubens (Cartoon). [79]
  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The wisemen's offering. A noble composition, painted at the time when this great master had nearly approached the meridian of his powers, and purest stile of colouring, he repeated the same on a larger scale, omitting some parts, as the white horse, &c. It was presented to the superior of a convent at Brussels, and was always esteemed one of the finest pieces of colouring this eminent master ever produced. There is a scarce and valuable print in two sheets, after this grand performance *footnote: Some of the first Connoisseurs alledge, upon account of the extraordinary finishing of this picture, that it must have been first painted by one of Ruben's principal scholars, and afterwards touched off in its present stile of excellence by the hand of this master himself, as many of his works are done in this manner, especially those in the Luxembourg gallery (Rubens)|The wisemen's offering. A noble composition, painted at the time when this great master had nearly approached the meridian of his powers, and purest stile of colouring, he repeated the same on a larger scale, omitting some parts, as the white horse, &c. It was presented to the superior of a convent at Brussels, and was always esteemed one of the finest pieces of colouring this eminent master ever produced. There is a scarce and valuable print in two sheets, after this grand performance *footnote: Some of the first Connoisseurs alledge, upon account of the extraordinary finishing of this picture, that it must have been first painted by one of Ruben's principal scholars, and afterwards touched off in its present stile of excellence by the hand of this master himself, as many of his works are done in this manner, especially those in the Luxembourg gallery]] réalisée par Rubens. [85]
  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A harbour on the coast of Barbary, where different ships and gallies come to an anchor. The foreground richly filled, and a boat just setting off from the shore, the scene representing the setting sun, a most fascinating performance, from the collection of Mons. de Pile (Claude)|A harbour on the coast of Barbary, where different ships and gallies come to an anchor. The foreground richly filled, and a boat just setting off from the shore, the scene representing the setting sun, a most fascinating performance, from the collection of Mons. de Pile]] réalisée par Claude. [125]
  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The approach of a storm, the scene is on a lake, with fishermen drawing their nets. The artist on the left side is seen taking this romantic view, and it appears that Ruysdael must have had Salvator Rosa in his mind when he painted this charming picture (J. Ruysdael)|The approach of a storm, the scene is on a lake, with fishermen drawing their nets. The artist on the left side is seen taking this romantic view, and it appears that Ruysdael must have had Salvator Rosa in his mind when he painted this charming picture]] réalisée par J. Ruysdael. [139]
  • 1791.-.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Abraham preparing to sacrifice his son. "And the Angel said, Lay not thine hand upon the lad, neither do thou any thing unto him: for now I know that thou fearest God, &c." The resignation of Isaac, and the gratitude of the patriarch are wonderfully expressive (Carlo Maratti)|Abraham preparing to sacrifice his son. "And the Angel said, Lay not thine hand upon the lad, neither do thou any thing unto him: for now I know that thou fearest God, &c." The resignation of Isaac, and the gratitude of the patriarch are wonderfully expressive]] réalisée par Carlo Maratti. [172]
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