Ventes d'œuvres le 1826.05.16

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  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One ditto, on the High ground above Otley, in an opposite direction to the preceding, where the Church is again just visible, but not the Town, by the same. These two Pictures are faithful delineations of the highly Romantic Scenery of that Neighbourhood, and all the four were expressly painted for the late respected and lamented Owner of Farnley Hall, and we may therefore conclude that the Artist would exert his utmost abilities to please so munificent a Patron, and distinguished a judge of Art (Hodges)|One ditto, on the High ground above Otley, in an opposite direction to the preceding, where the Church is again just visible, but not the Town, by the same. These two Pictures are faithful delineations of the highly Romantic Scenery of that Neighbourhood, and all the four were expressly painted for the late respected and lamented Owner of Farnley Hall, and we may therefore conclude that the Artist would exert his utmost abilities to please so munificent a Patron, and distinguished a judge of Art]] réalisée par Hodges, vendue par Thomas Edwards. [2]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A very large View of Plymouth, and the circumjacent country and military stations, by a Master unknown. Well painted -- but its principal merit consists in its giving us a faithful and curious delineation of this celebrated military position, about the time of the Civil Wars, with references to its Military posts and outworks -- unframed (A Master unknown)|A very large View of Plymouth, and the circumjacent country and military stations, by a Master unknown. Well painted -- but its principal merit consists in its giving us a faithful and curious delineation of this celebrated military position, about the time of the Civil Wars, with references to its Military posts and outworks -- unframed]] réalisée par A Master unknown, vendue par Thomas Edwards. [3]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One ditto, a large lengthw. view from the top of Otley Cheven, "one mile from Otley" (see the Mile Stone) in the distance is just seen Otley Church, by the same. This is so much in the Style of Morland, that it has frequently been taken for one of his performances. These two Pictures are faithful delineations of the highly Romantic Scenery of that Neighbourhood, and all the four were expressly painted for the late respected and lamented Owner of Farnley Hall, and we may therefore conclude that the Artist would exert his utmost abilities to please so munificent a Patron, and distinguished a judge of Art. (Hodges)|One ditto, a large lengthw. view from the top of Otley Cheven, "one mile from Otley" (see the Mile Stone) in the distance is just seen Otley Church, by the same. This is so much in the Style of Morland, that it has frequently been taken for one of his performances. These two Pictures are faithful delineations of the highly Romantic Scenery of that Neighbourhood, and all the four were expressly painted for the late respected and lamented Owner of Farnley Hall, and we may therefore conclude that the Artist would exert his utmost abilities to please so munificent a Patron, and distinguished a judge of Art.]] réalisée par Hodges, vendue par Thomas Edwards. [4]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A small upright Landscape, by Van Lint. In the foreground are light and broken masses of rock, down which the water is precipitated, forming a grand and picturesque effect: the trees and distance are touched with great truth and spirit; the masses of light and shade are broad and masterly, and the whole is very agreeably coloured (Van Lint)|A small upright Landscape, by Van Lint. In the foreground are light and broken masses of rock, down which the water is precipitated, forming a grand and picturesque effect: the trees and distance are touched with great truth and spirit; the masses of light and shade are broad and masterly, and the whole is very agreeably coloured]] réalisée par Van Lint, vendue par Thomas Edwards. [7]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One, of the Decollation of St. John in Prison, by Fr. Floris. This has been a very fine Picture, but having been badly repaired its beauty has been greatly injured; it may however still be considerably improved, and if not restorable to its original state, may by judicious repairing, be made much superior to what it now is, and a very clever Picture (Fr. Floris)|One, of the Decollation of St. John in Prison, by Fr. Floris. This has been a very fine Picture, but having been badly repaired its beauty has been greatly injured; it may however still be considerably improved, and if not restorable to its original state, may by judicious repairing, be made much superior to what it now is, and a very clever Picture]] réalisée par Fr. Floris, vendue par Thomas Edwards. [14]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One, of the celebrated Lady Rachael Russel, (a three quarter) by the same. Of this Portrait there can (we believe) be no doubt that it represents the above virtuous and suffering Lady; tradition having always authorised it to be called her resemblance and to be considered as such, in the Collection from which it was purchased (Lely)|One, of the celebrated Lady Rachael Russel, (a three quarter) by the same. Of this Portrait there can (we believe) be no doubt that it represents the above virtuous and suffering Lady; tradition having always authorised it to be called her resemblance and to be considered as such, in the Collection from which it was purchased]] réalisée par Lely, vendue par Thomas Edwards. [17]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One ditto Portrait, of another Lady of the same Court, but unknown, by the same Painter. This Picture is well coloured, and there is a print in Grammont's Memoirs, which greatly resembles it. Of the Artist however there is no doubt: it came out of the same Collection as the preceding, as also the following (Lely)|One ditto Portrait, of another Lady of the same Court, but unknown, by the same Painter. This Picture is well coloured, and there is a print in Grammont's Memoirs, which greatly resembles it. Of the Artist however there is no doubt: it came out of the same Collection as the preceding, as also the following]] réalisée par Lely, vendue par Thomas Edwards. [18]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One ditto Portrait, of Hortance, Duchess of Mazarin, by Lely. This celebrated Lady was one of the most prominent beauties in the Licentious Court of Charles 2nd, which had for its elegant Biographer, the accomplished Count Hamilton: and in his well known Memoirs of Grammont, may be found a warmly coloured Portrait of her, which will admirably illustrate the Painter's representation of her in this Picture. It is an undoubted Portrait of the Lady, as well as a genuine Production of the Master (Lely)|One ditto Portrait, of Hortance, Duchess of Mazarin, by Lely. This celebrated Lady was one of the most prominent beauties in the Licentious Court of Charles 2nd, which had for its elegant Biographer, the accomplished Count Hamilton: and in his well known Memoirs of Grammont, may be found a warmly coloured Portrait of her, which will admirably illustrate the Painter's representation of her in this Picture. It is an undoubted Portrait of the Lady, as well as a genuine Production of the Master]] réalisée par Lely, vendue par Thomas Edwards. [19]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One, a View of some City on the Rhine, and in the Front is its Castle on the summit of an almost perpendicular Rock. The River is covered with various vessels, and the banks with groups of figures, spiritedly designed, and partakes much of the general tone of colour and design of Sachtleven's or Both's productions, but it is by a Master whose initials are D.V.H. A very charming pair of little Pictures, very interesting, and sweetly coloured (D.V.H.)|One, a View of some City on the Rhine, and in the Front is its Castle on the summit of an almost perpendicular Rock. The River is covered with various vessels, and the banks with groups of figures, spiritedly designed, and partakes much of the general tone of colour and design of Sachtleven's or Both's productions, but it is by a Master whose initials are D.V.H. A very charming pair of little Pictures, very interesting, and sweetly coloured]] réalisée par D.V.H., vendue par Thomas Edwards. [24]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One, small, apparently a Dutch Village: in the centre is a large circular building, which appears rather for defence than a Dwelling, with several figures elegantly designed and spiritedly painted. The whole is well coloured, and appears to be a pleasing little production (Ro. Savary)|One, small, apparently a Dutch Village: in the centre is a large circular building, which appears rather for defence than a Dwelling, with several figures elegantly designed and spiritedly painted. The whole is well coloured, and appears to be a pleasing little production]] réalisée par Ro. Savary, vendue par Thomas Edwards. [25]
  • 1826.05.16/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[One, a very curious little Picture, richly coloured, and the figures well designed, but the subject, which may be called the Good Shepherd, seems rather to have a religious allusion to the disputes between the Catholics and Protestants, and is not easily explained. The Engraving from it (in which there are some curious variations) accompanies the Picture, upon which are the letters D.V.B. inventor, joined together in a Monogram. It is evidently of the time and school of Brueghel; probably Bruyn, with whose name the initials correspond (Bruyn)|One, a very curious little Picture, richly coloured, and the figures well designed, but the subject, which may be called the Good Shepherd, seems rather to have a religious allusion to the disputes between the Catholics and Protestants, and is not easily explained. The Engraving from it (in which there are some curious variations) accompanies the Picture, upon which are the letters D.V.B. inventor, joined together in a Monogram. It is evidently of the time and school of Brueghel; probably Bruyn, with whose name the initials correspond]] réalisée par Bruyn, vendue par Thomas Edwards. [26]
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