Ventes d'œuvres le 1807.04.23

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  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[An upright Garden Scene with Statuary; the Figures by Wouvermans, and most spiritedly touched. Isaac was the Son of Frederick Moucheron. In the Bark of his Trees, and distribution of Light and Shade, he shews the Science he acquired under the tuition of his Father (I. Moucheron)|An upright Garden Scene with Statuary; the Figures by Wouvermans, and most spiritedly touched. Isaac was the Son of Frederick Moucheron. In the Bark of his Trees, and distribution of Light and Shade, he shews the Science he acquired under the tuition of his Father]] réalisée par I. Moucheron, vendue par Edward Coxe au prix de 5.15 £. [84]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Madona and Child, in his early manner, when he was impressed with the Stile of Caravaggio; the Child in in Shadow, but the Face of the Virgin which is in strong Light, is painted with uncommon Sweetness and Brilliancy -- this Picture made Part of the Godolphin collection (Guido)|Madona and Child, in his early manner, when he was impressed with the Stile of Caravaggio; the Child in in Shadow, but the Face of the Virgin which is in strong Light, is painted with uncommon Sweetness and Brilliancy -- this Picture made Part of the Godolphin collection]] réalisée par Guido, vendue par Edward Coxe, achetée par Earl of Mansfield au prix de 15.15 £. [93]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Public Road to Antwerp, with the Spire of the great Church in the Distance. The Trees on each Side the Road are admirably distributed, and sweetly Pencilled; and the Scene is enlivened by the passing of a Stage Waggon and a Variety of Cows. All the Spirit of Rubens in the Touch and Design -- engraved -- This Picture was left to the Proprietor by Will (Breughel)|The Public Road to Antwerp, with the Spire of the great Church in the Distance. The Trees on each Side the Road are admirably distributed, and sweetly Pencilled; and the Scene is enlivened by the passing of a Stage Waggon and a Variety of Cows. All the Spirit of Rubens in the Touch and Design -- engraved -- This Picture was left to the Proprietor by Will]] réalisée par Breughel, vendue par Edward Coxe au prix de 21.0 £. [95]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Narcissus admiring himself in the Water: his dejected air, and pallid hue describe his Story with poetical Truth; and the coloring is as warm, as the drawing is correct -- Cabinet Pictures of this Size, by this Master, are very rare and highly valued -- From the Calonne Collection (Nicolo Poussin)|Narcissus admiring himself in the Water: his dejected air, and pallid hue describe his Story with poetical Truth; and the coloring is as warm, as the drawing is correct -- Cabinet Pictures of this Size, by this Master, are very rare and highly valued -- From the Calonne Collection]] réalisée par Nicolo Poussin, vendue par Edward Coxe au prix de 30.9 £. [100]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A View of an extensive Country, highly picturesque and richly embellished with Wood, particularly in the Foreground, where the Bark and Foliage of the Trees are pencilled with captivating delicacy and sweetness -- some Deer painted by Adrian Vandevelde in his most beautiful manner add greatly to the interest and solitude of the Scene -- from the Collection of the late Miss Vansittart, of which it constituted a principal Ornament (F. Moucheron)|A View of an extensive Country, highly picturesque and richly embellished with Wood, particularly in the Foreground, where the Bark and Foliage of the Trees are pencilled with captivating delicacy and sweetness -- some Deer painted by Adrian Vandevelde in his most beautiful manner add greatly to the interest and solitude of the Scene -- from the Collection of the late Miss Vansittart, of which it constituted a principal Ornament]] réalisée par F. Moucheron, vendue par Edward Coxe au prix de 31.10 £. [108]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Flower Piece, as singularly bright and transparent, as it is sweetly composed; and the reflection of a Window in the Glass, which contains the Flowers, has a most fascinating effect. Pictures of this Master are in high estimation in Holland (Abraham Mignon)|A Flower Piece, as singularly bright and transparent, as it is sweetly composed; and the reflection of a Window in the Glass, which contains the Flowers, has a most fascinating effect. Pictures of this Master are in high estimation in Holland]] réalisée par Abraham Mignon, vendue par Edward Coxe au prix de 21.0 £. [109]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Landscape and Figures -- a Picture of considerable Interest and Effect; representing a Shepherd playing on his Flute to a Shepherdess, seated on an eminence in the Foreground, with a Herd of Cows near them, while another Shepherd is also playing on the Flute as he precedes a Flock of Sheep and Goats. -- The Schelde and City of Flushing are introduced in the Distance -- the Cows and Sheep resemble closely Paul Potter, in his best manner -- this estimable Performance came out of the Collection of Sir W. Hamilton (D. Teniers, Jun.)|A Landscape and Figures -- a Picture of considerable Interest and Effect; representing a Shepherd playing on his Flute to a Shepherdess, seated on an eminence in the Foreground, with a Herd of Cows near them, while another Shepherd is also playing on the Flute as he precedes a Flock of Sheep and Goats. -- The Schelde and City of Flushing are introduced in the Distance -- the Cows and Sheep resemble closely Paul Potter, in his best manner -- this estimable Performance came out of the Collection of Sir W. Hamilton]] réalisée par D. Teniers, Jun., vendue par Edward Coxe, achetée par Chambers au prix de 42.0 £. [115]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Judith with Attendants -- grandly composed, and drawn with astonishing science; and whether we view the inspired, triumphant air of Judith, or the surprise of the attendants, we are equally struck with the powers of this Master; whose paintings in Genoa are in the highest estimation -- from the Orlean's Collection (Luca Cambiasi)|Judith with Attendants -- grandly composed, and drawn with astonishing science; and whether we view the inspired, triumphant air of Judith, or the surprise of the attendants, we are equally struck with the powers of this Master; whose paintings in Genoa are in the highest estimation -- from the Orlean's Collection]] réalisée par Luca Cambiasi, vendue par Edward Coxe au prix de 46.4 £. [116]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A sacred Historical Subject, David with the Head of Goliath: the fall of Goliath emblematically represented by a broken Column, and the youthful Conqueror by a Lilly. This is a Picture of uncommon Richness in Colour, even for Giorgione, who so excelled in it; and in point of grandeur of Design and Force of Expression if unrivalled. It was brought from Venice by Mr. Strange (Giorgione)|A sacred Historical Subject, David with the Head of Goliath: the fall of Goliath emblematically represented by a broken Column, and the youthful Conqueror by a Lilly. This is a Picture of uncommon Richness in Colour, even for Giorgione, who so excelled in it; and in point of grandeur of Design and Force of Expression if unrivalled. It was brought from Venice by Mr. Strange]] réalisée par Giorgione, vendue par Edward Coxe au prix de 20.9 £. [118]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[An upright Landscape of uncommon Sweetness, with a Figure of a Man reposing, and Goats, &c. in the Foreground, that are most highly finished, and Ornamental to the Piece. The distant Hills are most softly touched, and the Beauty of the whole is truly harmonious (Pynaker)|An upright Landscape of uncommon Sweetness, with a Figure of a Man reposing, and Goats, &c. in the Foreground, that are most highly finished, and Ornamental to the Piece. The distant Hills are most softly touched, and the Beauty of the whole is truly harmonious]] réalisée par Pynaker, vendue par Edward Coxe au prix de 26.5 £. [120]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Holy Family with St. John, in a charming Landscape -- a rich glow of Colouring pervades the whole. The simplicity in the countenance of the Virgin; the venerable air of the head of Joseph, and the divine expression of Character in the infant Jesus, render it a most striking and expressive group; it was therefore deservedly a great favorite of the late Monsieur Calonne, at whose sale it was bought (Annibal Caracci)|The Holy Family with St. John, in a charming Landscape -- a rich glow of Colouring pervades the whole. The simplicity in the countenance of the Virgin; the venerable air of the head of Joseph, and the divine expression of Character in the infant Jesus, render it a most striking and expressive group; it was therefore deservedly a great favorite of the late Monsieur Calonne, at whose sale it was bought]] réalisée par Annibal Caracci, vendue par Edward Coxe au prix de 63.0 £. [123]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Physician inspecting the wound of a youthful Warrior, with attendant Figures. There is a glow of Coloring in this Picture equal to Giorgione; and the other Heads are designed and executed with equal Vigor -- This Picture is unquestionably one of the finest of his Works -- from the Collection of Commissioner Brett (Pie. de la Vecchia)|A Physician inspecting the wound of a youthful Warrior, with attendant Figures. There is a glow of Coloring in this Picture equal to Giorgione; and the other Heads are designed and executed with equal Vigor -- This Picture is unquestionably one of the finest of his Works -- from the Collection of Commissioner Brett]] réalisée par Pie. de la Vecchia, vendue par Edward Coxe, achetée par Lord Mulgrave au prix de 63.0 £. [127]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A singularly valuable Production of this early, but superior Painter. The subject, Saints adoring the Saviour in the Arms of the Virgin -- richly colored, and attentively executed throughout. Titian, in his famous Picture of the Cornaro Family, at Northumberland House, has evidently studied this Picture, dated 1505 -- From the Purling Collection; originally it belonged to the Pembroke Family (Jan de Bellini)|A singularly valuable Production of this early, but superior Painter. The subject, Saints adoring the Saviour in the Arms of the Virgin -- richly colored, and attentively executed throughout. Titian, in his famous Picture of the Cornaro Family, at Northumberland House, has evidently studied this Picture, dated 1505 -- From the Purling Collection; originally it belonged to the Pembroke Family]] réalisée par Jan de Bellini, vendue par Edward Coxe, achetée par Hill au prix de 38.17 £. [129]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[From the Orlean's Collection, to which this Chef d'OEuvre belonged. It was characterized by the Title of Caravaggio's Dream, being his own Portrait in profile, which, in a Mirror he holds in his Hand, presents a Full Face by Reflection -- the Figure is drawn in a most masterly stile, most richly colored, and wholly free from his dark manner. There is an old Engraving of this Picture, which was always considered as one of the finest Performances of this capital Master: most capital (M.A. de Caravaggio)|From the Orlean's Collection, to which this Chef d'OEuvre belonged. It was characterized by the Title of Caravaggio's Dream, being his own Portrait in profile, which, in a Mirror he holds in his Hand, presents a Full Face by Reflection -- the Figure is drawn in a most masterly stile, most richly colored, and wholly free from his dark manner. There is an old Engraving of this Picture, which was always considered as one of the finest Performances of this capital Master: most capital]] réalisée par M.A. de Caravaggio, vendue par Edward Coxe, achetée par Marquis of Lansdowne au prix de 61.19 £. [130]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Adoration of our Saviour, by the Wise Men from the East, bringing Presents -- the Grandeur of the Composition, and Richness of Coloring are not inferior to the Works of Paul Veronese, of whom Carletto was not only the Son, but also the favorite Scholar -- An admired Picture, from the Orleans Collection (Carletto Cagliari)|The Adoration of our Saviour, by the Wise Men from the East, bringing Presents -- the Grandeur of the Composition, and Richness of Coloring are not inferior to the Works of Paul Veronese, of whom Carletto was not only the Son, but also the favorite Scholar -- An admired Picture, from the Orleans Collection]] réalisée par Carletto Cagliari, vendue par Edward Coxe au prix de 51.9 £. [131]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Virgin with the Infant Saviour and St. John attended by Saints; a Picture of extraordinary Management and beautiful Tone of Coloring, in his happiest Manner; the Devotion and Attitude of the Female Saint, the Air of her Head, the Delicacy and Grace of her Hands, and all the accompanying Figures, full of Character and Piety, stamp it as a Work of extraordinary Perfection: brought to England by the late Sir James Wright (Guido)|The Virgin with the Infant Saviour and St. John attended by Saints; a Picture of extraordinary Management and beautiful Tone of Coloring, in his happiest Manner; the Devotion and Attitude of the Female Saint, the Air of her Head, the Delicacy and Grace of her Hands, and all the accompanying Figures, full of Character and Piety, stamp it as a Work of extraordinary Perfection: brought to England by the late Sir James Wright]] réalisée par Guido, vendue par Edward Coxe, achetée par Hill au prix de 110.15 £. [132]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Jupiter and Leda; from the celebrated Basso Relievo of the same size, by Michael Angelo Buona Roti. Pilkington, who draws his Information partly from Deschamps, speaking of this extraordinary Performance, says, that Arlaud, who corresponded with Sir Isaac Newton on Optics, and taught the Regent Duke of Orleans Design, effected the Imitation so exquisitely in a Tint of Colours, so exactly similar to the Marble, and with such Correctness in every Part, that when they were both placed together, it was scarcely possible to distinguish the Marble from the Painting, even on the nicest Inspection -- The Duc de la Force purchased it from the Painter at 12000 Livres, but this Nobleman having ruined himself in the Mississippi Scheme, it returned into Arlaud's possession; who afterwards sold it to the Duke of Chandos, as appears in the Duke's Hand Writing at the back of this Picture, for £500. It subsequently came into the Collection of the Earl of Besborough, at whose Sale it was purchased by the present Proprietor. -- All further Commendation of this astonishing Performance, which is dated Paris 1718, would be superfluous (James Anthony Arlaud)|Jupiter and Leda; from the celebrated Basso Relievo of the same size, by Michael Angelo Buona Roti. Pilkington, who draws his Information partly from Deschamps, speaking of this extraordinary Performance, says, that Arlaud, who corresponded with Sir Isaac Newton on Optics, and taught the Regent Duke of Orleans Design, effected the Imitation so exquisitely in a Tint of Colours, so exactly similar to the Marble, and with such Correctness in every Part, that when they were both placed together, it was scarcely possible to distinguish the Marble from the Painting, even on the nicest Inspection -- The Duc de la Force purchased it from the Painter at 12000 Livres, but this Nobleman having ruined himself in the Mississippi Scheme, it returned into Arlaud's possession; who afterwards sold it to the Duke of Chandos, as appears in the Duke's Hand Writing at the back of this Picture, for £500. It subsequently came into the Collection of the Earl of Besborough, at whose Sale it was purchased by the present Proprietor. -- All further Commendation of this astonishing Performance, which is dated Paris 1718, would be superfluous]] réalisée par James Anthony Arlaud, vendue par Edward Coxe au prix de 99.15 £. [133]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Morning -- This beautiful Performance describes a soft and Silvery toned Landscape, with Mountains in the receding distance; a Shepherd is represented in the fore ground, playing on his Sylvan Reed to a listening Shepherdess, who reclines in the shade of a lofty grove; while the Sheep feeding around them, seem charmed with the Shepherd's Melody. The Mind contemplating this Picture and its Companion, which are of the highest Class of Art, reposes on them with Delight, and partakes of the serenity of the scene. Indeed they are truly Virgilian, and evidently shew the Painter's intimacy with that divine Poet; whose Bucolics, these Pictures prove him to have most successfully studied: most capital. This admirable Performance (as well as the preceding Picture) was in the Possession of Sir Joshua Reynolds; and evidently marks one of the sources from whence he drew those Magic Principles that he made his own, from his frequent contemplation of their beauty -- most capital (Nic. Poussin)|Morning -- This beautiful Performance describes a soft and Silvery toned Landscape, with Mountains in the receding distance; a Shepherd is represented in the fore ground, playing on his Sylvan Reed to a listening Shepherdess, who reclines in the shade of a lofty grove; while the Sheep feeding around them, seem charmed with the Shepherd's Melody. The Mind contemplating this Picture and its Companion, which are of the highest Class of Art, reposes on them with Delight, and partakes of the serenity of the scene. Indeed they are truly Virgilian, and evidently shew the Painter's intimacy with that divine Poet; whose Bucolics, these Pictures prove him to have most successfully studied: most capital. This admirable Performance (as well as the preceding Picture) was in the Possession of Sir Joshua Reynolds; and evidently marks one of the sources from whence he drew those Magic Principles that he made his own, from his frequent contemplation of their beauty -- most capital]] réalisée par Nic. Poussin, vendue par Edward Coxe, achetée par Gray au prix de 110.5 £. [134]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Evening -- The companion. This great Classic Painter, who in the preceding Performance has described the mild influence of a rising Sun, has here given the Effect of its setting, in a rich and fervid glow; which is heightened by the judicious contrast of deep masses of Shade. This happy Sylvan scenery, thus beautifully composed, is enrich'd also with Classic Figures, appropriately introduced; representing a Satyr and Wood Nymph, with their offspring riding on a Goat; all of them penetrating the recesses of the Forest, while another Satyr who precedes them, is entering a Cavern, their supposed Habitation. This admirable Performance (as well as the preceding Picture) was in the Possession of Sir Joshua Reynolds; and evidently marks one of the sources from whence he drew those Magic Principles that he made his own, from his frequent contemplation of their beauty -- most capital (Nic. Poussin)|Evening -- The companion. This great Classic Painter, who in the preceding Performance has described the mild influence of a rising Sun, has here given the Effect of its setting, in a rich and fervid glow; which is heightened by the judicious contrast of deep masses of Shade. This happy Sylvan scenery, thus beautifully composed, is enrich'd also with Classic Figures, appropriately introduced; representing a Satyr and Wood Nymph, with their offspring riding on a Goat; all of them penetrating the recesses of the Forest, while another Satyr who precedes them, is entering a Cavern, their supposed Habitation. This admirable Performance (as well as the preceding Picture) was in the Possession of Sir Joshua Reynolds; and evidently marks one of the sources from whence he drew those Magic Principles that he made his own, from his frequent contemplation of their beauty -- most capital]] réalisée par Nic. Poussin, vendue par Edward Coxe au prix de 157.10 £. [135]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Female from the Bath adjusting her Hair: the roundness of the form, the correctness of the design, and the peculiar glow and richness of the Colouring, have been the admiration and delight of every Connoisseur. This Master Piece of Art came from the Orlean's Collection (Titian)|A Female from the Bath adjusting her Hair: the roundness of the form, the correctness of the design, and the peculiar glow and richness of the Colouring, have been the admiration and delight of every Connoisseur. This Master Piece of Art came from the Orlean's Collection]] réalisée par Titian, vendue par Edward Coxe au prix de 50.8 £. [136]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Warm Italian Landscape, representing a Hilly Country; in which is a broken fore-ground, enriched with Trees, whose forms are peculiarly light and Picturesque, and the Road in the middle distance is enlivened with Peasants returning from Market, and mounted on Horses and Mules: In a remoter distance is a Figure Angling, and near him is another driving a Cow. For brilliancy and variety of Colour, exquisite finishing, and a sweet tenderness that pervades the whole, this Picture stands unrivalled. The Figures, &c. &c. by his Brother Andrew. -- Painted in Pannel. -- Formerly in the Collection of Mr. Brown of Dorchester: in the highest state of Preservation (Jan Both)|A Warm Italian Landscape, representing a Hilly Country; in which is a broken fore-ground, enriched with Trees, whose forms are peculiarly light and Picturesque, and the Road in the middle distance is enlivened with Peasants returning from Market, and mounted on Horses and Mules: In a remoter distance is a Figure Angling, and near him is another driving a Cow. For brilliancy and variety of Colour, exquisite finishing, and a sweet tenderness that pervades the whole, this Picture stands unrivalled. The Figures, &c. &c. by his Brother Andrew. -- Painted in Pannel. -- Formerly in the Collection of Mr. Brown of Dorchester: in the highest state of Preservation]] réalisée par Jan Both, vendue par Edward Coxe au prix de 304.10 £. [137]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Virtue admonishing Pleasure, represented by two Females. Virtue, modestly attired, has one of her Hands pointed towards Heaven; while Pleasure, whose Toilet is arrayed with all the Ornaments for Dress, is struck with the impressive remonstrances of Virtue -- a truly sublime Performance, uniting all the beauties of the Venetian and Roman Schools. This magnificent Picture came from the Collection of the Marshal Conway, and was the admiration of all beholders (Alexander Veronese)|Virtue admonishing Pleasure, represented by two Females. Virtue, modestly attired, has one of her Hands pointed towards Heaven; while Pleasure, whose Toilet is arrayed with all the Ornaments for Dress, is struck with the impressive remonstrances of Virtue -- a truly sublime Performance, uniting all the beauties of the Venetian and Roman Schools. This magnificent Picture came from the Collection of the Marshal Conway, and was the admiration of all beholders]] réalisée par Alexander Veronese, vendue par Edward Coxe, achetée par J Raikes au prix de 86.2 £. [138]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A magnificent and extensive Landscape, representing a View of the Campagna, taken near Rome. In a very rich and highly coloured foreground, is a Reposo; in the middle distance, the Convent of San Lorenzo; while the Sabine and Alban Hills terminate the Scene. The Trees in the Foreground as well as the Clouds, are evidently agitated by the Wind, which this Master excelled in describing -- the clearness of the Sky and the variety and richness of the Tints throughout, rank this Picture among the very finest productions of his Pencil -- from the celebrated Delme Collection (Gaspar Poussin)|A magnificent and extensive Landscape, representing a View of the Campagna, taken near Rome. In a very rich and highly coloured foreground, is a Reposo; in the middle distance, the Convent of San Lorenzo; while the Sabine and Alban Hills terminate the Scene. The Trees in the Foreground as well as the Clouds, are evidently agitated by the Wind, which this Master excelled in describing -- the clearness of the Sky and the variety and richness of the Tints throughout, rank this Picture among the very finest productions of his Pencil -- from the celebrated Delme Collection]] réalisée par Gaspar Poussin, vendue par Edward Coxe au prix de 273.0 £. [139]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Dutch Servant Girl purchasing Herrings of an elderly Female, with a variety of Still Life and Beautiful basso Relievo -- Performances so full of subject and management from this renowned Master, are very scarce -- This Picture was brought from Holland Forty-two Years ago, and was left to the present Possessor by Will. Those least learned in the Art, must admire this interesting Picture; it is a Collection in itself, from its infinite variety and great excellence (Gerard Douw)|A Dutch Servant Girl purchasing Herrings of an elderly Female, with a variety of Still Life and Beautiful basso Relievo -- Performances so full of subject and management from this renowned Master, are very scarce -- This Picture was brought from Holland Forty-two Years ago, and was left to the present Possessor by Will. Those least learned in the Art, must admire this interesting Picture; it is a Collection in itself, from its infinite variety and great excellence]] réalisée par Gerard Douw, vendue par Edward Coxe, achetée par Kensington au prix de 58.16 £. [140]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Joseph and Potiphar's Wife -- a most sublime Picture, and deservedly a favorite of Sir Joshua Reynolds, to whom it belonged. There is, indeed, a beauty and grace in both the Figures that partake more of the character of Guido: the expression of Joseph in particular, represented with uplifted hands and eyes, is powerfully described, and ranks this Picture as one of the grandest specimens of this Master. It is mentioned by Count Malvasia in his 2d. Vol. p. 376, Bologna Edition, to have been Painted in 1649, for Signior Aurelio Zanoletti (Guercino)|Joseph and Potiphar's Wife -- a most sublime Picture, and deservedly a favorite of Sir Joshua Reynolds, to whom it belonged. There is, indeed, a beauty and grace in both the Figures that partake more of the character of Guido: the expression of Joseph in particular, represented with uplifted hands and eyes, is powerfully described, and ranks this Picture as one of the grandest specimens of this Master. It is mentioned by Count Malvasia in his 2d. Vol. p. 376, Bologna Edition, to have been Painted in 1649, for Signior Aurelio Zanoletti]] réalisée par Guercino, vendue par Edward Coxe, achetée par Caleb Whiteford au prix de 59.17 £. [141]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Virgin with the Infant Jesus in her lap, and Joseph teaching him to read -- the Composition is particularly beautiful, the Colouring rich and harmonious, and was esteemed by Sir William Hamilton, from whose Collection it came, as one of the choicest Specimens of this very scarce Master (Schidone)|The Virgin with the Infant Jesus in her lap, and Joseph teaching him to read -- the Composition is particularly beautiful, the Colouring rich and harmonious, and was esteemed by Sir William Hamilton, from whose Collection it came, as one of the choicest Specimens of this very scarce Master]] réalisée par Schidone, vendue par Edward Coxe au prix de 51.9 £. [142]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Caesar repudiating Pompeia -- there is a chaste sobriety of coloring in this Picture, and dignity of character, truly worthy of the Subject: few of Titian's Works are more conspicuous for Powers of Art -- the Composition full of mind and energy -- from Mon. de Calonne's Collection (Titian)|Caesar repudiating Pompeia -- there is a chaste sobriety of coloring in this Picture, and dignity of character, truly worthy of the Subject: few of Titian's Works are more conspicuous for Powers of Art -- the Composition full of mind and energy -- from Mon. de Calonne's Collection]] réalisée par Titian, vendue par Edward Coxe, achetée par Bryant au prix de 52.10 £. [143]
  • 1807.04.23/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Interior of a Chamber, with a young Lady sitting and chusing Lemons out of a Basket, which an elderly Female Servant is presenting to her Mistress. The Drapery of the Lady, consisting of a Crimson Velvet Jacket, edged with Fur, and a White Satin Petticoat, is painted with great force, and yet with equal delicacy; while the contrast of the two Characters, the richness of the Colouring, and the distribution of the Light and Shade are most harmoniously combined -- a most capital Picture of this rare and distinguished Master -- from the collection of Mr. Laborde, on Pannel (G. Terburgh)|The Interior of a Chamber, with a young Lady sitting and chusing Lemons out of a Basket, which an elderly Female Servant is presenting to her Mistress. The Drapery of the Lady, consisting of a Crimson Velvet Jacket, edged with Fur, and a White Satin Petticoat, is painted with great force, and yet with equal delicacy; while the contrast of the two Characters, the richness of the Colouring, and the distribution of the Light and Shade are most harmoniously combined -- a most capital Picture of this rare and distinguished Master -- from the collection of Mr. Laborde, on Pannel]] réalisée par G. Terburgh, vendue par Edward Coxe au prix de 52.10 £. [144]
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