Ventes d'œuvres le 1822.09.02

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Feeding Pigs -- an unquestionable production of this master. These Animals may boast a neater pencil than he always bestowed upon them, as well as being a faithful transcript of nature réalisée par George Morland. [1]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Itinerant Musicians. The ludicrous distress of these bacchanalian strollers is marked with great humour, and the painting aided by Breughel escapes the censure too frequently deserved by this master, of being coarse and dark, on the contrary, with force, it is clear and well finished (The elder Egbert Hemskirck)|Itinerant Musicians. The ludicrous distress of these bacchanalian strollers is marked with great humour, and the painting aided by Breughel escapes the censure too frequently deserved by this master, of being coarse and dark, on the contrary, with force, it is clear and well finished]] réalisée par The elder Egbert Hemskirck. [2]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Forest Scene, with the Hermit's Cell. This cabinet gem is minutely painted: the leafage of every tree appropriate, the trunks displaying the same correct marking -- a pleasing and rare specimen of this laborious master réalisée par Velvet Breughel. [3]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A Calm at Sea. The vessels, sails, and rigging given with truth and accuracy, but the air in the picture behind the gradations of distance display most the skill of this marine production réalisée par Cornelius Vandervelde. [4]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[A Storm at Sea. This is a strong contrast to the last subject; the agitation of the water in the midst of perilous rocks, foaming with spray, (the clouds partaking of the tempest) display the dangers to which the mariner is exposed in his perilous avocation (Ladolph Backuysen)|A Storm at Sea. This is a strong contrast to the last subject; the agitation of the water in the midst of perilous rocks, foaming with spray, (the clouds partaking of the tempest) display the dangers to which the mariner is exposed in his perilous avocation]] réalisée par Ladolph Backuysen. [5]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme A pleasing composition of Cattle, richly coloured, with a suitable landscape and clear sky, all in harmony réalisée par Dirk Vandenbergen. [6]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme Evening Landscape, with Cattle. The declining sun sheds a sober light over the scene; the reposing shepherd and the group of cattle are faithful to nature and very highly finished réalisée par Vanderdoes. [7]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[A Village Merry-Making. The piper has excited one couple to dance, whilst another indulge in courting; the group is filled up with his accustomed humour and expression; the colouring is transparent, and the landscape in harmony with the figures (D. Teniers the younger)|A Village Merry-Making. The piper has excited one couple to dance, whilst another indulge in courting; the group is filled up with his accustomed humour and expression; the colouring is transparent, and the landscape in harmony with the figures]] réalisée par D. Teniers the younger. [8]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Boor, with Snaps to sell, one of the Cries of Amsterdam -- an undoubted production of this favourite master -- painted in his transparent and silver tone, with touches so effective they merit the term assigned to some of his works "peint a coup de lancette" (D. Teniers the younger)|Boor, with Snaps to sell, one of the Cries of Amsterdam -- an undoubted production of this favourite master -- painted in his transparent and silver tone, with touches so effective they merit the term assigned to some of his works "peint a coup de lancette"]] réalisée par D. Teniers the younger. [9]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme This classical Landscape of the Italian school is a genuine specimen of the master, and composed with great skill, touched with spirit and taste, and well harmonized réalisée par Il Bolognese. [10]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[A seated Group of Figures in a Landscape. Though the costume of this party is not of our day, there is ease and grace in the figures; the flesh soft, the tints judiciously blended, the landscape appropriate and in harmony. This master and Rembrandt were evidently the basis of the practise of Sir Joshua Reynolds, whilst he preached Michael Angelo and Raphael (Watteau)|A seated Group of Figures in a Landscape. Though the costume of this party is not of our day, there is ease and grace in the figures; the flesh soft, the tints judiciously blended, the landscape appropriate and in harmony. This master and Rembrandt were evidently the basis of the practise of Sir Joshua Reynolds, whilst he preached Michael Angelo and Raphael]] réalisée par Watteau au prix de 15 gs. [11]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme It is not easy to possess in so small a compass so choice a specimen of this great artist -- the subject is judiciously selected, the trees touched with an exquisite and spirited pencil réalisée par Salvator Rosa au prix de 25 gs. [12]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Portrait of Edmund Waller the Poet, before he came of age, painted by this distinguished master on his early visit to England in 1624-5. The attitude is graceful and easy, the expression pensive and tender, the bushy hair well managed, its masses light and neat, the colouring sweet, the hand in good style and worthy of his pencil (Vandyke)|Portrait of Edmund Waller the Poet, before he came of age, painted by this distinguished master on his early visit to England in 1624-5. The attitude is graceful and easy, the expression pensive and tender, the bushy hair well managed, its masses light and neat, the colouring sweet, the hand in good style and worthy of his pencil]] réalisée par Vandyke au prix de 11.0 £. [13]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[The Assumption of the Blessed Virgin. In the enchanting school of Titian, Giorgione and Paolo Veronese, Rubens became enamoured with their beauty of colouring, and on his return from Venice in 1615 he painted this picture for the Duke of Mantua. The subject afforded full scope to his luxuriant fancy, and in the attendant seraphs and cherubs he has given them every variety of attitude with the ease and simplicity of nature, and the colouring fresh and lively, though at the distance of 206 years from its being placed in a recessed chapel at Antwerp (Rubens)|The Assumption of the Blessed Virgin. In the enchanting school of Titian, Giorgione and Paolo Veronese, Rubens became enamoured with their beauty of colouring, and on his return from Venice in 1615 he painted this picture for the Duke of Mantua. The subject afforded full scope to his luxuriant fancy, and in the attendant seraphs and cherubs he has given them every variety of attitude with the ease and simplicity of nature, and the colouring fresh and lively, though at the distance of 206 years from its being placed in a recessed chapel at Antwerp]] réalisée par Rubens au prix de 26 gs. [14]

• 1822.09.02/ maison de ventes : Robins (J.E. & C.). Vente de l'œuvre décrite comme [[Painted at the Hague in 1715. The subject and composition is certainly borrowed from Titian's celebrated Danae at Naples, to the excellence of which it was Vandermynn's ambition to approach; but this figure of Danae is an actual portrait of a favourite female painted from nature; therefore the accuracy of the drawing, the tone of the colouring, and the merit of the expression is entirely his own, and these have been always highly extolled in this performance of well-known celebrity (Hermann, Vandermynn)|Painted at the Hague in 1715. The subject and composition is certainly borrowed from Titian's celebrated Danae at Naples, to the excellence of which it was Vandermynn's ambition to approach; but this figure of Danae is an actual portrait of a favourite female painted from nature; therefore the accuracy of the drawing, the tone of the colouring, and the merit of the expression is entirely his own, and these have been always highly extolled in this performance of well-known celebrity]] réalisée par Hermann, Vandermynn au prix de 40 gs. [15]