Ventes d'œuvres le 1824.05.29

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  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Reposo of the Holy Family in a Landscape, St. Joseph is offering to the Infant a handful of cherries; a Cabinet Picture in high preservation, and in the very best manner of Garofalo, and coloured with great brilliancy. It belonged formerly to the Francavilla Palace, at Naples (Benvenuto Garofalo)|A Reposo of the Holy Family in a Landscape, St. Joseph is offering to the Infant a handful of cherries; a Cabinet Picture in high preservation, and in the very best manner of Garofalo, and coloured with great brilliancy. It belonged formerly to the Francavilla Palace, at Naples]] réalisée par Benvenuto Garofalo, vendue par Count Cesare Bianchetti, achetée par Hollingsworth au prix de 126.0 £. [7]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin and Child, St. Anne and an Angel; an oval Picture, by this best imitator of Guido. As such she was buried near him, in the Church of St. Domenick, at Bologna This Picture is described in her life by Malvasia, in his Felsina Pittrice, vol. ii. p. 467; and in the Guides of Bologna. It was in the Sacristy of the convent of the Filippini, at Bologna, which was suppressed by the French, and was sold by the monks, previous to their arrival, to Signor Muratori, from whom it was bought by Count Bianchetti. Sirani's name is on the drapery of the Angel (Elisabetta Sirani)|The Virgin and Child, St. Anne and an Angel; an oval Picture, by this best imitator of Guido. As such she was buried near him, in the Church of St. Domenick, at Bologna This Picture is described in her life by Malvasia, in his Felsina Pittrice, vol. ii. p. 467; and in the Guides of Bologna. It was in the Sacristy of the convent of the Filippini, at Bologna, which was suppressed by the French, and was sold by the monks, previous to their arrival, to Signor Muratori, from whom it was bought by Count Bianchetti. Sirani's name is on the drapery of the Angel]] réalisée par Elisabetta Sirani, vendue par Count Cesare Bianchetti, achetée par [[Dixie [or] Dixcie]] au prix de 74.11 £. [11]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Astronomy: a Female Figure, painted by Guercino in what is called, by Lanzi, his third manner, when the success of Guido, whose Figures were described as living on roses, whilst his were fed on solid meat, induced Guercino to adopt a lighter style of painting. This Picture, in the publication by Calvi, of the life of Guercino, and transcript of his diary and accounts, p. 148, is stated to have been painted for Count Girolamo Ranuzzi, in 1658, and was bought by Count Bianchetti, at the sale of Pictures, made by the co-heirs of that family (Guercino)|Astronomy: a Female Figure, painted by Guercino in what is called, by Lanzi, his third manner, when the success of Guido, whose Figures were described as living on roses, whilst his were fed on solid meat, induced Guercino to adopt a lighter style of painting. This Picture, in the publication by Calvi, of the life of Guercino, and transcript of his diary and accounts, p. 148, is stated to have been painted for Count Girolamo Ranuzzi, in 1658, and was bought by Count Bianchetti, at the sale of Pictures, made by the co-heirs of that family]] réalisée par Guercino, vendue par Count Cesare Bianchetti, achetée par [[Dixie [or] Dixcie]] au prix de 44.2 £. [14]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. Peter denying Christ: a well composed group; the figure of the Female Servant, which forms the nearer object, is of particularly elegant design. This Picture is in fine preservation; It is accompanied by a description and authentication from the Academy of Bologna (L. Carracci)|St. Peter denying Christ: a well composed group; the figure of the Female Servant, which forms the nearer object, is of particularly elegant design. This Picture is in fine preservation; It is accompanied by a description and authentication from the Academy of Bologna]] réalisée par L. Carracci, vendue par Count Cesare Bianchetti au prix de 175 gs. [17]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait at full length, inscribed with the name of the Arch-Duchess of Austria, who was married to Cosmo II. Grand Duke of Tuscany. The Grand Duchess is in her weeds, which proves that it was painted about the year 1621, when Domenichino was forty years of age; it has been considered that the beauty and preservation of this Picture can scarcely be equalled. It comes from a seat in the country near Bologna, belonging to the renowned family of Aldrovandi (Domenichino)|Portrait at full length, inscribed with the name of the Arch-Duchess of Austria, who was married to Cosmo II. Grand Duke of Tuscany. The Grand Duchess is in her weeds, which proves that it was painted about the year 1621, when Domenichino was forty years of age; it has been considered that the beauty and preservation of this Picture can scarcely be equalled. It comes from a seat in the country near Bologna, belonging to the renowned family of Aldrovandi]] réalisée par Domenichino, vendue par Count Cesare Bianchetti au prix de 182.14 £. [18]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Madonna watching the sleeping Child, from the celebrated Picture of Guido, in the Doria Palace at Rome. The beautiful copy has acquired greater value, from the failure of the colouring of the Child in the original, which is now almost green (Carlo Maratti)|The Madonna watching the sleeping Child, from the celebrated Picture of Guido, in the Doria Palace at Rome. The beautiful copy has acquired greater value, from the failure of the colouring of the Child in the original, which is now almost green]] réalisée par Carlo Maratti, vendue par Henry Howard Esqr, achetée par Hollingworth au prix de 54.12 £. [20]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Magdalen, by Bernardino Luini, the able disciple of Leonardo da Vinci, formerly in the gallery of Count Firmian, governor of Lombardy. This Magdalen is the same personage as is represented in the celebrated Picture of the Crucifixion, by Luini, in the Convent of the Capuchin Friars at Lugano, and its originality is attested by Pelagi and Stambacchi, two celebrated Painters at Milan, where it was bought (Bernardino Luini)|The Magdalen, by Bernardino Luini, the able disciple of Leonardo da Vinci, formerly in the gallery of Count Firmian, governor of Lombardy. This Magdalen is the same personage as is represented in the celebrated Picture of the Crucifixion, by Luini, in the Convent of the Capuchin Friars at Lugano, and its originality is attested by Pelagi and Stambacchi, two celebrated Painters at Milan, where it was bought]] réalisée par Bernardino Luini, vendue par Henry Howard Esqr au prix de 67 gs. [21]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Martyrdom of St. Lawrence -- a most rare and noble specimen of the master, displaying great science and vigour in the design, and splendour in the colouring, and in the finest preservation; from the collection of the noble family of Pisani, at Florence (P. Veronese)|The Martyrdom of St. Lawrence -- a most rare and noble specimen of the master, displaying great science and vigour in the design, and splendour in the colouring, and in the finest preservation; from the collection of the noble family of Pisani, at Florence]] réalisée par P. Veronese, vendue par Gasparoni au prix de 21.0 £. [71]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A small life Portrait of a Lady of the Bonfiglioli Family of Bologna. Boltroffio, who flourished about the year 1500, was a disciple of Leonardo da Vinci. He is much praised by Vasari, Vol. ii, p. 17, the old Edition, and Lanzi, vol iv. -- his Pictures are very rare. It is painted upon panel, and is in the original black frame, inlaid with Arabesque Ornaments of silver, engraved (Geo. An. Boltroffio, of Bologna)|A small life Portrait of a Lady of the Bonfiglioli Family of Bologna. Boltroffio, who flourished about the year 1500, was a disciple of Leonardo da Vinci. He is much praised by Vasari, Vol. ii, p. 17, the old Edition, and Lanzi, vol iv. -- his Pictures are very rare. It is painted upon panel, and is in the original black frame, inlaid with Arabesque Ornaments of silver, engraved]] réalisée par Geo. An. Boltroffio, of Bologna, vendue par Count Cesare Bianchetti, achetée par Hollingsworth au prix de 7.7 £. [75]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. John, a beautiful Picture in high preservation, by this favoured scholar and companion of Leonardo da Vinci into France. Vasari says that da Vinci took great pains in his instruction, and assisted and re-touched his paintings, which are very few in number (Andrea Salai, or Salaino)|St. John, a beautiful Picture in high preservation, by this favoured scholar and companion of Leonardo da Vinci into France. Vasari says that da Vinci took great pains in his instruction, and assisted and re-touched his paintings, which are very few in number]] réalisée par Andrea Salai, or Salaino, vendue par Count Cesare Bianchetti, achetée par Zachary au prix de 36.15 £. [79]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, St. Elizabeth, and various Figures, with the Portrait of the painter underneath. This Picture is of great rarity, because Tibaldi, who is called the Michael Angelo of the Bolognese School, painted chiefly in fresco, and very seldom in oil colours (Peregrino Tibaldi)|The Virgin, St. Elizabeth, and various Figures, with the Portrait of the painter underneath. This Picture is of great rarity, because Tibaldi, who is called the Michael Angelo of the Bolognese School, painted chiefly in fresco, and very seldom in oil colours]] réalisée par Peregrino Tibaldi, vendue par Count Cesare Bianchetti, achetée par Gilmore au prix de 31.10 £. [80]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin and Child, a beautiful Picture in the highest preservation. Rafaelle had so high an opinion of his skill, that he sent to him his renowned Painting of St. Cecily, now at Bologna, desiring his friendly opinion for the correction of any faults he might find in it (Fr. Francia)|The Virgin and Child, a beautiful Picture in the highest preservation. Rafaelle had so high an opinion of his skill, that he sent to him his renowned Painting of St. Cecily, now at Bologna, desiring his friendly opinion for the correction of any faults he might find in it]] réalisée par Fr. Francia, vendue par Count Cesare Bianchetti, achetée par [[G D[yson]]] au prix de 84.0 £. [81]
  • 1824.05.29/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Christ on the Cross, with the Virgin on one side, and St. John on the other, and Job at the foot of the cross, who is expressing, by an inscription on a scroll, that his own trials were light in comparison with the fore-ordained sufferings of his Redeemer. This Picture is described and highly praised by Vasari, in his Life of Fr. Francia, page 408, as a Picture of great celebrity, painted for the Chapel of the Confraternity of Holy Job, at Bologna, and is quoted in the Felsina Pittrice, and the Guides of Bologna, and was bought by Count Bianchetti from the French Commissioners, on the suppression of the Confraternity by them. It is belived that there exist very few Pictures of entire Figures, of this painter. The certificate of the identity of this Picture, by the Academy of Bologna, accompanies it (Fr. Francia)|Christ on the Cross, with the Virgin on one side, and St. John on the other, and Job at the foot of the cross, who is expressing, by an inscription on a scroll, that his own trials were light in comparison with the fore-ordained sufferings of his Redeemer. This Picture is described and highly praised by Vasari, in his Life of Fr. Francia, page 408, as a Picture of great celebrity, painted for the Chapel of the Confraternity of Holy Job, at Bologna, and is quoted in the Felsina Pittrice, and the Guides of Bologna, and was bought by Count Bianchetti from the French Commissioners, on the suppression of the Confraternity by them. It is belived that there exist very few Pictures of entire Figures, of this painter. The certificate of the identity of this Picture, by the Academy of Bologna, accompanies it]] réalisée par Fr. Francia, vendue par Count Cesare Bianchetti, achetée par Solly au prix de 94.10 £. [82]
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