Ventes d'œuvres le 1823.10.03

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, of Gentlemen -- one in full dress, flowing peruke, &c. dated March 14, 1731-2; and the other in (apparently) a naval uniform, though it may be only the Court dress of that period, ditto unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, of Gentlemen -- one in full dress, flowing peruke, &c. dated March 14, 1731-2; and the other in (apparently) a naval uniform, though it may be only the Court dress of that period, ditto unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [1]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two portraits of Dogs, Setters, &c. standing Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two portraits of Dogs, Setters, &c. standing Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [2]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, one setting, numbered 140; and the other a Fancy Dog, marked Stella, 1770, ditto 141, in black and gilt frames Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, one setting, numbered 140; and the other a Fancy Dog, marked Stella, 1770, ditto 141, in black and gilt frames Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [3]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, one setting, numbered 140; and the other a Fancy Dog, marked Stella, 1770, ditto 141, in black and gilt frames Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Stella)|Two ditto portraits, one setting, numbered 140; and the other a Fancy Dog, marked Stella, 1770, ditto 141, in black and gilt frames Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Stella, vendue par John Arden, Esq. [4]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One large ditto portrait, of a Wolf Dog Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One large ditto portrait, of a Wolf Dog Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [5]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Three small ditto portraits, of the Woodman; an Exhibition of Fireworks, from the Castle of St. Angelo; and a dead partridge, well painted Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Three small ditto portraits, of the Woodman; an Exhibition of Fireworks, from the Castle of St. Angelo; and a dead partridge, well painted Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [6]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two, the Burning of Troy; and a Huntingpiece, by Old Wyck, in an old carved frame Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two, the Burning of Troy; and a Huntingpiece, by Old Wyck, in an old carved frame Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [7]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two, the Burning of Troy; and a Huntingpiece, by Old Wyck, in an old carved frame Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Old Wyck)|Two, the Burning of Troy; and a Huntingpiece, by Old Wyck, in an old carved frame Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Old Wyck, vendue par John Arden, Esq. [8]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One, an Italian Sea port with vessels; damaged Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One, an Italian Sea port with vessels; damaged Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [9]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One, representing a Female, crowned with laurel, conducting a Youth, habited in the Venetian costume, after Titian Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Titian)|One, representing a Female, crowned with laurel, conducting a Youth, habited in the Venetian costume, after Titian Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Titian, vendue par John Arden, Esq. [10]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One, the Wise Men's Offering; a fine, rich composition, after Paul Veronese Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Paul Veronese)|One, the Wise Men's Offering; a fine, rich composition, after Paul Veronese Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Paul Veronese, vendue par John Arden, Esq. [11]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One, Queen Elenor offering to Fair Rosamond, the choice of Death by poison or the sword Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One, Queen Elenor offering to Fair Rosamond, the choice of Death by poison or the sword Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [12]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One, Democritus laughing at, and Heraclitus weeping over, the follies of the world; much damaged Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One, Democritus laughing at, and Heraclitus weeping over, the follies of the world; much damaged Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [13]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Three, small portraits of James 1st, No. 159; of a Boy and a Lady, unknown, Nos. 57 and 88 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Three, small portraits of James 1st, No. 159; of a Boy and a Lady, unknown, Nos. 57 and 88 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [14]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Three ditto portraits, half lengths, of a boy, anno 1628, by Mytens, No. 37; and two of Gentlemen, Nos. 3 and 79, all unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Mytens)|Three ditto portraits, half lengths, of a boy, anno 1628, by Mytens, No. 37; and two of Gentlemen, Nos. 3 and 79, all unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Mytens, vendue par John Arden, Esq. [15]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Three ditto portraits, half lengths, of a boy, anno 1628, by Mytens, No. 37; and two of Gentlemen, Nos. 3 and 79, all unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Three ditto portraits, half lengths, of a boy, anno 1628, by Mytens, No. 37; and two of Gentlemen, Nos. 3 and 79, all unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [16]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto small portraits, ditto half lengths, Nos. 2 and 91, unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto small portraits, ditto half lengths, Nos. 2 and 91, unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [17]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto small portraits, ditto half lengths, Nos. 90 and 115, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto small portraits, ditto half lengths, Nos. 90 and 115, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [18]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto small portraits, ditto half lengths, with plain band, and holding a book, No. 9; and the other of a Clergyman, with square bands, and Calotte, No. 22 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto small portraits, ditto half lengths, with plain band, and holding a book, No. 9; and the other of a Clergyman, with square bands, and Calotte, No. 22 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [19]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Three, small, Head of a Boy, No. 158, well painted; Head of an Old Man, with the Calotte, after Rembrandt; and the Portrait of a Clergyman Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Three, small, Head of a Boy, No. 158, well painted; Head of an Old Man, with the Calotte, after Rembrandt; and the Portrait of a Clergyman Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [20]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Three, small, Head of a Boy, No. 158, well painted; Head of an Old Man, with the Calotte, after Rembrandt; and the Portrait of a Clergyman Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Rembrandt)|Three, small, Head of a Boy, No. 158, well painted; Head of an Old Man, with the Calotte, after Rembrandt; and the Portrait of a Clergyman Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Rembrandt, vendue par John Arden, Esq. [21]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, one with a Celestial Globe near him, No. 92; and the other slashed dress, by Mytens, No. 76, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, one with a Celestial Globe near him, No. 92; and the other slashed dress, by Mytens, No. 76, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [22]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, one with a Celestial Globe near him, No. 92; and the other slashed dress, by Mytens, No. 76, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Mytens)|Two ditto portraits, one with a Celestial Globe near him, No. 92; and the other slashed dress, by Mytens, No. 76, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Mytens, vendue par John Arden, Esq. [23]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits of a Lady, No. 75; and another with a Dog by her side, No.6, well painted, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits of a Lady, No. 75; and another with a Dog by her side, No.6, well painted, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [24]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, of a Lady, with two busts of her, in different attitudes in the same picture, finely painted; and the other, with Busts, an allegorical subject Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, of a Lady, with two busts of her, in different attitudes in the same picture, finely painted; and the other, with Busts, an allegorical subject Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [25]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, anno 1627, AEt. 74, No. 45, and on the top left corner is a label, with the motto "Neo timeo neo opto." Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, anno 1627, AEt. 74, No. 45, and on the top left corner is a label, with the motto "Neo timeo neo opto." Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [26]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, the Rev. John Dodd, holding his book on the Commandments Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, the Rev. John Dodd, holding his book on the Commandments Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [27]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, of the Duke of Hamilton, No. 74 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, of the Duke of Hamilton, No. 74 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [28]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, of Sir Thomas More, No. 38 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, of Sir Thomas More, No. 38 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [29]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, three-quarters, of Lord Chancellor Egerton, A.D. 1616, AEt. 76 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, three-quarters, of Lord Chancellor Egerton, A.D. 1616, AEt. 76 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [30]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Three ditto portraits, half-lengths, of Ladies, Nos. 144, 145, and 146, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Three ditto portraits, half-lengths, of Ladies, Nos. 144, 145, and 146, ditto unknown Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [31]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, of ------ Legh, Esq. in Armour; an extremely curious picture of the time of James I. Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, of ------ Legh, Esq. in Armour; an extremely curious picture of the time of James I. Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [32]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One of Titian and his Mistress, finely painted. N.B. -- There is an Etching of this curious picture, by Vandyck Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One of Titian and his Mistress, finely painted. N.B. -- There is an Etching of this curious picture, by Vandyck Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [33]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, of Gentlemen -- one in full dress, flowing peruke, &c. dated March 14, 1731-2; and the other in (apparently) a naval uniform, though it may be only the Court dress of that period, ditto unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, of Gentlemen -- one in full dress, flowing peruke, &c. dated March 14, 1731-2; and the other in (apparently) a naval uniform, though it may be only the Court dress of that period, ditto unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [34]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, an Elderly Lady, in a cloak trimmed with ermine; H Pickering, pinx. 1760, well painted, in a fine old carved and gilt frame; unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (H. Pickering)|One ditto portrait, an Elderly Lady, in a cloak trimmed with ermine; H Pickering, pinx. 1760, well painted, in a fine old carved and gilt frame; unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par H. Pickering, vendue par John Arden, Esq. [35]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, of a Lady and Gentleman, ditto unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, of a Lady and Gentleman, ditto unknown Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [36]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, of a Gentlemen in Armour, with laced band, &c. finely painted; No. 143 Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, of a Gentlemen in Armour, with laced band, &c. finely painted; No. 143 Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [37]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, three-quarters, of ------ Knightley, Esq. finely painted Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, three-quarters, of ------ Knightley, Esq. finely painted Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [38]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, of the same of ------ Knightley, Esq., whole length, when a Boy; represented in his shirt, with Hat and Feathers Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, of the same of ------ Knightley, Esq., whole length, when a Boy; represented in his shirt, with Hat and Feathers Painting in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [39]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, a half-length of a Gentleman, unknown, in bad condition; and one ditto portrait, containing three Portraits of the time of Charles I., very curious Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, a half-length of a Gentleman, unknown, in bad condition; and one ditto portrait, containing three Portraits of the time of Charles I., very curious Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [40]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, the Head of an Old Man; with starched band, unknown; and another Head, after Vandyck Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Two ditto portraits, the Head of an Old Man; with starched band, unknown; and another Head, after Vandyck Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [41]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Two ditto portraits, the Head of an Old Man; with starched band, unknown; and another Head, after Vandyck Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (Vandyck)|Two ditto portraits, the Head of an Old Man; with starched band, unknown; and another Head, after Vandyck Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par Vandyck, vendue par John Arden, Esq. [42]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, three quarters, of a Gentleman in Armour, holding in one hand his truncheon; No. 41 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, three quarters, of a Gentleman in Armour, holding in one hand his truncheon; No. 41 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [43]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, ditto three quarters, head uncovered, flowing hair, resting his hand upon his helmet; No. 138 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, ditto three quarters, head uncovered, flowing hair, resting his hand upon his helmet; No. 138 Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [44]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[One ditto portrait, ditto three quarters, with a sash, and rich lace dress. He holds his truncheon in his right hand, and a Boy is carrying his helmet; finely painted; No. 43. This has been ascertained to be the Portrait of Colonel Whitley Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|One ditto portrait, ditto three quarters, with a sash, and rich lace dress. He holds his truncheon in his right hand, and a Boy is carrying his helmet; finely painted; No. 43. This has been ascertained to be the Portrait of Colonel Whitley Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [45]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Nine small whole length portraits of the Earls of Chester, viz: -- Gherbod, (the first to whom William the Conqueror gave the Earldom of Chester, anno 1068; but he enjoyed it not long, and is remitted.) Hugo Lupus primus, &c.; Hugo Keveloke secundus, &c.; Leofricus, &c.; Johannes primus, &c.; Richardus primus, &.; Ranulphus pr. &c.; Ranulphus Mechenes sec. &c.; Ranulphus tertius, &c. The Inscriptions upon each are nearly the same, "Dei gratia Comes Palentini Cestr. post Conquest. Angl." They are whole lengths on Foot and in Armour. -- The execution is very rude and ancient, and indicates a very early period of Art, excepting the first, which has been done subsequently. For a more particular account of these valuable Curiosities, see Ormerod's History of Chester Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to (Ancient)|Nine small whole length portraits of the Earls of Chester, viz: -- Gherbod, (the first to whom William the Conqueror gave the Earldom of Chester, anno 1068; but he enjoyed it not long, and is remitted.) Hugo Lupus primus, &c.; Hugo Keveloke secundus, &c.; Leofricus, &c.; Johannes primus, &c.; Richardus primus, &.; Ranulphus pr. &c.; Ranulphus Mechenes sec. &c.; Ranulphus tertius, &c. The Inscriptions upon each are nearly the same, "Dei gratia Comes Palentini Cestr. post Conquest. Angl." They are whole lengths on Foot and in Armour. -- The execution is very rude and ancient, and indicates a very early period of Art, excepting the first, which has been done subsequently. For a more particular account of these valuable Curiosities, see Ormerod's History of Chester Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to]] réalisée par Ancient, vendue par John Arden, Esq. [46]

• 1823.10.03/ maison de ventes : Turner (J.E.). Vente de l'œuvre décrite comme [[Seven Equestrian portraits of the great Officers, &c. of the Co. Pal. of Chester, dependants of the Earls of Chester, viz: David Malpass, Clerke to the Earle of Chester; Eustace Crewe, Baron of Montalto, &c. Steward, &c.; Nigillus, Baron of Halton, and Constable of Chester; Warine Vernon, Baron of Shippebroke; N. Baron of Stockport; Baman Massey, Baron of Dunham Massy; William Malbanck, Baron of Wich Malbanck. These are extremely curious, but have been executed at a much later period than the preceding. See, as above, Ormerod's History of Chester for a more particular account of them Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists (artiste anonyme)|Seven Equestrian portraits of the great Officers, &c. of the Co. Pal. of Chester, dependants of the Earls of Chester, viz: David Malpass, Clerke to the Earle of Chester; Eustace Crewe, Baron of Montalto, &c. Steward, &c.; Nigillus, Baron of Halton, and Constable of Chester; Warine Vernon, Baron of Shippebroke; N. Baron of Stockport; Baman Massey, Baron of Dunham Massy; William Malbanck, Baron of Wich Malbanck. These are extremely curious, but have been executed at a much later period than the preceding. See, as above, Ormerod's History of Chester for a more particular account of them Paintings in Oil. In consequence of the Catalogue of the following Portraits having been either mislaid, or lost, it cannot be ascertained, with certainty, of whom the greater part are the representations; and the Public are left to exercise their own judgment in identifying them, as well as the names of the respective Artists]] réalisée par un.e artiste anonyme, vendue par John Arden, Esq. [47]