Ventes d'œuvres le 1831.06.10

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  • 1831.06.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Saint carried to Heaven by Angels -- from the Caprara Palace of Bologna. This picture is cited by Malvasia; also in "Buchanan's Memoirs of Painting," vol. 2, page 159. It was purchased at a large sum by Mr. Irvine of Rome, in 1804, and formed one of the fine Collection of Arthum Champernowne, Esq. It is an object well worthy the attention of the Directors of the National Gallery, being an undoubted, and finely preserved picture of this very rare master (Domenichino)|A Saint carried to Heaven by Angels -- from the Caprara Palace of Bologna. This picture is cited by Malvasia; also in "Buchanan's Memoirs of Painting," vol. 2, page 159. It was purchased at a large sum by Mr. Irvine of Rome, in 1804, and formed one of the fine Collection of Arthum Champernowne, Esq. It is an object well worthy the attention of the Directors of the National Gallery, being an undoubted, and finely preserved picture of this very rare master]] réalisée par Domenichino, vendue par John Annis au prix de 225.15 £. [2]
  • 1831.06.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Niobe. This particular picture is, like the preceding, too well known to connoisseurs to require any eulogium in this place. It is the identical picture which was painted for Sir Peter Leicester, by whom it was ceded to the Hon. Charles Greville. Wilson received for painting it 350 guineas; and he was in the habit of citing it as his finest and most powerful work. It is still in its original frame (Richard Wilson)|Niobe. This particular picture is, like the preceding, too well known to connoisseurs to require any eulogium in this place. It is the identical picture which was painted for Sir Peter Leicester, by whom it was ceded to the Hon. Charles Greville. Wilson received for painting it 350 guineas; and he was in the habit of citing it as his finest and most powerful work. It is still in its original frame]] réalisée par Richard Wilson, vendue par John Annis au prix de 243.12 £. [3]
  • 1831.06.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[This very capital picture of this esteemed master, formed one of the principal ornaments of the Danoot Collection at Brussels. It is hardly necessary to say one word on its great merits -- they speak more powerfully for themselves than any language can possibly express (Ruysdael)|This very capital picture of this esteemed master, formed one of the principal ornaments of the Danoot Collection at Brussels. It is hardly necessary to say one word on its great merits -- they speak more powerfully for themselves than any language can possibly express]] réalisée par Ruysdael, vendue par John Annis. [4]
  • 1831.06.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Siege of Antwerp This has always been considered the chef d'oeuvre of this master. It presents the amusing, varied, and interesting details of a Camp; and to be justly appreciated must be patiently examined. From the extreme point of view where the approaches to the palce are distinctly described, through the whole gradations of space, the subject is filled with groups, each holding correctly its place in the line of perspective, all full of interest, and the figures executed in the most perfect manner. The capital works of this master are rare, and this may be ranked as the finest example of them (Lingelback)|The Siege of Antwerp This has always been considered the chef d'oeuvre of this master. It presents the amusing, varied, and interesting details of a Camp; and to be justly appreciated must be patiently examined. From the extreme point of view where the approaches to the palce are distinctly described, through the whole gradations of space, the subject is filled with groups, each holding correctly its place in the line of perspective, all full of interest, and the figures executed in the most perfect manner. The capital works of this master are rare, and this may be ranked as the finest example of them]] réalisée par Lingelback, vendue par John Annis au prix de 215.5 £. [5]
  • 1831.06.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[This head is full of sublimity, and evinces the fine feeling and sentiment of the master, in the character whcih he has so nobly pourtrayed. It is painted in his light and flowing manner, and is probably a finished study for his famous picture of the Doctors of the Church, which was formerly at Houghton, and was sold by Lord Orford to the Empress Catherine. It comes from the Colonna Palace of Rome, and was long in the collection of the late Lord Radstock, than whom no man loved the fine arts more truly, or more enthusiastically This picture is of an oval shape, on canvas (Guido)|This head is full of sublimity, and evinces the fine feeling and sentiment of the master, in the character whcih he has so nobly pourtrayed. It is painted in his light and flowing manner, and is probably a finished study for his famous picture of the Doctors of the Church, which was formerly at Houghton, and was sold by Lord Orford to the Empress Catherine. It comes from the Colonna Palace of Rome, and was long in the collection of the late Lord Radstock, than whom no man loved the fine arts more truly, or more enthusiastically This picture is of an oval shape, on canvas]] réalisée par Guido, vendue par John Annis au prix de 28.7 £. [7]
  • 1831.06.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Meleager and Atalanta. This picture is well known in the World of Art, and has always been considered as one of the happiest compositions of Richard Wilson; -- a rich vein of poetic feeling runs throughout, and in it we recognise the soul of the master. The site is grand and noble. The boar has been driven by the hunters into a position where his whole force must be exerted, and he has accordingly made a desperate and successful attack upon one of the attendants of Meleager, who has been stretched on the ground by a deadly wound. The scene is rendered interesting by the combination of objects which it presents. A torrent rushing rapidly over a grand mass of rock, forms a cascade, the spray of which ascends to the clouds. A castle of importance occupies the middle distance, while the intervening grounds offer a fine diversity well adapted to the subject, and presents a Landscape which may be justly termen of the highest order of art (Richard Wilson)|The Meleager and Atalanta. This picture is well known in the World of Art, and has always been considered as one of the happiest compositions of Richard Wilson; -- a rich vein of poetic feeling runs throughout, and in it we recognise the soul of the master. The site is grand and noble. The boar has been driven by the hunters into a position where his whole force must be exerted, and he has accordingly made a desperate and successful attack upon one of the attendants of Meleager, who has been stretched on the ground by a deadly wound. The scene is rendered interesting by the combination of objects which it presents. A torrent rushing rapidly over a grand mass of rock, forms a cascade, the spray of which ascends to the clouds. A castle of importance occupies the middle distance, while the intervening grounds offer a fine diversity well adapted to the subject, and presents a Landscape which may be justly termen of the highest order of art]] réalisée par Richard Wilson, vendue par John Annis au prix de 388.10 £. [12]
  • 1831.06.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[La Petite Financiere. This picture formed one of the Teniers' Gallery at Madrid. It is painted in his very best manner, and was companion to a picture painted at the same period, (in which some of the same portraits are introduced,) that was sold to Mr. Errard of Paris for 400 guineas. Nothing can exceed the pencilling of the figures in this amusing picture (D. Teniers, Jun.)|La Petite Financiere. This picture formed one of the Teniers' Gallery at Madrid. It is painted in his very best manner, and was companion to a picture painted at the same period, (in which some of the same portraits are introduced,) that was sold to Mr. Errard of Paris for 400 guineas. Nothing can exceed the pencilling of the figures in this amusing picture]] réalisée par D. Teniers, Jun., vendue par John Annis au prix de 50.8 £. [17]