Ventes d'œuvres le 1812.03.02

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  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Venus chiding Cupid. Ciro Feri. This great and favourite pupil of Cortona's was a worthy successor to his masters abilities, having obtained his correctness of design and beauty of coloring as is highly proved by this charming picture and its pendent (Ciro Feri)|Venus chiding Cupid. Ciro Feri. This great and favourite pupil of Cortona's was a worthy successor to his masters abilities, having obtained his correctness of design and beauty of coloring as is highly proved by this charming picture and its pendent]] réalisée par Ciro Feri, vendue par David Fitzgerald, achetée par Major Hills au prix de 20 gs. [25]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The introduction of Psyche. P. da Cortona. Venus is interceeding with Jupiter to consent to the marriage of Cupid with Psyche the placidity of the God marks his consent, Mercury with Psyche is ascending in the presence of all the deities who are assembled on this occasion (P. da Cortona)|The introduction of Psyche. P. da Cortona. Venus is interceeding with Jupiter to consent to the marriage of Cupid with Psyche the placidity of the God marks his consent, Mercury with Psyche is ascending in the presence of all the deities who are assembled on this occasion]] réalisée par P. da Cortona, vendue par David Fitzgerald, achetée par Pittar au prix de 7 gs. [36]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Fortune showering her gifts &c. Cortona. A curious and instructive allegory, the Goddess is showering from her Cornucopia a great quantity of Gold which if well employed by the fortunate obtainer will make him a blessing to mankind, if otherwise, a fool by the misapplication, as is denoted by the Geese This and the following number are admirable examples of rich and harmonious coloring (Cortona)|Fortune showering her gifts &c. Cortona. A curious and instructive allegory, the Goddess is showering from her Cornucopia a great quantity of Gold which if well employed by the fortunate obtainer will make him a blessing to mankind, if otherwise, a fool by the misapplication, as is denoted by the Geese This and the following number are admirable examples of rich and harmonious coloring]] réalisée par Cortona, vendue par David Fitzgerald, achetée par Buscom au prix de 24 gs. [60]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Card Players. Berkheyden. This valuable unique is a jeu d'Esprit of Berkheyden in which he has introduced the portraits of Rembrandt, Teniers, Palymedes and himself one would almost think it was painted by Rembrandt it has so much of chiaro-scuro with his bold depth of transparent coloring -- the author's name is on the picture (Berkheyden)|The Card Players. Berkheyden. This valuable unique is a jeu d'Esprit of Berkheyden in which he has introduced the portraits of Rembrandt, Teniers, Palymedes and himself one would almost think it was painted by Rembrandt it has so much of chiaro-scuro with his bold depth of transparent coloring -- the author's name is on the picture]] réalisée par Berkheyden, vendue par David Fitzgerald, achetée par Major H au prix de 28 gs. [61]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Ruins. Ghisolfi. This may be justly called the chef d'oeuvre of architect painting, the amazing variety of according tints must give every lover of the arts infinite pleasure by remarking the skill and profound knowledge of the master in their arrangement -- the fragments and statue on the foreground make an admirable contrast to the beautiful and finely painted figures so judiciously introduced as to make a lovely combination of perfection (Ghisolfi)|Ruins. Ghisolfi. This may be justly called the chef d'oeuvre of architect painting, the amazing variety of according tints must give every lover of the arts infinite pleasure by remarking the skill and profound knowledge of the master in their arrangement -- the fragments and statue on the foreground make an admirable contrast to the beautiful and finely painted figures so judiciously introduced as to make a lovely combination of perfection]] réalisée par Ghisolfi, vendue par David Fitzgerald, achetée par Major Hillis au prix de 20 gs. [64]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A Landscape. Waterloo. The genuine works of this master are exceedingly rare, he having painted very few pictures as he employed the greatest parts of his time in etching. Nothing can exceed the beauty and simplicity of the scene, this specimen possesses all his excellence and had the advantage of some figures which he generally avoided (Waterloo)|A Landscape. Waterloo. The genuine works of this master are exceedingly rare, he having painted very few pictures as he employed the greatest parts of his time in etching. Nothing can exceed the beauty and simplicity of the scene, this specimen possesses all his excellence and had the advantage of some figures which he generally avoided]] réalisée par Waterloo, vendue par David Fitzgerald, achetée par Mrs Warren au prix de 36 gs. [67]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The taking down from the Cross. Rembrandt. In his last and most esteemed manner of handling, the clear obscure marvelously fine, not confined to one spot as was his general custom, here he has introduced a second light on the foreground with great advantage to the general effect, the back figures appear as standing on low grounds which prevents the principal group from being encumbered and gives room to the assistants to take down more commodiously their precious charge (Rembrandt)|The taking down from the Cross. Rembrandt. In his last and most esteemed manner of handling, the clear obscure marvelously fine, not confined to one spot as was his general custom, here he has introduced a second light on the foreground with great advantage to the general effect, the back figures appear as standing on low grounds which prevents the principal group from being encumbered and gives room to the assistants to take down more commodiously their precious charge]] réalisée par Rembrandt, vendue par David Fitzgerald au prix de 40 gs. [71]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Holy Family. Luca Penni. The finishing of this truly pleasing picture is beautifully fine and receives immense value from this accuracy, as the character of the heads and drapery are rather assisted than the contrary, as is generally the consequence of smooth painting, the drapery of the Virgin and that swathed round the Child are admirably fine, so is the heads and hands of St. Joseph (Luca Penni)|The Holy Family. Luca Penni. The finishing of this truly pleasing picture is beautifully fine and receives immense value from this accuracy, as the character of the heads and drapery are rather assisted than the contrary, as is generally the consequence of smooth painting, the drapery of the Virgin and that swathed round the Child are admirably fine, so is the heads and hands of St. Joseph]] réalisée par Luca Penni, vendue par David Fitzgerald, achetée par Lord Lismore au prix de 16 gs. [72]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Apollo and the Muses. Titian. The idea of the figures is beautiful and graceful in the highest degree, so that take it for all the parts of the art, a more perfect work is to be found no where of any man, what contributes to its singular excellence is the great clearness and fineness of the of coloring such as nature would present herself -- Apollo and the Muses are seated on Mount Parnassus each holding or playing on a musical instrument. Cupid is hovering over them and discharging an arrow to signify that love is necessary to produce harmony, in the back ground are introduced the two great Poets Tasso and Dante (Titian)|Apollo and the Muses. Titian. The idea of the figures is beautiful and graceful in the highest degree, so that take it for all the parts of the art, a more perfect work is to be found no where of any man, what contributes to its singular excellence is the great clearness and fineness of the of coloring such as nature would present herself -- Apollo and the Muses are seated on Mount Parnassus each holding or playing on a musical instrument. Cupid is hovering over them and discharging an arrow to signify that love is necessary to produce harmony, in the back ground are introduced the two great Poets Tasso and Dante]] réalisée par Titian, vendue par David Fitzgerald. [73]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Ruins &c. Viviani. The foreground ornamented with fine fragments of the buildings and bas reliefs, the artist has shewn great skill in throwing a shadow on the obelisk otherwise it would have had a disagreeable consequence of producing a second perpendicular line of light at each side of the picture, the Sphinx is finely set off by the lower part of the obelisk, the coloring is exceedingly beautiful (Viviani)|Ruins &c. Viviani. The foreground ornamented with fine fragments of the buildings and bas reliefs, the artist has shewn great skill in throwing a shadow on the obelisk otherwise it would have had a disagreeable consequence of producing a second perpendicular line of light at each side of the picture, the Sphinx is finely set off by the lower part of the obelisk, the coloring is exceedingly beautiful]] réalisée par Viviani, vendue par David Fitzgerald, achetée par Mulvanny au prix de 11.12 £. [98]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Companion. ditto Salvr. Rosa. The works of Salvator are exceedingly scarce in this style, the sites are of the utmost grandeur of design, and the effects produced by the adventitious lights demonstrate they are portraits of nature taken on the spot (Salvr. Rosa)|Companion. ditto Salvr. Rosa. The works of Salvator are exceedingly scarce in this style, the sites are of the utmost grandeur of design, and the effects produced by the adventitious lights demonstrate they are portraits of nature taken on the spot]] réalisée par Salvr. Rosa, vendue par David Fitzgerald, achetée par Mulvanny au prix de 13.0 £. [106]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[St. John going to be immerged into a caldron of boiling oil. Seb. Bourdon. The fright and apprehension of the Boy and Girl on the foreground is admirable, the Lictor on the opposite side is very interesting and becomes so particularly by his fine expression of pity. The resignation of St. John who is looking up at the reward of his sufferings is beautifully opposed to the eagernes of the priest who is endeavouring to persuade him to renounce his religion and save himself from so horrible a death -- The consul and his attendants are a fine expressive group (Seb. Bourdon)|St. John going to be immerged into a caldron of boiling oil. Seb. Bourdon. The fright and apprehension of the Boy and Girl on the foreground is admirable, the Lictor on the opposite side is very interesting and becomes so particularly by his fine expression of pity. The resignation of St. John who is looking up at the reward of his sufferings is beautifully opposed to the eagernes of the priest who is endeavouring to persuade him to renounce his religion and save himself from so horrible a death -- The consul and his attendants are a fine expressive group]] réalisée par Seb. Bourdon, vendue par David Fitzgerald, achetée par Pittar au prix de 18.4 £. [107]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Silenus. Jordaens. The coloring is rich and as fine and fresh as if it just came from the Eazel, the figure of Silenus is admirably characterised and by much in a better style than is usually made use of for him he is not that excessively overcharged bloated figure we too often see him, the boys in the front are beautifully painted, the young Bacchus and his attendants are a fine subordinate group (Jordaens)|Silenus. Jordaens. The coloring is rich and as fine and fresh as if it just came from the Eazel, the figure of Silenus is admirably characterised and by much in a better style than is usually made use of for him he is not that excessively overcharged bloated figure we too often see him, the boys in the front are beautifully painted, the young Bacchus and his attendants are a fine subordinate group]] réalisée par Jordaens, vendue par David Fitzgerald, achetée par Boyd au prix de 11.18 £. [118]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Pan playing in competition with Apollo. Rubens. Rubens has taken this subject up in an uncommon point of time. Apollo disgusted by the musick of his opponent is going off and denounces the punishment of Midas, which immediately takes place -- the expression of the old man leaning on the shoulder of Pan is amazingly fine -- to attempt to observe on the colouring of this wonderful man would be useless it must be seen to be conceived (Rubens)|Pan playing in competition with Apollo. Rubens. Rubens has taken this subject up in an uncommon point of time. Apollo disgusted by the musick of his opponent is going off and denounces the punishment of Midas, which immediately takes place -- the expression of the old man leaning on the shoulder of Pan is amazingly fine -- to attempt to observe on the colouring of this wonderful man would be useless it must be seen to be conceived]] réalisée par Rubens, vendue par David Fitzgerald, achetée par Pomroy au prix de 70.0 £. [120]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Companions of Cadmus destroyed by the Dragon. Goltzius. This Story is depicted in a terrific grand style, it is compleatly Michael Angelesque; the coloring is exceeding fine, and all the concomitant parts contribute to explain the subject with great ability (Goltzius)|The Companions of Cadmus destroyed by the Dragon. Goltzius. This Story is depicted in a terrific grand style, it is compleatly Michael Angelesque; the coloring is exceeding fine, and all the concomitant parts contribute to explain the subject with great ability]] réalisée par Goltzius, vendue par David Fitzgerald, achetée par Boyd GM au prix de 3.13 [?] £. [157]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Infant Christ shewing the Virgin the Crown of Thorns. Solimena. The exquisite and pathetic taste of this work, the broad and well-disposed drapery and harmonious coloring, wonderfully assist the general expression of the poetic liberty of the subject of this charming picture (Solimena)|The Infant Christ shewing the Virgin the Crown of Thorns. Solimena. The exquisite and pathetic taste of this work, the broad and well-disposed drapery and harmonious coloring, wonderfully assist the general expression of the poetic liberty of the subject of this charming picture]] réalisée par Solimena, vendue par David Fitzgerald, achetée par [[Meade H[ill]]] au prix de 8 gs. [184]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A Domestic Scene. Le Naine. The choice of this Artist's subjects are in general the plain domestic occurences of common life, which he was able to describe with superior happiness and truth of character. The objects before us are finely colored, and certainly a perfect and just representation of the people they were intended for (Le Naine)|A Domestic Scene. Le Naine. The choice of this Artist's subjects are in general the plain domestic occurences of common life, which he was able to describe with superior happiness and truth of character. The objects before us are finely colored, and certainly a perfect and just representation of the people they were intended for]] réalisée par Le Naine, vendue par David Fitzgerald, achetée par [[Meade H[ill]]] au prix de 8 1/2 gs. [195]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A Town on Fire. D. Van Heil. One of the most capital performances we have noticed in this stile; the distress occasioned by the conflagration is painful to look at; the great knowledge shewn in the general tint, which so ably contributes to the effect, proves he must have given uncommon attention to those subjects (D. Van Heil)|A Town on Fire. D. Van Heil. One of the most capital performances we have noticed in this stile; the distress occasioned by the conflagration is painful to look at; the great knowledge shewn in the general tint, which so ably contributes to the effect, proves he must have given uncommon attention to those subjects]] réalisée par D. Van Heil, vendue par David Fitzgerald, achetée par Potter au prix de 17 1/2 gs. [198]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A Landscape. G. Poussin. This grand picture is in the best preservation, and the whole conducted with particular care, the grounds broken with great skill, and the cool transparent tinting of the middle and remote distances, were never equalled but by Claude (G. Poussin)|A Landscape. G. Poussin. This grand picture is in the best preservation, and the whole conducted with particular care, the grounds broken with great skill, and the cool transparent tinting of the middle and remote distances, were never equalled but by Claude]] réalisée par G. Poussin, vendue par David Fitzgerald, achetée par Dowdle au prix de 7 gs. [199]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Marriage of Bacchus and Ariadne. Coypel. The style of design is admirable and spirited, the coloring rich, harmonious and precious, the expression and characters of the heads happily conceived, the whole finely managed and explicit of the story (Coypel)|The Marriage of Bacchus and Ariadne. Coypel. The style of design is admirable and spirited, the coloring rich, harmonious and precious, the expression and characters of the heads happily conceived, the whole finely managed and explicit of the story]] réalisée par Coypel, vendue par David Fitzgerald, achetée par V O Connor au prix de 6 1/2 gs. [208]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Venus in pursuit of Adonis. Rubens. Venus prophetically apprehensive of the danger awaiting her adored Adonis in her eagerness to follow him to prevent his hunting the Boar, is wounded in the foot, which obliges her to stop and examine the hurt she has received, the blood that fell on the ground instantaneously produces the Damask Rose, which one of her Cupids is showing to his companions who are much afflicted at the accident that happened their lovely mother (Rubens)|Venus in pursuit of Adonis. Rubens. Venus prophetically apprehensive of the danger awaiting her adored Adonis in her eagerness to follow him to prevent his hunting the Boar, is wounded in the foot, which obliges her to stop and examine the hurt she has received, the blood that fell on the ground instantaneously produces the Damask Rose, which one of her Cupids is showing to his companions who are much afflicted at the accident that happened their lovely mother]] réalisée par Rubens, vendue par David Fitzgerald, achetée par Bookey au prix de 7.19 £. [218]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Virgin, Child and Elizabeth. Chevalier D. del Mont. The Naivette of this lovely picture inspired the judicious contemplator with the highest opinion of the admired talents of del Mont and is a proof that he merited the honorable testimonial given to him by Rubens (Chevalier D. del Mont)|Virgin, Child and Elizabeth. Chevalier D. del Mont. The Naivette of this lovely picture inspired the judicious contemplator with the highest opinion of the admired talents of del Mont and is a proof that he merited the honorable testimonial given to him by Rubens]] réalisée par Chevalier D. del Mont, vendue par David Fitzgerald au prix de 4.0 £. [220]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Moses striking the Rock. Jaco. Bassan. All the parts of this fine subject are conducted with great excellence of coloring which is so ingeniously concealed that it gives no idea of the palette, it is much to be regretted that the means employed by the Venetian artists is now totally lost, of course the works of that school are invaluable (Jaco. Bassan)|Moses striking the Rock. Jaco. Bassan. All the parts of this fine subject are conducted with great excellence of coloring which is so ingeniously concealed that it gives no idea of the palette, it is much to be regretted that the means employed by the Venetian artists is now totally lost, of course the works of that school are invaluable]] réalisée par Jaco. Bassan, vendue par David Fitzgerald, achetée par Needham au prix de 11 gs. [222]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Edward the 4th. and the Widow Woodville. Vandyke. The king is more than condecension, having already experienced the effects of the power of the little god of love who is pushing the Widow forward, the royal munificence is well depicted by the river god under whose pedestal is a collation of which he invites her to partake (Vandyke)|Edward the 4th. and the Widow Woodville. Vandyke. The king is more than condecension, having already experienced the effects of the power of the little god of love who is pushing the Widow forward, the royal munificence is well depicted by the river god under whose pedestal is a collation of which he invites her to partake]] réalisée par Vandyke, vendue par David Fitzgerald, achetée par Hutton au prix de 30 gs. [226]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A musical party. Palamedes. In the best time of this master, the various colors of the drapery associate with very great harmony and there is besides much merit in the attitudes and expression of the figures, which beautifully denote the party well acquainted with genteel life (Palamedes)|A musical party. Palamedes. In the best time of this master, the various colors of the drapery associate with very great harmony and there is besides much merit in the attitudes and expression of the figures, which beautifully denote the party well acquainted with genteel life]] réalisée par Palamedes, vendue par David Fitzgerald, achetée par Potter au prix de 9 gs. [227]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[An Allegorical representation of antient Rome. Carlo Cignani. Rome in the character of Minerva attended by fortitude is treading on a harpy, peace is holding a laurel crown over her head, while fame is preparing to publish her renown over the world, prudence is drawing the attention of a youth to some fine buildings to impress him with an idea of the blessings of peace (Carlo Cignani)|An Allegorical representation of antient Rome. Carlo Cignani. Rome in the character of Minerva attended by fortitude is treading on a harpy, peace is holding a laurel crown over her head, while fame is preparing to publish her renown over the world, prudence is drawing the attention of a youth to some fine buildings to impress him with an idea of the blessings of peace]] réalisée par Carlo Cignani, vendue par David Fitzgerald, achetée par Harrington au prix de 6 gs. [228]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Ruins by Ns. Poussin. The intense application given by Poussin to the study of the antique sometimes induced him to paint ancient ruins, in which department he has proved himself to be by this picture equal to the greatest proficients in that line of the art (Ns. Poussin)|Ruins by Ns. Poussin. The intense application given by Poussin to the study of the antique sometimes induced him to paint ancient ruins, in which department he has proved himself to be by this picture equal to the greatest proficients in that line of the art]] réalisée par Ns. Poussin, vendue par David Fitzgerald, achetée par Potter au prix de 4.0 £. [231]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Landscape cattle and figures. Solmaker. This capital picture is in the highest preservation the works of this master are very scarce and valuable, his ensemble can be only equaled by Berchem, this charming tone and spirited bold full pencil justly ranks him among the most esteemed professors in his walk of this divine art (Solmaker)|Landscape cattle and figures. Solmaker. This capital picture is in the highest preservation the works of this master are very scarce and valuable, his ensemble can be only equaled by Berchem, this charming tone and spirited bold full pencil justly ranks him among the most esteemed professors in his walk of this divine art]] réalisée par Solmaker, vendue par David Fitzgerald, achetée par Harrington for Tuke au prix de 15 gs. [233]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The flaying of St. Bartholomew. Guercino. The brutish and determined ferocity of the executioner is an admirable contrast to the devout resignation of the Saint, the coloring is rich and glowing, and the conduct of the clear obscure remarkably fine (Guercino)|The flaying of St. Bartholomew. Guercino. The brutish and determined ferocity of the executioner is an admirable contrast to the devout resignation of the Saint, the coloring is rich and glowing, and the conduct of the clear obscure remarkably fine]] réalisée par Guercino, vendue par David Fitzgerald, achetée par Hill -- Gill au prix de 34 gs. [234]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[St. Sebastian, companion to 35. Guercino. The principal light in this picture is perhaps a traite of management equal to any other that has come under our observation, the head is finely kept in shadow to preserve the great breadth on the shoulders, the anatomical passages of which are worthy of Mich. Angelo. The Archers on horseback going off are finely expressive (Guercino)|St. Sebastian, companion to 35. Guercino. The principal light in this picture is perhaps a traite of management equal to any other that has come under our observation, the head is finely kept in shadow to preserve the great breadth on the shoulders, the anatomical passages of which are worthy of Mich. Angelo. The Archers on horseback going off are finely expressive]] réalisée par Guercino, vendue par David Fitzgerald, achetée par Hill -- Gill au prix de 34 gs. [235]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Landscape and figures. Wynants. This picture comprises all the excellence of this admired artist, the division of his grounds and strength of coloring equal the best masters, it is enriched with all those objects which are most admired in his works (Wynants)|Landscape and figures. Wynants. This picture comprises all the excellence of this admired artist, the division of his grounds and strength of coloring equal the best masters, it is enriched with all those objects which are most admired in his works]] réalisée par Wynants, vendue par David Fitzgerald au prix de 46 gs. [236]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[St. Theresa. Carlo Maratti. The Virgin is putting a chain with a pendant heart round the neck of the Saint, as figurative of her purity, groups of the most beautiful Angels looking on with heavenly admiration and delight. -- The Angel (with the lilly) reading a book with a pleased and animated countenance, makes a lovely contrast to the humble respect and devotion of Theresa. -- The coloring is in the chastest stile of this great master (Carlo Maratti)|St. Theresa. Carlo Maratti. The Virgin is putting a chain with a pendant heart round the neck of the Saint, as figurative of her purity, groups of the most beautiful Angels looking on with heavenly admiration and delight. -- The Angel (with the lilly) reading a book with a pleased and animated countenance, makes a lovely contrast to the humble respect and devotion of Theresa. -- The coloring is in the chastest stile of this great master]] réalisée par Carlo Maratti, vendue par David Fitzgerald au prix de 29 gs. [239]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Rich man and Lazarus. Luca Giordano. This subject is finely illustrated by the many explitive circumstances introduced, it would greatly exceed our limits to enter into the detail of all of them, yet one cannot forbear calling the spectators attention to the boy holding the dog that is licking the sores of Lazarus, nor to the boy bringing in a dish, the appropriate expression of the lady -- the rich luxuriant going to drink out of a Jasper goblet &c. &c. (Lucca Giordano)|The Rich man and Lazarus. Luca Giordano. This subject is finely illustrated by the many explitive circumstances introduced, it would greatly exceed our limits to enter into the detail of all of them, yet one cannot forbear calling the spectators attention to the boy holding the dog that is licking the sores of Lazarus, nor to the boy bringing in a dish, the appropriate expression of the lady -- the rich luxuriant going to drink out of a Jasper goblet &c. &c.]] réalisée par Lucca Giordano, vendue par David Fitzgerald, achetée par Reed au prix de 44 gs. [240]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Conversation. Le Chevalier de Troy. The servant is giving notice to her mistress of some approaching danger, whilst her lover is ardently making his vows of fidelity, and to mark her confidence, she is carelessly playing with the water issuing from a superb fountain This picture and the companion are deservedly esteemed the finest of this master, the drawing and coloring of the hands are worthy of particular attention (Le Chevalier de Troy)|Conversation. Le Chevalier de Troy. The servant is giving notice to her mistress of some approaching danger, whilst her lover is ardently making his vows of fidelity, and to mark her confidence, she is carelessly playing with the water issuing from a superb fountain This picture and the companion are deservedly esteemed the finest of this master, the drawing and coloring of the hands are worthy of particular attention]] réalisée par Le Chevalier de Troy, vendue par David Fitzgerald au prix de 7 gs. [241]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Companion. ditto Le Chevalier de Troy. A lady making terms with her admirer in presence of his attendant, whose interestedness is beautifully expressed by her eager and watchfull attention to his protestations. -- This picture and the companion are deservedly esteemed the finest of this master, the drawing and coloring of the hands are worthy of particular attention (Le Chevalier de Troy)|Companion. ditto Le Chevalier de Troy. A lady making terms with her admirer in presence of his attendant, whose interestedness is beautifully expressed by her eager and watchfull attention to his protestations. -- This picture and the companion are deservedly esteemed the finest of this master, the drawing and coloring of the hands are worthy of particular attention]] réalisée par Le Chevalier de Troy, vendue par David Fitzgerald au prix de 7 gs. [242]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Martyrdom of St. Laurence. Rubens. All the parts and lights are of the highest excellence, the zest of chiaro scuro, and the truth and glowing beauty of the coloring is astonishing, the facility of composition and justness of expression in which he is happy beyond measure must evidently oblige us to rate this performance as one of the first productions of his extraordinary mind (Rubens)|Martyrdom of St. Laurence. Rubens. All the parts and lights are of the highest excellence, the zest of chiaro scuro, and the truth and glowing beauty of the coloring is astonishing, the facility of composition and justness of expression in which he is happy beyond measure must evidently oblige us to rate this performance as one of the first productions of his extraordinary mind]] réalisée par Rubens, vendue par David Fitzgerald au prix de 11 1/2 gs. [243]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Infant Christ leaning on the Cross. Guido. The tender and pathetic Infant reclines on the emblem of salvation, his mind evidently occupied with the great work of redemption -- the delicacy of this thought could only be the produce of the elegant and graceful Guido (Guido)|The Infant Christ leaning on the Cross. Guido. The tender and pathetic Infant reclines on the emblem of salvation, his mind evidently occupied with the great work of redemption -- the delicacy of this thought could only be the produce of the elegant and graceful Guido]] réalisée par Guido, vendue par David Fitzgerald au prix de 25 gs. [244]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Orpheus. Roland Savery. Houbreken in his lives of the painters says that this picture was considered one of his best in the low countries and enters into a minute description of its excellence, and dwells much on the harmony, delicacy and spirit, and the agreeable variety of birds and animals (Roland Savery)|Orpheus. Roland Savery. Houbreken in his lives of the painters says that this picture was considered one of his best in the low countries and enters into a minute description of its excellence, and dwells much on the harmony, delicacy and spirit, and the agreeable variety of birds and animals]] réalisée par Roland Savery, vendue par David Fitzgerald, achetée par Atkinson au prix de 14 gs. [247]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Crucifixion. Polidori. "The last work of this great master in which he designed a multitude of figures, Horsemen, Soldiers, Pharisees, Women and Children, who attended on the occasion, and he disposed them with the utmost elegance and propriety of character. The whole is painted admirably, and in that composition he seemed desirous to give an incontestible proof of his refined taste, his extensive genius, and the power of his pencil." See Pilkington's Dictionary (Polidori)|The Crucifixion. Polidori. "The last work of this great master in which he designed a multitude of figures, Horsemen, Soldiers, Pharisees, Women and Children, who attended on the occasion, and he disposed them with the utmost elegance and propriety of character. The whole is painted admirably, and in that composition he seemed desirous to give an incontestible proof of his refined taste, his extensive genius, and the power of his pencil." See Pilkington's Dictionary]] réalisée par Polidori, vendue par David Fitzgerald au prix de 30 gs. [249]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Ascension of Christ These two fine pictures are evidently finished studies for a ceiling; the foreshortening (in which this Master excelled all his predecessors) is wonderful, the union, force and strength of the coloring are as fine as any master ever produced (Giova. Battista Gaurini, called Boccaccio)|The Ascension of Christ These two fine pictures are evidently finished studies for a ceiling; the foreshortening (in which this Master excelled all his predecessors) is wonderful, the union, force and strength of the coloring are as fine as any master ever produced]] réalisée par Giova. Battista Gaurini, called Boccaccio, vendue par David Fitzgerald, achetée par Pomroy au prix de 32 gs. [250]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Ascension of the Virgin These two fine pictures are evidently finished studies for a ceiling; the foreshortening (in which this Master excelled all his predecessors) is wonderful, the union, force and strength of the coloring are as fine as any master ever produced (Giova. Battista Gaurini, called Boccaccio)|The Ascension of the Virgin These two fine pictures are evidently finished studies for a ceiling; the foreshortening (in which this Master excelled all his predecessors) is wonderful, the union, force and strength of the coloring are as fine as any master ever produced]] réalisée par Giova. Battista Gaurini, called Boccaccio, vendue par David Fitzgerald, achetée par Pomroy au prix de 32 gs. [251]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Drowning of Pharoah's host. Mompert and Brueghel. The confusion of Pharoah and his followers is managed with Surprising art. The groups of the Israelites are beautifully opened and painted with a noble, bold, decided pencil, the general cast of the drapery much in the great stile of the Roman school, and the figures most agreeably winding up the rocks, the landscape is in a magnificent taste. It is altogether conducted with very great ability, and merit of the highest kind in all the parts. The style of drawing and character, the chiaro scuro, the coloring and indeed every thing in it is particularly fine (Mompert)|Drowning of Pharoah's host. Mompert and Brueghel. The confusion of Pharoah and his followers is managed with Surprising art. The groups of the Israelites are beautifully opened and painted with a noble, bold, decided pencil, the general cast of the drapery much in the great stile of the Roman school, and the figures most agreeably winding up the rocks, the landscape is in a magnificent taste. It is altogether conducted with very great ability, and merit of the highest kind in all the parts. The style of drawing and character, the chiaro scuro, the coloring and indeed every thing in it is particularly fine]] réalisée par Mompert, vendue par David Fitzgerald au prix de 16 gs. [252]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A Landscape, Paul Brill. The figures by A. Caracci. The neat, delicate and firm stile of painting of this deservedly esteemed master is highly exemplified in this subject, his sites on a distance are of an exquisite taste, the truth of coloring equal the lovely greens of nature, the trees are variously and well characterised, the falls of water beautiful and ably conducted through romantic rocks, the herbage and reeds on the fore-ground have great accuracy. The Story is Pan's first sight of Syrinx (Paul Brill)|A Landscape, Paul Brill. The figures by A. Caracci. The neat, delicate and firm stile of painting of this deservedly esteemed master is highly exemplified in this subject, his sites on a distance are of an exquisite taste, the truth of coloring equal the lovely greens of nature, the trees are variously and well characterised, the falls of water beautiful and ably conducted through romantic rocks, the herbage and reeds on the fore-ground have great accuracy. The Story is Pan's first sight of Syrinx]] réalisée par Paul Brill, vendue par David Fitzgerald au prix de 40 gs. [253]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A Banditti. The Landscape by Poussin. The figures by Jan Miel. The landscape is in the finest stile of the classical Poussin, the rocks aud scenery finely adapted to the figures. The relentless assasin cooly robbing the dead man (an inimitable representation of a lifeless body) the hardened ruffian dragging the woman whose attitude and expression of distress and despair form a combination of circumstances so wonderfully described that one is apt to conceive he is looking at the real transaction and to shudder with dread and horror (Poussin)|A Banditti. The Landscape by Poussin. The figures by Jan Miel. The landscape is in the finest stile of the classical Poussin, the rocks aud scenery finely adapted to the figures. The relentless assasin cooly robbing the dead man (an inimitable representation of a lifeless body) the hardened ruffian dragging the woman whose attitude and expression of distress and despair form a combination of circumstances so wonderfully described that one is apt to conceive he is looking at the real transaction and to shudder with dread and horror]] réalisée par Poussin, vendue par David Fitzgerald, achetée par Reed au prix de 80 gs. [256]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[The Virgin and Child. Vandyke. Vandyke often painted his studies in two colors, and frequently finished them to the highest degree of excellence when they pleased him; it is no stretch of fancy to say the present picture, is one of that description as every part is handled with the utmost care and attention, St. Joseph is in the background bringing forward his Ass to prepare for their journey to Egypt (Vandyke)|The Virgin and Child. Vandyke. Vandyke often painted his studies in two colors, and frequently finished them to the highest degree of excellence when they pleased him; it is no stretch of fancy to say the present picture, is one of that description as every part is handled with the utmost care and attention, St. Joseph is in the background bringing forward his Ass to prepare for their journey to Egypt]] réalisée par Vandyke, vendue par David Fitzgerald, achetée par Dowdle au prix de 15 gs. [257]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[Magdalen. Carlo Dolci. This lovely little morceau seems to have engaged the utmost attention of Carlo, his inexpressibly nice finishing, and transparent coloring so finely adapted to his favorite divine subjects with that pleasing delicacy of tint so eminently distinguishable in this impressive picture fully justifies the observation made of his having exerted his utmost abilities on the subject before us (Carlo Dolci)|Magdalen. Carlo Dolci. This lovely little morceau seems to have engaged the utmost attention of Carlo, his inexpressibly nice finishing, and transparent coloring so finely adapted to his favorite divine subjects with that pleasing delicacy of tint so eminently distinguishable in this impressive picture fully justifies the observation made of his having exerted his utmost abilities on the subject before us]] réalisée par Carlo Dolci, vendue par David Fitzgerald au prix de 24 gs. [258]
  • 1812.03.02/ maison de ventes : Jones (Thomas). Vente de l'œuvre décrite comme [[A Landscape. Claude. A genuine picture of this great master, the avidity with which his works are sought makes the acquisition of them seldom attainable and rarely to be seen except in the first cabinets in Europe nor indeed is it surprising that it should be so when one considers for a moment the magic illusions of his inimitable pencil (Claude)|A Landscape. Claude. A genuine picture of this great master, the avidity with which his works are sought makes the acquisition of them seldom attainable and rarely to be seen except in the first cabinets in Europe nor indeed is it surprising that it should be so when one considers for a moment the magic illusions of his inimitable pencil]] réalisée par Claude, vendue par David Fitzgerald au prix de 50 gs. [259]
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