Ventes d'œuvres le 1799.06.-

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  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A grand romantic landscape in the boldest manner of Salvator Rosa; Jacob is introduced attending the flocks of Laban; and encreasing the number of ringstraked, speckled and spotted sheep, by the introduction of spotted rods at the watering troughs, & c. (Salvator Rosa)|A grand romantic landscape in the boldest manner of Salvator Rosa; Jacob is introduced attending the flocks of Laban; and encreasing the number of ringstraked, speckled and spotted sheep, by the introduction of spotted rods at the watering troughs, & c.]] réalisée par Salvator Rosa. [41]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Venus observing herself in a mirror, whilst a female attendant is wiping her feet; an original and pleasing composition of the immortal Titian, always esteemed as the best coloured picture of that rare master. The frame alone of this valuable picture, which is carved out of solid oak, must have cost, at least, one-hundred guineas (Titian)|Venus observing herself in a mirror, whilst a female attendant is wiping her feet; an original and pleasing composition of the immortal Titian, always esteemed as the best coloured picture of that rare master. The frame alone of this valuable picture, which is carved out of solid oak, must have cost, at least, one-hundred guineas]] réalisée par Titian, vendue par [[[John Humble]]]. [66]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Diana and her nymphs in a charming romantic landscape ; the distress of Calisto upon her incontinency being exposed to the goddess of chastity is most forcibly represented -- this pleasing picture was in the private cabinet of the late Duke of Orleans, and was universally admired, Vanloo. (Vanloo)|Diana and her nymphs in a charming romantic landscape ; the distress of Calisto upon her incontinency being exposed to the goddess of chastity is most forcibly represented -- this pleasing picture was in the private cabinet of the late Duke of Orleans, and was universally admired, Vanloo.]] réalisée par Vanloo. [221]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Furius Camillus sending back the schoolmaster of Faleri, who had treacherously delivered up his scholars to the Romans their enemies, Nicolo Poussin. This truly classical and learned picture, which is described by Fellbien, was painted in the year 1634 for M. Passart, accomptant general of France, and afterwards passed into the royal collection. Poussin in a letter to the Sieur Stella mentions this valuable performance as his most sublime composition (Nicolo Poussin)|Furius Camillus sending back the schoolmaster of Faleri, who had treacherously delivered up his scholars to the Romans their enemies, Nicolo Poussin. This truly classical and learned picture, which is described by Fellbien, was painted in the year 1634 for M. Passart, accomptant general of France, and afterwards passed into the royal collection. Poussin in a letter to the Sieur Stella mentions this valuable performance as his most sublime composition]] réalisée par Nicolo Poussin. [239]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The adoration of the Magi, Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The adoration of the Magi, Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [257]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The marriage of the Virgin, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The marriage of the Virgin, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [258]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The birth of St. John, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The birth of St. John, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [259]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The celestial reception of the Virgin, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The celestial reception of the Virgin, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [260]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A grand bacchanalian fete, in honour of Priapus. The original spirit of this classical master appears in every touch of the pencil, and demonstrated an unrivalled superiority in composition and expression ; the landscape peculiarly warm and glowing, and wonderfully appropriate to the scene of revelry in which the nymphs, satyrs, men, and boys are so deeply engaged (Nicolo Poussin)|A grand bacchanalian fete, in honour of Priapus. The original spirit of this classical master appears in every touch of the pencil, and demonstrated an unrivalled superiority in composition and expression ; the landscape peculiarly warm and glowing, and wonderfully appropriate to the scene of revelry in which the nymphs, satyrs, men, and boys are so deeply engaged]] réalisée par Nicolo Poussin. [270]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The interior of Gonzales's music gallery, with portraits of himself and family, and a great variety of musical instruments, birds, pictures, ornaments, &c. a view of his villa, near Cadiz, appearing in the distance, a very valuable and curious performance (Gonzales)|The interior of Gonzales's music gallery, with portraits of himself and family, and a great variety of musical instruments, birds, pictures, ornaments, &c. a view of his villa, near Cadiz, appearing in the distance, a very valuable and curious performance]] réalisée par Gonzales. [273]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A landscape with cattle and figures, its companion being a continuation of the same view. De la Rive was a member of the council of Geneva, before the French revolutionised that once happy republic. These two pictures were painted for the late Prussian Ambassador (De la Rive)|A landscape with cattle and figures, its companion being a continuation of the same view. De la Rive was a member of the council of Geneva, before the French revolutionised that once happy republic. These two pictures were painted for the late Prussian Ambassador]] réalisée par De la Rive. [301]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The holy family with St. John, as large as life, one of the most valuable productions of the Pordenone, and must convince the connoisseur that Titian had sufficient reason to be jealous of the wonderful powers of this great master, from the cabinet of Monsieur de Calonne (Pordenone)|The holy family with St. John, as large as life, one of the most valuable productions of the Pordenone, and must convince the connoisseur that Titian had sufficient reason to be jealous of the wonderful powers of this great master, from the cabinet of Monsieur de Calonne]] réalisée par Pordenone. [316]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Diogenes reflecting on the vanity of human life ; the philosopher reclining on his tub is observing the infantine amusements of some children who are playing around him ; Alexander the Great is seen approaching in the distance ; the landscape particularly grand and romantic, Nicolo Poussin. (Nicolo Poussin)|Diogenes reflecting on the vanity of human life ; the philosopher reclining on his tub is observing the infantine amusements of some children who are playing around him ; Alexander the Great is seen approaching in the distance ; the landscape particularly grand and romantic, Nicolo Poussin.]] réalisée par Nicolo Poussin. [432]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The holy family, with an angel presenting flowers, &c. to the infant Jesus. -- The late Duke of Bedford purchased this picture at Paris, at an immense price, it has been always considered the chief d'oeuvre of Carlo Maratti ; the beauty and expression of our Saviour have been particularly and universally admired. (Carlo Maratti)|The holy family, with an angel presenting flowers, &c. to the infant Jesus. -- The late Duke of Bedford purchased this picture at Paris, at an immense price, it has been always considered the chief d'oeuvre of Carlo Maratti ; the beauty and expression of our Saviour have been particularly and universally admired.]] réalisée par Carlo Maratti. [439]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The inimitable representation of Southwark Fair, containing the portraits of King George the IId, Colley Cibber, Powell the fire eater, Figg the prize fighter, Punch's opera, the fall of Bajazet, the whole court of France, &c. &c. This valuable picture was considered by Lord Orford and other cognoscenti, as the chef-d'oeuvre of the celebrated Hogarth. (Hogarth)|The inimitable representation of Southwark Fair, containing the portraits of King George the IId, Colley Cibber, Powell the fire eater, Figg the prize fighter, Punch's opera, the fall of Bajazet, the whole court of France, &c. &c. This valuable picture was considered by Lord Orford and other cognoscenti, as the chef-d'oeuvre of the celebrated Hogarth.]] réalisée par Hogarth. [454]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The flight into Egypt, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The flight into Egypt, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [463]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Joseph soliciting the Virgin in marriage, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|Joseph soliciting the Virgin in marriage, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [464]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The adoration of the shepherds, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The adoration of the shepherds, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [465]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The circumcision, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The circumcision, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [466]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The salutation, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The salutation, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [467]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The presentation in the temple, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|The presentation in the temple, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [468]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Our Saviour before the doctors, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|Our Saviour before the doctors, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [469]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Death of the Virgin, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic. (Van Lint)|Death of the Virgin, Ditto Van Lint. These twelve pictures, representing the most important events in the life of our blessed Redeemer, and the Virgin, were brought from Spain, and are considered the chef d'oeuvres of Vant sic Lint, who was the master of Rubens sic.]] réalisée par Van Lint. [470]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A morning scene, representing the harbour of Genoa, the fog dispersing, and a ship under full sail standing out o sea ; the uncommon beauty and effect of this pleasing and valuable picture, has been universally admired, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe. (Vernet)|A morning scene, representing the harbour of Genoa, the fog dispersing, and a ship under full sail standing out o sea ; the uncommon beauty and effect of this pleasing and valuable picture, has been universally admired, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe.]] réalisée par Vernet. [478]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A storm on the coast of Italy, most sublimely represented-- a ship, by the violent gust of wind, appears laid upon her beam-ends, and engages the spectator to feel for the perilous situation of the crew, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe. (Vernet)|A storm on the coast of Italy, most sublimely represented-- a ship, by the violent gust of wind, appears laid upon her beam-ends, and engages the spectator to feel for the perilous situation of the crew, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe.]] réalisée par Vernet. [483]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A romantic view in the Apennines, the glow and warmth of the setting sun finely described, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe. (Vernet)|A romantic view in the Apennines, the glow and warmth of the setting sun finely described, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe.]] réalisée par Vernet. [486]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A rocky and romantic sea coast, finely described, by moonlight, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe. (Vernet)|A rocky and romantic sea coast, finely described, by moonlight, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe.]] réalisée par Vernet. [487]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A view of part of the harbour of Naples, the shipping and figures most exquisitely finished, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe. (Vernet)|A view of part of the harbour of Naples, the shipping and figures most exquisitely finished, Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe.]] réalisée par Vernet. [490]
  • 1799.06.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A view in the Apennines with part of the celebrated aqueduct, most exquisitely coloured, and considered one of the finest pictures of Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe. (Vernet)|A view in the Apennines with part of the celebrated aqueduct, most exquisitely coloured, and considered one of the finest pictures of Vernet. This valuable production, with five others in this collection of the same size, were painted for a member of the British Parliament lately deceased, who was the intimate friend and patron of Vernet, and are, without exception, the most valuable set of pictures of that great master in Europe.]] réalisée par Vernet. [492]
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