Ventes d'œuvres le 1820.10.07

De Wikipast
Version datée du 30 mai 2021 à 14:08 par Unknown user (discussion) (Page créée avec « * 1820.10.07/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme ''A painting, Cattle and Fig… »)
(diff) ← Version précédente | Voir la version actuelle (diff) | Version suivante → (diff)
Aller à la navigation Aller à la recherche
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Scene from Ossian -- Virgins of Inis Unah weeping over the Tombs of their Lovers -- (3 ft. 2 1/4 in. by 2 ft. 4 1/2 in.) This is a Picture of great pathos; -- in its general arrangement it is easy to see that the Poussins were present to the Painter's mind; but there is no servile treading in their footsteps; if he has caught some little of their manner, he has still more of their spirit (Wallis)|Scene from Ossian -- Virgins of Inis Unah weeping over the Tombs of their Lovers -- (3 ft. 2 1/4 in. by 2 ft. 4 1/2 in.) This is a Picture of great pathos; -- in its general arrangement it is easy to see that the Poussins were present to the Painter's mind; but there is no servile treading in their footsteps; if he has caught some little of their manner, he has still more of their spirit]] réalisée par Wallis, vendue par Gibbons au prix de 25.0 £. [26]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[A Series of 12 Pictures, representing each Month, Hamilton, R.A. The finest illustrations that the Works of any Poet of any age have received are to be found in this Series; nothing but a congeniality of mind could have enabled the Painter to translate so adequately the feelings and imagery of Thomson into the language of another art. How seldom is it, that Artists, even of the greatest name, have succeeded in this difficult atchievement -- throughout the whole Series, Hamilton has contrived to breathe a pastoral simplicity, an Arcadian grace, that charms away all the grossness of rustic life and manners, and this he has done without the slightest violation of essential truth. N.B. These Pictures are engraved in the best style by the best Engraver of his day (Bartolozzi) (Hamilton, R.A.)|A Series of 12 Pictures, representing each Month, Hamilton, R.A. The finest illustrations that the Works of any Poet of any age have received are to be found in this Series; nothing but a congeniality of mind could have enabled the Painter to translate so adequately the feelings and imagery of Thomson into the language of another art. How seldom is it, that Artists, even of the greatest name, have succeeded in this difficult atchievement -- throughout the whole Series, Hamilton has contrived to breathe a pastoral simplicity, an Arcadian grace, that charms away all the grossness of rustic life and manners, and this he has done without the slightest violation of essential truth. N.B. These Pictures are engraved in the best style by the best Engraver of his day (Bartolozzi)]] réalisée par Hamilton, R.A., vendue par Gibbons, achetée par Fletcher au prix de 60.0 £. [27]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Astronomer in his Study -- (20 by 17 1/2 in. upright) The Works of this Artist are not common; in the present Picture, the Figure is admirably drawn, the details in every part are finished with the minutest accuracy, and the masses of light and shade are arranged with the greatest skill and effect (V. D. Meer)|Astronomer in his Study -- (20 by 17 1/2 in. upright) The Works of this Artist are not common; in the present Picture, the Figure is admirably drawn, the details in every part are finished with the minutest accuracy, and the masses of light and shade are arranged with the greatest skill and effect]] réalisée par V. D. Meer, vendue par Gibbons au prix de 35.14 £. [32]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Landscape -- (3 ft. 2 1/2 in. by 2 ft. 4 1/2 in.) A Picture in the highest style of art; we see at once that it has been the object of the Painter to impress the mind with a sense of sublimity and grandeur, and we feel that he has amply succeeded. In its composition and colour, in its forms, and solemn alternations of light and shadow, whether contemplated as a whole, or analized into its parts, we have still the same happy union of idealism with truth -- we have every where the same grand attributes, of Unity, Simplicity and Power (Bolognese)|Landscape -- (3 ft. 2 1/2 in. by 2 ft. 4 1/2 in.) A Picture in the highest style of art; we see at once that it has been the object of the Painter to impress the mind with a sense of sublimity and grandeur, and we feel that he has amply succeeded. In its composition and colour, in its forms, and solemn alternations of light and shadow, whether contemplated as a whole, or analized into its parts, we have still the same happy union of idealism with truth -- we have every where the same grand attributes, of Unity, Simplicity and Power]] réalisée par Bolognese, vendue par Gibbons au prix de 52.10 £. [33]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Interior, with a Dead Pig and Figures -- (upright, 2ft. 8in. by 3ft. 4in.) Whatever may be thought of the subject of this Picture (but who thinks of the subject of a Dutch Master ?) a finer specimen of pencilling, finishing, colouring, and all the magic of hand that belonged to this generation of Artists, cannot well be found (Jan Stein)|Interior, with a Dead Pig and Figures -- (upright, 2ft. 8in. by 3ft. 4in.) Whatever may be thought of the subject of this Picture (but who thinks of the subject of a Dutch Master ?) a finer specimen of pencilling, finishing, colouring, and all the magic of hand that belonged to this generation of Artists, cannot well be found]] réalisée par Jan Stein, vendue par Gibbons au prix de 12.12 £. [34]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Landscape To pass eulogiums upon Poussin, would at this time of day be not only idle, but impertinent. As relates to his works, the sole difficulty of the Lover of Art is to decide upon their genuineness; in the present instance the characteristics, both mental and manual of this great Painter, are so clearly impressed upon the Canvas, that it is impossible to doubt (G. Poussin)|Landscape To pass eulogiums upon Poussin, would at this time of day be not only idle, but impertinent. As relates to his works, the sole difficulty of the Lover of Art is to decide upon their genuineness; in the present instance the characteristics, both mental and manual of this great Painter, are so clearly impressed upon the Canvas, that it is impossible to doubt]] réalisée par G. Poussin, vendue par Gibbons au prix de 43.1 £. [37]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Landscape, with Figures -- Morning, -- (2ft. 10 1/2in. by 2ft. 8in.) The Works of this Disciple of Claude are but few, and consequently little known; but these Pictures are sufficient evidence that he was worthy of his immortal Master. Claude himself has scarcely exceeded the truth and vivacity with which the different effects of light at the dawn and close of day are given and discriminated in these two beautiful Pictures (Brandt)|Landscape, with Figures -- Morning, -- (2ft. 10 1/2in. by 2ft. 8in.) The Works of this Disciple of Claude are but few, and consequently little known; but these Pictures are sufficient evidence that he was worthy of his immortal Master. Claude himself has scarcely exceeded the truth and vivacity with which the different effects of light at the dawn and close of day are given and discriminated in these two beautiful Pictures]] réalisée par Brandt, vendue par Gibbons au prix de 47.5 £. [42]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Landscape, with Figures and Cattle (Companion to 41,) The Works of this Disciple of Claude are but few, and consequently little known; but these Pictures are sufficient evidence that he was worthy of his immortal Master. Claude himself has scarcely exceeded the truth and vivacity with which the different effects of light at the dawn and close of day are given and discriminated in these two beautiful Pictures (Brandt)|Landscape, with Figures and Cattle (Companion to 41,) The Works of this Disciple of Claude are but few, and consequently little known; but these Pictures are sufficient evidence that he was worthy of his immortal Master. Claude himself has scarcely exceeded the truth and vivacity with which the different effects of light at the dawn and close of day are given and discriminated in these two beautiful Pictures]] réalisée par Brandt, vendue par Gibbons au prix de 37.16 £. [43]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Calm -- (14 1/4 x 12 3/4 in.) This Prince of Marine Painters is (like Claude, in Landscape) unimitated and inimitable. If ever Artist held a "mirror up to nature," it was to V.D. Velde; he never satisfied himself with less than absolute truth, and the consequence is, that among his genuine Pictures there is not a single failure. In the Specimens before us, the gentle sway of the Vessels, the calm repose of the Air, the transparency and quiet motion of the Sea, are given with a clear yet soft precision that cannot be surpassed (V. D. Velde)|Calm -- (14 1/4 x 12 3/4 in.) This Prince of Marine Painters is (like Claude, in Landscape) unimitated and inimitable. If ever Artist held a "mirror up to nature," it was to V.D. Velde; he never satisfied himself with less than absolute truth, and the consequence is, that among his genuine Pictures there is not a single failure. In the Specimens before us, the gentle sway of the Vessels, the calm repose of the Air, the transparency and quiet motion of the Sea, are given with a clear yet soft precision that cannot be surpassed]] réalisée par V. D. Velde, vendue par Gibbons au prix de 52.10 £. [45]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Virgin and Child -- (upright, 2 ft. 7 in. by 3 ft. 5 1/4 in.) A noble Specimen of a great Painter; the drawing of the Figure is equally faultless with the colouring of the flesh, the character of the Heads is fine, particularly the Infant Saviour's; there is in that a force and intensity of expression, that it required a master's mind to conceive and a master's hand to execute. In this Picture Caracci has realized the great object of his ambition, namely, the combination of Venetian colouring, with the grace, dignity, and expression of the Roman School (A. Caracci)|Virgin and Child -- (upright, 2 ft. 7 in. by 3 ft. 5 1/4 in.) A noble Specimen of a great Painter; the drawing of the Figure is equally faultless with the colouring of the flesh, the character of the Heads is fine, particularly the Infant Saviour's; there is in that a force and intensity of expression, that it required a master's mind to conceive and a master's hand to execute. In this Picture Caracci has realized the great object of his ambition, namely, the combination of Venetian colouring, with the grace, dignity, and expression of the Roman School]] réalisée par A. Caracci, vendue par Gibbons au prix de 88.4 £. [48]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[The Feast of the Philistines, Sampson led in bound -- Judges, c. 16. (3 ft. 1 in. by 2 ft. 5 1/4 in.) The works of Plazer are seldom to be met with, and the adventitious value of scarcity becomes of some importance when connected with that of another and a higher order; his characteristics are originality, vigour, and a fertility of mind, amounting to exuberance. In these Specimens, which are probably the finest, but certainly among the finest products of his genius, he has evidently luxuriated in his powers both of conception and execution; the Canvas is filled to overflowing, and yet there is scarcely any thing merely conventional, absolutely nothing of common place; the necessary and inherent difficulties of his subject would have been more than enough for almost any other Artist, but he, in the consciousness of his strength, has gone out of his way to increase and multiply them. These Pictures are absolutely inexhaustible in incident and combination to an extent that no man will believe, till he has had the opportunity of returning to them again and again (Plazer)|The Feast of the Philistines, Sampson led in bound -- Judges, c. 16. (3 ft. 1 in. by 2 ft. 5 1/4 in.) The works of Plazer are seldom to be met with, and the adventitious value of scarcity becomes of some importance when connected with that of another and a higher order; his characteristics are originality, vigour, and a fertility of mind, amounting to exuberance. In these Specimens, which are probably the finest, but certainly among the finest products of his genius, he has evidently luxuriated in his powers both of conception and execution; the Canvas is filled to overflowing, and yet there is scarcely any thing merely conventional, absolutely nothing of common place; the necessary and inherent difficulties of his subject would have been more than enough for almost any other Artist, but he, in the consciousness of his strength, has gone out of his way to increase and multiply them. These Pictures are absolutely inexhaustible in incident and combination to an extent that no man will believe, till he has had the opportunity of returning to them again and again]] réalisée par Plazer, vendue par Gibbons au prix de 183.15 £. [49]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[The Destruction of the Hall of Feasting The works of Plazer are seldom to be met with, and the adventitious value of scarcity becomes of some importance when connected with that of another and a higher order; his characteristics are originality, vigour, and a fertility of mind, amounting to exuberance. In these Specimens, which are probably the finest, but certainly among the finest products of his genius, he has evidently luxuriated in his powers both of conception and execution; the Canvas is filled to overflowing, and yet there is scarcely any thing merely conventional, absolutely nothing of common place; the necessary and inherent difficulties of his subject would have been more than enough for almost any other Artist, but he, in the consciousness of his strength, has gone out of his way to increase and multiply them. These Pictures are absolutely inexhaustible in incident and combination to an extent that no man will believe, till he has had the opportunity of returning to them again and again (Plazer)|The Destruction of the Hall of Feasting The works of Plazer are seldom to be met with, and the adventitious value of scarcity becomes of some importance when connected with that of another and a higher order; his characteristics are originality, vigour, and a fertility of mind, amounting to exuberance. In these Specimens, which are probably the finest, but certainly among the finest products of his genius, he has evidently luxuriated in his powers both of conception and execution; the Canvas is filled to overflowing, and yet there is scarcely any thing merely conventional, absolutely nothing of common place; the necessary and inherent difficulties of his subject would have been more than enough for almost any other Artist, but he, in the consciousness of his strength, has gone out of his way to increase and multiply them. These Pictures are absolutely inexhaustible in incident and combination to an extent that no man will believe, till he has had the opportunity of returning to them again and again]] réalisée par Plazer, vendue par Gibbons au prix de 178.10 [?] £. [50]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[The Fish Market Van Utrech. -- Figures by Lang Jan These are magnificent Gallery Pictures, in the very highest preservation, and are worthy of any situation The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond (Van Utrech)|The Fish Market Van Utrech. -- Figures by Lang Jan These are magnificent Gallery Pictures, in the very highest preservation, and are worthy of any situation The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond]] réalisée par Van Utrech au prix de 63.0 £. [54]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[The Poultry Market Van Utrech. -- Figures by Lang Jan These are magnificent Gallery Pictures, in the very highest preservation, and are worthy of any situation. The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond (Van Utrech)|The Poultry Market Van Utrech. -- Figures by Lang Jan These are magnificent Gallery Pictures, in the very highest preservation, and are worthy of any situation. The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond]] réalisée par Van Utrech au prix de 65.0 £. [55]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[The Boar Hunt, capital The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond (Simon de Vos)|The Boar Hunt, capital The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond]] réalisée par Simon de Vos au prix de 18.18 £. [56]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Flight into Egypt The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond (Van Alsloot)|Flight into Egypt The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond]] réalisée par Van Alsloot au prix de 22.1 £. [57]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Baptism of Christ Beautiful Cabinet Pictures The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond (Van Alsloot)|Baptism of Christ Beautiful Cabinet Pictures The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond]] réalisée par Van Alsloot au prix de 22.1 £. [58]
  • 1820.10.07/ -. Vente de l'œuvre décrite comme [[Landscape, with numerous Figures; finest time of Patel and not inferior to Claude The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond (Patel)|Landscape, with numerous Figures; finest time of Patel and not inferior to Claude The following Six Lots are introduced by permission of Mr. Gibbons, they are the Property of a Gentleman who imported five of them lately from Holland; the other by Patel, was the Property of Archdeacon Cambridge, of Richmond]] réalisée par Patel au prix de 32.11 £. [59]
Récupérée de « https://wikipast.epfl.ch/index.php?title=Ventes_d%27œuvres_le_1820.10.07&oldid=3987084 »