Ventes d'œuvres le 1812.04.17

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  • 1812.04.17/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Martha upbraiding Mary Magdalen for neglecting Household Cares. The vulgarity of the former is admirably contrasted with the grace and elegance of the latter, and the manner of Guido is so closely copied, that this Picture has frequently been attributed to that great master (Simone da Pesaro)|Martha upbraiding Mary Magdalen for neglecting Household Cares. The vulgarity of the former is admirably contrasted with the grace and elegance of the latter, and the manner of Guido is so closely copied, that this Picture has frequently been attributed to that great master]] réalisée par Simone da Pesaro, vendue par Fr Hare Naylor au prix de 31.10 £. [17]
  • 1812.04.17/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. John, in his most vigorous manner. The head of the Apostle, has all the delicacy of Dominichino, whom the painter was evidently endeavouring to imitate, and the hands are delineated with a knowledge of the art, which has been seldom surpassed. This Picture was purchased from the Gennari family, at Bologna, to whom it descended as heirs of the great artist of Cento (Guercino)|St. John, in his most vigorous manner. The head of the Apostle, has all the delicacy of Dominichino, whom the painter was evidently endeavouring to imitate, and the hands are delineated with a knowledge of the art, which has been seldom surpassed. This Picture was purchased from the Gennari family, at Bologna, to whom it descended as heirs of the great artist of Cento]] réalisée par Guercino, vendue par Fr Hare Naylor au prix de 52.10 £. [23]
  • 1812.04.17/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Venetian Noble, stabbing his wife in a fit of jealousy. This Picture was painted as a study for one of much larger dimensions, in commemoration of one of the numerous miracles ascribed to S. Antonio di Padua, which decorates a chapel dedicated to the patron of Padua (Giorgione)|A Venetian Noble, stabbing his wife in a fit of jealousy. This Picture was painted as a study for one of much larger dimensions, in commemoration of one of the numerous miracles ascribed to S. Antonio di Padua, which decorates a chapel dedicated to the patron of Padua]] réalisée par Giorgione, vendue par Fr Hare Naylor au prix de 39.18 £. [32]
  • 1812.04.17/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The celebrated Picture mentioned by Malvasia, in the life of Guido, representing Bacchanalians wrestling with Cupids; an ingenious allegory, beautifully conceived, and executed with the exquisite delicacy of a Cameo. This delightful Picture was etched by Scarani, when in the possession of the Marchese Ghisilieri, by whom it was presented to the Montalto College, at Bologna. The print may be seen at Mr. Christie's (Guido)|The celebrated Picture mentioned by Malvasia, in the life of Guido, representing Bacchanalians wrestling with Cupids; an ingenious allegory, beautifully conceived, and executed with the exquisite delicacy of a Cameo. This delightful Picture was etched by Scarani, when in the possession of the Marchese Ghisilieri, by whom it was presented to the Montalto College, at Bologna. The print may be seen at Mr. Christie's]] réalisée par Guido, vendue par Fr Hare Naylor. [57]
  • 1812.04.17/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Madona sitting on the clouds, and holding the Infant Christ, who stretches out his arms to catch a dove. This Picture is painted in his boldest manner, and is remarkable for its striking effect; it was left as a legacy to the Gennari family, from whom it was purchased by its present possessor (Guercino)|Madona sitting on the clouds, and holding the Infant Christ, who stretches out his arms to catch a dove. This Picture is painted in his boldest manner, and is remarkable for its striking effect; it was left as a legacy to the Gennari family, from whom it was purchased by its present possessor]] réalisée par Guercino, vendue par Fr Hare Naylor. [59]
  • 1812.04.17/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Adoration of the Shepherds; a splendid composition, but unfortunately left in an unfinished state. Had this masterly performance, of which Malvasia speaks with unbounded admiration, received the finishing touches, it would indisputably have held a very distinguished place, among the proudest productions of the Bologna school. It formerly belonged to the Isolani family at Bologna (Guido)|The Adoration of the Shepherds; a splendid composition, but unfortunately left in an unfinished state. Had this masterly performance, of which Malvasia speaks with unbounded admiration, received the finishing touches, it would indisputably have held a very distinguished place, among the proudest productions of the Bologna school. It formerly belonged to the Isolani family at Bologna]] réalisée par Guido, vendue par Fr Hare Naylor. [71]
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