Ventes d'œuvres le 1813.06.24

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme [[Christ with a Reed in his Hand; this beautiful picture was painted for the Duke Ludovico Sforza, of Milan, in the year 1494, and was placed in his Private Chapel, and was brought over to this country in the year 1798, during the time that country was invaded by the French. Nothing can surpass the elegance displayed in the drawing of the figure: the countenance is marked with sweet expression; the colouring is of the most brilliant tone; a splendid chef d'oeuvre (Leonardi da Vinci)|Christ with a Reed in his Hand; this beautiful picture was painted for the Duke Ludovico Sforza, of Milan, in the year 1494, and was placed in his Private Chapel, and was brought over to this country in the year 1798, during the time that country was invaded by the French. Nothing can surpass the elegance displayed in the drawing of the figure: the countenance is marked with sweet expression; the colouring is of the most brilliant tone; a splendid chef d'oeuvre]] réalisée par Leonardi da Vinci, vendue par Captain John Roberts, achetée par Wade au prix de 9.2 £. [69]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Winter Scene, with Figures Skaiting; an exquisite specimen of the Master réalisée par Morland, vendue par Captain John Roberts. [70]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Boors Smoking réalisée par Ostade, vendue par Captain John Roberts. [71]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Landscape and Figures; a fine genuine Picture, by the Master; the figures accurately drawn réalisée par Polenburgh, vendue par Captain John Roberts, achetée par Potter au prix de 22.15 £. [72]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Boors playing réalisée par Brackenburg, vendue par Captain John Roberts. [73]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Venus and Leda, &c. &c. réalisée par Bennett, vendue par Captain John Roberts. [74]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Boors drinking réalisée par Hemskerk, vendue par Captain John Roberts. [75]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Landscape and Cattle réalisée par Pinninton, vendue par Captain John Roberts. [76]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Do. Landscape Do. and Cattle réalisée par Pinninton, vendue par Captain John Roberts. [77]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Do. Landscape Do. and Cattle réalisée par De Hovich, vendue par Captain John Roberts. [78]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Views in Venice; a fine genuine picture by that Master réalisée par Canoletti, vendue par Captain John Roberts, achetée par Fox au prix de 6.16 £. [79]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme A Dutch Sea-port réalisée par A. Berrstranter, vendue par Captain John Roberts. [80]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Still life réalisée par Master unknown. [81]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of Lord Granville réalisée par un.e artiste anonyme. [82]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A forest scene; painted with great force and spirit réalisée par R. Wilson. [83]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of Mademoiselle de la Queraille réalisée par un.e artiste anonyme. [84]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Moon-light. Clear and pleasing cabinet specimen of this master réalisée par Vanderneer. [85]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of the Elector Stanislaus réalisée par un.e artiste anonyme. [86]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Architectural picture, uniting singular lightness and grandeur; a genuine specimen of this ingeniou master réalisée par Giovanni Ghisolfi. [87]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of a lady, said to be Kneller réalisée par Kneller. [88]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A sketchy picture of Vandyk. Diana and Endymion. Treated in a very singular way; the sleeping youth finely drawn and coloured réalisée par Vandyk. [89]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of Prince Eugene, in fine preservation réalisée par Sir Godfrey Kneller. [90]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Landscape and castle. A pretty cabinet picture réalisée par Zucharelli. [91]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of the great Duke of Marlborough. The blending of the tints in the countenance admirable réalisée par Sir Godfrey Kneller. [92]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Flowers and insects. Painted with great truth and nature réalisée par Otho Massoeus. [93]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of a lady réalisée par Sir Godfrey Kneller. [94]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Sea piece, calm. A light cheerful picture, well suited to go over a chimney piece réalisée par Vanderveldt. [95]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of Lord Keeper North. A good specimen of a rare master of the English school réalisée par Riley. [96]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Sea piece, with setting sun, richly coloured réalisée par Vernet. [97]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of his Daughter. Lively coloured, and in excellent preservation réalisée par Hudson. [98]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Cattle. A pretty cabinet gem, from the Trucessian collection réalisée par P. Roos. [99]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Boys, &c. A genuine specimen of this ingenious master, in good condition réalisée par Le Nain. [100]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A fine and faithful portrait of Dr. Stillingfleet, a scarce specimen of this lady's able pencil réalisée par Mrs. Beale. [101]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Holy family. Good composition, well coloured, and desirable cabinet size of this much esteemed artist réalisée par Bartholomeo Schidone. [102]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme The portrait of Lucius Carey, Lord Falkland. Painted with great expression, and more in the manner of Vandyk, than the generality of this artist's pictures réalisée par Sir Peter Lely. [103]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A tanner's house and surroundings objects, highly finished réalisée par Hobbima. [104]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Portrait of Mr. Anthony Crofts. Very finely painted, and in good preservation réalisée par Cornelius Janson. [105]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Old man, with surrounding objects. Desirable cabinet picture réalisée par Mieris. [106]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme His own portrait. Painted in his best manner; a valuable specimen of the master réalisée par Cornelius Janson. [107]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Landscape; in which is introduced the story of Europa réalisée par Swannefeldt. [108]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A Dutch kitchen. So well painted, that one would incline to attribute it to the pencil of the elder Teniers réalisée par Kalfe. [109]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Hunting piece. This favorite subject makes a sprightly and agreeable cabinet picture réalisée par Walsterholme. [110]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme The last supper. A full rich coloured picture, with great variety of subject réalisée par Giacomo Bassano. [111]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A Madonna, displaying the great ability of a master little known in this country réalisée par Sarsa Farata. [112]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Madonna and child. A lovely little cabinet gem, combining the skill and spirit for which this great master was so eminent réalisée par Guercino. [113]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[This pretty cabinet specimen of an eminent master, is painted with a light, free, and firm pencil, the subject natural and pleasing, the building and trees in his best manner, and he has rarely exceeded the excellence with which the carriage and horses in the fore-ground are sketched and finished (Minderhout Hobbima)|This pretty cabinet specimen of an eminent master, is painted with a light, free, and firm pencil, the subject natural and pleasing, the building and trees in his best manner, and he has rarely exceeded the excellence with which the carriage and horses in the fore-ground are sketched and finished]] réalisée par Minderhout Hobbima. [114]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Sampson and Deliah. A fine composition, firm tone of colouring, and a desirable cabinet specimen of this distinguished artist réalisée par Solimene. [115]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[A most pleasing cheerful landscape, in the happiest pencilling of this meritorious artist. The subject a representation of simple nature, most accurately imitated; there is very good keeping in this pretty cabinet picture, great transparency in the water, with a correspondent clearness and brilliancy of the atmosphere; fore-ground touched with vigour and spirit (Waterloo)|A most pleasing cheerful landscape, in the happiest pencilling of this meritorious artist. The subject a representation of simple nature, most accurately imitated; there is very good keeping in this pretty cabinet picture, great transparency in the water, with a correspondent clearness and brilliancy of the atmosphere; fore-ground touched with vigour and spirit]] réalisée par Waterloo. [116]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[The nymph Calisto; in the back ground Diana and attendants. Though this beautiful historical subject is attributed to the pencil of Vandyk, it probably belongs to the Italian school, for the colouring is very Corregiesque; it is, however, a very pleasing original picture and in very good condition (Vandyk)|The nymph Calisto; in the back ground Diana and attendants. Though this beautiful historical subject is attributed to the pencil of Vandyk, it probably belongs to the Italian school, for the colouring is very Corregiesque; it is, however, a very pleasing original picture and in very good condition]] réalisée par Vandyk. [117]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Carré seems to have marked the time of day of this little landscape; a warm glow of setting sun pervades the whole, and enables him to give effect to his distances, so that the picture has great depth; the group of cattle are drawn with a masterly hand. There is a singularly spirited and crisp touch in his foliage, heightening the effect of the picture. This specimen of a master little known in this country, uniting the best stile of Berghem, with all the truth and fidelity of Paul Potter, will be an acquisition to the most respectable collections (Henry Carré)|Carré seems to have marked the time of day of this little landscape; a warm glow of setting sun pervades the whole, and enables him to give effect to his distances, so that the picture has great depth; the group of cattle are drawn with a masterly hand. There is a singularly spirited and crisp touch in his foliage, heightening the effect of the picture. This specimen of a master little known in this country, uniting the best stile of Berghem, with all the truth and fidelity of Paul Potter, will be an acquisition to the most respectable collections]] réalisée par Henry Carré. [118]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Salmacis and Hermaphroditus. This is no common specimen of the masterly drawing and colouring of the upper Italian school; the composition is classical and ingenious, the youth bathing in the fountain of Caria, is discovered by Salmacis, whose sensations are strongly expressed, although so little of the countenance is seen; the fine glowing tone of colouring of the carnations, the pellucid transparency of the water, and the general execution of this picture, entitles it to the foremost rank in the cabinet of the judicious amateur (Francisco Cervelli)|Salmacis and Hermaphroditus. This is no common specimen of the masterly drawing and colouring of the upper Italian school; the composition is classical and ingenious, the youth bathing in the fountain of Caria, is discovered by Salmacis, whose sensations are strongly expressed, although so little of the countenance is seen; the fine glowing tone of colouring of the carnations, the pellucid transparency of the water, and the general execution of this picture, entitles it to the foremost rank in the cabinet of the judicious amateur]] réalisée par Francisco Cervelli. [119]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[The grotto of Nero, at the baths of Baia. An elegant little specimen of this great master's felicitous style, a faithful portrait of the spot; the view of Naples and Mount Vesuvius, in the distance happily managed; his figures in the fore-ground, painted à coup de Lancette, give a just idea of the Lazzaroni of that fine climate (Vernet)|The grotto of Nero, at the baths of Baia. An elegant little specimen of this great master's felicitous style, a faithful portrait of the spot; the view of Naples and Mount Vesuvius, in the distance happily managed; his figures in the fore-ground, painted à coup de Lancette, give a just idea of the Lazzaroni of that fine climate]] réalisée par Vernet. [120]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme La Boucherie. A famous composition of this celebrated Spanish master, coloured with infinite vigour and skill; characters admirably marked and grouped. The principal figure as highly finished as a small cabinet picture réalisée par Velasques. [121]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A beautiful summer landscape, in his warmest and most glowing manner. It is rich in foliage, brilliant in colouring, the fore ground forcible, the figures good, and a very perfect and valuable specimen of this great and ingenious artist réalisée par Both. [122]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme The subject of this classical picture is Diana and Calisto making two groups of figures, admirably drawn, and chastely coloured, by Caracci. The landscape in the back-ground is a view of Tivoli, said to be painted by Paul Brill réalisée par Annibale Caracci. [123]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[This rare landscape is a view from nature, in the island of Ischia, a scene evidently well chosen; there is a pleasing mixture of simplicity and elegance in the buildings, the grounds are charmingly broke, the figures, trees, and other objects well placed and proportioned to the distances; a light aerial sky terminating them; the colouring uncommonly rich and fresh, treated with great freedom of pencil, and that characteristic spirit, that leaves the works of this master unrivalled (Gaspar Poussin)|This rare landscape is a view from nature, in the island of Ischia, a scene evidently well chosen; there is a pleasing mixture of simplicity and elegance in the buildings, the grounds are charmingly broke, the figures, trees, and other objects well placed and proportioned to the distances; a light aerial sky terminating them; the colouring uncommonly rich and fresh, treated with great freedom of pencil, and that characteristic spirit, that leaves the works of this master unrivalled]] réalisée par Gaspar Poussin. [124]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[This companion of the last picture has been called Gaspar Poussin also, and certainly has a better claim to the title than many landscapes to which the name has been assigned, but it is an undoubted original of this master, from the Collonna gallery, and the composition supports his fame for architectural and perspective knowledge, as well as his talent as a landscape painter, his figures are alike well grouped and well proportioned, making on the whole, a picture of rare and uncommon merit (Il Bolognese)|This companion of the last picture has been called Gaspar Poussin also, and certainly has a better claim to the title than many landscapes to which the name has been assigned, but it is an undoubted original of this master, from the Collonna gallery, and the composition supports his fame for architectural and perspective knowledge, as well as his talent as a landscape painter, his figures are alike well grouped and well proportioned, making on the whole, a picture of rare and uncommon merit]] réalisée par Il Bolognese. [125]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Christ praying in the garden. This interesting subject is painted in the best manner of this very popular painter; and appeals too forcibly to the eye, by its own merit, to stand in need of aid from description réalisée par Giacomo Bassano. [126]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[A very unique and extraordinary sized picture of this painter, representing females after bathing. In attitudes, drawing, and colouring, there is much to admire in this picture which retains its freshness, though painted more than two hundred years ago (Rottenhamer)|A very unique and extraordinary sized picture of this painter, representing females after bathing. In attitudes, drawing, and colouring, there is much to admire in this picture which retains its freshness, though painted more than two hundred years ago]] réalisée par Rottenhamer. [127]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[An unique gem, of such brilliancy and beauty, that the landscape has more claim to the splendid pencil of Claude Lorraine, that that of Paul Brill, however it stands in need of no fame to recommend it, it speaks for itself, and the judicious critic will pronounce it qualified nor the best cabinet of Europe. Said to be painted by Annibale Caracci and Paul Brill (Annibale Caracci)|An unique gem, of such brilliancy and beauty, that the landscape has more claim to the splendid pencil of Claude Lorraine, that that of Paul Brill, however it stands in need of no fame to recommend it, it speaks for itself, and the judicious critic will pronounce it qualified nor the best cabinet of Europe. Said to be painted by Annibale Caracci and Paul Brill]] réalisée par Annibale Caracci. [128]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Whether the composition, colouring, or keeping be considered, there is so much harmony and excellence in this fascinating performance, that it may be ranked close to Guido; it is an undoubted genuine picture of this meritorious master, as pure and perfect as when it quitted his easel (Antonio Balestra)|Whether the composition, colouring, or keeping be considered, there is so much harmony and excellence in this fascinating performance, that it may be ranked close to Guido; it is an undoubted genuine picture of this meritorious master, as pure and perfect as when it quitted his easel]] réalisée par Antonio Balestra. [129]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[A superb full sized chimney piece picture, formerly the ornament of Mr. Sturt's celebrated collection at Braundsay Castle. The subject, ships in distress at sea. The burst of light amid the gloomy horror of the storm, the agitation of the waters, its effect upon the vessels in different directions, is one of Vanderveldt's grandest compositions; executed with equal nature, judgment, and genious; the pen can very feebly describe what the artist has performed, it must be attentively and frequently examined, to judge of its numerous excellencies, each investigation will discover new beauties, that place this unique performance in the highest rank of the marine branch of painting (William Vanderveldt the younger)|A superb full sized chimney piece picture, formerly the ornament of Mr. Sturt's celebrated collection at Braundsay Castle. The subject, ships in distress at sea. The burst of light amid the gloomy horror of the storm, the agitation of the waters, its effect upon the vessels in different directions, is one of Vanderveldt's grandest compositions; executed with equal nature, judgment, and genious; the pen can very feebly describe what the artist has performed, it must be attentively and frequently examined, to judge of its numerous excellencies, each investigation will discover new beauties, that place this unique performance in the highest rank of the marine branch of painting]] réalisée par William Vanderveldt the younger. [130]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Amphitrite. This favourite subject of Caracci's pencil is admirably treated, the composition and drawing exquisite, colouring forcible and firm, constituting on the whole, a fine picture of this great leader of the Lombard school réalisée par Annibale Caracci. [131]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Salutation réalisée par un.e artiste anonyme, vendue par Captain John Roberts, achetée par Fox au prix de 3.8 £. [132]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Hercules killing the Centaur or Hercules & Cacus réalisée par un.e artiste anonyme, vendue par Captain John Roberts, achetée par [[JB[oyd]]] au prix de 2.4 £. [133]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[The interior of the Vatican at Rome. This singular and curious picture is attributed to the ingenious pencil of Claude Lorraine, it is a faithful representation of that celebrated gallery, previous to the alteration of Pius the Sixth, with miniature copies of the valuable pictures by which it was adorned, and these have so much the touch and handling of Claude, that the probability is in favor of the whole being the genuine production of that great master (Claude Lorraine)|The interior of the Vatican at Rome. This singular and curious picture is attributed to the ingenious pencil of Claude Lorraine, it is a faithful representation of that celebrated gallery, previous to the alteration of Pius the Sixth, with miniature copies of the valuable pictures by which it was adorned, and these have so much the touch and handling of Claude, that the probability is in favor of the whole being the genuine production of that great master]] réalisée par Claude Lorraine. [134]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Boy drawing Basket réalisée par un.e artiste anonyme, vendue par Captain John Roberts, achetée par [[JB[oyd]]] au prix de 0.14 £. [135]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme St John & the Lamb réalisée par un.e artiste anonyme, vendue par Captain John Roberts, achetée par [[JB[oyd]]] au prix de 0.12 £. [136]

1813.06.24/ maison de ventes : Del Vecchio (James). Vente de l'œuvre décrite comme Landscape réalisée par Tillemans, vendue par Captain John Roberts, achetée par [[JB[oyd]]] au prix de 1.10 £. [137]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme This landscape may be fairly characterised a most capital brilliant and admirable genuine specimen of this able master, in high preservation réalisée par Dekker. [138]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Drinking party. A most singular group, and fine effect of colouring réalisée par Egbert Hermskerck. [139]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme School. A very humourous scene, treated with great ingenuity, and an excellent companion to the preceding picture réalisée par Egbert Hermskerck. [140]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[The Apotheosis of Saint Roch. The composition highly spirited, the group of angels finer forms than some of the drawings of this master, his colouring rich, and of a good natural tone, the lucid demi-tints give great breadth and striking effect to this pleasing specimen of the Venetian school (Paolo Veronese)|The Apotheosis of Saint Roch. The composition highly spirited, the group of angels finer forms than some of the drawings of this master, his colouring rich, and of a good natural tone, the lucid demi-tints give great breadth and striking effect to this pleasing specimen of the Venetian school]] réalisée par Paolo Veronese. [141]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[This genuine bonnet-rouge picture of the celebrated master of the Flemish school, displays many of his excellencies, being painted with a pencil equally free and delicate, light and firm, and with his usual ingenuity, he has contrived two distinct groups, the light of the largest is finely relieved by a contrasted light in the smaller, by which means a pleasing effect is produced, without employing deep shadows -- a more rare specimen of his best manner will not easily be found (D. Teniers the younger)|This genuine bonnet-rouge picture of the celebrated master of the Flemish school, displays many of his excellencies, being painted with a pencil equally free and delicate, light and firm, and with his usual ingenuity, he has contrived two distinct groups, the light of the largest is finely relieved by a contrasted light in the smaller, by which means a pleasing effect is produced, without employing deep shadows -- a more rare specimen of his best manner will not easily be found]] réalisée par D. Teniers the younger. [142]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Tintern Abbey. One of the earliest and best productions of this ingenious living artist. A faithful portrait of this fine ruin, drawn with great perspective truth; the distribution of the light, and the occasional views of the sky, treated with wonderful skill, which advanced this painter to the high rank he now maintains among his cotemporaries (G. Arnald)|Tintern Abbey. One of the earliest and best productions of this ingenious living artist. A faithful portrait of this fine ruin, drawn with great perspective truth; the distribution of the light, and the occasional views of the sky, treated with wonderful skill, which advanced this painter to the high rank he now maintains among his cotemporaries]] réalisée par G. Arnald. [143]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[The Angel appearing to the Shepherds. This spirited little specimen of one of the most popular masters of the art, is well calculated to display his felicitous powers: the grouping judicious, the ease of the recumbent shepherd and the simplicity of the youths engrosses attention, the harmony of colouring such, that without the aid of black in his shadows the happiest effect is produced, if seen close, it appears a confused mass, but recede a few steps, every thing is in its place, and is a proof of the ingenuity and skill of this eminent master (Giacomo Bassano)|The Angel appearing to the Shepherds. This spirited little specimen of one of the most popular masters of the art, is well calculated to display his felicitous powers: the grouping judicious, the ease of the recumbent shepherd and the simplicity of the youths engrosses attention, the harmony of colouring such, that without the aid of black in his shadows the happiest effect is produced, if seen close, it appears a confused mass, but recede a few steps, every thing is in its place, and is a proof of the ingenuity and skill of this eminent master]] réalisée par Giacomo Bassano. [144]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[The wise mens' offering. Said to be the original sketch in oil of his famous picture in Fresco, at the Borghese Palace in Rome. The design is noble, the grouping and disposition of the figures judicious, ornaments splendid, colouring full and spirited. It seldoms happens a genuine specimen of P. da Cortona is to be laid hold of in cabinet size (Pietro da Cortona)|The wise mens' offering. Said to be the original sketch in oil of his famous picture in Fresco, at the Borghese Palace in Rome. The design is noble, the grouping and disposition of the figures judicious, ornaments splendid, colouring full and spirited. It seldoms happens a genuine specimen of P. da Cortona is to be laid hold of in cabinet size]] réalisée par Pietro da Cortona. [145]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A genuine, spirited, and unique specimen of this able artist, in his most forcible stile, where every touch displays his genius réalisée par Brauwer. [146]

1813.06.24/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Interior of a cathedral, with the celebration of mass in one of its chapels. The neatness of pencilling and accuracy of perspective, as well as the judicious contrast of light and shade, places this little gem among the first performances of De Neefs. The figures bear equal testimony to the talent of Old Frank, in their grouping, as well as finishing. The altar itself is a pretty picture, and it must be allowed to be a rarity to find so much merit combined in so small a compass. The joint production of Peter Neefs and Old Frank (Peter Neefs)|Interior of a cathedral, with the celebration of mass in one of its chapels. The neatness of pencilling and accuracy of perspective, as well as the judicious contrast of light and shade, places this little gem among the first performances of De Neefs. The figures bear equal testimony to the talent of Old Frank, in their grouping, as well as finishing. The altar itself is a pretty picture, and it must be allowed to be a rarity to find so much merit combined in so small a compass. The joint production of Peter Neefs and Old Frank]] réalisée par Peter Neefs. [147]