Ventes d'œuvres le 1828.07.09

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  • 1828.07.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Exterior of a Chateau, in the representation of which, the artist has displayed a faithful description of the Architectural designs and elevations, and equally successful in the minute and elaborate finish of the detail; a Group of Figures with a Mendicant supplicating Alms, are happily introduced in the foreground, and give great recedence and effect. Timber and Stone are negligently scattered, and tend to improve the general effect -- a Chef D'OEuvre of undoubted rank and high quality of art (Vanderheyden)|The Exterior of a Chateau, in the representation of which, the artist has displayed a faithful description of the Architectural designs and elevations, and equally successful in the minute and elaborate finish of the detail; a Group of Figures with a Mendicant supplicating Alms, are happily introduced in the foreground, and give great recedence and effect. Timber and Stone are negligently scattered, and tend to improve the general effect -- a Chef D'OEuvre of undoubted rank and high quality of art]] réalisée par Vanderheyden au prix de 17.5 £. [9]
  • 1828.07.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Ditto Noble Gallery Landscape, equally magnificent and beautiful in composition The two preceding Landscapes, when perfected by the artist, produced such an enthusiastic feeling in Holland, that the celebrated Poet, recorded them as the acme of his Art by a Poem descriptive of the powers and talents of the artist, and the beauties of the composition, and faithful description of the locality of the views. (Pynacker)|A Ditto Noble Gallery Landscape, equally magnificent and beautiful in composition The two preceding Landscapes, when perfected by the artist, produced such an enthusiastic feeling in Holland, that the celebrated Poet, recorded them as the acme of his Art by a Poem descriptive of the powers and talents of the artist, and the beauties of the composition, and faithful description of the locality of the views.]] réalisée par Pynacker, vendue par A. Delahante, Esq. au prix de 165 gs. [22]
  • 1828.07.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Noble Gallery Landscape, A View on the Lakes of Gardi and Albano, near Tivoli, on a grand scale, and in which the artist has displayed the variety of his great and magical powers by a close and faithful portraiture of nature, happily contrasting the simple and beautiful scenery of Italy, with the bold features of the Scenery which characterize the Vicinity of Tivoli, enriched by groups of Cattle and Figures, equal to the best efforts of Berghem; and has most successfully diffused the warm glowing tint of a setting Sun, as happily and effectively as in the finest works of Both The two preceding Landscapes, when perfected by the artist, produced such an enthusiastic feeling in Holland, that the celebrated Poet, recorded them as the acme of his Art by a Poem descriptive of the powers and talents of the artist, and the beauties of the composition, and faithful description of the locality of the views (Pynacker)|A Noble Gallery Landscape, A View on the Lakes of Gardi and Albano, near Tivoli, on a grand scale, and in which the artist has displayed the variety of his great and magical powers by a close and faithful portraiture of nature, happily contrasting the simple and beautiful scenery of Italy, with the bold features of the Scenery which characterize the Vicinity of Tivoli, enriched by groups of Cattle and Figures, equal to the best efforts of Berghem; and has most successfully diffused the warm glowing tint of a setting Sun, as happily and effectively as in the finest works of Both The two preceding Landscapes, when perfected by the artist, produced such an enthusiastic feeling in Holland, that the celebrated Poet, recorded them as the acme of his Art by a Poem descriptive of the powers and talents of the artist, and the beauties of the composition, and faithful description of the locality of the views]] réalisée par Pynacker, vendue par A. Delahante, Esq. au prix de 155 gs. [23]
  • 1828.07.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Magi (on pannel) in a Landscape, enriched with ancient Architectural Ruins This splendid and celebrated picture, was long distinguished as the Chef Doeuvre of the collection, in The Palace of Constantine Bentivoglio, at Bologne. The composition is grand, and embraces above fifty figures, principally Portraits of the most highly famed Artists of the Italian and Venetian Schools. On the right of the interesting group, the Artist is pourtrayed in a Roman Costume, with his Dogs by his side, and next him Pope Leo X, and in the centre are, among many other Portraits, thos of Michael Angelo, and Sebastian Del Piombo; in the centre of the picture, are seen the imposing Ruins of a Triumphal Arch At the foot, the Virgin is reposing; attended by St. Joseph, who is holding over her the divine Son, whom she has just brought into the world In front of Mary, are stationed three of the Magi, a part of whose attendants joyfully environ them; while others approaching from all quarters, are visible in the distant country In the glory, God the Father is supported on the wings of cherubims, and in the centre of a Choir, celebrating the Birth and Glory of the Messiah This is the only picture of Peruzzi, adapted to display the extent of his great Genius, power and richness of imagination; a critical disposition in the groups, the roundness, and expression of the figures, their varied attitudes, and the general combination of his excellencies, combine to create the great work here united The spectator cannot but be astonished with the air and bustle which pervades the whole; the Virgin and Child, by their noble simplicity of features, record the style and pencil of Raphael (Peruzzi (Baldasssare))|The Adoration of the Magi (on pannel) in a Landscape, enriched with ancient Architectural Ruins This splendid and celebrated picture, was long distinguished as the Chef Doeuvre of the collection, in The Palace of Constantine Bentivoglio, at Bologne. The composition is grand, and embraces above fifty figures, principally Portraits of the most highly famed Artists of the Italian and Venetian Schools. On the right of the interesting group, the Artist is pourtrayed in a Roman Costume, with his Dogs by his side, and next him Pope Leo X, and in the centre are, among many other Portraits, thos of Michael Angelo, and Sebastian Del Piombo; in the centre of the picture, are seen the imposing Ruins of a Triumphal Arch At the foot, the Virgin is reposing; attended by St. Joseph, who is holding over her the divine Son, whom she has just brought into the world In front of Mary, are stationed three of the Magi, a part of whose attendants joyfully environ them; while others approaching from all quarters, are visible in the distant country In the glory, God the Father is supported on the wings of cherubims, and in the centre of a Choir, celebrating the Birth and Glory of the Messiah This is the only picture of Peruzzi, adapted to display the extent of his great Genius, power and richness of imagination; a critical disposition in the groups, the roundness, and expression of the figures, their varied attitudes, and the general combination of his excellencies, combine to create the great work here united The spectator cannot but be astonished with the air and bustle which pervades the whole; the Virgin and Child, by their noble simplicity of features, record the style and pencil of Raphael]] réalisée par Peruzzi (Baldasssare), vendue par A. Delahante, Esq. au prix de 245 gs. [24]
  • 1828.07.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A singularly rich and beautifully composed Italian Landscape, in which the artist has displayed all the resources of his mind and powers of art, and in this extraordinary effort, has produced a wonderful effect of depth and brilliancy of light and shade The period selected for the exercise of his great powers, is Evening when the Sun is retiring behind the distant mountainous scenery, the warm glowing tint of which is most happily diffused over the whole of the scenery In the middle distance travellers are halting at a house near to a castle, and on the left is a winding road, with a mule slowly passing, followed by his apparently fatigued master; another peasant and mule is descending the road leading to the foreground, while in his rear a third peasant is similarly occupied. The fatigue and lassitude depicted in those figures and their animals is admirably expressed and highly characteristic. On the left of the foreground a rich mass of trees and foliage are brilliantly illumined by the Setting Sun, near to which Goats are browsing by the side of a rock, and two Goatherds are conversing; the happy and beautiful effect given to those figures is truly magical; the Rocks are obscured by a variety of vegetation, through which a waterfall dashes down its limpid stream, and at its foot a peasant is refreshing himself out of his hat The superlative merit and high quality of this picture, render it workthy of admission to the most splendid Collection in Europe (Both)|A singularly rich and beautifully composed Italian Landscape, in which the artist has displayed all the resources of his mind and powers of art, and in this extraordinary effort, has produced a wonderful effect of depth and brilliancy of light and shade The period selected for the exercise of his great powers, is Evening when the Sun is retiring behind the distant mountainous scenery, the warm glowing tint of which is most happily diffused over the whole of the scenery In the middle distance travellers are halting at a house near to a castle, and on the left is a winding road, with a mule slowly passing, followed by his apparently fatigued master; another peasant and mule is descending the road leading to the foreground, while in his rear a third peasant is similarly occupied. The fatigue and lassitude depicted in those figures and their animals is admirably expressed and highly characteristic. On the left of the foreground a rich mass of trees and foliage are brilliantly illumined by the Setting Sun, near to which Goats are browsing by the side of a rock, and two Goatherds are conversing; the happy and beautiful effect given to those figures is truly magical; the Rocks are obscured by a variety of vegetation, through which a waterfall dashes down its limpid stream, and at its foot a peasant is refreshing himself out of his hat The superlative merit and high quality of this picture, render it workthy of admission to the most splendid Collection in Europe]] réalisée par Both, vendue par A. Delahante, Esq. au prix de 380 gs. [27]
  • 1828.07.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A whole length Portrait of Philip the Fourth of Spain, in his shooting costume, with his gun and favorite Dog, in a grand landscape; esteemed one of the finest Portraits of this highly distinguished artis -- from the collection of Mons. Lepeyriere (Velasquez)|A whole length Portrait of Philip the Fourth of Spain, in his shooting costume, with his gun and favorite Dog, in a grand landscape; esteemed one of the finest Portraits of this highly distinguished artis -- from the collection of Mons. Lepeyriere]] réalisée par Velasquez, vendue par A. Delahante, Esq. au prix de 300 gs. [34]
  • 1828.07.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A gallery picture, The Last Supper. Our Saviour is seated at a table,, surrounded by his Disciples, saying unto them "One of those who are eating with me intends to betray me!" -- at these words, which throw them into a state of agitation and confusion, they are seen to turn one to another, with anxiety, to ascertain which among them is about to commit the atrocious crime; or to address themselves to our Saviour, enquiring -- "Is it me, Lord, who will betray you?" -- and nevertheless Judas putting his hand to the dish, at the same time as Jesus, endeavours to conceal his design, under an appparent tranquillity. Alone, the cherished Disciple takes no part in this trouble; he sleeps calmly, and devoutly reposes his head, on the breast of his divine Master. The Figures of this admirable picture, although numerous, equal in station, bearing nearly a similar costume, and united by one sentiment, which is common, possess nevertheless, from the lively interest they take in the afflicting revelation of their Master, a variety of expression, which distinctly marks the quality and extent of their individual sensibility. Albano, superior to himself, and equal to the greatest Masters, in that part of his picture which indicates genius, also emulates Annibal Caracci, in the practical part of his art. It is impossible more energy and feeling can be displayed than characterizes this picture (Albano)|A gallery picture, The Last Supper. Our Saviour is seated at a table,, surrounded by his Disciples, saying unto them "One of those who are eating with me intends to betray me!" -- at these words, which throw them into a state of agitation and confusion, they are seen to turn one to another, with anxiety, to ascertain which among them is about to commit the atrocious crime; or to address themselves to our Saviour, enquiring -- "Is it me, Lord, who will betray you?" -- and nevertheless Judas putting his hand to the dish, at the same time as Jesus, endeavours to conceal his design, under an appparent tranquillity. Alone, the cherished Disciple takes no part in this trouble; he sleeps calmly, and devoutly reposes his head, on the breast of his divine Master. The Figures of this admirable picture, although numerous, equal in station, bearing nearly a similar costume, and united by one sentiment, which is common, possess nevertheless, from the lively interest they take in the afflicting revelation of their Master, a variety of expression, which distinctly marks the quality and extent of their individual sensibility. Albano, superior to himself, and equal to the greatest Masters, in that part of his picture which indicates genius, also emulates Annibal Caracci, in the practical part of his art. It is impossible more energy and feeling can be displayed than characterizes this picture]] réalisée par Albano, vendue par A. Delahante, Esq. au prix de 110 gs. [36]
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