Ventes d'œuvres le 1830.05.22

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  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Grand Landscape, with fine broken scenery, where, on the left, a Cascade is tumbling from a woody height, which catches the light of an early sultry Sun; a group of Peasants occupies the front-ground on the right, namely, a Boy watching cows, and two Females, the one binding Faggots, and the other loading an Ass with Wood; some Buildings are observed in the mountainous half-distance: -- a noble chef-d'oeuvre of N.P. Berchem (Berghem)|A Grand Landscape, with fine broken scenery, where, on the left, a Cascade is tumbling from a woody height, which catches the light of an early sultry Sun; a group of Peasants occupies the front-ground on the right, namely, a Boy watching cows, and two Females, the one binding Faggots, and the other loading an Ass with Wood; some Buildings are observed in the mountainous half-distance: -- a noble chef-d'oeuvre of N.P. Berchem]] réalisée par Berghem, vendue par Edward Hollond, Esq au prix de 787.10 £. [2]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Architectural Ruins on a mountainous site, where Figures and Cattle are descending to a Passage across a River; a Girl milking Goats, and a Boy tantalizing a Spaniel, with a Bird and various Animals, are painted with great spirit in the front-ground (Weenix)|Architectural Ruins on a mountainous site, where Figures and Cattle are descending to a Passage across a River; a Girl milking Goats, and a Boy tantalizing a Spaniel, with a Bird and various Animals, are painted with great spirit in the front-ground]] réalisée par Weenix, vendue par Edward Hollond, Esq, achetée par Norton au prix de 25.14 £. [3]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Harbour, with various Shipping and Boats in a fresh breeze, with a Pier on the right, and Fishermen in conversation on the gunwale of their boat upon the strand; the Water breaking upon the Beach painted with true and glassy effect -- a capital picture of the master, formerly in the Hope collection (Dubbels)|A Harbour, with various Shipping and Boats in a fresh breeze, with a Pier on the right, and Fishermen in conversation on the gunwale of their boat upon the strand; the Water breaking upon the Beach painted with true and glassy effect -- a capital picture of the master, formerly in the Hope collection]] réalisée par Dubbels, vendue par Edward Hollond, Esq, achetée par Smith au prix de 194.5 £. [7]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Venus and Adonis; the former, seated beneath a group of Trees, is leaning back and fondly looking up to Adonis, who holds by a thong a brace of greyhounds; Cupid, seated on the ground, is sheltering himself beneath the drapery of his mother; another Dog beside him: -- a gallery picture (P. Veronese)|Venus and Adonis; the former, seated beneath a group of Trees, is leaning back and fondly looking up to Adonis, who holds by a thong a brace of greyhounds; Cupid, seated on the ground, is sheltering himself beneath the drapery of his mother; another Dog beside him: -- a gallery picture]] réalisée par P. Veronese, vendue par Grant au prix de 57 gs. [24]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Prodigal Son. "This picture is painted with extraordinary care and great attention to detail. The animals are correctly drawn, and possess the true characteristics if nature. But the great charm of the production consists in the affecting and pathetic expression of the prodigal, whose position, countenance, and gesture, strongly mark his punctuous workings of the mind," -- Smith's Cat. Rais, part 2. This picture has hitherto been preserved in the family of Rubens. It was last in the collection of M. Stiers d'Aerslaer, and previously in that of M. Pietres. Two very fine studies of the horses and cows for this painting are in the collection of the President of the Royal Academy. This picture is one of the set of landscape engraved by Bolswert (Rubens)|The Prodigal Son. "This picture is painted with extraordinary care and great attention to detail. The animals are correctly drawn, and possess the true characteristics if nature. But the great charm of the production consists in the affecting and pathetic expression of the prodigal, whose position, countenance, and gesture, strongly mark his punctuous workings of the mind," -- Smith's Cat. Rais, part 2. This picture has hitherto been preserved in the family of Rubens. It was last in the collection of M. Stiers d'Aerslaer, and previously in that of M. Pietres. Two very fine studies of the horses and cows for this painting are in the collection of the President of the Royal Academy. This picture is one of the set of landscape engraved by Bolswert]] réalisée par Rubens, vendue par [[[William Wilkins]]] au prix de 1040 gs. [25]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Woman taken in Adultery brought before Christ; the subject is represented as taking place at the exterior of the Temple, and the figures are thereby relieved by a variety of architectural objects in the back-ground -- a finely coloured picture (Titian)|The Woman taken in Adultery brought before Christ; the subject is represented as taking place at the exterior of the Temple, and the figures are thereby relieved by a variety of architectural objects in the back-ground -- a finely coloured picture]] réalisée par Titian, vendue par Grant au prix de 57 gs. [26]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A romantic View at the outlet from a Wood, on the margin of the Lake of Bolsena, in Italy, where a Shepherd is watching a flock of Sheep; the view is intersected by some lofty stems of Pine Trees, which contribute great boldness to the fore-ground: from the collection of Lord Radstock (N. Poussin)|A romantic View at the outlet from a Wood, on the margin of the Lake of Bolsena, in Italy, where a Shepherd is watching a flock of Sheep; the view is intersected by some lofty stems of Pine Trees, which contribute great boldness to the fore-ground: from the collection of Lord Radstock]] réalisée par N. Poussin, vendue par Walters au prix de 74 gs. [34]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Stag Hunt. This picture is painted in the artist's third manner. It was purchased at Rome about sixty years ago by Gavin Hamilton, for the late A. Drummond, Esq., who placed it in his collection at the Grange in Hampshire, where it remained until it came into the posession of the present proprietor. It was formerly in the collection of the Comtesse de Verrue (Wouvermans)|A Stag Hunt. This picture is painted in the artist's third manner. It was purchased at Rome about sixty years ago by Gavin Hamilton, for the late A. Drummond, Esq., who placed it in his collection at the Grange in Hampshire, where it remained until it came into the posession of the present proprietor. It was formerly in the collection of the Comtesse de Verrue]] réalisée par Wouvermans, vendue par [[[William Wilkins]]], achetée par Peacock au prix de 525.0 £. [36]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Repas des Courtissanes. This picture represents a convivial party of Males and Females. It is painted with extraordinary power and effect. On the irruption of the French into Italy, this picture, with many others was abstracted from the collection of the Palazzo Pitti. It is engraved in the Florence Gallery (Gherardo della Notte.)|Repas des Courtissanes. This picture represents a convivial party of Males and Females. It is painted with extraordinary power and effect. On the irruption of the French into Italy, this picture, with many others was abstracted from the collection of the Palazzo Pitti. It is engraved in the Florence Gallery]] réalisée par Gherardo della Notte., vendue par [[[William Wilkins]]], achetée par Lake au prix de 84.0 £. [37]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Descent from the Cross. In this excellent composition it is obvious that an imitation of the grandeur of the Carracci was intended by the master. The drawing, colouring, and solemn effect are purely Italian, and finely in unison with the sentiment of pathos which so eminently characterise the composition (Rubens)|Descent from the Cross. In this excellent composition it is obvious that an imitation of the grandeur of the Carracci was intended by the master. The drawing, colouring, and solemn effect are purely Italian, and finely in unison with the sentiment of pathos which so eminently characterise the composition]] réalisée par Rubens, vendue par [[[William Wilkins]]] au prix de 210 gs. [38]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Cattle driven out to pasture. This inimitable picture is known from the engraving made from it by Boydell. It was afterwards in the cabinet of Le Brun, and again engraved in the collection he published. A beautiful grey and silvery tone, which is only found in his most precious pictures, pervades the composition, which is unrivalled in the number of cattle and the figures, and the execution of the whole. It was last in the collection of M. di Beltrano Those marked with an asterisk have been exhibited in the Gallery of the British Institution (Berghem)|Cattle driven out to pasture. This inimitable picture is known from the engraving made from it by Boydell. It was afterwards in the cabinet of Le Brun, and again engraved in the collection he published. A beautiful grey and silvery tone, which is only found in his most precious pictures, pervades the composition, which is unrivalled in the number of cattle and the figures, and the execution of the whole. It was last in the collection of M. di Beltrano Those marked with an asterisk have been exhibited in the Gallery of the British Institution]] réalisée par Berghem, vendue par [[[William Wilkins]]] au prix de 800 gs. [45]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Retreat. The best pictures of this master are rarely to be met with in England; his performance being highly appreciated on the Continent. The figures on his puctures are frequently painted by Lingleback, and it is only in his finest productions that the talents of Vandervelde are found combined with his own Those marked with an asterisk have been exhibited in the Gallery of the British Institution (Hackaert)|The Retreat. The best pictures of this master are rarely to be met with in England; his performance being highly appreciated on the Continent. The figures on his puctures are frequently painted by Lingleback, and it is only in his finest productions that the talents of Vandervelde are found combined with his own Those marked with an asterisk have been exhibited in the Gallery of the British Institution]] réalisée par Hackaert, vendue par [[[William Wilkins]]] au prix de 240 gs. [49]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The interior of a loftly Stable, or remise, with large doors, at which two waggons drawn by fine horses are entering. Two horses are feeding at a manger. A Cavalier on horse-back, of whom a woman with child is asking alms, appears to be about to depart. "This picture is truly admirable, for the richness of its composition, in the number of horses, and the variety of action they display; the whole of which is finished with the most studious care." -- Smith, Cat. Rais. p. 277 It has been successively in the collections of Prince Reebempre, Mad. Hogguer, and Le Rouge Those marked with an asterisk have been exhibited in the Gallery of the British Institution (Wouvermans)|The interior of a loftly Stable, or remise, with large doors, at which two waggons drawn by fine horses are entering. Two horses are feeding at a manger. A Cavalier on horse-back, of whom a woman with child is asking alms, appears to be about to depart. "This picture is truly admirable, for the richness of its composition, in the number of horses, and the variety of action they display; the whole of which is finished with the most studious care." -- Smith, Cat. Rais. p. 277 It has been successively in the collections of Prince Reebempre, Mad. Hogguer, and Le Rouge Those marked with an asterisk have been exhibited in the Gallery of the British Institution]] réalisée par Wouvermans, vendue par [[[William Wilkins]]], achetée par Gott au prix de 315.0 £. [54]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Temptation of St. Anthony -- this subject has frequently been painted by the master, but always with considerable variations. In no one of the composition of Teniers has a richer tone of colour been found to pervade the picture. The group of singers in the fore ground is more particularly striking for this quality Those marked with an asterisk have been exhibited in the Gallery of the British Institution (Teniers)|The Temptation of St. Anthony -- this subject has frequently been painted by the master, but always with considerable variations. In no one of the composition of Teniers has a richer tone of colour been found to pervade the picture. The group of singers in the fore ground is more particularly striking for this quality Those marked with an asterisk have been exhibited in the Gallery of the British Institution]] réalisée par Teniers, vendue par [[[William Wilkins]]], achetée par Bone for Neelds MP au prix de 315 £. [55]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Italian Sea-port -- the view offers a rich variety of grand and interesting objects. A broad navigable river, flowing between lofty mountains, is covered with vessels and small craft. A fanal and various other buildings adorn its banks; numerous figures, suitably employed, are distribted throughout the busy scene. This excellent picture is painted with the same melting softness and silvery tone of colour which caracterizes the works of Karl du Jardin, whose style and manner he studied, and to whom this picture has been frequently attributed Those marked with an asterisk have been exhibited in the Gallery of the British Institution (Schellinks, in the manner of Du Jardin)|An Italian Sea-port -- the view offers a rich variety of grand and interesting objects. A broad navigable river, flowing between lofty mountains, is covered with vessels and small craft. A fanal and various other buildings adorn its banks; numerous figures, suitably employed, are distribted throughout the busy scene. This excellent picture is painted with the same melting softness and silvery tone of colour which caracterizes the works of Karl du Jardin, whose style and manner he studied, and to whom this picture has been frequently attributed Those marked with an asterisk have been exhibited in the Gallery of the British Institution]] réalisée par Schellinks, in the manner of Du Jardin, vendue par [[[William Wilkins]]] au prix de 175 gs. [58]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Ford -- a beautiful composition, enriched with Figures by Wouvermans, painted with exquisite finish. The foreground, the sky, and the more distant landscape, are worthy of the accessories. It was formerly in the well-known collection of Mr. Barchard Those marked with an asterisk have been exhibited in the Gallery of the British Institution (Berghem)|The Ford -- a beautiful composition, enriched with Figures by Wouvermans, painted with exquisite finish. The foreground, the sky, and the more distant landscape, are worthy of the accessories. It was formerly in the well-known collection of Mr. Barchard Those marked with an asterisk have been exhibited in the Gallery of the British Institution]] réalisée par Berghem, vendue par [[[William Wilkins]]] au prix de 245 gs. [61]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Hagar -- a composition of four Figures, grouped with great taste, and relieved by a most skillful managemebt of the chiaro-oscuro. The character and expression of the Patriarch is truly fine and dignified, and in colouring may vie with Titian. It was formerly in the Orleans Gallery Those marked with an asterisk have been exhibited in the Gallery of the British Institution (Netcher)|Hagar -- a composition of four Figures, grouped with great taste, and relieved by a most skillful managemebt of the chiaro-oscuro. The character and expression of the Patriarch is truly fine and dignified, and in colouring may vie with Titian. It was formerly in the Orleans Gallery Those marked with an asterisk have been exhibited in the Gallery of the British Institution]] réalisée par Netcher, vendue par [[[William Wilkins]]], achetée par Bone for Neelds MP au prix de 157.10 £. [63]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Girl at a Window with a brass Milk-can. The back ground exhibits the interior of a room, in which are seen Figures preparing to take a repast. This picture is not les remarkable for the exquisite and elaborate finish, peculiar to the master, than for freshness of the carnations in the coloring of the principal figure (G. Dow)|A Girl at a Window with a brass Milk-can. The back ground exhibits the interior of a room, in which are seen Figures preparing to take a repast. This picture is not les remarkable for the exquisite and elaborate finish, peculiar to the master, than for freshness of the carnations in the coloring of the principal figure]] réalisée par G. Dow, vendue par [[[William Wilkins]]], achetée par Bone for Neelds MP au prix de 157.10 £. [67]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Prodigal Son, or La Gaieté bacchique, as it was denominated when in the Orleans collection. An inscription on the back of the panel states it to have been one of the Tableaux reclamés de St. Cloud, from which palace it had been surrepititiously abstracted. Houbraken, in his Lives of the Painters, notices this picture as being one of the most celebrated of this master (J.B. Weenix)|The Prodigal Son, or La Gaieté bacchique, as it was denominated when in the Orleans collection. An inscription on the back of the panel states it to have been one of the Tableaux reclamés de St. Cloud, from which palace it had been surrepititiously abstracted. Houbraken, in his Lives of the Painters, notices this picture as being one of the most celebrated of this master]] réalisée par J.B. Weenix, vendue par [[[William Wilkins]]] au prix de 40 gs. [71]
  • 1830.05.22/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Peristyle of a Mansion, on the Terrace of a Garden Canal. A perfect specimen of the Master, enriched with groups of Figures by Teniers, representing himself and his family. The Architecture is most correctly drawn and beautifully painted. The Figures are touched with extraordinary spirit. This Picture was formerly in the collection of the well-known M. Panné (Van Dalen)|The Peristyle of a Mansion, on the Terrace of a Garden Canal. A perfect specimen of the Master, enriched with groups of Figures by Teniers, representing himself and his family. The Architecture is most correctly drawn and beautifully painted. The Figures are touched with extraordinary spirit. This Picture was formerly in the collection of the well-known M. Panné]] réalisée par Van Dalen, vendue par [[[William Wilkins]]] au prix de 58 gs. [74]
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