Ventes d'œuvres le 1803.01.04

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[St. Peter and St. John. This picture represents St. John, making observations to St. Peter upon his gospel. In the expression of these two heads may easily be perceived the genius of that great painter, whose pictures were very much sought after, even during his life (Michael Angelo da Caravagio)|St. Peter and St. John. This picture represents St. John, making observations to St. Peter upon his gospel. In the expression of these two heads may easily be perceived the genius of that great painter, whose pictures were very much sought after, even during his life]] réalisée par Michael Angelo da Caravagio, vendue par Bonelli. [1]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme The Betrothing of St. Catharine. In this picture the painter has followed his own strong and bold style of painting, for which he was always so remarkable réalisée par Bartolomeo Schidone, vendue par Bonelli. [2]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Sampson and Delilah. In this picture is represented Sampson showing to Delilah where his great strength lies. "There hath not come a razor upon mine head, for I have been a Nazarite unto God from my mother's womb: If I be shaven, then my strength will go from me, and I shall become weak, and be like any other man." -- Judges, chap. xvi. v. 17. With the surprize of that treacherous woman, one may remark her satisfaction, to have in her power to give him up to his enemies, the Philistines. This picture, one of the finest of the master, is the only one where this subject has been treated. (John Francis Barbieri, called Guercino)|Sampson and Delilah. In this picture is represented Sampson showing to Delilah where his great strength lies. "There hath not come a razor upon mine head, for I have been a Nazarite unto God from my mother's womb: If I be shaven, then my strength will go from me, and I shall become weak, and be like any other man." -- Judges, chap. xvi. v. 17. With the surprize of that treacherous woman, one may remark her satisfaction, to have in her power to give him up to his enemies, the Philistines. This picture, one of the finest of the master, is the only one where this subject has been treated.]] réalisée par John Francis Barbieri, called Guercino, vendue par Bonelli. [3]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Love Sleeping. Besides the interest of the subject, which every body, who has a little experience in life, will readily allow, this picture has the merit of being one, in which every connoisseur may distinguish the art of this able master réalisée par Guido Reni, vendue par Bonelli. [4]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Meeting of Italian Beggars. This master, besides being a celebrated landscape painter, has the merit of being the only Italian artist who has distinguished himself in the style of Teniers réalisée par Lucatelli, vendue par Bonelli. [5]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Meeting of Italian Beggars. Companion to No.5 réalisée par Lucatelli, vendue par Bonelli. [6]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Eneas led by the Sybil to the Infernal Regions. On his return from Carthage, Eneas landed in the Kingdom of Naples, and was led by the Sybil to the infernal regions, to see his father Anchises. In this superb scene, appears the genius of this great landscape painter; those who have read Virgil, and all the connoisseurs, cannot fail to admire the idea of the painter, who has seized the moment when the sun has disappeared from the horizon, in order to render the scene more gloomy (Claudio Gilet Lorraine)|Eneas led by the Sybil to the Infernal Regions. On his return from Carthage, Eneas landed in the Kingdom of Naples, and was led by the Sybil to the infernal regions, to see his father Anchises. In this superb scene, appears the genius of this great landscape painter; those who have read Virgil, and all the connoisseurs, cannot fail to admire the idea of the painter, who has seized the moment when the sun has disappeared from the horizon, in order to render the scene more gloomy]] réalisée par Claudio Gilet Lorraine, vendue par Bonelli. [7]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[St. Francis receiving the Wounds of our Saviour. This saint, meditating on the sufferings of our Saviour, obtains by his fervent prayers that he should suffer the same pains. The great expression of that picture has caused it to be judged in Rome, one of the best of that artist (Frederic Baroci)|St. Francis receiving the Wounds of our Saviour. This saint, meditating on the sufferings of our Saviour, obtains by his fervent prayers that he should suffer the same pains. The great expression of that picture has caused it to be judged in Rome, one of the best of that artist]] réalisée par Frederic Baroci, vendue par Bonelli. [8]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Madona, the Child, and St. John the Baptist. No praise can add to the merit of the divine Raphael, and the picture speaks for itself réalisée par Raphael d'Urbino, vendue par Bonelli. [9]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[The Presentation of St. John the Baptist to the Infant Jesus. Zacharias and Elizabeth having by their fervent prayers obtained a son, present him to Jesus, who is on the lap of his mother. This is one of the finest pictures of Poussin, both in respect to the subject and execution (Nicolas Poussin)|The Presentation of St. John the Baptist to the Infant Jesus. Zacharias and Elizabeth having by their fervent prayers obtained a son, present him to Jesus, who is on the lap of his mother. This is one of the finest pictures of Poussin, both in respect to the subject and execution]] réalisée par Nicolas Poussin, vendue par Bonelli. [10]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Mary Lamenting the Death of Christ. The expression in Mary's countenance is a sufficient proof of the merit of the picture and of its author réalisée par Lodovico Carracci, vendue par Bonelli. [11]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme The Virgin and Child. This picture is esteemed one of the best of that master After the Design of Raphael réalisée par Domenico Zampieri, called Domenichino, vendue par Bonelli. [12]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme A Landscape. This is given as a specimen of the stile of that celebrated painter, who enjoyed a great reputation at Rome, and fixed the price of his small pictures at 100 crowns réalisée par Paul Brilli, vendue par Bonelli. [13]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Juno and Argus. Juno having set Argus to watch Io, whom Jupiter loved, Mercury was sent by Jupiter to kill the vigilant guardian; Juno to reward his fidelity, metamorphosed him into a peacock, and took that bird under her protection. The picture represents that goddess taking the eyes out of the head of Argus, and placing them on the tail of her favourite bird (Antonio Carracci)|Juno and Argus. Juno having set Argus to watch Io, whom Jupiter loved, Mercury was sent by Jupiter to kill the vigilant guardian; Juno to reward his fidelity, metamorphosed him into a peacock, and took that bird under her protection. The picture represents that goddess taking the eyes out of the head of Argus, and placing them on the tail of her favourite bird]] réalisée par Antonio Carracci, vendue par Bonelli. [14]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme A Landscape. Painted for a companion to No. 13, by the same celebrated master réalisée par Paul Brilli, vendue par Bonelli. [15]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[The Judgment of Paris. At the Nuptial of Thetis and Pelée, the goddess Discord having thrown a golden apple in the assembly, with this inscription, to the fairest, the shepherd Paris was chosen by Jupiter, to determine between Juno, Pallas, and Venus. -- The name of the master is sufficient to warrant the merit of the picture (Gaspar Poussin)|The Judgment of Paris. At the Nuptial of Thetis and Pelée, the goddess Discord having thrown a golden apple in the assembly, with this inscription, to the fairest, the shepherd Paris was chosen by Jupiter, to determine between Juno, Pallas, and Venus. -- The name of the master is sufficient to warrant the merit of the picture]] réalisée par Gaspar Poussin, vendue par Bonelli. [16]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme St. Peter holding the Keys of Heaven. This painter, cousin to Lodovico, was equal if not superior to his cousin, as may be seen by this picture réalisée par Annibal Carracci, vendue par Bonelli. [17]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Narcissus admiring himself. The divine Tiresias told the parents of that young man, that he should live till he saw himself. One day, seeing his face in a fountain, he was so much taken with his beauty, that he died of languor, and was changed into a flower of that name (Gaspar Poussin)|Narcissus admiring himself. The divine Tiresias told the parents of that young man, that he should live till he saw himself. One day, seeing his face in a fountain, he was so much taken with his beauty, that he died of languor, and was changed into a flower of that name]] réalisée par Gaspar Poussin, vendue par Bonelli. [18]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[David Playing before the Ark. This picture was the last monument the family of the painter preserved of his memory, and were obliged to part with it in the latter times. Domenichino was to make four pictures for the church of St. Silvester of Monte Cavallo in Rome, but before he had finished one, he received orders to paint the four subjects a fresco, on the walls of the said church. The picture was never finished, yet the amateur will have an additional satisfaction in observing the mode of proceeding of that great artist (Domenico Zampieri, called Domenichino)|David Playing before the Ark. This picture was the last monument the family of the painter preserved of his memory, and were obliged to part with it in the latter times. Domenichino was to make four pictures for the church of St. Silvester of Monte Cavallo in Rome, but before he had finished one, he received orders to paint the four subjects a fresco, on the walls of the said church. The picture was never finished, yet the amateur will have an additional satisfaction in observing the mode of proceeding of that great artist]] réalisée par Domenico Zampieri, called Domenichino, vendue par Bonelli. [19]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Madona and Child, called Della Rosa. As the pictures of that master are well known in London, the connoisseurs will readily allow this to be one of his master-pieces; it was painted on purpose for Pope Clement the VIIth. The allegory is left to the sagacity of the amateurs (Francis Mazzola, called Parmegiano)|Madona and Child, called Della Rosa. As the pictures of that master are well known in London, the connoisseurs will readily allow this to be one of his master-pieces; it was painted on purpose for Pope Clement the VIIth. The allegory is left to the sagacity of the amateurs]] réalisée par Francis Mazzola, called Parmegiano, vendue par Bonelli. [20]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[The Sacrifice of Abraham. The subject of this picture is too well known to require an explanation, the superior manner in which the artist has expressed the strong faith of the father, and the submission of the son, shows how well he deserves his fame (Marco Veccellio, called Titian)|The Sacrifice of Abraham. The subject of this picture is too well known to require an explanation, the superior manner in which the artist has expressed the strong faith of the father, and the submission of the son, shows how well he deserves his fame]] réalisée par Marco Veccellio, called Titian, vendue par Bonelli. [21]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Christ calling Andreas to him. This picture represents our Saviour choosing his disciples. In this picture the connoisseur will admire the superiority of colouring of that great master, who has united the design of Raphael to the colouring of Correggio (Frederic Baroci)|Christ calling Andreas to him. This picture represents our Saviour choosing his disciples. In this picture the connoisseur will admire the superiority of colouring of that great master, who has united the design of Raphael to the colouring of Correggio]] réalisée par Frederic Baroci, vendue par Bonelli. [22]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Jupiter and Europe. Jupiter being in love with Europe, the daughter of Agennor, King of Phenicia, took her away disguised under the form of a bull, as she was gathering flowers in a field with her companions. The same subject by the same manster, painted en grand, is seen in the capitol at Rome (Paul Veronese)|Jupiter and Europe. Jupiter being in love with Europe, the daughter of Agennor, King of Phenicia, took her away disguised under the form of a bull, as she was gathering flowers in a field with her companions. The same subject by the same manster, painted en grand, is seen in the capitol at Rome]] réalisée par Paul Veronese, vendue par Bonelli. [23]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme The Assumption of the Virgin Mary. The subject so masterly treated, cannot fail to excite the admiration due to the author of this painting réalisée par Carracci, vendue par Bonelli, achetée par Knight of Whitehall. [24]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Nuptials of Cana réalisée par Tintoretto, vendue par Bonelli. [25]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme The Portrait of an Old Woman. This artist well known in England and much esteemed, has represented in this picture a character of that time réalisée par Holbeins, vendue par Bonelli. [26]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Venus and Adonis. Venus, passionately enamoured of Adonis, endeavours to prevent him from going a hunting, knowing the fate that awaited him. This painter is remarkable for the design, and the facility of execution in great and small subjects, as may be perceived in this interesting picture (Hypolite Scarsellino di Ferrara)|Venus and Adonis. Venus, passionately enamoured of Adonis, endeavours to prevent him from going a hunting, knowing the fate that awaited him. This painter is remarkable for the design, and the facility of execution in great and small subjects, as may be perceived in this interesting picture]] réalisée par Hypolite Scarsellino di Ferrara, vendue par Bonelli. [27]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Two Heads of Angels. In these two heads after nature, this celebrated master has expressed the beauty of the mouth, the vivacity of the eyes and the complexion, in a manner peculiar to him, and which may almost be said to surpass nature (Antonio Allegri, called Correggio)|Two Heads of Angels. In these two heads after nature, this celebrated master has expressed the beauty of the mouth, the vivacity of the eyes and the complexion, in a manner peculiar to him, and which may almost be said to surpass nature]] réalisée par Antonio Allegri, called Correggio, vendue par Bonelli. [28]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme An Angel presents the Young Tobias to the Virgin and Child. The colouring of that great artist, so well known, cannot fail to excite the admiration of all the amateurs réalisée par Veccellio, called Titian, vendue par Bonelli. [29]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Madona and Child. No praise is equal to the singular merit of that great man; he was versed in all the sciences, and particularly in painting. This picture is a sufficient proof of his talent, it was made for a soverign, and whoever is acquainted with the disputes of the Pope, and Francis the Ist. will be able to explain the allegory of the picture, in which the child is represented holding an apple in his hands and smiling to his mother (Leonardo da Vinci)|Madona and Child. No praise is equal to the singular merit of that great man; he was versed in all the sciences, and particularly in painting. This picture is a sufficient proof of his talent, it was made for a soverign, and whoever is acquainted with the disputes of the Pope, and Francis the Ist. will be able to explain the allegory of the picture, in which the child is represented holding an apple in his hands and smiling to his mother]] réalisée par Leonardo da Vinci, vendue par Bonelli. [30]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Lot and his Daughters. This artist was a worthy cousin of Lodovico. He has painted this interesting subject on touch-stone réalisée par Augustin Carracci, vendue par Bonelli. [31]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Madona, the Child, and St. John the Baptist. This picture was painted in the first time of that great artist réalisée par Leonardo da Vinci, vendue par Bonelli. [32]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Diana and Endymion. Companion to No.30 réalisée par Augustin Carracci, vendue par Bonelli. [33]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme This only great painter of the Neapolitan School, being a great philosopher and a great poet, has always treated his subjects after his genius, as may be seen in this picture and No.36, which is a companion, by the same master réalisée par Salvator Rosa, vendue par Bonelli. [34]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Wise Men of the East. This great artist without having seen Italy, distinguished himself in all the fine arts, his merit is well known in England, and the connoisseurs will find this picture one of the best he has made of that size réalisée par Alberto Dura, vendue par Bonelli. [35]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[The Portrait of Sir Walter Raleigh. The merit of the artist was so great, that all the sovereigns of his time wished to have him. Queen Elizabeth treated him with distinction. This portrait was made for her, and passed to a sovereign in Italy, where it was very much esteemed. The history of Sir Walter Raleigh is well known. After various vicissitudes in his fortune, he was executed on the 29th of October, 1617; considered by all his countrymen as an honour to his country for his literary and military character (Frederic Zuccheri)|The Portrait of Sir Walter Raleigh. The merit of the artist was so great, that all the sovereigns of his time wished to have him. Queen Elizabeth treated him with distinction. This portrait was made for her, and passed to a sovereign in Italy, where it was very much esteemed. The history of Sir Walter Raleigh is well known. After various vicissitudes in his fortune, he was executed on the 29th of October, 1617; considered by all his countrymen as an honour to his country for his literary and military character]] réalisée par Frederic Zuccheri, vendue par Bonelli. [36]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Companion to No.33 réalisée par Salvator Rosa, vendue par Bonelli. [37]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Christ calling St. Peter to him. Enough having been said of this artist, it will only be observed here, that in this, one of his smallest pictures, may be perceived his fine and elegant style réalisée par Frederic Baroci, vendue par Bonelli. [38]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Madona and Child, St. Catharine of Siene, and St. Francis. This master was so great that he deserved to be studied by Raphael and other great masters réalisée par Fra. Bartolomeo da St. Marco, vendue par Bonelli. [39]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Christ at the Well with the Samaritan. This picture is one of the first productions of the artist réalisée par Domenichino, vendue par Bonelli. [40]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Portrait of a Young Lady réalisée par Titian, vendue par Bonelli. [41]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme The Portrait of a Young Man réalisée par Raphael, vendue par Bonelli. [42]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Portrait of an Old Man. This portrait is made on paper, and will give to the connoisseurs an opportunity of observing how the great masters made their studies réalisée par Titian, vendue par Bonelli. [43]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme A Battle. To the praise of that artist it will be sufficient to say that he was employed by Louis XIV. King of France réalisée par Vandermulen, vendue par Bonelli. [44]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme The Betrothing of St. Catharine. Enough has been said of the known merit of that artist. The merit of the picture is left to the judgment of the connoisseurs réalisée par Titian, vendue par Bonelli. [45]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Magdalen. This picture has generally been thought Guercino's, but the proprietor knowing it to be of his scholar, wishes to do justice to the merit of the artist so worthy of his master réalisée par Benedict Gennari, vendue par Bonelli. [46]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Charity. Nothing can be said to add to the merit of the master, who is sufficiently known; and Malvasia, the author of the life of the Bolognese painters, gives a particular description of this picture, and says for whom it was painted réalisée par Guido Reni, vendue par Bonelli. [47]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme St. Jerome. This picture is of the same author, and the same style of painting as the preceding réalisée par Guido Reni, vendue par Bonelli. [48]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme A Landscape. This artist is one of the few who have distinguished themselves in painting, history, and landscape réalisée par Nicolo Poussin, vendue par Bonelli. [49]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Madona, the Child, and St. Denis. This painter is remarkable for a style, peculiar to himself and very much esteemed réalisée par Simon Vovet, vendue par Bonelli. [50]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme A Calm. Many pictures are attributed to that great master, but it is left to the judgment of a nation so much versed in those subjects, to decide on the merits of this and its companion réalisée par Vernet, vendue par Bonelli. [51]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme A Storm. Companion to No.50 réalisée par Vernet, vendue par Bonelli. [52]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme Magdalen. This artist is a worthy scholar of Lodovico Carracci, and he was so clever that Guido was very fond of conversing with him about painting. This picture is a convincing proof of his merit réalisée par Francis Albano, vendue par Bonelli. [53]

1803.01.04/ maison de ventes : Bonelli (Angelo). Vente de l'œuvre décrite comme [[Landscape. The fame of that great landscape painter is so well established, that nothing can add to it. The picture represents AEneas taking shelter in a harbour on the coast of Africa with seven of his ships, saved from the storm; he goes on shore with his faithful Achates to explore the country, and meeting with some stags, he kills seven for the use of his fleet. Virgil gives a perfect description of the scene in the first book of the AEneis, from the 228th verse to the 271st. Those who have read the passage will admire how masterly the painter has represented every object. This picture and companion, No.7, were esteemed by all the connoisseurs in Rome, the two best that great master ever painted, in point of execution and for the choice of the subjects (Claude Lorraine)|Landscape. The fame of that great landscape painter is so well established, that nothing can add to it. The picture represents AEneas taking shelter in a harbour on the coast of Africa with seven of his ships, saved from the storm; he goes on shore with his faithful Achates to explore the country, and meeting with some stags, he kills seven for the use of his fleet. Virgil gives a perfect description of the scene in the first book of the AEneis, from the 228th verse to the 271st. Those who have read the passage will admire how masterly the painter has represented every object. This picture and companion, No.7, were esteemed by all the connoisseurs in Rome, the two best that great master ever painted, in point of execution and for the choice of the subjects]] réalisée par Claude Lorraine, vendue par Bonelli. [54]