Ventes d'œuvres le 1815.02.06

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  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Fête Champêtre. This beautiful picture painted in the most clear and argentine manner of this esteemed master, was formerly in the possession of Monsieur de Tartre, Treasurer to the King of France, and is well known from the engraving of it by Le Bas. It is one of those subjects in which this master was always so successful, and where he bestowed every effort of his genius and pencil, being so congenial to his own taste and feelings. The various groups of figures in this picture are well placed, full of spirit, and highly finished; while the landscape is in every respect appropriate to the subject (David Teniers)|Fête Champêtre. This beautiful picture painted in the most clear and argentine manner of this esteemed master, was formerly in the possession of Monsieur de Tartre, Treasurer to the King of France, and is well known from the engraving of it by Le Bas. It is one of those subjects in which this master was always so successful, and where he bestowed every effort of his genius and pencil, being so congenial to his own taste and feelings. The various groups of figures in this picture are well placed, full of spirit, and highly finished; while the landscape is in every respect appropriate to the subject]] réalisée par David Teniers, vendue par Prince Lucien Buonaparte au prix de 800 gs. [5]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Riposo in Egypt. This master, the most esteemed of the Spanish painters, is always found chaste and excellent in his compositions. He not only paid every regard to nature, but appears in his studies to have penetrated deeply into the wonderful clair obscure of Correggio, whose works at the Spanish Court he had every opportunity of studying. Like many eminent masters he had several distinct manners; one of these was full and powerful in its effect, the other light and airy, and a third steered a middle course: all of them were good in themselves. The picture in this Collection, which represents the Riposo in Egypt, belongs more properly to the first of these manners, which, upon the whole, may be considered as his best, as some of the large and most celebrated works of this master are painted with a power of effect and of colouring which is quite astonishing. It was brought from Seville, where it was always much prized, and where the finest works of Morillio were formerly to be found (Morillio)|Riposo in Egypt. This master, the most esteemed of the Spanish painters, is always found chaste and excellent in his compositions. He not only paid every regard to nature, but appears in his studies to have penetrated deeply into the wonderful clair obscure of Correggio, whose works at the Spanish Court he had every opportunity of studying. Like many eminent masters he had several distinct manners; one of these was full and powerful in its effect, the other light and airy, and a third steered a middle course: all of them were good in themselves. The picture in this Collection, which represents the Riposo in Egypt, belongs more properly to the first of these manners, which, upon the whole, may be considered as his best, as some of the large and most celebrated works of this master are painted with a power of effect and of colouring which is quite astonishing. It was brought from Seville, where it was always much prized, and where the finest works of Morillio were formerly to be found]] réalisée par Morillio, vendue par Prince Lucien Buonaparte. [7]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Archimedes. Another of the principal masters of the Spanish school (so famed for its rich and natural colouring) is Ribera, commonly known by the name of Spagnolet. This master, though less graceful than Morillio in his compositions, has nevertheless gained a name of much reputation, from his powerful and vigorous colouring, his correct drawing, and strong expression (Spagnolet)|Archimedes. Another of the principal masters of the Spanish school (so famed for its rich and natural colouring) is Ribera, commonly known by the name of Spagnolet. This master, though less graceful than Morillio in his compositions, has nevertheless gained a name of much reputation, from his powerful and vigorous colouring, his correct drawing, and strong expression]] réalisée par Spagnolet, vendue par Prince Lucien Buonaparte. [9]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Jerome. Is here represented in a wild and desert place, attended by the lion, the faithful companion of his devotions and mortifications. The whole character of this Picture is grand, and the colouring vivid and powerful; it is fully descriptive of the general manner and excellence of this master's works (Spagnolet)|St. Jerome. Is here represented in a wild and desert place, attended by the lion, the faithful companion of his devotions and mortifications. The whole character of this Picture is grand, and the colouring vivid and powerful; it is fully descriptive of the general manner and excellence of this master's works]] réalisée par Spagnolet, vendue par Prince Lucien Buonaparte. [10]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[A Portrait. This little Picture is known by the name of the Mistress of Morillio. It is painted with a fine knowledge of colouring, happily contrasted. The character itself is piquante; the eyes and hair are very black, and it possesses in general much of the vivacity of an Andalusian (Morillio)|A Portrait. This little Picture is known by the name of the Mistress of Morillio. It is painted with a fine knowledge of colouring, happily contrasted. The character itself is piquante; the eyes and hair are very black, and it possesses in general much of the vivacity of an Andalusian]] réalisée par Morillio, vendue par Prince Lucien Buonaparte, achetée par Edward Gray. [11]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[This chef-d'oeuvre, the joint efforts of these masters, presents a work, at once beautiful, and singular. The setting sun with yellow radiance is fast approaching a distant horizon, which is crowned with several beautiful masses of trees, interspersed with cottages, and the spire of a village church; the windings of a river are also seen in the distance finely illuminated, and conducted with much knowledge or perspective. The fore-ground offers a rich assemblage of fine trees and plants; while the projected shadows of the afternoon, the milk-maid, and group of cows, tend to heighten a scene, which is natural and inviting. The uncommon size of this picture, painted in a style equal to the best works of these masters, renders it a desirable object either for the gallery, or the cabinet of the connoisseur (Cuyp)|This chef-d'oeuvre, the joint efforts of these masters, presents a work, at once beautiful, and singular. The setting sun with yellow radiance is fast approaching a distant horizon, which is crowned with several beautiful masses of trees, interspersed with cottages, and the spire of a village church; the windings of a river are also seen in the distance finely illuminated, and conducted with much knowledge or perspective. The fore-ground offers a rich assemblage of fine trees and plants; while the projected shadows of the afternoon, the milk-maid, and group of cows, tend to heighten a scene, which is natural and inviting. The uncommon size of this picture, painted in a style equal to the best works of these masters, renders it a desirable object either for the gallery, or the cabinet of the connoisseur]] réalisée par Cuyp, vendue par Prince Lucien Buonaparte au prix de 700 gs. [12]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Duchess Sforza, whose husband was deprived of the Sovereignty of Milan, requests assistance of Charles the Eighth of France, und is re-instated. This picture represents the interview with that monarch: it is painted in a very finished manner; and the figure of the Duchess given with much expression (Crist. Allori)|The Duchess Sforza, whose husband was deprived of the Sovereignty of Milan, requests assistance of Charles the Eighth of France, und is re-instated. This picture represents the interview with that monarch: it is painted in a very finished manner; and the figure of the Duchess given with much expression]] réalisée par Crist. Allori, vendue par Prince Lucien Buonaparte. [16]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. John the Evangelist. Of the works of this esteemed master none exist which hold a higher rank, or have been more esteemed than the Four Evangelists in this Collection. They formed four of the principal ornaments of the Riccardi Gallery at Florence, and are mentioned by several writers. Pilkington, in his Dictionary of Painters, particularly mentions these pictures; but from not having seen them himself, he appears to have fallen into some confusion in the description, making them at first appear as if in one picture, while in the course of his narrative he separates them, and bestows on them their just tribute of praise. The St. John is probably one of the most beautiful and interesting figures which has been painted. Avoiding the general fault into which this master's works sometimes run, of finishing his pictures too much, he has paid a due regard to all that delicacy of colouring, and fine penciling, which are requisite in the flesh, giving at the same time to the whole a sufficient degree of freedom. In the painting of this picture, Carlo Dolce must have had in view some of the high finished works of Vandyke, in his Flemish manner, from the great similarity of pencilling which exists in the blending of the different tints, and colour of the flesh, and in the general management and character of the head (Carlo Dolce)|St. John the Evangelist. Of the works of this esteemed master none exist which hold a higher rank, or have been more esteemed than the Four Evangelists in this Collection. They formed four of the principal ornaments of the Riccardi Gallery at Florence, and are mentioned by several writers. Pilkington, in his Dictionary of Painters, particularly mentions these pictures; but from not having seen them himself, he appears to have fallen into some confusion in the description, making them at first appear as if in one picture, while in the course of his narrative he separates them, and bestows on them their just tribute of praise. The St. John is probably one of the most beautiful and interesting figures which has been painted. Avoiding the general fault into which this master's works sometimes run, of finishing his pictures too much, he has paid a due regard to all that delicacy of colouring, and fine penciling, which are requisite in the flesh, giving at the same time to the whole a sufficient degree of freedom. In the painting of this picture, Carlo Dolce must have had in view some of the high finished works of Vandyke, in his Flemish manner, from the great similarity of pencilling which exists in the blending of the different tints, and colour of the flesh, and in the general management and character of the head]] réalisée par Carlo Dolce, vendue par Prince Lucien Buonaparte, achetée par Sir Simon Clarke au prix de 1000 gs. [22]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Magdalen. A small picture, formerly in the Ambrosian Library at Milan. It is a fine specimen of the works of this very rare and highly esteemed master, possessing an expression and character quite peculiar to himself. The works of L. da Vinci are very rare, and when genuine, will be found of the highest perfection, which he attained by his unremitting study, and a general knowledge of every branch of science. He possessed the patronage and friendship of Leo X., and afterwards of Francis I., and actually died in the arms of that monarch (Leonardo da Vinci)|The Magdalen. A small picture, formerly in the Ambrosian Library at Milan. It is a fine specimen of the works of this very rare and highly esteemed master, possessing an expression and character quite peculiar to himself. The works of L. da Vinci are very rare, and when genuine, will be found of the highest perfection, which he attained by his unremitting study, and a general knowledge of every branch of science. He possessed the patronage and friendship of Leo X., and afterwards of Francis I., and actually died in the arms of that monarch]] réalisée par Leonardo da Vinci, vendue par Prince Lucien Buonaparte au prix de 500 gs. [26]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[This master, whose works are the principal ornaments of the French school of landscape painting, is too well known in England to require any detailed account of his excellencies. The present picture offers one of those fresh and beautiful scenes, which have acquired him so just a reputation. It was formerly in the Riccardi Palace, and will be found engraved in the Liber Veritatis (Claude Lorraine)|This master, whose works are the principal ornaments of the French school of landscape painting, is too well known in England to require any detailed account of his excellencies. The present picture offers one of those fresh and beautiful scenes, which have acquired him so just a reputation. It was formerly in the Riccardi Palace, and will be found engraved in the Liber Veritatis]] réalisée par Claude Lorraine, vendue par Prince Lucien Buonaparte. [27]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Maries at the Tomb of our Saviour. This celebrated picture, formerly in the Collection of the Duke de la Torrè of Naples, is known from the Engraving of it by Roulet; who also engraved the celebrated picture of the Dead Christ and Maries, formerly in the Orleans Collection, and now again engraving by Mr. Sharp, for Mr. Buchanan's select work of Historical Compositions. The picture now before us is one which possesses in an eminent degree, all the beauties of An. Caracci, as well in the figures as in the landscape. It has also the advantage of being in the finest state of preservation, and is a most desirable object for the collector of works of the first class (An. Caracci)|The Maries at the Tomb of our Saviour. This celebrated picture, formerly in the Collection of the Duke de la Torrè of Naples, is known from the Engraving of it by Roulet; who also engraved the celebrated picture of the Dead Christ and Maries, formerly in the Orleans Collection, and now again engraving by Mr. Sharp, for Mr. Buchanan's select work of Historical Compositions. The picture now before us is one which possesses in an eminent degree, all the beauties of An. Caracci, as well in the figures as in the landscape. It has also the advantage of being in the finest state of preservation, and is a most desirable object for the collector of works of the first class]] réalisée par An. Caracci, vendue par Prince Lucien Buonaparte. [28]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of a Florentine Gentleman. This master, who though a Venetian by birth, afterwards became one of the scholars of M. Angelo Buonarotti, and acquired much the character and manner of the Florentine school, has with great propriety been ranked among the leading masters of the celebrated period in which he flourished. The present fine portrait is treated with an air and dignity which bespeak the great genius of this excellent painter; while the details of it are painted with a finish, which proves the great care that he has bestowed on it (Sebastian del Piombo)|Portrait of a Florentine Gentleman. This master, who though a Venetian by birth, afterwards became one of the scholars of M. Angelo Buonarotti, and acquired much the character and manner of the Florentine school, has with great propriety been ranked among the leading masters of the celebrated period in which he flourished. The present fine portrait is treated with an air and dignity which bespeak the great genius of this excellent painter; while the details of it are painted with a finish, which proves the great care that he has bestowed on it]] réalisée par Sebastian del Piombo, vendue par Prince Lucien Buonaparte au prix de 300 gs. [29]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Ecce Homo. Nothing can be more expressive and beautiful than the manner in which Guido has, with his usual grace and elegance, painted this very touching subject. The fine character of his heads, seldom inferior to those of Raffaelle, has been strongly exemplified in this most beautiful and perfect picture, which is in the purest state of preservation, and painted at Guido's best time (Guido)|Ecce Homo. Nothing can be more expressive and beautiful than the manner in which Guido has, with his usual grace and elegance, painted this very touching subject. The fine character of his heads, seldom inferior to those of Raffaelle, has been strongly exemplified in this most beautiful and perfect picture, which is in the purest state of preservation, and painted at Guido's best time]] réalisée par Guido, vendue par Prince Lucien Buonaparte, achetée par Sir Thomas Baring au prix de 400 gs. [30]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of Francesco Penni. This picture, for the excellence of its execution, and for the fine state in which it now remains, may be considered as one of the most perfect portraits which exist of this master. It will be found to merit the minute attention of those who are desirous of becoming acquainted with the works of Raffaelle at his best period. Francesco Penni was not only one of the principal scholars, but also the friend, and heir of Raffaelle; a circumstance which encreases the interest attaching itself to this portrait. The hand-writing of Raffaelle himself is upon the letter which he holds (Raffaelle)|Portrait of Francesco Penni. This picture, for the excellence of its execution, and for the fine state in which it now remains, may be considered as one of the most perfect portraits which exist of this master. It will be found to merit the minute attention of those who are desirous of becoming acquainted with the works of Raffaelle at his best period. Francesco Penni was not only one of the principal scholars, but also the friend, and heir of Raffaelle; a circumstance which encreases the interest attaching itself to this portrait. The hand-writing of Raffaelle himself is upon the letter which he holds]] réalisée par Raffaelle, vendue par Prince Lucien Buonaparte. [31]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Stoning of St. Stephen. Among the different eminent masters who have shone conspicuous in the school of Bologna, Domenichino may be ranked among the first: his Communion of St. Jerome, and several other most estimable works, class him with the greatest masters of the principal schools of Italy, and yield in nothing to the Transfiguration of Raffaelle, or the St. Jerome of Correggio. In the present picture an example is offered of the general style of his compositions, his correct drawing, strong expression, and harmonious and simple colouring; -- it is a desirable cabinet picture of the master, and painted in a broad and firm manner, most probably the finished study for one of his great pictures (Domenichino)|Stoning of St. Stephen. Among the different eminent masters who have shone conspicuous in the school of Bologna, Domenichino may be ranked among the first: his Communion of St. Jerome, and several other most estimable works, class him with the greatest masters of the principal schools of Italy, and yield in nothing to the Transfiguration of Raffaelle, or the St. Jerome of Correggio. In the present picture an example is offered of the general style of his compositions, his correct drawing, strong expression, and harmonious and simple colouring; -- it is a desirable cabinet picture of the master, and painted in a broad and firm manner, most probably the finished study for one of his great pictures]] réalisée par Domenichino, vendue par Prince Lucien Buonaparte. [33]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Marriage of St. Catherine. The cabinet pictures of L. Caracci are extremely scarce, having devoted his time and attentions principally to the painting of pictures on a large scale, as affording more scope for his great genius and talents. The present little picture presents a composition gracious and elegant in all its parts. The disposition and drawing of the figures, the air and character of the heads, and beauty of the countenances, render it a precious morceau for the amateurs of the works of the Bolognese masters (Lud. Caracci)|Marriage of St. Catherine. The cabinet pictures of L. Caracci are extremely scarce, having devoted his time and attentions principally to the painting of pictures on a large scale, as affording more scope for his great genius and talents. The present little picture presents a composition gracious and elegant in all its parts. The disposition and drawing of the figures, the air and character of the heads, and beauty of the countenances, render it a precious morceau for the amateurs of the works of the Bolognese masters]] réalisée par Lud. Caracci, vendue par Prince Lucien Buonaparte. [35]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The works of this artist are always known at first sight; they possess a variety and grandeur of composition which stongly mark the natural genius of the master. In his landscape there is an effect equally true to Nature, whether in her more rugged, or most pleasing forms; while his choice of scenery is generally of the highest class. The present landscape is one of those delightful scenes where he is so often conspicuous in the truth of his perspective, and the clear tones of his atmosphere. The water is transparent, the trees and foliage touched with much spirit, the figures judiciously introduced, and the whole produces a most harmonious and pleasing effect. It may be ranked among the fine works of the master (Salvator Rosa)|The works of this artist are always known at first sight; they possess a variety and grandeur of composition which stongly mark the natural genius of the master. In his landscape there is an effect equally true to Nature, whether in her more rugged, or most pleasing forms; while his choice of scenery is generally of the highest class. The present landscape is one of those delightful scenes where he is so often conspicuous in the truth of his perspective, and the clear tones of his atmosphere. The water is transparent, the trees and foliage touched with much spirit, the figures judiciously introduced, and the whole produces a most harmonious and pleasing effect. It may be ranked among the fine works of the master]] réalisée par Salvator Rosa, vendue par Prince Lucien Buonaparte, achetée par Atherton of Liverpool. [36]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Cardinal Julio of Medicis. In this picture will be found strong traits of the great style and manner of the school of M. Angelo Buonarotti, whose scholar this artist was. The picture is also interesting from the portrait which it represents. It was in the Riccardi Gallery at Florence (Zucchero)|Cardinal Julio of Medicis. In this picture will be found strong traits of the great style and manner of the school of M. Angelo Buonarotti, whose scholar this artist was. The picture is also interesting from the portrait which it represents. It was in the Riccardi Gallery at Florence]] réalisée par Zucchero, vendue par Prince Lucien Buonaparte. [37]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Fishery. Another example of this master, possessing the same merit as the other in point of drawing. The works of Zucchero are exceedingly fresh and lively in their colouring, supposed to arise principally from his chief employment being in Fresco, and having formed his manner on the free and light manner of that species of painting (Zucchero)|The Fishery. Another example of this master, possessing the same merit as the other in point of drawing. The works of Zucchero are exceedingly fresh and lively in their colouring, supposed to arise principally from his chief employment being in Fresco, and having formed his manner on the free and light manner of that species of painting]] réalisée par Zucchero, vendue par Prince Lucien Buonaparte. [38]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[A large Cartoon...represents the Holy Family, painted on a scale larger than nature, and was evidently designed as the study for some grand Fresco: the characters are noble and magnificent, the drawing is most correct and masterly, and full of the grande gusto of this great master. The great attention which he has paid to this composition is evident from the many alterations and re-sketchings which appear in the heads, legs, and feet of the different figures. It formerly belonged to the Valente Palace, where it was always most deservedly held in the highest esteem; it would form a desirable acquisition to any Academy or school of art, and is such as is not likely to be again met with...The preceding was excerpted (Michael Angelo Buonarotti)|A large Cartoon...represents the Holy Family, painted on a scale larger than nature, and was evidently designed as the study for some grand Fresco: the characters are noble and magnificent, the drawing is most correct and masterly, and full of the grande gusto of this great master. The great attention which he has paid to this composition is evident from the many alterations and re-sketchings which appear in the heads, legs, and feet of the different figures. It formerly belonged to the Valente Palace, where it was always most deservedly held in the highest esteem; it would form a desirable acquisition to any Academy or school of art, and is such as is not likely to be again met with...The preceding was excerpted]] réalisée par Michael Angelo Buonarotti, vendue par Prince Lucien Buonaparte. [40]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Diana and Acteon. This composition is treated with a considerable degree of novelty. Diana, the principal figure, is grand and majestic; the group of figures is judiciously placed; while the landscape offers a fine example of the taste of the Bolognese masters. It came from the Palace of Capo di Monte (A. Caracci)|Diana and Acteon. This composition is treated with a considerable degree of novelty. Diana, the principal figure, is grand and majestic; the group of figures is judiciously placed; while the landscape offers a fine example of the taste of the Bolognese masters. It came from the Palace of Capo di Monte]] réalisée par A. Caracci, vendue par Prince Lucien Buonaparte. [46]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Magdalen and two Angels. This favourite subject, so often engraved, was also in the collection at Capo di Monte; it represents the Magdalen in penitence attended by two beautiful angels, evidently designed in the manner of Correggio, whose works Schidone studied with the greatest attention, although more properly a scholar of the Caracci school. This beautiful picture is in his most finished manner; few examples of the master are to be found so pure and perfect (Schidone)|Magdalen and two Angels. This favourite subject, so often engraved, was also in the collection at Capo di Monte; it represents the Magdalen in penitence attended by two beautiful angels, evidently designed in the manner of Correggio, whose works Schidone studied with the greatest attention, although more properly a scholar of the Caracci school. This beautiful picture is in his most finished manner; few examples of the master are to be found so pure and perfect]] réalisée par Schidone, vendue par Prince Lucien Buonaparte. [47]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Susanna and the Elders. The different works of this master may be classed under those that are light and airy, and those that are strong and powerful in their colouring. The latter manner is that which has been adopted in the present picture, which will be found to contain as much vigour and effect as the works of Caravaggio, with infinitely more beauty (Guido)|Susanna and the Elders. The different works of this master may be classed under those that are light and airy, and those that are strong and powerful in their colouring. The latter manner is that which has been adopted in the present picture, which will be found to contain as much vigour and effect as the works of Caravaggio, with infinitely more beauty]] réalisée par Guido, vendue par Prince Lucien Buonaparte. [48]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Holy Family. This Florentine master had the good fortune of being the friend of M. Angelo, under whom he not only studied, but in a great measure formed his last manner. The style of his pictures is therefore in general of the grandest cast, not only in the character of his heads, but in the disposition of the draperies. Like the other painters of that day, his pencilling possesses an enamel which may be recognized as peculiar to the works of L. Da Vinci, Raffaelle, Sebastian del Piombo, &c. The manner which he adopted was sometimes very powerful and deep, at other times more light and pale, but in both highly finished. The present picture is one of those subjects which he seems to have studied with great attention. It is painted in a grand and noble manner; and the head of the St. Joseph, in particular, in point of character and expression, is not unworthy of M. Angelo (An. Del Sarto)|The Holy Family. This Florentine master had the good fortune of being the friend of M. Angelo, under whom he not only studied, but in a great measure formed his last manner. The style of his pictures is therefore in general of the grandest cast, not only in the character of his heads, but in the disposition of the draperies. Like the other painters of that day, his pencilling possesses an enamel which may be recognized as peculiar to the works of L. Da Vinci, Raffaelle, Sebastian del Piombo, &c. The manner which he adopted was sometimes very powerful and deep, at other times more light and pale, but in both highly finished. The present picture is one of those subjects which he seems to have studied with great attention. It is painted in a grand and noble manner; and the head of the St. Joseph, in particular, in point of character and expression, is not unworthy of M. Angelo]] réalisée par An. Del Sarto, vendue par Prince Lucien Buonaparte. [52]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Riposo in Egypt. The works of Poussin may be considered among the greatest ornaments of the French school; although from his long study in Italy, and having adopted a manner founded upon the schools of that country, and purified by a study of the antique, he may be considered more as an Italian master, than one of the country which gave him birth. The present elegant little composition will be found a fine example of this master's works, in his strong manner. The drawing of the figures is correct, and the draperies are cast in a great manner (Nic. Poussin)|The Riposo in Egypt. The works of Poussin may be considered among the greatest ornaments of the French school; although from his long study in Italy, and having adopted a manner founded upon the schools of that country, and purified by a study of the antique, he may be considered more as an Italian master, than one of the country which gave him birth. The present elegant little composition will be found a fine example of this master's works, in his strong manner. The drawing of the figures is correct, and the draperies are cast in a great manner]] réalisée par Nic. Poussin, vendue par Prince Lucien Buonaparte. [53]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Christ and the Samaritan Woman. This picture, which is tastefully composed, may be deemed one of the fine examples of this master, in his clear manner: the figure of the woman is elegant and graceful, and the head of the Saviour has a fine character: formerly in the Vatican (Guercino)|Christ and the Samaritan Woman. This picture, which is tastefully composed, may be deemed one of the fine examples of this master, in his clear manner: the figure of the woman is elegant and graceful, and the head of the Saviour has a fine character: formerly in the Vatican]] réalisée par Guercino, vendue par Prince Lucien Buonaparte, achetée par Panné. [55]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Game of Chess. The works of Sophonisba are very rare. The present represents the portraits of herself, mother, and sisters, which produce a very interesting family group, and form a very pleasing picture; in it will be found much of the fine colouring of the Venetian school (Sophonisba Anguiscola)|The Game of Chess. The works of Sophonisba are very rare. The present represents the portraits of herself, mother, and sisters, which produce a very interesting family group, and form a very pleasing picture; in it will be found much of the fine colouring of the Venetian school]] réalisée par Sophonisba Anguiscola, vendue par Prince Lucien Buonaparte. [56]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of Machiavel. This is a most interesting and fine specimen of this very early master, who was reckoned the principal artist of the second age of modern painters, from the revival of the art by Cimabue. This portrait is strongly descriptive of the character whom it is intended to represent (Masaccio)|Portrait of Machiavel. This is a most interesting and fine specimen of this very early master, who was reckoned the principal artist of the second age of modern painters, from the revival of the art by Cimabue. This portrait is strongly descriptive of the character whom it is intended to represent]] réalisée par Masaccio, vendue par Prince Lucien Buonaparte. [58]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Mark. A second of the Series of the Four Evangelists, formerly in the Riccardi Palace at Florence, and painted in the same admirable manner as No. 18. The character of the head, the drawing of the hands, the cast of the draperies, and the general colouring of the whole, are excellent (Carlo Dolce)|St. Mark. A second of the Series of the Four Evangelists, formerly in the Riccardi Palace at Florence, and painted in the same admirable manner as No. 18. The character of the head, the drawing of the hands, the cast of the draperies, and the general colouring of the whole, are excellent]] réalisée par Carlo Dolce, vendue par Prince Lucien Buonaparte. [60]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Triumph of Galatea. This capital picture was formerly in the Cabinet of Mons. de Tartre, Treasurer to Louis the Sixteenth, and is known by the engraving from it. The works of this master have been always much prized for the great delicacy and beauty of his women and boys, and for the lightness of his pencilling, which is equal in tenderness to the cabinet pictures of Guido. It is painted on copper, which he generally adopted for his choicest works (Albano)|The Triumph of Galatea. This capital picture was formerly in the Cabinet of Mons. de Tartre, Treasurer to Louis the Sixteenth, and is known by the engraving from it. The works of this master have been always much prized for the great delicacy and beauty of his women and boys, and for the lightness of his pencilling, which is equal in tenderness to the cabinet pictures of Guido. It is painted on copper, which he generally adopted for his choicest works]] réalisée par Albano, vendue par Prince Lucien Buonaparte. [72]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Christ on the Mount of Olives. The name of this master is well known to every amateur of painting, not only as being the scholar of Michael Angelo, whose great manner he successfully imitated, but as the principal writer of the Lives of all the eminent Painters who had flourished, down to the very interesting period at which he lived. The present picture may be considered one of the first class, from its fine composition, correct drawing, and beautiful pencilling; it has always been esteemed as one of his chefs-d'oeuvres. Vasari died in 1578, and his works are particularly described by Sandrart. He lived at a period when the art of painting was in all its glory (G. Vasari)|Christ on the Mount of Olives. The name of this master is well known to every amateur of painting, not only as being the scholar of Michael Angelo, whose great manner he successfully imitated, but as the principal writer of the Lives of all the eminent Painters who had flourished, down to the very interesting period at which he lived. The present picture may be considered one of the first class, from its fine composition, correct drawing, and beautiful pencilling; it has always been esteemed as one of his chefs-d'oeuvres. Vasari died in 1578, and his works are particularly described by Sandrart. He lived at a period when the art of painting was in all its glory]] réalisée par G. Vasari, vendue par Prince Lucien Buonaparte. [73]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Virgin, young Christ, and St. John. This picture, painted in the second manner of this great master, presents a beautiful and pleasing composition, full of that grace and simplicity which particularly distinguish the works of Raffaelle. It was formerly in the possession of the Count Duke of Olivares, to whom, in the reign of Philip the Fourth, it was presented by the Pope. It was obtained from Spain by its present proprietor (Raffaelle)|The Virgin, young Christ, and St. John. This picture, painted in the second manner of this great master, presents a beautiful and pleasing composition, full of that grace and simplicity which particularly distinguish the works of Raffaelle. It was formerly in the possession of the Count Duke of Olivares, to whom, in the reign of Philip the Fourth, it was presented by the Pope. It was obtained from Spain by its present proprietor]] réalisée par Raffaelle, vendue par Prince Lucien Buonaparte au prix de 2500 gs. [74]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Resurrection of Lazarus -- a Fresco. The mode of taking Frescos from the walls on which they were originally painted, and of securing them on canvas, is a discovery of recent date. None of any consequence have been sent to this country till very lately; and the three which are in this Collection being probably the first which have been offered to the eye of the public, may be considered as objects of curiosity. The present Fresco represents a subject from the pencil of one of the principal scholars of the great school of Raffaelle, and is composed with a grandeur and dignity worthy of that great master himself. The principal figures of our Saviour and that of Lazarus, are both treated in a manner which is striking and full of character; while the other parts of the composition are correct and appropriate; it forms a fine example of the high class of historical painting (Perino del Vaga)|The Resurrection of Lazarus -- a Fresco. The mode of taking Frescos from the walls on which they were originally painted, and of securing them on canvas, is a discovery of recent date. None of any consequence have been sent to this country till very lately; and the three which are in this Collection being probably the first which have been offered to the eye of the public, may be considered as objects of curiosity. The present Fresco represents a subject from the pencil of one of the principal scholars of the great school of Raffaelle, and is composed with a grandeur and dignity worthy of that great master himself. The principal figures of our Saviour and that of Lazarus, are both treated in a manner which is striking and full of character; while the other parts of the composition are correct and appropriate; it forms a fine example of the high class of historical painting]] réalisée par Perino del Vaga, vendue par Prince Lucien Buonaparte. [76]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Marcus Sextus recalled from Banishment. This picture, painted by one of the principal artists of the modern French school, is that which made so great a noise in Paris, on the 18th Brumaire year 1799: when at the annual distribution of prizes, Guerin received the public and flattering testimony of being crowned with laurel by Napoleon, for the performance now in this Collection. The subject of it is most pathetic and interesting. Marcus Sextus recalled to Rome by the Senate, returns at a time when his wife had just expired. The character of the countenance is full of horror, and of abstracted thought; and the whole attitude of the figure is calculated to excite the strongest emotions in the mind of the spectator. The action of the daughter in clasping the knees of her father is full of tenderness, and the treatment of the whole subject is simple and grand. The drawing of the principal figure is perfectly unobjectionable, and the picture may be considered as one of the finest specimens of the modern French school. The attraction which this picture had in Paris, was great beyond precedent. It has been engraved (Guerin)|Marcus Sextus recalled from Banishment. This picture, painted by one of the principal artists of the modern French school, is that which made so great a noise in Paris, on the 18th Brumaire year 1799: when at the annual distribution of prizes, Guerin received the public and flattering testimony of being crowned with laurel by Napoleon, for the performance now in this Collection. The subject of it is most pathetic and interesting. Marcus Sextus recalled to Rome by the Senate, returns at a time when his wife had just expired. The character of the countenance is full of horror, and of abstracted thought; and the whole attitude of the figure is calculated to excite the strongest emotions in the mind of the spectator. The action of the daughter in clasping the knees of her father is full of tenderness, and the treatment of the whole subject is simple and grand. The drawing of the principal figure is perfectly unobjectionable, and the picture may be considered as one of the finest specimens of the modern French school. The attraction which this picture had in Paris, was great beyond precedent. It has been engraved]] réalisée par Guerin, vendue par Prince Lucien Buonaparte. [77]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Peter Martyr. This early painter, born at Florence in 1449, had the honour of being the master of M. Angelo Buonarotti, and was a favourite painter of his time. The example of his works in this Collection (No. 90) will shew the excellence of his compositions. The present picture, and its companion (No. 85,) also form desirable specimens of his works (Ghirlandajo)|St. Peter Martyr. This early painter, born at Florence in 1449, had the honour of being the master of M. Angelo Buonarotti, and was a favourite painter of his time. The example of his works in this Collection (No. 90) will shew the excellence of his compositions. The present picture, and its companion (No. 85,) also form desirable specimens of his works]] réalisée par Ghirlandajo, vendue par Prince Lucien Buonaparte. [79]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Endymion. Although the works of this master cannot be considered of the same precious quality as the fine works of L. da Vinci, Raffaelle, or Correggio, still he ranks as a master of high consideration, and his works are full of invention and spirit. The picture by Parmeggiano in this Collection displays the fine poetic imagination and fertile genius of the painter, in the story of Endymion, the Shepherd of Mount Latmos, with whom it is said that Diana became enamoured, and often visited. The drawing of the principal figure is in a very correct and great manner, and the smaller figures are touched with lightness and delicacy. The cabinet pictures of this master are in general more to be prized than his larger productions, from the manner of his colouring in these last being often hard and disagreeable, while the former, with a greater degree of delicacy, and lightness of touch, may be said to contain all that is excellent in his works (Parmeggiano)|Endymion. Although the works of this master cannot be considered of the same precious quality as the fine works of L. da Vinci, Raffaelle, or Correggio, still he ranks as a master of high consideration, and his works are full of invention and spirit. The picture by Parmeggiano in this Collection displays the fine poetic imagination and fertile genius of the painter, in the story of Endymion, the Shepherd of Mount Latmos, with whom it is said that Diana became enamoured, and often visited. The drawing of the principal figure is in a very correct and great manner, and the smaller figures are touched with lightness and delicacy. The cabinet pictures of this master are in general more to be prized than his larger productions, from the manner of his colouring in these last being often hard and disagreeable, while the former, with a greater degree of delicacy, and lightness of touch, may be said to contain all that is excellent in his works]] réalisée par Parmeggiano, vendue par Prince Lucien Buonaparte. [81]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Sebastian. This capital picture affords another fine example of this master in his Corregaic manner of painting, and where the most powerful effect has been produced by the judicious management of his clair obscure. In this picture the light in the horizon, and upon the figures in the middle ground, is very striking, and quite novel (Schidone)|St. Sebastian. This capital picture affords another fine example of this master in his Corregaic manner of painting, and where the most powerful effect has been produced by the judicious management of his clair obscure. In this picture the light in the horizon, and upon the figures in the middle ground, is very striking, and quite novel]] réalisée par Schidone, vendue par Prince Lucien Buonaparte. [82]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Two Frescos. These Frescos, representing Angels, each holding a flambeau, were taken from the walls of the church of the Trinity at Rome, where, before their removal, the colours had much faded; but, by a process, being secured upon canvas, they have, with the assistance of varnish, returned to their original freshness. They are painted in a very grand style, and will remind the connoisseur of the works of Raffaelle, especially in his Cartoons. Palmarola of Rome first discovered this new process (Julio Romano)|Two Frescos. These Frescos, representing Angels, each holding a flambeau, were taken from the walls of the church of the Trinity at Rome, where, before their removal, the colours had much faded; but, by a process, being secured upon canvas, they have, with the assistance of varnish, returned to their original freshness. They are painted in a very grand style, and will remind the connoisseur of the works of Raffaelle, especially in his Cartoons. Palmarola of Rome first discovered this new process]] réalisée par Julio Romano, vendue par Prince Lucien Buonaparte. [84]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Two Frescos. These Frescos, representing Angels, each holding a flambeau, were taken from the walls of the church of the Trinity at Rome, where, before their removal, the colours had much faded; but, by a process, being secured upon canvas, they have, with the assistance of varnish, returned to their original freshness. They are painted in a very grand style, and will remind the connoisseur of the works of Raffaelle, especially in his Cartoons. Palmarola of Rome first discovered this new process (Julio Romano)|Two Frescos. These Frescos, representing Angels, each holding a flambeau, were taken from the walls of the church of the Trinity at Rome, where, before their removal, the colours had much faded; but, by a process, being secured upon canvas, they have, with the assistance of varnish, returned to their original freshness. They are painted in a very grand style, and will remind the connoisseur of the works of Raffaelle, especially in his Cartoons. Palmarola of Rome first discovered this new process]] réalisée par Julio Romano, vendue par Prince Lucien Buonaparte. [85]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Catherine crowned by Angels. This beautiful picture, which is in the finest state of preservation, is one of the most perfect productions of this master, whose works have a character peculiar to themselves, having formed his manner from the study of several great masters of the various schools, but particularly of Caracci. His manner of pencilling, however, more resembles the works of the Florentine masters (Giulio Cesare Procaccini)|St. Catherine crowned by Angels. This beautiful picture, which is in the finest state of preservation, is one of the most perfect productions of this master, whose works have a character peculiar to themselves, having formed his manner from the study of several great masters of the various schools, but particularly of Caracci. His manner of pencilling, however, more resembles the works of the Florentine masters]] réalisée par Giulio Cesare Procaccini, vendue par Prince Lucien Buonaparte. [87]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. John preaching in the Desert. A most interesting specimen of this master's works, who studied in the several schools of L. da Vinci, M. Angelo, and Andrea del Sarto, the latter of whom he greatly assisted in many of his large works. In the present example there is in the character of the heads much of the great style of Michael Angelo (Puntormo)|St. John preaching in the Desert. A most interesting specimen of this master's works, who studied in the several schools of L. da Vinci, M. Angelo, and Andrea del Sarto, the latter of whom he greatly assisted in many of his large works. In the present example there is in the character of the heads much of the great style of Michael Angelo]] réalisée par Puntormo, vendue par Prince Lucien Buonaparte. [92]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Holy Family. No picture of this master can be found in a more perfect state of preservation, than that now before us: it is not only exceedingly valuable as being a chef-d'oeuvre of the master, but clearly shews from what origin his scholar Titian drew that wonderful science of colouring, by which he afterwards surpassed all other painters (Giovanni da Bellino)|Holy Family. No picture of this master can be found in a more perfect state of preservation, than that now before us: it is not only exceedingly valuable as being a chef-d'oeuvre of the master, but clearly shews from what origin his scholar Titian drew that wonderful science of colouring, by which he afterwards surpassed all other painters]] réalisée par Giovanni da Bellino, vendue par Prince Lucien Buonaparte. [93]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Adoration of the Magi. What has been said of the preceding picture may be said of this in point of its preservation, and as a most excellent example of the master. The figures are well grouped, painted in the most finished manner, and the whole is finely composed (Ghirlandajo)|Adoration of the Magi. What has been said of the preceding picture may be said of this in point of its preservation, and as a most excellent example of the master. The figures are well grouped, painted in the most finished manner, and the whole is finely composed]] réalisée par Ghirlandajo, vendue par Prince Lucien Buonaparte. [94]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Triumph of Silenus. This splendid picture was formerly in the Collection of Mons. de Tartre, already mentioned. In it will be found all that variety of colouring which distinguishes the works of this great master, while the various characters are most powerfully and naturally expressed. It has always been considered a chef-d'oeuvre (Rubens)|The Triumph of Silenus. This splendid picture was formerly in the Collection of Mons. de Tartre, already mentioned. In it will be found all that variety of colouring which distinguishes the works of this great master, while the various characters are most powerfully and naturally expressed. It has always been considered a chef-d'oeuvre]] réalisée par Rubens, vendue par Prince Lucien Buonaparte. [98]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Luke. Another of the set of four Evangelists, painted in a beautiful and mellow style of colouring. It is a difficult thing to determine which is the preferable picture of these four celebrated examples; on this point, each individual must decide for himself. The variety of colouring in the draperies of these pictures forms a pleasing contrast They formed four of the principal ornaments of the Riccardi Gallery at Florence (Carlo Dolce)|St. Luke. Another of the set of four Evangelists, painted in a beautiful and mellow style of colouring. It is a difficult thing to determine which is the preferable picture of these four celebrated examples; on this point, each individual must decide for himself. The variety of colouring in the draperies of these pictures forms a pleasing contrast They formed four of the principal ornaments of the Riccardi Gallery at Florence]] réalisée par Carlo Dolce, vendue par Prince Lucien Buonaparte. [107]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Les Cascades de. These pictures have always been considered as the most precious of this master's works, and are known in France by the name of Les Cascades de Ruisdael. Whether the transparency of the water, the light and perfect state of the foliage of the trees, or the general composition of this picture, is considered, they equally claim our admiration -- they are in a fine state of preservation (Ruisdael)|Les Cascades de. These pictures have always been considered as the most precious of this master's works, and are known in France by the name of Les Cascades de Ruisdael. Whether the transparency of the water, the light and perfect state of the foliage of the trees, or the general composition of this picture, is considered, they equally claim our admiration -- they are in a fine state of preservation]] réalisée par Ruisdael, vendue par Prince Lucien Buonaparte, achetée par Alexander Baring. [112]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Les Cascades de. These pictures have always been considered as the most precious of this master's works, and are known in France by the name of Les Cascades de Ruisdael. Whether the transparency of the water, the light and perfect state of the foliage of the trees, or the general composition of this picture, is considered, they equally claim our admiration -- they are in a fine state of preservation (Ruisdael)|Les Cascades de. These pictures have always been considered as the most precious of this master's works, and are known in France by the name of Les Cascades de Ruisdael. Whether the transparency of the water, the light and perfect state of the foliage of the trees, or the general composition of this picture, is considered, they equally claim our admiration -- they are in a fine state of preservation]] réalisée par Ruisdael, vendue par Prince Lucien Buonaparte, achetée par Alexander Baring. [113]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[This picture of Verboom, which presents one of the most beautiful of his rural scenes, is considerably enhanced in value from being enriched with cattle and figures by Adrian Vandervelt. The picture is much to be admired from the light and airy floating of the sky, the transparency of the water, and a rich and firm pencilling in the foliage of his trees -- the animals are also finely painted (Verboom)|This picture of Verboom, which presents one of the most beautiful of his rural scenes, is considerably enhanced in value from being enriched with cattle and figures by Adrian Vandervelt. The picture is much to be admired from the light and airy floating of the sky, the transparency of the water, and a rich and firm pencilling in the foliage of his trees -- the animals are also finely painted]] réalisée par Verboom, vendue par Prince Lucien Buonaparte. [114]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of Cosmo de Medicis. This great man, the founder of that illustrious family, and known by the title of Pater Patrioe is here represented decorated with the insignia, and as a Grand Master, of the Order of S. Stefano. The portraits of Illustrious characters, when well authenticated, and painted by eminent masters, always carry along with them a feeling of veneration; hence it is that at all periods, so strong a desire has manifested itself for the possession of pictures of this class; and where such pictures themselves are not to be obtained, their substitutes, fine engravings, have in the next place occupied much attention. The present most interesting Portrait will form one of the Work of Select Portraits, and Illustrious Characters, now in progress under the direction of Mr. Buchanan, and for which Mr. Sharp has just finished the celebrated and interesting portrait of Charles the First, after Vandyke, and has also nearly completed the beautiful portrait of Thomas Howard, Earl of Arundel; both personages as celebrated for the patronage of the Fine Arts in England, as Cosmo I. was in Italy (Bronzino)|Portrait of Cosmo de Medicis. This great man, the founder of that illustrious family, and known by the title of Pater Patrioe is here represented decorated with the insignia, and as a Grand Master, of the Order of S. Stefano. The portraits of Illustrious characters, when well authenticated, and painted by eminent masters, always carry along with them a feeling of veneration; hence it is that at all periods, so strong a desire has manifested itself for the possession of pictures of this class; and where such pictures themselves are not to be obtained, their substitutes, fine engravings, have in the next place occupied much attention. The present most interesting Portrait will form one of the Work of Select Portraits, and Illustrious Characters, now in progress under the direction of Mr. Buchanan, and for which Mr. Sharp has just finished the celebrated and interesting portrait of Charles the First, after Vandyke, and has also nearly completed the beautiful portrait of Thomas Howard, Earl of Arundel; both personages as celebrated for the patronage of the Fine Arts in England, as Cosmo I. was in Italy]] réalisée par Bronzino, vendue par Prince Lucien Buonaparte. [115]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Landscape. The Flight into Egypt. This picture, which has been often engraved, was formerly in the Colonna Gallery at Rome, and afterwards in the Collection of the Bishop of Bristol, by whose name it is generally known. The scene itself is beautifully laid on the banks of a large and winding river, which terminates with the sea in the horizon. The country appears rich and varied, while a fine broad mass of luxuriant trees overshades the ruins of an ancient temple. -- The warm glow of evening is thrown over the whole subject, and produces an effect grand, and magnificent (Claude Lorraine)|Landscape. The Flight into Egypt. This picture, which has been often engraved, was formerly in the Colonna Gallery at Rome, and afterwards in the Collection of the Bishop of Bristol, by whose name it is generally known. The scene itself is beautifully laid on the banks of a large and winding river, which terminates with the sea in the horizon. The country appears rich and varied, while a fine broad mass of luxuriant trees overshades the ruins of an ancient temple. -- The warm glow of evening is thrown over the whole subject, and produces an effect grand, and magnificent]] réalisée par Claude Lorraine, vendue par Prince Lucien Buonaparte. [116]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Entombment of our Saviour. This picture has been often engraved, and through that medium the subject is already familiar to the Connoisseur. It is one of the genuine pictures of this rare master which evince the wonderful length to which he carried the science of colouring, and from whom, Titian borrowed much of that valuable science, on his leaving the more dry and early manner of Giovanni da Bellino. Giorgione was one of the greatest ornaments of the Venetian School, and his taste pure and elegant. He died at the early age of 33, and being principally occupied on large works, his easle pictures are very scarce (Giorgione)|The Entombment of our Saviour. This picture has been often engraved, and through that medium the subject is already familiar to the Connoisseur. It is one of the genuine pictures of this rare master which evince the wonderful length to which he carried the science of colouring, and from whom, Titian borrowed much of that valuable science, on his leaving the more dry and early manner of Giovanni da Bellino. Giorgione was one of the greatest ornaments of the Venetian School, and his taste pure and elegant. He died at the early age of 33, and being principally occupied on large works, his easle pictures are very scarce]] réalisée par Giorgione, vendue par Prince Lucien Buonaparte. [119]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Triple Mask. This chef-d'oeuvre, painted at the best time of Titian, and particularly mentioned in the life of that master, represents the portraits of three of the leading characters of that period, viz. -- The Emperor Charles V. -- The Pope Julius II. -- and Alfonso Grand Duke of Ferrara; each surmounting animals, emblematic of their various characters, or of some particular occurrence. For genius and invention of composition, and likewise for the admirable manner in which it is painted, this interesting picture is surpassed by no work of its class. As an object of great curiosity, as well as interest, it is intended to be engraved by Mr. Sharp for Mr. Buchanan's Work of Illustrious Portraits. -- The picture itself is most perfect (Titian)|The Triple Mask. This chef-d'oeuvre, painted at the best time of Titian, and particularly mentioned in the life of that master, represents the portraits of three of the leading characters of that period, viz. -- The Emperor Charles V. -- The Pope Julius II. -- and Alfonso Grand Duke of Ferrara; each surmounting animals, emblematic of their various characters, or of some particular occurrence. For genius and invention of composition, and likewise for the admirable manner in which it is painted, this interesting picture is surpassed by no work of its class. As an object of great curiosity, as well as interest, it is intended to be engraved by Mr. Sharp for Mr. Buchanan's Work of Illustrious Portraits. -- The picture itself is most perfect]] réalisée par Titian, vendue par Prince Lucien Buonaparte au prix de 500 gs. [120]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of a Sultana of Venice. This fine picture of a beautiful woman, is one of the most desirable portraits, which can be found of this master, and is in the finest state of preservation. The Connoisseur will appreciate the highly judicious manner in which the draperies and all the accessorial parts of this picture have been managed, producing a splendour and variety of colouring seldom to be met with in so small a surface. It comes from the Riccardi Palace at Florence (Titian)|Portrait of a Sultana of Venice. This fine picture of a beautiful woman, is one of the most desirable portraits, which can be found of this master, and is in the finest state of preservation. The Connoisseur will appreciate the highly judicious manner in which the draperies and all the accessorial parts of this picture have been managed, producing a splendour and variety of colouring seldom to be met with in so small a surface. It comes from the Riccardi Palace at Florence]] réalisée par Titian, vendue par Prince Lucien Buonaparte. [123]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Marriage of St. Catherine. This chef-d'oeuvre of fine colouring was painted for his friend the Chevalier Orologi of Padua. In it is to be found all that can be desired of the master, while it seems to possess not only those qualities inherent in Titian, but also those which are attributable to the best works of Correggio. -- As a perfect work of the Venetian School, it demands the most attentive examination. In Mason's Translation of Du Fresnoy's Poem De Arte Graphica, in treating of the respective excellencies of the different great masters, it proceeds: "Yet higher still great Titian dar'd to soar; he reach'd the loftiest heights of colouring's power; His friendly tints in happiest mixture flower, His shades and lights their just gradations know; His were those dear delusions of the art, That round, relieve, inspirit every part; Hence deem'd Divine, the world his merit own'd, With riches loaded, and with honours crown'd." (Titian)|The Marriage of St. Catherine. This chef-d'oeuvre of fine colouring was painted for his friend the Chevalier Orologi of Padua. In it is to be found all that can be desired of the master, while it seems to possess not only those qualities inherent in Titian, but also those which are attributable to the best works of Correggio. -- As a perfect work of the Venetian School, it demands the most attentive examination. In Mason's Translation of Du Fresnoy's Poem De Arte Graphica, in treating of the respective excellencies of the different great masters, it proceeds: "Yet higher still great Titian dar'd to soar; he reach'd the loftiest heights of colouring's power; His friendly tints in happiest mixture flower, His shades and lights their just gradations know; His were those dear delusions of the art, That round, relieve, inspirit every part; Hence deem'd Divine, the world his merit own'd, With riches loaded, and with honours crown'd."]] réalisée par Titian, vendue par Prince Lucien Buonaparte au prix de 3000 gs. [124]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The St. Peter Martyr. The finished study, for the great picture now in the French Museum. It is only necessary in referring to the merits of this composition, to quote the language of Sir Joshua Reynolds, in his Eleventh Discourse. "The same excellence of manner which Titian displayed in history or portrait painting, is equally conspicuous in his landscapes, whether they are professedly such, or serve only as back grounds. One of the most eminent of this latter kind is to be found in the Picture of S. Pietro Martire. The large trees, which are here introduced, are plainly distinguished from each other by the different manner with which the branches shoot from their trunks, as well as by their different foliage; and the weeds in the fore ground are varied in the same manner, just as much as variety requires, and no more." (Titian)|The St. Peter Martyr. The finished study, for the great picture now in the French Museum. It is only necessary in referring to the merits of this composition, to quote the language of Sir Joshua Reynolds, in his Eleventh Discourse. "The same excellence of manner which Titian displayed in history or portrait painting, is equally conspicuous in his landscapes, whether they are professedly such, or serve only as back grounds. One of the most eminent of this latter kind is to be found in the Picture of S. Pietro Martire. The large trees, which are here introduced, are plainly distinguished from each other by the different manner with which the branches shoot from their trunks, as well as by their different foliage; and the weeds in the fore ground are varied in the same manner, just as much as variety requires, and no more."]] réalisée par Titian, vendue par Prince Lucien Buonaparte. [125]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Venus and Cupid. This Venetian master studied much the works of Titian and of P. Veronese. The present picture has been considered his chef-d'oeuvre, and it will be found to possess much of that rich and valuable colouring for which that school is famous. The composition is judiciously and pleasingly managed (Paduanino)|Venus and Cupid. This Venetian master studied much the works of Titian and of P. Veronese. The present picture has been considered his chef-d'oeuvre, and it will be found to possess much of that rich and valuable colouring for which that school is famous. The composition is judiciously and pleasingly managed]] réalisée par Paduanino, vendue par Prince Lucien Buonaparte. [127]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Cecilia. This is the small picture for the great fresco in the church of St. Louis at Rome. The compositions of this master have already been mentioned in a former article. The present picture is another example of that wonderful expression which Domenichino always gave to the heads of his Saints, particularly to female characters (Domenichino)|St. Cecilia. This is the small picture for the great fresco in the church of St. Louis at Rome. The compositions of this master have already been mentioned in a former article. The present picture is another example of that wonderful expression which Domenichino always gave to the heads of his Saints, particularly to female characters]] réalisée par Domenichino, vendue par Prince Lucien Buonaparte. [128]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Family Piece. This master is generally known by the name of the little Vandyke, from the great similarity of his style to that master. In this picture he has surpassed himself. It may be considered as his chef-doeuvre, being superior to any that exists in the Museum of Paris (Gonsales Cock)|Family Piece. This master is generally known by the name of the little Vandyke, from the great similarity of his style to that master. In this picture he has surpassed himself. It may be considered as his chef-doeuvre, being superior to any that exists in the Museum of Paris]] réalisée par Gonsales Cock, vendue par Prince Lucien Buonaparte. [131]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Virgin, young Christ, and St. John. The four lines of Du Fresnoy's poem may be here well applied. "Bright beyond all the rest, Correggio flings His ample lights, and round them gently brings the mingling shade. In all his works we view grandeur of style, and chastity of hue." This most rare and precious picture is that which was presented by the Pope, to the Count Duke of Olivares, Minister of Philip the Fourth. It was acquired by its present proprietor in Spain, where it has remained since that period, and been always esteemed as one of the capital works of Correggio. The subject is well known from the fine old engraving of it by Spierre (Correggio)|The Virgin, young Christ, and St. John. The four lines of Du Fresnoy's poem may be here well applied. "Bright beyond all the rest, Correggio flings His ample lights, and round them gently brings the mingling shade. In all his works we view grandeur of style, and chastity of hue." This most rare and precious picture is that which was presented by the Pope, to the Count Duke of Olivares, Minister of Philip the Fourth. It was acquired by its present proprietor in Spain, where it has remained since that period, and been always esteemed as one of the capital works of Correggio. The subject is well known from the fine old engraving of it by Spierre]] réalisée par Correggio, vendue par Prince Lucien Buonaparte. [132]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Female Miser. This fine cabinet picture, painted at the best time of the master, is obscured by a coat of yellow varnish, which hides in some measure its transparency and delicate pencilling. It represents an old woman calculating her ducats: -- in the back-ground there is a second light produced from a window, which illuminates two little figures occupied in examining writings, and which are painted in the finest manner possible. The richness of the curtain, the sparkle of the piece of plate in the fore-ground, and the general disposition of the whole of this composition, tend to render it one of the most pleasing specimens of this master's works (Gerard Douw)|The Female Miser. This fine cabinet picture, painted at the best time of the master, is obscured by a coat of yellow varnish, which hides in some measure its transparency and delicate pencilling. It represents an old woman calculating her ducats: -- in the back-ground there is a second light produced from a window, which illuminates two little figures occupied in examining writings, and which are painted in the finest manner possible. The richness of the curtain, the sparkle of the piece of plate in the fore-ground, and the general disposition of the whole of this composition, tend to render it one of the most pleasing specimens of this master's works]] réalisée par Gerard Douw, vendue par Prince Lucien Buonaparte, achetée par Alexander Baring. [135]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[A celebrated picture known by the name of La Belle à Puits. This picture is painted in a tone of colouring rather out of Wouverman's usual manner. It is low in its key, but with a wonderful effect of clair obscure; the figures are in his most finished and delicate style of painting, and are all touched with the greatest truth and spirit. It has been deservedly esteemed one of the most beautiful and precious pictures of this much admired master (Phil. Wouvermans)|A celebrated picture known by the name of La Belle à Puits. This picture is painted in a tone of colouring rather out of Wouverman's usual manner. It is low in its key, but with a wonderful effect of clair obscure; the figures are in his most finished and delicate style of painting, and are all touched with the greatest truth and spirit. It has been deservedly esteemed one of the most beautiful and precious pictures of this much admired master]] réalisée par Phil. Wouvermans, vendue par Prince Lucien Buonaparte. [136]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Historian Copenhol. This little picture, painted with a vigour of colouring and effect which is quite surprising, is the original from which Rembrant engraved his famous print known by this name. The portraits of Rembrant, from the great character which they possess, and fine manner in which they are composed, have been generally considered as the best of his works, being totally divested of that vulgarity which he is too apt to introduce into his larger compositions. The present picture may be considered as one of the most precious of his small works, and is in the most perfect state of preservation (Rembrant)|The Historian Copenhol. This little picture, painted with a vigour of colouring and effect which is quite surprising, is the original from which Rembrant engraved his famous print known by this name. The portraits of Rembrant, from the great character which they possess, and fine manner in which they are composed, have been generally considered as the best of his works, being totally divested of that vulgarity which he is too apt to introduce into his larger compositions. The present picture may be considered as one of the most precious of his small works, and is in the most perfect state of preservation]] réalisée par Rembrant, vendue par Prince Lucien Buonaparte, achetée par Alexander Baring. [137]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[This picture is known by the name of the Boat. In the painting of it he seems to have bestowed the greatest attention, being coloured in the most finished, mellow, and transparent manner. The painter has introduced his own portrait as the pilot. The rest of the party are most probably likewise real portraits (Weenix)|This picture is known by the name of the Boat. In the painting of it he seems to have bestowed the greatest attention, being coloured in the most finished, mellow, and transparent manner. The painter has introduced his own portrait as the pilot. The rest of the party are most probably likewise real portraits]] réalisée par Weenix, vendue par Prince Lucien Buonaparte. [138]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[In a fresh and sunny morning, where the sun breaks through the trees, which are still covered with dew, a number of cows and sheep appear brought together to a place adapted for the purpose of milking. Besides the peasant engaged in that employment, two other figures and a child form a part of the group, which is judiciously and naturally composed, and where the animals introduced present a variety of pleasing attitudes. -- The trunk of an old tree, near which grows a broad thistle, in the fore ground, the beautiful distance, and a sky varied with light and floating clouds, constitute a composition at once luminous and beautiful. This little picture is painted with a very free touch, and at the best time of this master. This very scarce master, who died at the early age of 29, has with much justice been esteemed one of the best painters of the Low Countries, not only for the delicacy of his pencilling, but for his exact imitation of nature (Paul Potter)|In a fresh and sunny morning, where the sun breaks through the trees, which are still covered with dew, a number of cows and sheep appear brought together to a place adapted for the purpose of milking. Besides the peasant engaged in that employment, two other figures and a child form a part of the group, which is judiciously and naturally composed, and where the animals introduced present a variety of pleasing attitudes. -- The trunk of an old tree, near which grows a broad thistle, in the fore ground, the beautiful distance, and a sky varied with light and floating clouds, constitute a composition at once luminous and beautiful. This little picture is painted with a very free touch, and at the best time of this master. This very scarce master, who died at the early age of 29, has with much justice been esteemed one of the best painters of the Low Countries, not only for the delicacy of his pencilling, but for his exact imitation of nature]] réalisée par Paul Potter, vendue par Prince Lucien Buonaparte au prix de 500 gs. [139]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Interior of a Dutch Cottage. Touched with a breadth of light and shade, and with a clearness of pencilling, which would do honour to David Teniers. The general tone of this picture is excellent, and in it there is to be found much for the study of the painter, as well as for the admiration of the Connoisseur (Le Nain)|Interior of a Dutch Cottage. Touched with a breadth of light and shade, and with a clearness of pencilling, which would do honour to David Teniers. The general tone of this picture is excellent, and in it there is to be found much for the study of the painter, as well as for the admiration of the Connoisseur]] réalisée par Le Nain, vendue par Prince Lucien Buonaparte. [140]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Little Shipwreck. This picture, finely composed, and painted in the best manner of this master, is at present seen to disadvantage, from the varnish of it having become very yellow; -- judiciously and tenderly removed, it would be found of a very different colour from what it is at present (Vernet)|The Little Shipwreck. This picture, finely composed, and painted in the best manner of this master, is at present seen to disadvantage, from the varnish of it having become very yellow; -- judiciously and tenderly removed, it would be found of a very different colour from what it is at present]] réalisée par Vernet, vendue par Prince Lucien Buonaparte. [141]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of a Gentleman of the Family of Medicis. It is not distinctly known which of the members of that illustrious family this fine portrait is intended to represent. -- It is, however, in itself most interesting, not only from the grand and thoughtful character of the countenance, but from the mode in which it is treated as a work of art. The works of Bronzino may probably be considered better in his portraits than in his larger compositions: he was the scholar of Puntormo, and, like his master, devoted much of his time and attention to studying the works of M. Angelo, whose great manner he has introduced in the general cast and folds of his draperies, and in the mode of composing his subject (Bronzino)|Portrait of a Gentleman of the Family of Medicis. It is not distinctly known which of the members of that illustrious family this fine portrait is intended to represent. -- It is, however, in itself most interesting, not only from the grand and thoughtful character of the countenance, but from the mode in which it is treated as a work of art. The works of Bronzino may probably be considered better in his portraits than in his larger compositions: he was the scholar of Puntormo, and, like his master, devoted much of his time and attention to studying the works of M. Angelo, whose great manner he has introduced in the general cast and folds of his draperies, and in the mode of composing his subject]] réalisée par Bronzino, vendue par Prince Lucien Buonaparte. [143]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Miracle of St. Paul. This painter, who stands among the first of the French school has obtained the name of the French Raffaelle. His invention is easy and fertile, and his compositions grand and judicious: the style of his draperies shews simplicity and grandeur, and his mind was uniformly bent on an imitation of the works of that great master. The present fine picture, which has been esteemed a chef-d'oeuvre, will not only illustrate these remarks, but found a strong claim to the title bestowed on him (Le Sueur)|The Miracle of St. Paul. This painter, who stands among the first of the French school has obtained the name of the French Raffaelle. His invention is easy and fertile, and his compositions grand and judicious: the style of his draperies shews simplicity and grandeur, and his mind was uniformly bent on an imitation of the works of that great master. The present fine picture, which has been esteemed a chef-d'oeuvre, will not only illustrate these remarks, but found a strong claim to the title bestowed on him]] réalisée par Le Sueur, vendue par Prince Lucien Buonaparte. [144]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[St. Matthew Evangelist attended by an Angel. This beautiful picture, which so finely contrasts the characters of youth and age, is the last of the series of this master's works, in this Collection. It is unnecessary here to dwell on its beauties, which will be found striking to every observer; -- the delicate and free manner, however, in which the hair and beard of the Saint are painted, and the fine and pure state of the draperies, are particularly worthy of remark They formed four of the principal ornaments of the Riccardi Gallery at Florence (Carlo Dolce)|St. Matthew Evangelist attended by an Angel. This beautiful picture, which so finely contrasts the characters of youth and age, is the last of the series of this master's works, in this Collection. It is unnecessary here to dwell on its beauties, which will be found striking to every observer; -- the delicate and free manner, however, in which the hair and beard of the Saint are painted, and the fine and pure state of the draperies, are particularly worthy of remark They formed four of the principal ornaments of the Riccardi Gallery at Florence]] réalisée par Carlo Dolce, vendue par Prince Lucien Buonaparte, achetée par Sir Simon Clarke au prix de 1000 gs. [145]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Holy Family. This painter, who studied much the works of Raffaelle, and who appears to have formed his taste on the style of that master, has in this picture afforded one of the best specimens of his works. The design appears to have been originally Raffaelle's, but the mode of pencilling and treatment is entirely his own (Sasso Ferrata)|The Holy Family. This painter, who studied much the works of Raffaelle, and who appears to have formed his taste on the style of that master, has in this picture afforded one of the best specimens of his works. The design appears to have been originally Raffaelle's, but the mode of pencilling and treatment is entirely his own]] réalisée par Sasso Ferrata, vendue par Prince Lucien Buonaparte. [147]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Adoration of the Shepherds. This fine composition of the master may be classed among the best of his pictures; the figures are of a fine size, the countenances beautiful and animated, and the effect of the clair obscure striking and well managed. It forms a companion to No. 154 (Philip Champagne)|Adoration of the Shepherds. This fine composition of the master may be classed among the best of his pictures; the figures are of a fine size, the countenances beautiful and animated, and the effect of the clair obscure striking and well managed. It forms a companion to No. 154]] réalisée par Philip Champagne, vendue par Prince Lucien Buonaparte. [149]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Adoration of the Shepherds. This picture, like the preceding, is also painted by one of the French school. This master appears to have formed his style on the works of N. Poussin; -- there is a similarity in the size of the figures, the style of the composition, and even in the manner of his pencilling; although in this last, seldom so powerful as in the works of Nicholas. The present is a fine example of the master (Stella)|Adoration of the Shepherds. This picture, like the preceding, is also painted by one of the French school. This master appears to have formed his style on the works of N. Poussin; -- there is a similarity in the size of the figures, the style of the composition, and even in the manner of his pencilling; although in this last, seldom so powerful as in the works of Nicholas. The present is a fine example of the master]] réalisée par Stella, vendue par Prince Lucien Buonaparte. [150]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[A brisk Gale off the Dutch Coast. In this scene, from the gloom of the sky, a storm appears fast approaching. It is one of those subjects where an excellent opportunity has been offered to the painter, of representing the natural agitation of the water, and the tumultuous gathering of the clouds, in which he always excelled (Backhuysen)|A brisk Gale off the Dutch Coast. In this scene, from the gloom of the sky, a storm appears fast approaching. It is one of those subjects where an excellent opportunity has been offered to the painter, of representing the natural agitation of the water, and the tumultuous gathering of the clouds, in which he always excelled]] réalisée par Backhuysen, vendue par Prince Lucien Buonaparte. [151]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Christ in the Temple. This highly studied picture approaches in its composition near to the works of Rembrandt, and the characters of the countenances appear formed entirely in that school. It is painted in a light but finished manner, the colouring is excellent, and the figures are full of expression. It may be deemed one of the best pictures of this master (Dietrichy)|Christ in the Temple. This highly studied picture approaches in its composition near to the works of Rembrandt, and the characters of the countenances appear formed entirely in that school. It is painted in a light but finished manner, the colouring is excellent, and the figures are full of expression. It may be deemed one of the best pictures of this master]] réalisée par Dietrichy, vendue par Prince Lucien Buonaparte. [152]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[A Country Scene. This large and capital work of the master offers a subject in every respect extremely pleasing. Several groupes of cottagers are introduced, in front of a cabaret, covered with vine leaves and overshaded by trees. While one group of peasants are employed smoaking and conversing; several troops of voyageurs appear in their different carriages, or are engaged in refreshing their horses. The various little accessories introduced, give interest to the subject; the whole forming a desirable picture of the master (Isaac Ostade)|A Country Scene. This large and capital work of the master offers a subject in every respect extremely pleasing. Several groupes of cottagers are introduced, in front of a cabaret, covered with vine leaves and overshaded by trees. While one group of peasants are employed smoaking and conversing; several troops of voyageurs appear in their different carriages, or are engaged in refreshing their horses. The various little accessories introduced, give interest to the subject; the whole forming a desirable picture of the master]] réalisée par Isaac Ostade, vendue par Prince Lucien Buonaparte. [153]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Basket of Fruit. This picture, known under this name, is painted with a power of colouring and an effect equal to the works of Rubens. Two lights are introduced, which are well managed, that in particular on the head on the back ground, shews much knowledge of this branch of the art (Jordaens)|Basket of Fruit. This picture, known under this name, is painted with a power of colouring and an effect equal to the works of Rubens. Two lights are introduced, which are well managed, that in particular on the head on the back ground, shews much knowledge of this branch of the art]] réalisée par Jordaens, vendue par Prince Lucien Buonaparte. [154]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Presentation in the Temple. This picture, which is one of the most capital works of this master, is painted with a light and free touch, and in an excellent and bravura style of colouring. He profited much by the instructions of N. Poussin, and his compositions are often founded on the works of that great master. The present however seems to be one, entirely his own, and does him much credit (Jouvenet)|The Presentation in the Temple. This picture, which is one of the most capital works of this master, is painted with a light and free touch, and in an excellent and bravura style of colouring. He profited much by the instructions of N. Poussin, and his compositions are often founded on the works of that great master. The present however seems to be one, entirely his own, and does him much credit]] réalisée par Jouvenet, vendue par Prince Lucien Buonaparte. [155]
  • 1815.02.06/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Children of Eli devoured by Bears. The works of this master, not much known in this country, have passed for those of Nicholas Poussin. The present composition is one of much science; the groupes are well placed, and full of expression, and the landscape is beautiful; it has been known as his chef-d'oeuvre (La Hire)|The Children of Eli devoured by Bears. The works of this master, not much known in this country, have passed for those of Nicholas Poussin. The present composition is one of much science; the groupes are well placed, and full of expression, and the landscape is beautiful; it has been known as his chef-d'oeuvre]] réalisée par La Hire, vendue par Prince Lucien Buonaparte. [156]
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