Ventes d'œuvres le 1817.12.02

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  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Sacrifice to Pomona. -- A performance of high interest to the really-judicious Amateur, who we conceive will find in it much to commend, whether regard be had to the conduct of the subject, grace in the figures, address in the grouping, or harmony in the coloring; it is marked in the foreground (Lucatelli)|Sacrifice to Pomona. -- A performance of high interest to the really-judicious Amateur, who we conceive will find in it much to commend, whether regard be had to the conduct of the subject, grace in the figures, address in the grouping, or harmony in the coloring; it is marked in the foreground]] réalisée par Lucatelli, vendue par John Sweetman, achetée par Sr C Ormsby au prix de 8 gs. [3]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Going a Hawking. -- A charming, clear and well-understood Picture of this favourite of the Flemish School, said to be the first who showed the Artists of his time the charms of gay coloring; it comes from the collection of Mons. Quesnai, and is signed J. Lingleback (Lingleback)|Going a Hawking. -- A charming, clear and well-understood Picture of this favourite of the Flemish School, said to be the first who showed the Artists of his time the charms of gay coloring; it comes from the collection of Mons. Quesnai, and is signed J. Lingleback]] réalisée par Lingleback, vendue par John Sweetman, achetée par Marrable au prix de 13 1/2 gs. [4]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[A Sketch Picture of this universally-admired Artist, and is one of those which he frequently finished off before breakfast, called "Dejeuner of Teniers." The hasty manner in which this Picture was painted, excludes it from all the merit of his more laboured productions; it however possesses the essential qualifications for which he was so justly esteemed (David Teniers, Jun.)|A Sketch Picture of this universally-admired Artist, and is one of those which he frequently finished off before breakfast, called "Dejeuner of Teniers." The hasty manner in which this Picture was painted, excludes it from all the merit of his more laboured productions; it however possesses the essential qualifications for which he was so justly esteemed]] réalisée par David Teniers, Jun., vendue par John Sweetman, achetée par Maning au prix de 5 gs. [5]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[The Prodigal Son. -- We have no hesitation in declaring this to be a capital performance of this warm colorist; the great truth and beauty of the cattle, sky, water, &c. and above all the excessive thinness and transparency of the coloring, leave no doubt as to the merit and originality of this charming production (Albert Cuyp)|The Prodigal Son. -- We have no hesitation in declaring this to be a capital performance of this warm colorist; the great truth and beauty of the cattle, sky, water, &c. and above all the excessive thinness and transparency of the coloring, leave no doubt as to the merit and originality of this charming production]] réalisée par Albert Cuyp, vendue par John Sweetman, achetée par Maning au prix de 8 1/2 gs. [6]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[The Second View of the Environs of Lerida in Italy. -- 11 inches by 9. -- This small cabinet picture is too well known, and its merits too obvious to need a description; it is sufficient to say, that it belonged to the celebrated collection of the Duc de Praslin, to whom P. Le Bas dedicated his beautiful engraving of it; it is marked on the foreground B. B. (Breenberg, Bartholemew)|The Second View of the Environs of Lerida in Italy. -- 11 inches by 9. -- This small cabinet picture is too well known, and its merits too obvious to need a description; it is sufficient to say, that it belonged to the celebrated collection of the Duc de Praslin, to whom P. Le Bas dedicated his beautiful engraving of it; it is marked on the foreground B. B.]] réalisée par Breenberg, Bartholemew, vendue par John Sweetman, achetée par M Sirr au prix de 18 gs. [7]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Jupiter and Io. -- We are aware that this is a deep Connoisseur Picture, and perhaps best fitted for the experienced and scientific eye of a profound Judge; it is however only necessary to observe the sublime and mysterious effect produced in the landscape by almost imperceptible gradations of the same coloring, and the great though unequal talent displayed in the figures, to at once discern that it is the work of no common hand. Those best qualified to decide, who have seen this Picture, have unanimously attributed it to the great Author of the Communion of St. Jerome (Domenechino, Zampieri)|Jupiter and Io. -- We are aware that this is a deep Connoisseur Picture, and perhaps best fitted for the experienced and scientific eye of a profound Judge; it is however only necessary to observe the sublime and mysterious effect produced in the landscape by almost imperceptible gradations of the same coloring, and the great though unequal talent displayed in the figures, to at once discern that it is the work of no common hand. Those best qualified to decide, who have seen this Picture, have unanimously attributed it to the great Author of the Communion of St. Jerome]] réalisée par Domenechino, Zampieri, vendue par John Sweetman, achetée par M Sirr au prix de 12 gs. [9]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Morning. -- 18 in. by 12. -- A Picture of the early time of this incomparable Master, when known as Claude Gelee; we assert this Picture to be from the hand of Claude, that it contains his spirit, and affords us a complete dawn of his subsequent greatness. It was bought in consequence of seeing the original drawing in the Napolean Museum (Claude Lorain)|Morning. -- 18 in. by 12. -- A Picture of the early time of this incomparable Master, when known as Claude Gelee; we assert this Picture to be from the hand of Claude, that it contains his spirit, and affords us a complete dawn of his subsequent greatness. It was bought in consequence of seeing the original drawing in the Napolean Museum]] réalisée par Claude Lorain, vendue par John Sweetman, achetée par Maning au prix de 8 gs. [10]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[A Scene in a Demesne, with Figures by Adrian Vandervelde, which with the architecture, fountains and sky, are truly inimitable. -- This singularly-beautiful Picture is not to be excelled by any effort of the Art, and is justly considered the ne plus ultra of the two Masters; it bears the signature of both (Moucheron)|A Scene in a Demesne, with Figures by Adrian Vandervelde, which with the architecture, fountains and sky, are truly inimitable. -- This singularly-beautiful Picture is not to be excelled by any effort of the Art, and is justly considered the ne plus ultra of the two Masters; it bears the signature of both]] réalisée par Moucheron, vendue par John Sweetman, achetée par Walsh au prix de 36 gs. [12]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Portrait of Mons. Henry, Burgomaster of Utrecht in the lifetime of the Painter, and bought from the family in 1802, by Mr. Sweetman. -- This Picture is admitted to be in Rhembrant's best stile of force and coloring; to dwell on its merits would be superfluous -- it is a Portrait of the very first class (Rhembrant van Rhyn)|Portrait of Mons. Henry, Burgomaster of Utrecht in the lifetime of the Painter, and bought from the family in 1802, by Mr. Sweetman. -- This Picture is admitted to be in Rhembrant's best stile of force and coloring; to dwell on its merits would be superfluous -- it is a Portrait of the very first class]] réalisée par Rhembrant van Rhyn, vendue par John Sweetman, achetée par Marrable au prix de 59 gs. [13]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[The Embalming. We are not a little proud of being the medium of presenting to the public a work of such pre-eminent excellence as that now before us; it is one of those few productions which defies criticism, and calls forth every encomium which the Art is capable of exciting; -- we will refrain from any further comment, and merely state that it is from the Altieri Gallery, and was the Picture among those of the cabinet class which Carlo Marratt was heard oftenest to commend. The companion to it hung in the Napolean Museum, but has lately been removed to Italy (Ludovico Carracci)|The Embalming. We are not a little proud of being the medium of presenting to the public a work of such pre-eminent excellence as that now before us; it is one of those few productions which defies criticism, and calls forth every encomium which the Art is capable of exciting; -- we will refrain from any further comment, and merely state that it is from the Altieri Gallery, and was the Picture among those of the cabinet class which Carlo Marratt was heard oftenest to commend. The companion to it hung in the Napolean Museum, but has lately been removed to Italy]] réalisée par Ludovico Carracci, vendue par John Sweetman, achetée par M Sirr au prix de 110 gs. [14]
  • 1817.12.02/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[La Solitude, or Dìsert Habité par des Cenobites. -- What we have observed of the preceding article equally applies to this, and we may say with truth, a Picture of paramount importance was perhaps never offered for sale in this country. Those who have visited the French Museum must have noticed Poussin's celebrated landscape called "Diogene jetant son ècuelle," for which the Picture now before us was intended as a companion, and is in no particular its inferior. It is from the collection of the Marquis de Hauterive, and was purchased many years ago for a sum so considerable, as leaves at the present day but little hope of an adequate remuneration. Felibien, in his Life of Poussin, gives the following appropriate comment on the Picture: "Cette solitude que est chez Mons. le Marquis de Hauterive ou l'on voit des moines assis contre terrè, et appliquez a la lecture, ne cause-t'elle pas une certain repos a l'ame qui faite naître une desir de pouvoir joüir d'une tranquillitè pareille a celle ou l'on croit voir de Religieux dans un desert si plaisable et si charmant." It is engraved by Picart, and while in the possession of Mr. Sweetman by J. Dague, for Landon's work of the vies des peintres; the first accompanies the Picture, and the latter with Felibien will be produced for reference (Nicolo Poussin)|La Solitude, or Dìsert Habité par des Cenobites. -- What we have observed of the preceding article equally applies to this, and we may say with truth, a Picture of paramount importance was perhaps never offered for sale in this country. Those who have visited the French Museum must have noticed Poussin's celebrated landscape called "Diogene jetant son ècuelle," for which the Picture now before us was intended as a companion, and is in no particular its inferior. It is from the collection of the Marquis de Hauterive, and was purchased many years ago for a sum so considerable, as leaves at the present day but little hope of an adequate remuneration. Felibien, in his Life of Poussin, gives the following appropriate comment on the Picture: "Cette solitude que est chez Mons. le Marquis de Hauterive ou l'on voit des moines assis contre terrè, et appliquez a la lecture, ne cause-t'elle pas une certain repos a l'ame qui faite naître une desir de pouvoir joüir d'une tranquillitè pareille a celle ou l'on croit voir de Religieux dans un desert si plaisable et si charmant." It is engraved by Picart, and while in the possession of Mr. Sweetman by J. Dague, for Landon's work of the vies des peintres; the first accompanies the Picture, and the latter with Felibien will be produced for reference]] réalisée par Nicolo Poussin, vendue par John Sweetman, achetée par Marrable au prix de 180 gs. [15]
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