Ventes d'œuvres le 1814.05.14

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  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Landscape, with Cattle and Figures. A Morning Scene in a richly wooded and well-watered Landscape; a Traveller proceeding on his Journey; Herdsmen attending to their Occupation, and other Figures, from the hand of J. Miel, make the Composition very Interesting. The Style of Painting differs from the latter manner of Claude, but there is a vigour of Pencil, and freshness of Verdure, that are strongly presumptive of his hand (Claude)|A Landscape, with Cattle and Figures. A Morning Scene in a richly wooded and well-watered Landscape; a Traveller proceeding on his Journey; Herdsmen attending to their Occupation, and other Figures, from the hand of J. Miel, make the Composition very Interesting. The Style of Painting differs from the latter manner of Claude, but there is a vigour of Pencil, and freshness of Verdure, that are strongly presumptive of his hand]] réalisée par Claude, vendue par J J La Salle, achetée par Gwennap au prix de 26.5 £. [10]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Fishermen going out, with the Passage Boat under Weigh taking in Passengers. The Time is Morning, with a Breeze springing up with the Sun-rise, which gives a fine majestic roll to the dispersing Clouds. It is a masterly Specimen of broad pencilling and transparent colours (Vandeveldt)|Fishermen going out, with the Passage Boat under Weigh taking in Passengers. The Time is Morning, with a Breeze springing up with the Sun-rise, which gives a fine majestic roll to the dispersing Clouds. It is a masterly Specimen of broad pencilling and transparent colours]] réalisée par Vandeveldt, vendue par J J La Salle, achetée par Gwennap au prix de 53.11 £. [11]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Saint Jerome Studying the Scriptures. Ribera was among the first that deviated from the vapid manner of the Roman and Neapolitan Schools, and adopted the bold and effective force of the Chiaroscuro of Caravaggio. In all his Works there is perceived an energy striking and decisive. However simple the Subject, he confers an interest upon it, as a Work of Art, by the Science he displays. Perfection of Anatomical Knowledge, fulness of colour, and truth of character, all expressed with simplicity, make this Picture of consideration to the just Connoisseur (Spagnoletto)|Saint Jerome Studying the Scriptures. Ribera was among the first that deviated from the vapid manner of the Roman and Neapolitan Schools, and adopted the bold and effective force of the Chiaroscuro of Caravaggio. In all his Works there is perceived an energy striking and decisive. However simple the Subject, he confers an interest upon it, as a Work of Art, by the Science he displays. Perfection of Anatomical Knowledge, fulness of colour, and truth of character, all expressed with simplicity, make this Picture of consideration to the just Connoisseur]] réalisée par Spagnoletto, vendue par J J La Salle au prix de 16.16 £. [12]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Rinaldo and Armida. The well-known Story of this Hero and Heroine of Romance is told with propriety, and at the same time with poetical spirit. Rinaldo's infatuation, Armida's consciousness of her power, and Love's Triumph, are all happily expressed, and rendered extremely pleasing by the rich tone of colour, which suits so well the gaiety of the Subject (Albano)|Rinaldo and Armida. The well-known Story of this Hero and Heroine of Romance is told with propriety, and at the same time with poetical spirit. Rinaldo's infatuation, Armida's consciousness of her power, and Love's Triumph, are all happily expressed, and rendered extremely pleasing by the rich tone of colour, which suits so well the gaiety of the Subject]] réalisée par Albano, vendue par J J La Salle, achetée par Rutley au prix de 18.7 £. [13]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Portrait of the Infant Ferdinand, Brother of Philip the IVth. The large Picture, by the same hand, is in the Gallery at Dusseldorf: in that is represented the Battle of Nortlinghen, which has been judiciously left out in this, to give a display of the rich Landscape and brilliant Evening Sky (Rubens)|The Portrait of the Infant Ferdinand, Brother of Philip the IVth. The large Picture, by the same hand, is in the Gallery at Dusseldorf: in that is represented the Battle of Nortlinghen, which has been judiciously left out in this, to give a display of the rich Landscape and brilliant Evening Sky]] réalisée par Rubens, vendue par J J La Salle, achetée par Hilder au prix de 13.2 £. [14]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Landscape, with Figures Dancing. A fine Expanse of Country richly wooded, delineated with the Truth of Nature, assisted by the collocation of beautiful parts brought into one point of View by the power of Taste and Art. The pencilling is light, yet firm and decisive; the prevailing tone rich and verdant; and the Figures are introduced with great skill and effect. From the Collection of Mr. La Fontaine (Claude)|A Landscape, with Figures Dancing. A fine Expanse of Country richly wooded, delineated with the Truth of Nature, assisted by the collocation of beautiful parts brought into one point of View by the power of Taste and Art. The pencilling is light, yet firm and decisive; the prevailing tone rich and verdant; and the Figures are introduced with great skill and effect. From the Collection of Mr. La Fontaine]] réalisée par Claude, vendue par J J La Salle, achetée par Murch au prix de 34.13 £. [15]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Departure of Rachel. Laban is earnestly recommending his Daughter to the Care of Eleazar, the Steward of Jacob; while her Mother is affectionately grasping her hand and inculcating her last lessons of maternal tenderness, and giving her blessing to the departing Virgin. Victor was a Disciple of Rembrandt; and while he retains the forcible expressions of his Master, he discovers a finer taste in delineation of character, and attention to costume. The Figures are Asiatic, the Architecture appropriate, and the Scene is free from any of those circumstances that so frequently pollute Pictures of this School (Victors)|The Departure of Rachel. Laban is earnestly recommending his Daughter to the Care of Eleazar, the Steward of Jacob; while her Mother is affectionately grasping her hand and inculcating her last lessons of maternal tenderness, and giving her blessing to the departing Virgin. Victor was a Disciple of Rembrandt; and while he retains the forcible expressions of his Master, he discovers a finer taste in delineation of character, and attention to costume. The Figures are Asiatic, the Architecture appropriate, and the Scene is free from any of those circumstances that so frequently pollute Pictures of this School]] réalisée par Victors, vendue par J J La Salle au prix de 36.15 £. [16]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Boy Sleeping. This deservedly admired Spanish Painter made Nature his guide, and seldom has any one been more successful in depicting her unsophisticated forms. The Subject here represented is perfectly asleep, and has all the undisturbed quiescency of Features that belongs to the character of uneducated Boyhood. A beautiful richness of Colour, with a clear surface, free pencilling, and a subdued tone of light, harmonizing the objects, are the conspicuous charms of this valuable Picture (Murillo)|Boy Sleeping. This deservedly admired Spanish Painter made Nature his guide, and seldom has any one been more successful in depicting her unsophisticated forms. The Subject here represented is perfectly asleep, and has all the undisturbed quiescency of Features that belongs to the character of uneducated Boyhood. A beautiful richness of Colour, with a clear surface, free pencilling, and a subdued tone of light, harmonizing the objects, are the conspicuous charms of this valuable Picture]] réalisée par Murillo, vendue par J J La Salle au prix de 60.18 £. [18]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[His own Family, historically painted, and representing Semiramis hearing of the Revolt of the Babylonians, swears to reduce them to obedience. The Figures in this masterly Picture are Portraits of the Artist, his Wife in front and profile, and his Mother. It is painted in his first broad manner; with an attention to the peculiarity of Stuffs in the Drapery not so readily recognized in his latter Productions. The Story is told with effect; the Drawing is beautifully correct, and the splendour of the Colouring unusually attractive (Rembrandt)|His own Family, historically painted, and representing Semiramis hearing of the Revolt of the Babylonians, swears to reduce them to obedience. The Figures in this masterly Picture are Portraits of the Artist, his Wife in front and profile, and his Mother. It is painted in his first broad manner; with an attention to the peculiarity of Stuffs in the Drapery not so readily recognized in his latter Productions. The Story is told with effect; the Drawing is beautifully correct, and the splendour of the Colouring unusually attractive]] réalisée par Rembrandt, vendue par J J La Salle, achetée par Murch au prix de 17.17 £. [19]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Calling of Saint Matthew. The individuality of Character, richness of Colour, and masterly arrangement of the Composition, has long induced a belief that the Picture is from the hand of Rubens: and indeed there is such a strong resemblance of his Pencil, that it is with considerable hesistation it is given to Van Harp. The merit of the Performance, however, remains: and for all the constituent qualities of a beautiful and interesting Picture, it certainly would add lustre to any Name, however high in estimation (Van Harp)|The Calling of Saint Matthew. The individuality of Character, richness of Colour, and masterly arrangement of the Composition, has long induced a belief that the Picture is from the hand of Rubens: and indeed there is such a strong resemblance of his Pencil, that it is with considerable hesistation it is given to Van Harp. The merit of the Performance, however, remains: and for all the constituent qualities of a beautiful and interesting Picture, it certainly would add lustre to any Name, however high in estimation]] réalisée par Van Harp, vendue par J J La Salle au prix de 220.10 £. [20]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Murder of the Innocents. The cruelty of Herod has employed the Pencil of almost every Artist of distinction. The Subject affords a fine opportunity for the display of Form, Passion, and Contrast. The Artist has here availed himself of these advantages, and has added another auxiliary; that of splendid Colouring. The knowledge of the Venetians in that branch of the Art is acknowledged; and the two Veronese are celebrated for their Superiority. The group of Angels holding Crowns and Palms is peculiarly attractive for sweetness of expression and harmony of effect: the anatomical knowledge displayed in the Figures to the right of the Picture, is of the superior order, and presents a fine instance of contrast in form and situation. A subdued tone of chiaro, suitable to the Scene, brings the whole of this richly coloured Picture into perfect harmony (A. Veronese)|The Murder of the Innocents. The cruelty of Herod has employed the Pencil of almost every Artist of distinction. The Subject affords a fine opportunity for the display of Form, Passion, and Contrast. The Artist has here availed himself of these advantages, and has added another auxiliary; that of splendid Colouring. The knowledge of the Venetians in that branch of the Art is acknowledged; and the two Veronese are celebrated for their Superiority. The group of Angels holding Crowns and Palms is peculiarly attractive for sweetness of expression and harmony of effect: the anatomical knowledge displayed in the Figures to the right of the Picture, is of the superior order, and presents a fine instance of contrast in form and situation. A subdued tone of chiaro, suitable to the Scene, brings the whole of this richly coloured Picture into perfect harmony]] réalisée par A. Veronese, vendue par J J La Salle au prix de 756.0 £. [21]
  • 1814.05.14/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Saint Sebastian. The Story of this Saint is too well known to require a repetition. The Artist has chosen that moment for the display of his powers, at which the Widow of Castulus was employed extracting the Arrows from the almost lifeless Body. -- Conscious of his superiority of knowledge, Spagnoletto disdained to place his Figures in situations where difficulties might be avoided, or deficiences concealed; he rather chose the most conspicuous for observation, and the most arduous for success. The Figure of the Saint is depicted in a truly grand style of Art: whether for form, colour, or expression, it contains in itself a School for Students. -- The other Figures, as component parts of the Picture, have considerable merit; but nothing seems wanting to the principal object to entitle it a Chef d'OEuvre. Ribera's fame for knowledge of chiaroscuro is unrivalled; and it is here displayed in the utmost perfection (Joseph Ribera, commonly called Lo Spagnoletto)|Saint Sebastian. The Story of this Saint is too well known to require a repetition. The Artist has chosen that moment for the display of his powers, at which the Widow of Castulus was employed extracting the Arrows from the almost lifeless Body. -- Conscious of his superiority of knowledge, Spagnoletto disdained to place his Figures in situations where difficulties might be avoided, or deficiences concealed; he rather chose the most conspicuous for observation, and the most arduous for success. The Figure of the Saint is depicted in a truly grand style of Art: whether for form, colour, or expression, it contains in itself a School for Students. -- The other Figures, as component parts of the Picture, have considerable merit; but nothing seems wanting to the principal object to entitle it a Chef d'OEuvre. Ribera's fame for knowledge of chiaroscuro is unrivalled; and it is here displayed in the utmost perfection]] réalisée par Joseph Ribera, commonly called Lo Spagnoletto, vendue par J J La Salle au prix de 1100.0 £. [22]
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