Ventes d'œuvres le 1832.06.09

De Wikipast
Version datée du 30 mai 2021 à 14:17 par Unknown user (discussion) (Page créée avec « * 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme ''A cabinet Landscpae, with… »)
(diff) ← Version précédente | Voir la version actuelle (diff) | Version suivante → (diff)
Aller à la navigation Aller à la recherche
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Assumption of the Virgin, supported by angels and cherubim, ascending into the heavenly regions. The countenaces are full of expression, and the delicate colouring is worthy of this great master. N. B. the admirers of fine carving will be much pleased with the elaborate finish of this appropriate and magnificent frame (Guido)|The Assumption of the Virgin, supported by angels and cherubim, ascending into the heavenly regions. The countenaces are full of expression, and the delicate colouring is worthy of this great master. N. B. the admirers of fine carving will be much pleased with the elaborate finish of this appropriate and magnificent frame]] réalisée par Guido, vendue par W H Trant, achetée par Norton au prix de 14.14 £. [30]
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Mussel Eaters -- three boors in conversation, with a dish of mussels before them, a flask of wine, cheese, and other accessories; a view of Scheveling forms the background. The colour and finish of this picture would do credit to any artist (Van Huysum)|The Mussel Eaters -- three boors in conversation, with a dish of mussels before them, a flask of wine, cheese, and other accessories; a view of Scheveling forms the background. The colour and finish of this picture would do credit to any artist]] réalisée par Van Huysum, vendue par W H Trant, achetée par Pennell au prix de 11.0 £. [38]
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A group of four Figures, The Virgin, with Infant Christ, and two female saints, one of whom is presenting a ring on a salver to the Infant Saviour; probably intended as an illustration of the Mystical Marriage of St. Catherine. From the collection of Marshal Berthier, and selected for the late noble proprietor by Monsr. Denon. (L. da Vinci)|A group of four Figures, The Virgin, with Infant Christ, and two female saints, one of whom is presenting a ring on a salver to the Infant Saviour; probably intended as an illustration of the Mystical Marriage of St. Catherine. From the collection of Marshal Berthier, and selected for the late noble proprietor by Monsr. Denon.]] réalisée par L. da Vinci, vendue par W H Trant, achetée par Fitzgibbon au prix de 21.0 £. [43]
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Portrait of Sir Thos? Graham?, celebrated for his liberal donations in support of the arts and sciences, dressed in a black robe, with a ruff and cap, and holding his gloves in his left hand. The sumptuously carved and gilt frame is well calculated to display this beautiful portrait to the best advantage (Holbein)|Portrait of Sir Thos? Graham?, celebrated for his liberal donations in support of the arts and sciences, dressed in a black robe, with a ruff and cap, and holding his gloves in his left hand. The sumptuously carved and gilt frame is well calculated to display this beautiful portrait to the best advantage]] réalisée par Holbein, vendue par W H Trant, achetée par Norton au prix de 9.19 £. [45]
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[An Italian Scene, interspersed with cattle and fishermen in various occupations. The scene is beautifully chosen, the distances broken by groups of trees, and the masses of light and shade finely interspersed. A range of Italian villas surmounts the hilly disntacce. From the Collection of Monsieur de Roche (Domenichino)|An Italian Scene, interspersed with cattle and fishermen in various occupations. The scene is beautifully chosen, the distances broken by groups of trees, and the masses of light and shade finely interspersed. A range of Italian villas surmounts the hilly disntacce. From the Collection of Monsieur de Roche]] réalisée par Domenichino, vendue par W H Trant, achetée par Gill au prix de 11.0 £. [47]
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Woody landscape with water and swans; a sportsman just returned from the fieled with his dogs, is shewing his game to two ladies, one of whom the artist has painted in the character of Diana. A picture of fine effect, painted with a rich impasto (Rembrandt)|A Woody landscape with water and swans; a sportsman just returned from the fieled with his dogs, is shewing his game to two ladies, one of whom the artist has painted in the character of Diana. A picture of fine effect, painted with a rich impasto]] réalisée par Rembrandt, vendue par W H Trant au prix de 15.15 £. [49]
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Melchisedech and Abraham. A fine illustration of this portion of Sacred History; coloured with great splendour, and drawn with a masterly hand, particularly the impatient attitude of the charger on the right. A study for a gallery picture. Formerly the property of Lord Trevor, and bought at the sale of his effects in 1782 (Rubens)|Melchisedech and Abraham. A fine illustration of this portion of Sacred History; coloured with great splendour, and drawn with a masterly hand, particularly the impatient attitude of the charger on the right. A study for a gallery picture. Formerly the property of Lord Trevor, and bought at the sale of his effects in 1782]] réalisée par Rubens, vendue par W H Trant au prix de 14.14 £. [50]
  • 1832.06.09/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Christ and the Woman of Samaria. The Saviour is seated at the side of the well, addressing the astonished Samaritan woman in the language of prophecy; the disciples appear in conversation in the half distance; and the back-ground is occupied by a grand romantic landscape. From Mr. Perling's collection (Titian)|Christ and the Woman of Samaria. The Saviour is seated at the side of the well, addressing the astonished Samaritan woman in the language of prophecy; the disciples appear in conversation in the half distance; and the back-ground is occupied by a grand romantic landscape. From Mr. Perling's collection]] réalisée par Titian, vendue par W H Trant, achetée par Hanmer au prix de 5.15 £. [52]