Ventes d'œuvres le 1804.05.18

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  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Dante and Beatrice, from Fresco Paintings of Cimabua large as life, and are supposed to have been copied from original Pictures painted in fresco at Florence by Cimabue, which existed in the time of Andrea. Raphael has painted the same head of Dante in his Parnassus in the Vatican ... painted on board. They belonged to the Salviati Collection. (A. del Sarto)|Dante and Beatrice, from Fresco Paintings of Cimabua large as life, and are supposed to have been copied from original Pictures painted in fresco at Florence by Cimabue, which existed in the time of Andrea. Raphael has painted the same head of Dante in his Parnassus in the Vatican ... painted on board. They belonged to the Salviati Collection.]] réalisée par A. del Sarto, vendue par Robert Udny, achetée par Roscoe au prix de 12.12 £. [63]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Reposo with a groupe of Angels dancing, and a choir of them in the Air playing on instruments small figures, with a rich fine landscape ... This work was painted by him when he was at Venice studying the works of Titian, whose portrait he has introduced as the Joseph. The colouring has all the glow of Titian, and the figures are animated and beautiful. It was bought at Venice of the Bernardi family. (Vandyck)|A Reposo with a groupe of Angels dancing, and a choir of them in the Air playing on instruments small figures, with a rich fine landscape ... This work was painted by him when he was at Venice studying the works of Titian, whose portrait he has introduced as the Joseph. The colouring has all the glow of Titian, and the figures are animated and beautiful. It was bought at Venice of the Bernardi family.]] réalisée par Vandyck, vendue par Robert Udny, achetée par Tresham au prix de 33.12 £. [68]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated, on the Ground with the Infant Jesus on her Knee, embraced by her left Arm, his head turned towards St. John, likewise young who is supported by Elizabeth and two Angels, painted in the most finished manner, on thick pannel in perfect preservation. It was painted by order of Octavio de Medici, who was Andrio's great Patron. See Vasari, edition of 1550, third part, page 768, it was bought by Consul Udny of Leghorn of the Duke of Salviati at Florence with many others, in the year ... and was brought to England in 1786. The figures large as life. (A. del Sarto)|The Virgin seated, on the Ground with the Infant Jesus on her Knee, embraced by her left Arm, his head turned towards St. John, likewise young who is supported by Elizabeth and two Angels, painted in the most finished manner, on thick pannel in perfect preservation. It was painted by order of Octavio de Medici, who was Andrio's great Patron. See Vasari, edition of 1550, third part, page 768, it was bought by Consul Udny of Leghorn of the Duke of Salviati at Florence with many others, in the year ... and was brought to England in 1786. The figures large as life.]] réalisée par A. del Sarto, vendue par Robert Udny, achetée par Henry Hope au prix de 105.0 £. [75]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Fortune, represented by a Female Figure seated on a Globe, covering her eyes with one hand and with the other scattering riches over the World. The Globe is supported by three beautiful boys allusive of her instability one holding an eel which is just escaping, alluding to the slipperiness of Fortune; another, withered ears of corn, shewing her uncertainty in harvest; and the third is blinded, shewing the inconstancy of love. This capital Picture large as life was painted for the Marquis Girine during his residence with his Family at Florence and from thence it was last purchased. It is particularly described in the Life of the master, and his name is upon it. (S. Rosa)|Fortune, represented by a Female Figure seated on a Globe, covering her eyes with one hand and with the other scattering riches over the World. The Globe is supported by three beautiful boys allusive of her instability one holding an eel which is just escaping, alluding to the slipperiness of Fortune; another, withered ears of corn, shewing her uncertainty in harvest; and the third is blinded, shewing the inconstancy of love. This capital Picture large as life was painted for the Marquis Girine during his residence with his Family at Florence and from thence it was last purchased. It is particularly described in the Life of the master, and his name is upon it.]] réalisée par S. Rosa, vendue par Robert Udny, achetée par Lee au prix de 34.13 £. [81]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Michael Angelo's Dream, executed from the celebrated design, universally known by that appellation, it represents Man in his natural State, seated on a Sarcophagus, on which are emblems of the deceptions which Man is subject to, when he places his dependance on the things of this World. This interesting Picture belonged to Cardinal Aldobrandini of Florence. Its merits are too obvious to the true Connoisseur to need any further encomium. Oval (M. Venusti)|Michael Angelo's Dream, executed from the celebrated design, universally known by that appellation, it represents Man in his natural State, seated on a Sarcophagus, on which are emblems of the deceptions which Man is subject to, when he places his dependance on the things of this World. This interesting Picture belonged to Cardinal Aldobrandini of Florence. Its merits are too obvious to the true Connoisseur to need any further encomium. Oval]] réalisée par M. Venusti, vendue par Robert Udny, achetée par Harris the Engraver au prix de 63.0 £. [82]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated whole figure, the Infant Jesus on her Knee, with Saints and Angels surrounding her in Adoration size of figures smaller than life; on a thick circular pannel, a fine specimen of the master, in the highest state of preservation, from the Salviati Collection where it had remained since the time of Cardinal Salviati, about the year 1550, truly capital (P. Perugino)|The Virgin seated whole figure, the Infant Jesus on her Knee, with Saints and Angels surrounding her in Adoration size of figures smaller than life; on a thick circular pannel, a fine specimen of the master, in the highest state of preservation, from the Salviati Collection where it had remained since the time of Cardinal Salviati, about the year 1550, truly capital]] réalisée par P. Perugino, vendue par Robert Udny, achetée par Tresham au prix de 44.2 £. [85]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Marriage of St. Catharine, a cabinet Jewel a beautiful small Picture in his most elegant style; the grace and colouring are exquisite. It is painted on board upon a gold ground; of the same size and subject as that painted by Correggio, in the King of Naples's Collection at Capo de Monte. There is an etching of this valuable little Picture by Parmegiano himself, and it was last bought from the Modena palace. (Parmegiano)|The Marriage of St. Catharine, a cabinet Jewel a beautiful small Picture in his most elegant style; the grace and colouring are exquisite. It is painted on board upon a gold ground; of the same size and subject as that painted by Correggio, in the King of Naples's Collection at Capo de Monte. There is an etching of this valuable little Picture by Parmegiano himself, and it was last bought from the Modena palace.]] réalisée par Parmegiano, vendue par Robert Udny, achetée par Raikes au prix de 31.10 £. [87]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Portrait, called the Jocunda, Mistress of Francis I. King of France. -- This exquisite Work is painted on Paper thin and slight, and is nearly the size of life: is perfect as the day it was painted; from the Collection of the Duke Salviati at Florence the whole of which was bought by Consul Udny, of Leghorn, for Mr. Robert Udny in 1784. (L. da Vinci)|A Portrait, called the Jocunda, Mistress of Francis I. King of France. -- This exquisite Work is painted on Paper thin and slight, and is nearly the size of life: is perfect as the day it was painted; from the Collection of the Duke Salviati at Florence the whole of which was bought by Consul Udny, of Leghorn, for Mr. Robert Udny in 1784.]] réalisée par L. da Vinci, vendue par Robert Udny, achetée par Pybus au prix de 29.8 £. [91]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Portrait of Francis the First; half figure, large as life. It is finished with the greatest labour and correctness, and in perfect preservation It was brought from Spain by the old Earl of Harrington, who received it as a Present from the King of Spain, when he was Ambassador there: It is painted on thick pannel. on a Medallion that fastens Part of his Dress is a Portrait of his favourite Lady, called the Jocunda (L. da Vinci)|A Portrait of Francis the First; half figure, large as life. It is finished with the greatest labour and correctness, and in perfect preservation It was brought from Spain by the old Earl of Harrington, who received it as a Present from the King of Spain, when he was Ambassador there: It is painted on thick pannel. on a Medallion that fastens Part of his Dress is a Portrait of his favourite Lady, called the Jocunda]] réalisée par L. da Vinci, vendue par Robert Udny, achetée par Harris ye Engraver au prix de 16.16 £. [92]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin with the Infant Jesus on her Knee, and St. John with his Hands clasped, in the act of Adoration, called La Madona della Seggiola; figures large as life, painted on a square board, the corners rounded off within the frame ... This lovely and exquisitely fine Picture being exactly the same composition as that in the palace Pitti at Florence by Raphael ... The following is excerpted: The work was painted for Taddio Taddei in the fourteenth century; it passed through different hands and was part of the Collection of Marquis Albergotti (of Perugia) at Arizzo, near Florence; it was bought from Marquis Albergotti by Robert Udney. The above Picture was brought to this country at the same time the Danae by Corregio was, and has always had a glass before it. The preceding was excerpted (Fra. Bartolomeo)|The Virgin with the Infant Jesus on her Knee, and St. John with his Hands clasped, in the act of Adoration, called La Madona della Seggiola; figures large as life, painted on a square board, the corners rounded off within the frame ... This lovely and exquisitely fine Picture being exactly the same composition as that in the palace Pitti at Florence by Raphael ... The following is excerpted: The work was painted for Taddio Taddei in the fourteenth century; it passed through different hands and was part of the Collection of Marquis Albergotti (of Perugia) at Arizzo, near Florence; it was bought from Marquis Albergotti by Robert Udney. The above Picture was brought to this country at the same time the Danae by Corregio was, and has always had a glass before it. The preceding was excerpted]] réalisée par Fra. Bartolomeo, vendue par Robert Udny, achetée par Conant au prix de 66.3 £. [96]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Head of a Rabbi intended as a portrait of some remarkable person, as it is richly dressed and exquisitely finished ... it is equal in colouring to Titian, and the expression and effect is perfect nature: as large as life. It belonged to the Duke de la Valiere (Rembrandt)|Head of a Rabbi intended as a portrait of some remarkable person, as it is richly dressed and exquisitely finished ... it is equal in colouring to Titian, and the expression and effect is perfect nature: as large as life. It belonged to the Duke de la Valiere]] réalisée par Rembrandt, vendue par Robert Udny, achetée par Tomkinson au prix de 44.2 £. [97]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Magdalen, figure to the knee, large as life: Was brought last from the King of Naples's Collection at Capo di Monte; and was ever admired and esteemed as one of the finest Works of the Master There is a divine sweetness and expression of resignation in the countenance, and at the same time grandeur of character that is not to be described. (Guido)|A Magdalen, figure to the knee, large as life: Was brought last from the King of Naples's Collection at Capo di Monte; and was ever admired and esteemed as one of the finest Works of the Master There is a divine sweetness and expression of resignation in the countenance, and at the same time grandeur of character that is not to be described.]] réalisée par Guido, vendue par Robert Udny, achetée par Whiteford au prix de 65.2 £. [107]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Portrait of Pope Leo the Tenth. The figure to the knee, seated in a crimson velvet arm chair, with a table before him covered with the same, upon which a book, and a hand-bell that appears to be richly ornamented: in his left hand he holds a reading-glass, and he has a crimson velvet cap on his head. It is the Picture for which Leo sat to him, and from which Raphael painted the large one (Raphael)|The Portrait of Pope Leo the Tenth. The figure to the knee, seated in a crimson velvet arm chair, with a table before him covered with the same, upon which a book, and a hand-bell that appears to be richly ornamented: in his left hand he holds a reading-glass, and he has a crimson velvet cap on his head. It is the Picture for which Leo sat to him, and from which Raphael painted the large one]] réalisée par Raphael, vendue par Robert Udny, achetée par LaTouche au prix de 44.2 £. [109]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated, with the infant Jesus on her knee, St. John standing at her side, and Angels surrounding her; all portraits of the Corsini family, for whom it was painted, and in whose palace it had constantly remained till it was brought lately to this country. It is a sweet and beautiful composition, and fine work of the master on thick pannel, large as life (F. Bartolemeo)|The Virgin seated, with the infant Jesus on her knee, St. John standing at her side, and Angels surrounding her; all portraits of the Corsini family, for whom it was painted, and in whose palace it had constantly remained till it was brought lately to this country. It is a sweet and beautiful composition, and fine work of the master on thick pannel, large as life]] réalisée par F. Bartolemeo, vendue par Robert Udny, achetée par Lady B Proctor au prix de 128.2 £. [110]
  • 1804.05.18/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Dante and Beatrice, from Fresco Paintings of Cimabua large as life, and are supposed to have been copied from original Pictures painted in fresco at Florence by Cimabue, which existed in the time of Andrea. Raphael has painted the same head of Dante in his Parnassus in the Vatican ... painted on board. They belonged to the Salviati Collection. (A. del Sarto)|Dante and Beatrice, from Fresco Paintings of Cimabua large as life, and are supposed to have been copied from original Pictures painted in fresco at Florence by Cimabue, which existed in the time of Andrea. Raphael has painted the same head of Dante in his Parnassus in the Vatican ... painted on board. They belonged to the Salviati Collection.]] réalisée par A. del Sarto, vendue par Robert Udny, achetée par Roscoe au prix de 12.12 £. [111]