Ventes d'œuvres le 1812.05.-

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Neptune presenting a bunch of coral plucked from the bottom of his watery domain, to Venus the goddess of beauty; this splendid performance, with three others in this collection by the same master, formerly ornamented one of the first cabinets in Holland Mr. Henry Hope at Haerlem; and are justly esteemed the chef d'oeuvres of Carlo Marratti (Carlo Marratti)|Neptune presenting a bunch of coral plucked from the bottom of his watery domain, to Venus the goddess of beauty; this splendid performance, with three others in this collection by the same master, formerly ornamented one of the first cabinets in Holland Mr. Henry Hope at Haerlem; and are justly esteemed the chef d'oeuvres of Carlo Marratti]] réalisée par Carlo Marratti. [1]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A view on the sea coast near Embden, with a variety of ships and vessels steering different courses, the wind and tide being in opposite directions, give that natural agitation and apparent motion to the curling waves, which Vandeveldt himself never excelled (Backhuysen)|A view on the sea coast near Embden, with a variety of ships and vessels steering different courses, the wind and tide being in opposite directions, give that natural agitation and apparent motion to the curling waves, which Vandeveldt himself never excelled]] réalisée par Backhuysen. [2]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme St. Francis doing Pennance, his head reclining on the flinty rock, and almost expiring, a little robin-red breast who most probably had received some crumbs from his hands formerly, and now his only companion, in this dreary solitude réalisée par Northcote. [3]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Miss Ward, afterwards the wife of George Morland, the celebrated Artist. She is represented ironing in a rustic dress, the smoothing iron and stand absolutely a deception, painted con amore by her husband, and engraved réalisée par George Morland, vendue par [[[Chatfield]]]. [4]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Holy Family with St. Ann and St. John, a valuable cabinet picture réalisée par Ludovico Carracci au prix de 105.0 £. [5]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A grand storm on the sea coast, with Fishermen, &c. réalisée par Morland. [6]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing landscape. Wynants: with horses, dogs and figures by Wouvermans réalisée par Wynants. [7]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Pluto carrying away Proserpine by force, the terror and reluctance of the struggling nymph most admirably described réalisée par Pordenone. [8]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Madona and Child, painted with all the sweetness and grace of Correggio réalisée par Baroccio. [9]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A landscape with elegant architectural ruins, cattle and figures réalisée par Karel du Jardin. [10]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rich warm Evening scene, Venus reclining, attended by Cupids, &c. réalisée par Gavin Hamilton, vendue par [[[Rt Hon John Sullivan]]]. [11]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A little girl exposing her fish for sale, truly natural réalisée par Biedermann. [12]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of William Mieris, the celebrated Artist réalisée par William Mieris. [13]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Three beautiful Guinea pigs amusing themselves with cabbage leaves, raddishes, &c. réalisée par Morland, vendue par [[[Chatfield]]]. [14]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A Winter's morning, the ground covered with snow, a farmer on horseback at an ale-house door, has ordered a bowl of warm punch, which the hostess seems conveying with particular caution for fear of spilling the comfortable beverage; the appearance of the fire through the cottage window, the dogs, &c. are also truly admirable (Morland)|A Winter's morning, the ground covered with snow, a farmer on horseback at an ale-house door, has ordered a bowl of warm punch, which the hostess seems conveying with particular caution for fear of spilling the comfortable beverage; the appearance of the fire through the cottage window, the dogs, &c. are also truly admirable]] réalisée par Morland. [15]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of a little girl with her dog, daughter of the first Lord Conway réalisée par Sir Peter Lely. [16]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Spanish Peasant after emptying his flask réalisée par Murillo. [17]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Woman accused of Adultery brought before our Saviour, an high finished and truly valuable performance: the variety of character and expression most admirably represented réalisée par Sebastian del Piombo. [18]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Bathsheba; a valuable gallery picture from the Colonna Palace at Rome réalisée par Correggio. [19]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Graces presenting their offerings before the statue of Venus, which stands upon an elegant pedestal, attended by Cupid; this valuable cabinet jewel is from the Orleans collection, and is engraved réalisée par Netscher, vendue par [[[W Morland?]]]. [20]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme An old man's head most admirably finished, being the portrait of the celebrated Denner, painted by himself, at an advanced age, and justly esteemed the chef d'oeuvre of this rare master réalisée par Denner au prix de 63.0 £. [21]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Madona, Child, St. Joseph and St. John, an early production of the inimitable Raphael, in the manner of his master Perugino: this curious specimen of ancient art was presented to the Vatican by Christina, Queen of Sweden during her residence at Rome (Raphael)|The Madona, Child, St. Joseph and St. John, an early production of the inimitable Raphael, in the manner of his master Perugino: this curious specimen of ancient art was presented to the Vatican by Christina, Queen of Sweden during her residence at Rome]] réalisée par Raphael. [22]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A grand eruption of Mount Vesuvius; with a pleasing view of the Bay of Naples by moonlight, the terror and consternation of the different groups endeavoring to flee from danger, most admirably represented. Painted in 1749 réalisée par Vernet. [23]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The interior of the Great Church at Brussells, the perspective true to a deception réalisée par Steenwick. [24]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A shepherd whilst attending his flocks visited by his wife and children, an interesting performance réalisée par Westall. [25]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A youthful portrait of King Charles the IId. of England, painted by Riley, who was one of the best pupils of Vandyck réalisée par Riley. [26]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Hostess of Megara begging pardon of the great General Philopaemen, whom she had, being ignorant of his rank, ordered to cut wood to prepare a grand supper, as she told him, for the far famed Philopaemen, whom she expected with his suite at her house, that evening. (See Plutarch's lives.) The figures in this valuable performance by Rubens, the game by Snyders. From the Orlean's collection (Rubens)|The Hostess of Megara begging pardon of the great General Philopaemen, whom she had, being ignorant of his rank, ordered to cut wood to prepare a grand supper, as she told him, for the far famed Philopaemen, whom she expected with his suite at her house, that evening. (See Plutarch's lives.) The figures in this valuable performance by Rubens, the game by Snyders. From the Orlean's collection]] réalisée par Rubens, vendue par [[[Hammersley]]]. [27]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Faggot maker or wood cutter, a pleasing fancy picture. Westall. Engraved réalisée par Westall. [28]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Danae in the golden shower, a valuable production of the immortal Titian, the drawing and symmetry superior to that in the Cape del Monte at Naples réalisée par Titian. [29]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Susanna and the two Elders réalisée par Nicolo Poussin. [30]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rich landscape with cattle, figures, &c. réalisée par Ruysdael. [31]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A caricature whole length portrait of the celebrated Titian, giving the finishing touches to a portrait of his favorite mistress, in the 97th year of his age, by Pordenone, once the pupil, but afterwards the formidable rival of that great master (Pordenone)|A caricature whole length portrait of the celebrated Titian, giving the finishing touches to a portrait of his favorite mistress, in the 97th year of his age, by Pordenone, once the pupil, but afterwards the formidable rival of that great master]] réalisée par Pordenone. [32]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Dutch Peasants smoaking and conversing together réalisée par Teniers. [33]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A portrait of the amiable Duchess of Montague instructing the Negro boy Sancho. Hudson, who was the master of Sir Joshua Reynolds réalisée par Hudson. [34]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The father of the Curiatii directing the interment of his slaughtered sons, after the sanguinary combat with the Horatii réalisée par Nicolo Poussin. [35]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Cupid disappointed and sullen réalisée par Guercino. [36]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A grand classical landscape. Gaspar Poussin. The story of Hippomenes and Atalanta, elegantly introduced by Nicolo Poussin réalisée par Gaspar Poussin au prix de 630.0 £. [37]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Portrait of Ignatius Loyola the Founder of the Order of Jesus; an undoubted Portrait of the great Titian; an engraving of this valuable head is prefixed to the life of Loyola réalisée par Titian. [38]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A warm pleasing landscape with Figures réalisée par Both. [39]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rich woody scene with Gypsies making their fire réalisée par Morland. [40]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Boy playing the flageolet réalisée par Rembrandt. [41]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Siege of Valenciennes, with a distant view of the besieged town on fire in many places, containing portraits of his Royal Highness the Duke of York, and the other principal officers of the combined armies, viz. Prince Frederick of Orange, Colonel Moncrief, Marquis of Huntley, Hereditary Prince of Orange, H.R.H. Prince Ernest, Field Marshal Freytag, Sir James Murray, Colonel Hulse, H.R.H. Prince Adolphus, Major General Lake, General Count Walmoden, Lieut. Col. St. Leger, Prince Hohenloe, Major General Abercrombie, Archduke Prince Charles, Ensign Tollemache, Lieut. Col. Doyle, Major Congreve, Colonel Leigh, Gen. Count Ferrars, Lieutenant Thornton, General Count Clairfait, Prince Ferdinand of Wirtemberg, Major General Weukheim, H.S.H. the Prince of Saxe Cobourg, &c. &c. &c. July 25, 1793. Loutherbourg has introduced Hungarians, Pandours, Hessians, Hulans, &c. all in their appropriate costume. This picture has always been esteemed the chef d'oeuvre of this great master (Loutherbourg)|The Siege of Valenciennes, with a distant view of the besieged town on fire in many places, containing portraits of his Royal Highness the Duke of York, and the other principal officers of the combined armies, viz. Prince Frederick of Orange, Colonel Moncrief, Marquis of Huntley, Hereditary Prince of Orange, H.R.H. Prince Ernest, Field Marshal Freytag, Sir James Murray, Colonel Hulse, H.R.H. Prince Adolphus, Major General Lake, General Count Walmoden, Lieut. Col. St. Leger, Prince Hohenloe, Major General Abercrombie, Archduke Prince Charles, Ensign Tollemache, Lieut. Col. Doyle, Major Congreve, Colonel Leigh, Gen. Count Ferrars, Lieutenant Thornton, General Count Clairfait, Prince Ferdinand of Wirtemberg, Major General Weukheim, H.S.H. the Prince of Saxe Cobourg, &c. &c. &c. July 25, 1793. Loutherbourg has introduced Hungarians, Pandours, Hessians, Hulans, &c. all in their appropriate costume. This picture has always been esteemed the chef d'oeuvre of this great master]] réalisée par Loutherbourg, vendue par [[[Vernon]]]. [42]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A clear brilliant Landscape with Diana reposing after the fatigues of the chase. Albano. From the Choiseul Collection réalisée par Albano. [43]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A grand romantic Landscape. Gaspar Poussin. The story of Hercules rescuing Dejanira from the Centaur, classically introduced by Nicolo Poussin réalisée par Gaspar Poussin. [44]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Hogarth réalisée par Sir James Thornhill. [45]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing rural scene with a cottage réalisée par Hobbima au prix de 21.0 £. [46]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rich group of cattle in a grand landscape, with a traveller on horseback réalisée par Loutherbourg. [47]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A fresh breeze at Sea, with a cutter and a frigate at anchor réalisée par Whitcomb. [48]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A whole length portrait of Charles XII. of Sweden, taken from the life by Woolcast, a Swedish Artist réalisée par Woolcast. [49]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Pharoah and his host overwhelmed in the Red Sea, when pursuing the Israelites réalisée par Nicolo Poussin. [50]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The lake of Nemi, with the surrounding scenery, most admirably represented, painted at Rome by Jacob More the British Claude réalisée par Jacob More. [51]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The entombment of our Saviour, Joseph of Arimathea, the three Maries, and St. John réalisée par Titian. [52]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A farm-yard, with at tête a tête between Hodge, the farmer's man, and his sweetheart; two of the swinish multitude contending about a carrot, the congealed snow and ice on the thatch, &c. most naturally represented réalisée par Morland. [53]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A warm pleasing landscape and figures réalisée par Berghem. [54]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A grand view of part of St. Mark's Palace, at Venice, enriched with a view of the Bucentaur and a great variety of gondolas, figures, &c. réalisée par Cannalletti. [55]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Cupid bewailing the death of Queen Anne, a mausoleum in the back ground. Sir Godfrey Kneller. This pleasing picture is engraved and formerly belonged to Sir Joshua Reynolds réalisée par Sir Godfrey Kneller. [56]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Fishmonger's Shop with a variety of fish, &c. highly finished: painted on copper réalisée par Angeles. [57]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Summer. A rich luxuriant Sylvan scene, the varied forms of the trees, and the light breaking through the foliage, truly natural. A young sportsman with persuasive adulation, "infectious sigh and pleading look," seems to be gradually subduing the bashful timidity of a rustic maid, while maternal anxiety is exquisitely depicted in the character of the girl's mother, who stands listening at the cottage door (Morland)|Summer. A rich luxuriant Sylvan scene, the varied forms of the trees, and the light breaking through the foliage, truly natural. A young sportsman with persuasive adulation, "infectious sigh and pleading look," seems to be gradually subduing the bashful timidity of a rustic maid, while maternal anxiety is exquisitely depicted in the character of the girl's mother, who stands listening at the cottage door]] réalisée par Morland. [58]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The interior of the great church at Haerlem, a most splendid performance by Peter Neefs, (enriched with a portrait of the Prince of Orange, to whom this chef d'oeuvre belonged) and a great variety of figures by Vandyke réalisée par Peter Neefs. [59]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A green-grocer's stall, a very desirable production of William Mieris, painted on copper, and in the highest preservation réalisée par William Mieris. [60]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A grand representation of Earl Howe's splendid victory over the French Fleet, which took place on Sunday, June 1st. 1794. The Queen Charlotte, Lord Howe's flag-ship, is seen engaging the Montagne, bearing the French Admiral's flag: this immense ship with such superior force is bearing away from the Queen Charlotte, and the officers are seen forcing the Frenchmen to do their duty: the slaughter on board this ship must have been as dreadful as appears from their throwing the dead bodies overboard and out of the port-holes into the sea. To the left the Vengeur is seen sinking, and the English sailors are busy employed in saving their drowning enemies (Loutherbourg)|A grand representation of Earl Howe's splendid victory over the French Fleet, which took place on Sunday, June 1st. 1794. The Queen Charlotte, Lord Howe's flag-ship, is seen engaging the Montagne, bearing the French Admiral's flag: this immense ship with such superior force is bearing away from the Queen Charlotte, and the officers are seen forcing the Frenchmen to do their duty: the slaughter on board this ship must have been as dreadful as appears from their throwing the dead bodies overboard and out of the port-holes into the sea. To the left the Vengeur is seen sinking, and the English sailors are busy employed in saving their drowning enemies]] réalisée par Loutherbourg, vendue par [[[Vernon]]]. [61]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Israelites borrowing Vessels of Gold and Silver Jewels, &c. from the Egyptians, previous to their departure, with a great variety of most interesting figures, worthy the pencil of Rubens réalisée par Old Franks. [62]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of George Morland the celebrated artist, painted by his intimate friend Muller, and allowed to be the most perfect likeness of that extraordinary and eccentric character réalisée par Muller, vendue par [[[Chatfield]]]. [63]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view of the Adelphi, York Buildings Water Works, Westminster Abbey, Westminster Bridge, the River Thames, &c. with the Market boats passing and repassing réalisée par Marlow. [64]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The judgment of Paris. Rubens. This great Artist repeated the same subject with some variations for the Palais Royale at Paris réalisée par Rubens. [65]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view in the Isle of Wight, with sailors hauling up their boats réalisée par Morland. [66]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Euriclea awaking Penelope to acquaint her with the arrival of Ulysses her husband from the Trojan War réalisée par Angelica Kauffman. [67]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rich luxuriant landscape with figures, cattle and sheep réalisée par Gainsborough. [68]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Saint Bonaventura at his Devotion whilst an angel is holding his cardinal's hat. From the Orleans Gallery réalisée par Guido. [69]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Cupid preparing his bow, an exquisite cabinet jewel of Parmegiano: copies of this unique performance may be found in several of the most celebrated collections in this metropolis, but the real connoisseur upon examination will here easily discover superior merit, and exclaim "This work is indeed worthy of the name it bears." (Parmegiano)|Cupid preparing his bow, an exquisite cabinet jewel of Parmegiano: copies of this unique performance may be found in several of the most celebrated collections in this metropolis, but the real connoisseur upon examination will here easily discover superior merit, and exclaim "This work is indeed worthy of the name it bears."]] réalisée par Parmegiano. [70]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Porcia the Daughter of Cato, Wife of Brutus, on receiving the disastrous intelligence of her husband's defeat on the Plains of Pharsalia, destroying herself by eating live-coals réalisée par Paul Veronese. [71]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Bargain. A butcher in treaty with a farmer for a calf; the character completely English, and marked with that independent rough appearance peculiar to the Land of Liberty réalisée par Morland, vendue par [[[Edmund Morton Pleydell]]]. [72]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Adoration of the Shepherds. Sir Joshua Reynolds. This is the original sketch from which the famous window of New College, Oxford, was painted réalisée par Sir Joshua Reynolds au prix de 63.0 £. [73]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A calm on the Dutch coast, with a variety of vessels, figures, &c. réalisée par Vandeveldt. [74]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A French courtesan. From De Calonne's collection réalisée par Bonnieu. [75]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The defeat of the Spanish Armada. Loutherbourg. This wonderful event has peculiar claim on the pencil, and in transmitting it to the canvas, Mr. Loutherbourg has chosen the moment of the greatest confusion in the Spanish Fleet, before Calais, as affording the finest opposition of lights, and therefore the greatest contrast of coloring and composition (Loutherbourg)|The defeat of the Spanish Armada. Loutherbourg. This wonderful event has peculiar claim on the pencil, and in transmitting it to the canvas, Mr. Loutherbourg has chosen the moment of the greatest confusion in the Spanish Fleet, before Calais, as affording the finest opposition of lights, and therefore the greatest contrast of coloring and composition]] réalisée par Loutherbourg. [76]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of a youth, the son of the first Lord Conway réalisée par Sir Peter Lely. [77]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Napoleon Bonaparte on horseback, in his consular dress, painted in 1801, by Northcote. The late General Paoli, Mons. Otto, General Andreosi, and several other competent judges have all declared this portrait to be a most striking likeness of that extraordinary character: the horse is a portrait of a Flemish charger, belonging to the Duchess of Leeds (Northcote)|Napoleon Bonaparte on horseback, in his consular dress, painted in 1801, by Northcote. The late General Paoli, Mons. Otto, General Andreosi, and several other competent judges have all declared this portrait to be a most striking likeness of that extraordinary character: the horse is a portrait of a Flemish charger, belonging to the Duchess of Leeds]] réalisée par Northcote. [78]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Virgin and Child réalisée par Leonardo da Vinci. [79]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Helena Forman the wife of Rubens réalisée par Head. [80]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Our Saviour ordering the sick man to take up his bed and walk réalisée par Solimeni. [81]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The portrait of Charles Stuart, commonly called the Pretender réalisée par Cooper. [82]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The youthful Bacchus réalisée par Cipriani. [83]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Venus combing her hair réalisée par Cipriani. [84]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The triumph of Galatea réalisée par Annibal Caracci. [85]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme St. John preaching in the wilderness réalisée par Rembrandt. [86]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view in the New Forest. Barrett; the Horses, &c. Gilpin réalisée par Barrett. [87]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view of the Dargle in Ireland. Barrett; the Figures by Cipriani réalisée par Barrett. [88]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Sketch for the Cupola at Parma réalisée par Hyacinta Brandi. [89]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Virgin and Child réalisée par Carlo Maratti. [90]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A romantic Fountain with a Peacock and his mate, an elegant Villa in the distance réalisée par Hondikoeter. [91]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Spanish Peasant filling a bologna or air ball réalisée par Murrillo. [92]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Angel comforting Hagar in the Desart réalisée par Guido. [93]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme St. Jerome at his devotion réalisée par Spagnoletti. [94]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Marriage a-la-mode. "Tis from high life these characters are drawn." A portly nobleman of high birth, and a worshipful alderman signing the marriage settlement, while the young viscount with perfect indifference is viewing himself in a mirror, displaying his gold snuff box and glittering ring, the lady equally careless, plays with her wedding ring, whilst Counsellor Silvertongue, an insidious lawyer, appears at her right hand, "Like Satan, whispering in the ear of Eve, By nature form'd to ruin and deceive." These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Mr. Callander)|Marriage a-la-mode. "Tis from high life these characters are drawn." A portly nobleman of high birth, and a worshipful alderman signing the marriage settlement, while the young viscount with perfect indifference is viewing himself in a mirror, displaying his gold snuff box and glittering ring, the lady equally careless, plays with her wedding ring, whilst Counsellor Silvertongue, an insidious lawyer, appears at her right hand, "Like Satan, whispering in the ear of Eve, By nature form'd to ruin and deceive." These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Mr. Callander. [95]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["Behold how Vice her votary rewards, After a night of folly, frolic, cards." Wearied, languid and spiritless, from the dissipations of the night, the modish viscount comes home at noon, and finds his lady just arisen, and seated en deshabille at her breakfast table. A cap and ribbon which hang out of his pocket, occupy the attention of the dog. The old Steward having brought a number of bills for payment, by his countenance, forsees the gulph of ruin opening for the enfatuated pair. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Mr. Callander)|"Behold how Vice her votary rewards, After a night of folly, frolic, cards." Wearied, languid and spiritless, from the dissipations of the night, the modish viscount comes home at noon, and finds his lady just arisen, and seated en deshabille at her breakfast table. A cap and ribbon which hang out of his pocket, occupy the attention of the dog. The old Steward having brought a number of bills for payment, by his countenance, forsees the gulph of ruin opening for the enfatuated pair. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Mr. Callander. [96]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["To Galen's great descendant list -- oh list! Behold a surgeon, sage anatomist, Mechanic, antiquarian, seer, collector, Physician, barber, bone-setter, dissector." The noble Viscount appears here in the apartment of a quack doctor, who had imposed upon him by giving a false bill of health to Betsey Careless, whilst the old Procuress unclasps her knife to defend her character and family surgeon, the enraged Nobleman lifts his cane, and seems ready to bastinado both the Bawd and the Doctor. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Mr. Callander)|"To Galen's great descendant list -- oh list! Behold a surgeon, sage anatomist, Mechanic, antiquarian, seer, collector, Physician, barber, bone-setter, dissector." The noble Viscount appears here in the apartment of a quack doctor, who had imposed upon him by giving a false bill of health to Betsey Careless, whilst the old Procuress unclasps her knife to defend her character and family surgeon, the enraged Nobleman lifts his cane, and seems ready to bastinado both the Bawd and the Doctor. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Mr. Callander. [97]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["The new made Countess treads enchanted ground, And madly whirls in pleasure's airy round; To love's fond tale the fair her ear inclines, To Satan's agent all her soul resigns." By the old Peer's death our fair heroine, now a Countess, treads every maze of fashionable dissipation, her morning levee crowded with persons of rank, Italian singers, &c. Counsellor Silvertongue, her paramour, seems making an assignation for the masquerade. The contemptuous leer of a black footman who is serving the chocolate, is particularly striking. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Mr. Callander)|"The new made Countess treads enchanted ground, And madly whirls in pleasure's airy round; To love's fond tale the fair her ear inclines, To Satan's agent all her soul resigns." By the old Peer's death our fair heroine, now a Countess, treads every maze of fashionable dissipation, her morning levee crowded with persons of rank, Italian singers, &c. Counsellor Silvertongue, her paramour, seems making an assignation for the masquerade. The contemptuous leer of a black footman who is serving the chocolate, is particularly striking. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Mr. Callander. [98]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["Her dream of dissipation o'er, The bubble pleasure charms no more. Misery! to madness near allied, And ignominious suicide. Thy minions meed by fate's decree, Is death -- a death of infamy!" The exasperated Peer suspecting his wife's infidelity, follows her in disguise to the masquerade, and from thence to the bagnio, bursts open the bed-room door, and attacks the spoiler of his honour with a sword, but neglects his own guard, and is mortally wounded. The lawyer attempts to escape. Struck with horror at the fate of her husband she kneels at his feet, and implores forgiveness. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Mr. Callander)|"Her dream of dissipation o'er, The bubble pleasure charms no more. Misery! to madness near allied, And ignominious suicide. Thy minions meed by fate's decree, Is death -- a death of infamy!" The exasperated Peer suspecting his wife's infidelity, follows her in disguise to the masquerade, and from thence to the bagnio, bursts open the bed-room door, and attacks the spoiler of his honour with a sword, but neglects his own guard, and is mortally wounded. The lawyer attempts to escape. Struck with horror at the fate of her husband she kneels at his feet, and implores forgiveness. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Mr. Callander. [99]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["Forlorn, degraded and distrest, The furies tear her tortured breast. To poison -- sad resort! she frantic flies, And, self-destroyed, the wretched Countess dies!" The last sad scene is in the house of her father, to which she returned after her husband's death, and taking the horrid resolution of ending her days by poison, she puts it in execution by bribing her father's servant to procure her a dose of laudanum. Close to the phial upon the floor, Hogarth has judiciously placed Counsellor Silvertongue's last dying speech, to shew that he also received the punishment he so justly deserved. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Mr. Callander)|"Forlorn, degraded and distrest, The furies tear her tortured breast. To poison -- sad resort! she frantic flies, And, self-destroyed, the wretched Countess dies!" The last sad scene is in the house of her father, to which she returned after her husband's death, and taking the horrid resolution of ending her days by poison, she puts it in execution by bribing her father's servant to procure her a dose of laudanum. Close to the phial upon the floor, Hogarth has judiciously placed Counsellor Silvertongue's last dying speech, to shew that he also received the punishment he so justly deserved. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callander, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Mr. Callander. [100]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The martyrdom of St. Sebastian réalisée par Pietro da Cortona. [101]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Latona and the Lycians réalisée par Andrea Sacchi, vendue par [[[Col Hamilton's Executors]]]. [102]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of a Flemish nobleman réalisée par Vandyke. [103]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The head of an Italian Peasant réalisée par Corregio. [104]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Fête Champetre; a servant presenting a hare to a lady réalisée par David Rycardt. [105]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Jacob's dream. Lambert. Worthy of the pencil of S. Rosa réalisée par Lambert. [106]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view on the banks of the Rhine, with cattle, &c. a clear warm landscape, the effect of sun shine agreeably introduced réalisée par Cuyp. [107]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A brick-kiln, a cart with two horses and the driver, most naturally represented réalisée par Morland. [108]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing view on the banks of a river with cattle, figures, &c. réalisée par De Koning. [109]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Prodigal's Return, his father joyfully receiving him, and placing a gold chain round his neck, from the collection of Monsieur de Calonne réalisée par Pietro Vecchio. [110]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A beautiful and splendid bouquet of flowers, insects &c. placed on a marble slab. De Heem. This chef d'oeuvre of the master belonging to the unfortunate Louis the XVIth. of France, and formed one of the principal ornaments in the Palace of Versailles (De Heem)|A beautiful and splendid bouquet of flowers, insects &c. placed on a marble slab. De Heem. This chef d'oeuvre of the master belonging to the unfortunate Louis the XVIth. of France, and formed one of the principal ornaments in the Palace of Versailles]] réalisée par De Heem au prix de 47.5 £. [111]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The youthful David resting upon his lance, an animated expressive character from the Cabinet of Monsieur Julien at Paris réalisée par Guido. [112]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A romantic landscape. Gaspar Poussin, a wearied traveller reposing, and a fisherman drawing his net by Nicolo Poussin réalisée par Gaspar Poussin. [113]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme "They mocked him, saying, Hail! King of the Jews." The divine resignation in the blessed Redeemer, and the expression of the Roman soldiers, &c. afford ample proof of the wonderful powers of this great master réalisée par Carlo Dolce. [114]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The interior of a Dutch Church; the perspective just réalisée par Van Delen. [115]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[King Ahasuerus presenting his ring to Queen Esther -- "Write ye also for the Jews, as it liketh you, in the King's name, and seal it with the King's ring: for the writing which is written in the King's name, and sealed with the King's ring, may no man reverse." Esther, Chap. viii. Ver. 8 (Carlo Dolce)|King Ahasuerus presenting his ring to Queen Esther -- "Write ye also for the Jews, as it liketh you, in the King's name, and seal it with the King's ring: for the writing which is written in the King's name, and sealed with the King's ring, may no man reverse." Esther, Chap. viii. Ver. 8]] réalisée par Carlo Dolce, vendue par [[[Col Hamilton's Executors]]]. [116]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Prodigal's feast, given by his father to celebrate the unexpected return of his son whom he had long given over for lost. Pietro Vecchio, this interesting well coloured picture was also in De Calonne's collection réalisée par Pietro Vecchio. [117]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A young lady with her Duenna at her toilet réalisée par Rembrandt. [118]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["Wilkes and Liberty;" or "Covent Garden in an uproar."! Hogarth, Churchill, Dr. Rock, Wilkes, and a number of other Bon Vivants of that day, sally forth from a tavern at five o'clock in the morning, overturning stalls, baskets, &c. whilst cabbages and turnips fly about in glorious confusion; one is mounted upon Mother Needham's sedan chair, beating the reveille with two artichokes, whilst Churchill appears gallantly protecting the ladies (artiste anonyme)|"Wilkes and Liberty;" or "Covent Garden in an uproar."! Hogarth, Churchill, Dr. Rock, Wilkes, and a number of other Bon Vivants of that day, sally forth from a tavern at five o'clock in the morning, overturning stalls, baskets, &c. whilst cabbages and turnips fly about in glorious confusion; one is mounted upon Mother Needham's sedan chair, beating the reveille with two artichokes, whilst Churchill appears gallantly protecting the ladies]] réalisée par un.e artiste anonyme, vendue par [[[Thomas Vernon]]]. [119]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Johnson the celebrated Actor, as a banditti chief réalisée par Hone. [120]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The celebrated Misers réalisée par Quintin Matsys au prix de 2100.0 £. [121]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Head of a Penitent Magdalen réalisée par Chevalier Mengs. [122]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Diana and her Nymphs reposing réalisée par Poussin la Mer. [123]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Dutch Boors drinking and gambling réalisée par Hemskirk. [124]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Goatherd with his dog, goats, &c. réalisée par Rosa di Tivoli. [125]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of the first Lord Conway réalisée par Sir Peter Lely. [126]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing Landscape, Nymphs bathing, &c. réalisée par Watteau. [127]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Dutch Courtship réalisée par Hemskirk. [128]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Knife Grinder réalisée par Teniers. [129]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Hagar and the Angel, in a grand romantic landscape; worthy the pencil of Salvator Rosa. Hodges. The elegant figures in this valuable picture are attributed to the President of the Royal Academy réalisée par Hodges. [130]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme St. Cecilia, with her harp, in musical ecstasy These two pleasing pictures are by the late Mr. Rigaud, R.A. réalisée par Rigaud, vendue par [[[S Rigaud]]]. [131]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The beautiful Hebe, cup-bearer to the Gods. These two pleasing pictures are by the late Mr. Rigaud, R.A. réalisée par Mr. Rigaud. R.A., vendue par [[[S Rigaud]]]. [132]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Magdalene Raoux, (daughter of Raoux, commonly designated the French Correggio) feeding her canary birds; painted con amore by her father réalisée par Raoux. [133]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rich bouquet of flowers, insects, &c. réalisée par Rachel Ruysch. [134]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The beautiful and virtuous Queen of Lydia, exposed by Candaules her husband, to Gyges his favourite minister. A chef d'oeuvre by Nicholo Poussin. "The hapless king withdraws that sacred veil, That ever should a consort's charms conceal; Betrays those graces to another's sight, That virtue claimed, the monarch's only right; The Queen deceived, unconscious of his crime, Appears in majesty of charms divine! With pure affection meets his ev'ry thought, By duty, love, and veneration taught. She thus obeys an husband's fond desire, And thus her beauty other hearts inspire: While Gyges charm'd insures the lovely prize, For by his hand the hapless monarch dies." O.W. Serres (Nicholo Poussin)|The beautiful and virtuous Queen of Lydia, exposed by Candaules her husband, to Gyges his favourite minister. A chef d'oeuvre by Nicholo Poussin. "The hapless king withdraws that sacred veil, That ever should a consort's charms conceal; Betrays those graces to another's sight, That virtue claimed, the monarch's only right; The Queen deceived, unconscious of his crime, Appears in majesty of charms divine! With pure affection meets his ev'ry thought, By duty, love, and veneration taught. She thus obeys an husband's fond desire, And thus her beauty other hearts inspire: While Gyges charm'd insures the lovely prize, For by his hand the hapless monarch dies." O.W. Serres]] réalisée par Nicholo Poussin au prix de 315.0 £. [135]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Going out a Hawking; a clear beautiful Gem réalisée par Wouvermans. [136]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing scene by Moonlight réalisée par Sass. [137]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A small Landscape, Sunset. View of Richmond bridge réalisée par Sass. [138]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Madona and Child réalisée par Guercino. [139]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Dutch Boors amusing themselves réalisée par Ostade. [140]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme An elegant Basket of Flowers réalisée par Baptiste. [141]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Cupids at Play réalisée par Van Balen. [142]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Sir Thomas Gresham, in high preservation réalisée par Sir Antonio More. [143]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Lady Gresham; by the same great master réalisée par Sir Antonio More. [144]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A magnificent portrait of Mr. Kemble, in the character of Hamlet, Prince of Denmark. Laurence, R.A. "Alas Poor Yorick! where be your Gibes now? your Jests? your Songs? your Flashes of Merriment, that were wont to set the table in a roar? Quite chop-fallen!" Hamlet, Act 5th, Scene 1st. (Laurence, R.A.)|A magnificent portrait of Mr. Kemble, in the character of Hamlet, Prince of Denmark. Laurence, R.A. "Alas Poor Yorick! where be your Gibes now? your Jests? your Songs? your Flashes of Merriment, that were wont to set the table in a roar? Quite chop-fallen!" Hamlet, Act 5th, Scene 1st.]] réalisée par Laurence, R.A.. [145]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A View behind the Inn at Grassmere Lake, with Cattle and Figures réalisée par Ibbetson. [146]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme An high finished beautiful Landscape with Fishermen These two exquisite performances are painted on copper, and highly finished réalisée par Ferg. [147]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The companion, equally valuable. Ferg. These two exquisite performances are painted on copper, and highly finished réalisée par Ferg. [148]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A small Landscape with Figures, &c. réalisée par Wynants. [149]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Boar-hunt with a variety of Horses, Dogs, and Figures réalisée par Artois. [150]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing Landscape and Figures réalisée par Zuccarelli. [151]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Prodigal's return. Giacomo Bassan. "Bring hither the fatted calf, and kill it, and let us eat and be merry: for this my son was dead and is alive again; he was lost and is found." réalisée par Giacomo Bassan. [152]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rural cottage with travellers réalisée par Morland. [153]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A rich luxuriant scene, nymphs bathing réalisée par Watteau. [154]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A romantic cottage in a pleasing landscape réalisée par B. Barker. [155]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of the beautiful, but unfortunate, Mary, Queen of Scots. This very interesting performance was painted by Zucchero, for one of the first families in Scotland, the year previous to her execution réalisée par Zucchero. [156]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme View in the Park at Versailles, with figures in the costume of the time réalisée par Watteau. [157]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A small landscape, with the ruins of an ancient gateway, &c. réalisée par Nesmyth. [158]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A small pleasing view from nature, with a romantic bridge réalisée par Nesmyth. [159]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The martyrdom of St. Sebastian réalisée par Tintoret. [160]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing warm evening scene from nature réalisée par B. Barker. [161]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Morning: the scenery and execution delightful; one of the happiest efforts of this rising artist réalisée par B. Barker. [162]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A small sea calm, with a view of a fortified town réalisée par Swaine. [163]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme An assemblage of ancient architectural ruins réalisée par Modern. [164]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Antique architectural ruins, &c. réalisée par Modern. [165]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A stiff gale at sea, the sand hills off Camperdown in the distance: a most spirited and perfect gem; in the very best time of Jacob Ruysdael réalisée par Jacob Ruysdael. [166]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A bright upright landscape with horses and figures réalisée par Wouvermans. [167]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Our Saviour upon the mount. "And he kneeled down and prayed; saying, Father, if thou be willing remove this cup from me; nevertheless, not my will but thine be done. And there appeared an angel unto him from heaven, strengthening him." This divine performance is painted on a block of black marble (Giacomo Bassan)|Our Saviour upon the mount. "And he kneeled down and prayed; saying, Father, if thou be willing remove this cup from me; nevertheless, not my will but thine be done. And there appeared an angel unto him from heaven, strengthening him." This divine performance is painted on a block of black marble]] réalisée par Giacomo Bassan. [168]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A clear pleasing landscape with architectural ruins, an ass, gypsies, &c. réalisée par Wouvermans. [169]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing sylvan scene with a happy Dutch family in their caravan returning from market réalisée par Vangoyen. [170]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view near Brussels, a ferry boat with cattle, &c. réalisée par Vangoyen. [171]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Architecture, personified as a female figure with a square and plummet, surrounded by children raising weights by the help of the mechanical powers réalisée par Watteau. [172]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A beautiful enchanting scene, being a correct copy of one of the valuable Claudes in the cabinet of J.J. Angerstein, Esq. réalisée par Miss Ouchterlony. [173]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A shepherd with his dogs attending his flocks, the approaching storm agitating the trees, &c. most naturally described réalisée par Morland, vendue par [[[Elliot]]]. [174]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A happy Dutch family, after having taken a quantum sufficit of nut-brown ale réalisée par Jan Stein. [175]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pair of mules, dogs, &c. touched with great force, truth and spirit réalisée par Michael Angelo Carravaggio. [176]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The last judgement, an awful scene; being the original sketch of Rubens, possessing all the fire and spirit of that great master réalisée par Rubens. [177]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A beautiful nun réalisée par Skalken. [178]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A friar the companion réalisée par Skalken. [179]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view of the Scheldt with a Dutch ferry-boat from Flushing landing her passengers, painted on copper réalisée par Michau. [180]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[An old man's portrait, most admirably finished, yet possessing all the spirit and force of Rembrandt. This ingenious artist stands unrivalled for his close imitation of nature; he has been designated the English Denner, and time will render the works of Fielding equally scarce and valuable (Fielding)|An old man's portrait, most admirably finished, yet possessing all the spirit and force of Rembrandt. This ingenious artist stands unrivalled for his close imitation of nature; he has been designated the English Denner, and time will render the works of Fielding equally scarce and valuable]] réalisée par Fielding. [181]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Sir Peter Paul Rubens the celebrated painter réalisée par John Van Kessel. [182]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The venerable President of the Royal Academy has here most happily represented St. John divinely inspired, exclaiming "The voice of one crying in the wilderness, prepare ye the way of the Lord, make his paths straight." réalisée par West. [183]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing domestic scene. Hamilton, R.A. engraved, "What is the world to them, its pomp, its pleasure, and its nonsense, all? meantime a smiling offspring rises round, and mingles both their graces." réalisée par Hamilton, R.A.. [184]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Venus lamenting the death of her favorite Adonis killed whilst hunting a wild boar. This magnificent gallery picture with three others by the same master, in this collection, were originally in one of the first cabinets in Holland Mr. Henry Hope at Haerlem (Carlo Marratti)|Venus lamenting the death of her favorite Adonis killed whilst hunting a wild boar. This magnificent gallery picture with three others by the same master, in this collection, were originally in one of the first cabinets in Holland Mr. Henry Hope at Haerlem]] réalisée par Carlo Marratti. [185]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[After the untimely death of her favorite Adonis, Venus is here represented bearing the object of her affections to the celestial regions This magnificent gallery picture with three others by the same master in this collection, were originally in one of the first cabinets in Holland Mr. Henry Hope at Haerlem (Carlo Marratti)|After the untimely death of her favorite Adonis, Venus is here represented bearing the object of her affections to the celestial regions This magnificent gallery picture with three others by the same master in this collection, were originally in one of the first cabinets in Holland Mr. Henry Hope at Haerlem]] réalisée par Carlo Marratti. [186]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme An elegant assemblage of insects, fruit, and flowers, composed with great taste and exquisitely finished. Barney, painter of fruit and flowers to his Royal Highness the Prince Regent réalisée par Barney. [187]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A most exquisite portrait of Snyders the celebrated painter réalisée par Ozias Humphrey, R.A.. [188]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A physician attending a sick lady, the characters just and true to nature réalisée par Mieris, vendue par [[[Cowne]]]. [189]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Morning; a beautiful scene in the Bay of Naples, with fishermen, &c. careening and examining their vessels; esteemed the most pleasing production of that much lamented artist réalisée par Freebairn. [190]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Moses raising the Brazen Serpent in the Wilderness; painted for Cardinal Mazarine. "And Moses made a serpent of brass, and put it upon a pole, and it came to pass, that if a serpent had bitten any man, when he beheld the serpent of brass he lived." Sebastian Bourdon. This most interesting and elegant composition worthy of a Raphael, equal if not superior to Nicolo Poussin, has generally and we may add justly obtained a decided preference to a picture of the same subject though very differently treated, by the immortal Rubens (Sebastian Bourdon)|Moses raising the Brazen Serpent in the Wilderness; painted for Cardinal Mazarine. "And Moses made a serpent of brass, and put it upon a pole, and it came to pass, that if a serpent had bitten any man, when he beheld the serpent of brass he lived." Sebastian Bourdon. This most interesting and elegant composition worthy of a Raphael, equal if not superior to Nicolo Poussin, has generally and we may add justly obtained a decided preference to a picture of the same subject though very differently treated, by the immortal Rubens]] réalisée par Sebastian Bourdon. [191]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pleasing elegant assemblage of fruit, flowers, insects, &c. composed with infinite taste and most elaborately finished. Barney, painter of fruit and flowers to the Prince Regent réalisée par Barney. [192]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A whole length portrait of Mrs. Siddons in the character of Jael, from sacred history. Romney. "Then Jael (Heber's wife) took a nail of the tent, and took a hammer in her hand, and went softly unto him, and smote the nail into his temples, and fastened it into the ground, for he was fast asleep and weary, so he died." This was allowed twenty years ago to be a striking likeness of the above celebrated and accomplished actress (Romney)|A whole length portrait of Mrs. Siddons in the character of Jael, from sacred history. Romney. "Then Jael (Heber's wife) took a nail of the tent, and took a hammer in her hand, and went softly unto him, and smote the nail into his temples, and fastened it into the ground, for he was fast asleep and weary, so he died." This was allowed twenty years ago to be a striking likeness of the above celebrated and accomplished actress]] réalisée par Romney. [193]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A whole length portrait of the elegant lady Euston and her sister Lady Hugh Seymour, daughters of the late Duchess of Gloucester; painted from the life réalisée par Mr. Humphry, R.A.. [194]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Fox ale-house, a favorite picture réalisée par Morland. [195]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A small snow piece with horses réalisée par Morland. [196]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view on the coast of the Isle of Wight réalisée par Morland. [197]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Marsyas having the ambition to challenge Apollo to contend with him in music, the god of harmony after overcoming this impudent Phrygian musician, is here represented about to flay him alive. A magnificent Gallery picture by Carlo Marratti; formerly in the splendid gallery of Mr. Henry Hope at Haerlem (Carlo Marratti)|Marsyas having the ambition to challenge Apollo to contend with him in music, the god of harmony after overcoming this impudent Phrygian musician, is here represented about to flay him alive. A magnificent Gallery picture by Carlo Marratti; formerly in the splendid gallery of Mr. Henry Hope at Haerlem]] réalisée par Carlo Marratti. [198]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The mother, wife, and daughters of Darius presenting the sceptre of that unfortunate monarch to Alexander the Great réalisée par Luca Jordano. [199]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Mrs. Ann Page inviting Master Slender to dinner; an exquisite cabinet picture; full of humour and truth; from the Merry Wives of Windsor réalisée par Smirke. [200]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The tender and interesting interview between Romeo and Juliet, most faithfully described réalisée par Rigaud, R.A.. [201]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Portrait of Benjamin West, Esq. president of the Royal Academy, taken from the life, and allowed to be a correct likeness of that celebrated artist about twenty years ago réalisée par Humphry, R.A.. [202]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Miraculous Entombment. Lionello Spada. A most awful and astonishing representation of that heart-rending and wonderful ceremony. -- The Body of our Blessed Redeemer laid upon the linen cloth, and extended in the tomb, newly hewn out of the rock, wherein man never lay. "O painful sight! these pious men prepare A sacred tomb! with love, and grateful care; Whilst o'er his mangled form, they hopeless gaze, In deep affliction, and most dire amaze." O.W. Serres. In this magical performance, Spada has introduced the portrait of Annibal Caracci in the character of Joseph of Arimathea, the portrait of Ludovico Caracci as Nicodemus, and the portrait of Leo the Xth. as St. Peter with the Maries, who appear in the back ground of the mausoleum, praying and weeping over the body of Christ. Directions for Viewing the Picture to Advantage. Perhaps the best point of View is from the entrance of the grand saloon, where the Body appears extended at full length, with the feet directly towards the spectator, then proceeding slowly along the opposite or eastern side of the room, the Body will appear turning round as if placed on a pivot, and by the time the spectator arrives at the north-west angle of the gallery, the Body will appear reversed, and the feet still directly towards him. One spectator standing at the south-west angle of the saloon, and another at the north-west corner, will each find the feet appear directly towards him. A wealthy English Gentleman gave a large purse full of sequins for this extraordinary Performance, to Signor Armano, an agent of Bonaparte, at Bologna, to the great mortification of that Corsican, who declared he would not have parted with it for a bushel of sequins; as the gallery at the Louvre would never be complete without it (Lionello Spada)|The Miraculous Entombment. Lionello Spada. A most awful and astonishing representation of that heart-rending and wonderful ceremony. -- The Body of our Blessed Redeemer laid upon the linen cloth, and extended in the tomb, newly hewn out of the rock, wherein man never lay. "O painful sight! these pious men prepare A sacred tomb! with love, and grateful care; Whilst o'er his mangled form, they hopeless gaze, In deep affliction, and most dire amaze." O.W. Serres. In this magical performance, Spada has introduced the portrait of Annibal Caracci in the character of Joseph of Arimathea, the portrait of Ludovico Caracci as Nicodemus, and the portrait of Leo the Xth. as St. Peter with the Maries, who appear in the back ground of the mausoleum, praying and weeping over the body of Christ. Directions for Viewing the Picture to Advantage. Perhaps the best point of View is from the entrance of the grand saloon, where the Body appears extended at full length, with the feet directly towards the spectator, then proceeding slowly along the opposite or eastern side of the room, the Body will appear turning round as if placed on a pivot, and by the time the spectator arrives at the north-west angle of the gallery, the Body will appear reversed, and the feet still directly towards him. One spectator standing at the south-west angle of the saloon, and another at the north-west corner, will each find the feet appear directly towards him. A wealthy English Gentleman gave a large purse full of sequins for this extraordinary Performance, to Signor Armano, an agent of Bonaparte, at Bologna, to the great mortification of that Corsican, who declared he would not have parted with it for a bushel of sequins; as the gallery at the Louvre would never be complete without it]] réalisée par Lionello Spada au prix de 5250.0 [?] £. [203]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A winter scene with figures skaiting, and its companion Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [204]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The great Church at Antwerp during divine service, with the delicate beautiful effect of the morning sun after a shower Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [205]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The interior of the Church at the Hague with the tomb of the Prince of Orange Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [206]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A prison scene with the angel releasing St. Peter Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [207]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The interior of the great Church at Delft, the magical effect of sun shine true to a deception Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [208]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A snow piece view in Holland Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [209]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A beautiful bouquet of flowers, most elegantly composed Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [210]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A collection of Antique heads imitation of Mosaic Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [211]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Gil Blas' subteranean cavern with the banditti regaling Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [212]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A musical conversation Beautiful specimens of Painted Glass...now to be disposed of for one fourth of their original value réalisée par Jervais. [213]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A young lady with her duenna réalisée par Ferdinand Bol. [214]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Sole and Lobsters réalisée par Roth. [215]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme An exquisite small fruit piece with Insects, &c. touched with spirit and true to nature réalisée par Mignon. [216]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A Flemish chimney sweeper, full of character réalisée par Ostade. [217]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A farm yard with pigs, most exquisitely finished, in the finest time of Morland réalisée par Morland. [218]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A basket with mackarel and other fish, faithfully represented: indeed this master is more happy in pourtraying the inhabitants of the watery element than any other master either ancient or modern réalisée par Roth. [219]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A dead Christ réalisée par Annibal Carracci. [220]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme An elegant small landscape with cattle and figures, Gainsborough, one of his high finished cabinet pictures, the cows equal to Adrian Vandeveldt réalisée par Gainsborough. [221]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The conception of the blessed Virgin; a grand gallery picture réalisée par Murrillio. [222]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A view on the coast of Scotland, with fishermen, &c. a dark cloud in the horizon indicating an approaching storm réalisée par Freebairn. [223]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A clear brilliant landscape, with the ruins of the temple of Venus near Naples réalisée par Wilson. [224]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A pair of small landscapes réalisée par Vanuden. [225]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Sailors enjoying themselves on shore réalisée par Morland. [226]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The flight into Egypt, the holy family flying from the cruelty of Herod réalisée par Albert Durer. [227]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Giving alms réalisée par Rembrandt. [228]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Madona, Child, St. John, &c. an exquisite small cabinet jewel réalisée par Carlo Dolce. [229]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Still life, vegetables, &c. highly finished réalisée par De Heem. [230]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Dutch humour, Gun-powder Plot réalisée par Jan Stein. [231]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A winter scene, Giles the farmer's man carrying fodder to the cattle and sheep réalisée par Morland. [232]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A fish market with a variety of figures réalisée par Morland. [233]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The apotheosis of King Charles I. being the Original Sketch for the ceiling of the Chapel at Whitehall. Rubens. This spirited and bold performance possesses more force and grandeur than most works of this great master: from Berlin réalisée par Rubens. [234]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A clear beautiful small landscape with a water mill, and the cattle feeding among the trees réalisée par Towne. [235]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A spirited small sketch of the Last Judgment réalisée par un.e artiste anonyme. [236]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The original sketch of Titian's celebrated Venus at Florence réalisée par Titian. [237]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme Adam and Eve viewing the lifeless body of Abel réalisée par Annibal Carracci. [238]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme The Toll-bar réalisée par Morland. [239]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Venus reposing in a classical landscape, from the Nabob of Tanjore's palace in India. The inimitable Titian has here represented his own fair daughter as the Goddess of Beauty; the richness of the colouring and the exquisite symmetry of the limbs have been pronounced truly admirable (Titian)|Venus reposing in a classical landscape, from the Nabob of Tanjore's palace in India. The inimitable Titian has here represented his own fair daughter as the Goddess of Beauty; the richness of the colouring and the exquisite symmetry of the limbs have been pronounced truly admirable]] réalisée par Titian. [240]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A scene from the Merry Wives of Windsor, Mrs. Anne Page inviting Master Slender to dinner réalisée par Smirke. [241]

• 1812.05.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme A warm pleasing autumnal scene, St. Jerome accompanied by his lion appears at his devotion kneeling before the cross réalisée par Moucheron. [242]