Ventes d'œuvres le 1829.06.05

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  • 1829.06.05/ maison de ventes : Sotheby's. Vente de l'œuvre décrite comme [[Dr. Wolcot, alias Peter Pindar -- Opie It is well known that Dr. W. extricated the artist from a servile occupation; and this portrait was a tribute of his gratitude when he had attained the perfection of his talents. Opie certainly never painted a more masterly picture; and as a portrait, it is in all respects a curiosity (Opie)|Dr. Wolcot, alias Peter Pindar -- Opie It is well known that Dr. W. extricated the artist from a servile occupation; and this portrait was a tribute of his gratitude when he had attained the perfection of his talents. Opie certainly never painted a more masterly picture; and as a portrait, it is in all respects a curiosity]] réalisée par Opie, vendue par Edward Miles, achetée par CH au prix de 4.10 £. [10]
  • 1829.06.05/ maison de ventes : Sotheby's. Vente de l'œuvre décrite comme [[Samuel Jackson Pratt, Esq. -- by Sir Thomas Lawrence, P.R.A. As Mr. Pratt, the author of Sympathy, &c. &c. was one of the earliest friends of the President, the picture was painted con amore, and it is thought to equal the happiest productions of the pencil of Vandyke (Sir Thomas Lawrence, P.R.A.)|Samuel Jackson Pratt, Esq. -- by Sir Thomas Lawrence, P.R.A. As Mr. Pratt, the author of Sympathy, &c. &c. was one of the earliest friends of the President, the picture was painted con amore, and it is thought to equal the happiest productions of the pencil of Vandyke]] réalisée par Sir Thomas Lawrence, P.R.A., vendue par Edward Miles, achetée par CH au prix de 5.10 £. [11]
  • 1829.06.05/ maison de ventes : Sotheby's. Vente de l'œuvre décrite comme [[St. Catharine at her Devotions before her Martyrdom -- Corregio This is the picture which Le Blond copied in the reign of Charles the Second, of the size of the original; and it has been often copied in the same size. That it is the original picture will be evident on examining its canvas, and its ancient repartations. A fine copy of it is at Windsor, which cost Frederic Prince of Wales 1800 guineas and was the favourite cabinet picture of the late king. The sketchy graces and masterly effect of Corregio are visible in the tout ensemble of the picture, which, as a display of resignation and tranquillity of soul, is unparalleled (Corregio)|St. Catharine at her Devotions before her Martyrdom -- Corregio This is the picture which Le Blond copied in the reign of Charles the Second, of the size of the original; and it has been often copied in the same size. That it is the original picture will be evident on examining its canvas, and its ancient repartations. A fine copy of it is at Windsor, which cost Frederic Prince of Wales 1800 guineas and was the favourite cabinet picture of the late king. The sketchy graces and masterly effect of Corregio are visible in the tout ensemble of the picture, which, as a display of resignation and tranquillity of soul, is unparalleled]] réalisée par Corregio, vendue par Edward Miles, achetée par CH au prix de 7.17 £. [12]
  • 1829.06.05/ maison de ventes : Sotheby's. Vente de l'œuvre décrite comme [[The Madonna della Seggia, or the Virgin in the Chair, a fine and ancient copy, after Raphael The original of this master - piece of Raphael was for ages constituted the chief ornament of the Florentine Gallery, where, a century ago, it was valued at 30,000. In the treaty of peace with Tuscany it was surrended to the French Republic, and during the reign of Napoleon, was in his private cabinet. This copy was made for Charles the First, and was part of the royal collection in the old palace at Woodstock. On the dismantling of that palace the picture were sold, and this picture is named in the Catalogue. It was bought by Colonel Fleetwood, who resided in the Black Prince's Palace, at Woodstock; and at his death fell into the hands of a family of whom it was bought by the present possessor. Those who have seen the original consider this copy as its equal in harmony and colouring (Raphael)|The Madonna della Seggia, or the Virgin in the Chair, a fine and ancient copy, after Raphael The original of this master - piece of Raphael was for ages constituted the chief ornament of the Florentine Gallery, where, a century ago, it was valued at 30,000. In the treaty of peace with Tuscany it was surrended to the French Republic, and during the reign of Napoleon, was in his private cabinet. This copy was made for Charles the First, and was part of the royal collection in the old palace at Woodstock. On the dismantling of that palace the picture were sold, and this picture is named in the Catalogue. It was bought by Colonel Fleetwood, who resided in the Black Prince's Palace, at Woodstock; and at his death fell into the hands of a family of whom it was bought by the present possessor. Those who have seen the original consider this copy as its equal in harmony and colouring]] réalisée par Raphael, vendue par Edward Miles, achetée par CH au prix de 13.2 £. [13]