Ventes d'œuvres le 1837.06.03

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  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A view of a Country Mansion, near the entrance of which a white horse is standing, and a woman is driving two cows down a lane; the house is overshadowed by a noble group of trees, and a distant landscape is seen on the left; this capital chef-d'oeuvre was painted by Gainsborough for the Prince of Wales (Gainsborough)|A view of a Country Mansion, near the entrance of which a white horse is standing, and a woman is driving two cows down a lane; the house is overshadowed by a noble group of trees, and a distant landscape is seen on the left; this capital chef-d'oeuvre was painted by Gainsborough for the Prince of Wales]] réalisée par Gainsborough, vendue par Sir G Warrender, achetée par Stewart au prix de 70.17 gs. [2]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Assalone con Tamar. This beautiful picture, which is full of feeling and character, was painted in the best time of the artist, 1645, for the Cardinal Cornaro, and was purchased out of the Cornaro Palace at Venice: it is noticed particularly in the Life of Guercino (Guercino)|Assalone con Tamar. This beautiful picture, which is full of feeling and character, was painted in the best time of the artist, 1645, for the Cardinal Cornaro, and was purchased out of the Cornaro Palace at Venice: it is noticed particularly in the Life of Guercino]] réalisée par Guercino, vendue par Sir G Warrender, achetée par Egerton au prix de 315.0 gs. [3]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated in a landscape, skreening the infant Christ, who is lying upon the ground, with her mantle; St. Joseph is introducing a young saint; the group is in the foreground of a beautiful landscape. This exquisite easel picture was painted by Paris Bordone on his return to Venice from his visit to his patron Francis I., for his friend the then Podesta, in whose family it had remained until purchased and bought to England in 1829 (Paris Bordone)|The Virgin seated in a landscape, skreening the infant Christ, who is lying upon the ground, with her mantle; St. Joseph is introducing a young saint; the group is in the foreground of a beautiful landscape. This exquisite easel picture was painted by Paris Bordone on his return to Venice from his visit to his patron Francis I., for his friend the then Podesta, in whose family it had remained until purchased and bought to England in 1829]] réalisée par Paris Bordone, vendue par Sir G Warrender au prix de 240 gs. [4]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, with the Infant Christ sitting on a throne, encircled by St. Jerome, St. Anthony, and St. Stephen on the one side, St. Peter, St. Paul, and St. John on the other, with a landscape background. It was painted for the refectory of the Convent of St. Mark, in which the artist had taken the habit; removed from Florence, in the first revolutionary invasion by the French. It is believed that a more important picture, by this rare master, is not to be found out of Italy. Haquin, of Pais, has recently transferred it from its worm-eaten panel to canvas (Fra. Bartolomeo)|The Virgin, with the Infant Christ sitting on a throne, encircled by St. Jerome, St. Anthony, and St. Stephen on the one side, St. Peter, St. Paul, and St. John on the other, with a landscape background. It was painted for the refectory of the Convent of St. Mark, in which the artist had taken the habit; removed from Florence, in the first revolutionary invasion by the French. It is believed that a more important picture, by this rare master, is not to be found out of Italy. Haquin, of Pais, has recently transferred it from its worm-eaten panel to canvas]] réalisée par Fra. Bartolomeo, vendue par W.G. Coesvelt, Esq au prix de 380 gs. [22]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Landscape -- sunset, brilliant and clear. The foreground painted firm and broad; in the middle-ground is a river with fishing-boats, and a hill surmounted by a fort. From the Gallery of the Constable Colonna. There are two prints from it, and the original design in bistre is extant (Claude Lorain)|Landscape -- sunset, brilliant and clear. The foreground painted firm and broad; in the middle-ground is a river with fishing-boats, and a hill surmounted by a fort. From the Gallery of the Constable Colonna. There are two prints from it, and the original design in bistre is extant]] réalisée par Claude Lorain, vendue par W.G. Coesvelt, Esq au prix de 610 gs. [26]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Landscape; a highly studied composition. The aerial perspective, the motion in the waterfall, and its clearness of colour, rank this picture as one of the finest productions of the artist They were both in a manor-house of the district of Soria, in the Roman States (Orisonte, Style of Gaspar Poussin)|Landscape; a highly studied composition. The aerial perspective, the motion in the waterfall, and its clearness of colour, rank this picture as one of the finest productions of the artist They were both in a manor-house of the district of Soria, in the Roman States]] réalisée par Orisonte, Style of Gaspar Poussin, vendue par W.G. Coesvelt, Esq, achetée par Holmes 32 Connaught Sqr au prix de 50.8 gs. [28]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, with the Infant Jesus in her arms, in a characteristic landscape. When Raffaelle visited Florence, at the age of eighteen, for the purpose of studying colour under Fra. Bartolomeo, then thirty-five years of age, he copied this picture, and his copy was till lately in the possession of the family of Lanti, from whom it has been purchased by the King of Prussia (Fra. Bartolomeo)|The Virgin, with the Infant Jesus in her arms, in a characteristic landscape. When Raffaelle visited Florence, at the age of eighteen, for the purpose of studying colour under Fra. Bartolomeo, then thirty-five years of age, he copied this picture, and his copy was till lately in the possession of the family of Lanti, from whom it has been purchased by the King of Prussia]] réalisée par Fra. Bartolomeo, vendue par W.G. Coesvelt, Esq au prix de 450 gs. [29]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated, with the Infant Jesus standing on her knee, receiving the offerings of the angels; remarkable for the amenity of the heads, the attitudes, and the brilliancy of its colouring. From the Ottolini Palace in Lucca. The angels are repeated in the St. Catherine of the Borghese Palace (Parmegiano)|The Virgin seated, with the Infant Jesus standing on her knee, receiving the offerings of the angels; remarkable for the amenity of the heads, the attitudes, and the brilliancy of its colouring. From the Ottolini Palace in Lucca. The angels are repeated in the St. Catherine of the Borghese Palace]] réalisée par Parmegiano, vendue par W.G. Coesvelt, Esq au prix de 310 gs. [30]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated in the midst of a grand landscape, with the Infant Jesus on her knees, caressed by St. Catherine and St. John presenting fruits. In the background, the annunciation to the shepherds is introduced by the way of episode; this rare specimen was placed in the sacristy of the Escurial. It is described by Conca and other authors as a classical work of the master. Engraved (Titian)|The Virgin seated in the midst of a grand landscape, with the Infant Jesus on her knees, caressed by St. Catherine and St. John presenting fruits. In the background, the annunciation to the shepherds is introduced by the way of episode; this rare specimen was placed in the sacristy of the Escurial. It is described by Conca and other authors as a classical work of the master. Engraved]] réalisée par Titian, vendue par W.G. Coesvelt, Esq au prix de 550 gs. [31]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Murder of the Innocents. It is traditionally known that the monks of St. Dominic refused this picture, in consequence of its not being of the precise dimensions ordered, and that the painter was obliged to paint a second for their church. The numerous alterations that have been made during its painting are visible under the colour, and fully authenticate this repetition. There is in this picture one figure less in the group to the right; it is likewise 18 inches in height and 14 in width less that the one in the Gallery of Bologna, and the brown tints do not approach to blackness (Guido Reni)|The Murder of the Innocents. It is traditionally known that the monks of St. Dominic refused this picture, in consequence of its not being of the precise dimensions ordered, and that the painter was obliged to paint a second for their church. The numerous alterations that have been made during its painting are visible under the colour, and fully authenticate this repetition. There is in this picture one figure less in the group to the right; it is likewise 18 inches in height and 14 in width less that the one in the Gallery of Bologna, and the brown tints do not approach to blackness]] réalisée par Guido Reni, vendue par W.G. Coesvelt, Esq au prix de 260 gs. [32]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin with the Infant standing on her knees, holding a rose in his left hand, in his right (as an emblem) a small cross, upon which the eyes of his mother are fixed; the profile heads and the draperies finely disposed, and the general tone rich. From Bologna (Guido Reni)|The Virgin with the Infant standing on her knees, holding a rose in his left hand, in his right (as an emblem) a small cross, upon which the eyes of his mother are fixed; the profile heads and the draperies finely disposed, and the general tone rich. From Bologna]] réalisée par Guido Reni, vendue par W.G. Coesvelt, Esq au prix de 250 gs. [33]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Ascension of the Virgin; or the immaculate conception. The young Virgin, encompassed in clouds, is supported by groups of seraphs; painted in the finest time of the master for freshness and transparency. From the Palace of the Count d'Altamira, in Madrid (Murillo)|The Ascension of the Virgin; or the immaculate conception. The young Virgin, encompassed in clouds, is supported by groups of seraphs; painted in the finest time of the master for freshness and transparency. From the Palace of the Count d'Altamira, in Madrid]] réalisée par Murillo, vendue par W.G. Coesvelt, Esq. [35]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Christ, with his Disciples, and the Mother of James and John; the composition, the chasteness of design and richness of colour, rank this specimen as one of his best works. The fine heads in the background to the left are the portraits of the contemporary artists, Bonifacio, Tintoretto, Bassano, Paul Veronese, and Titian. It is from the Zanudo Palace, in Venice (Tintoretto)|Christ, with his Disciples, and the Mother of James and John; the composition, the chasteness of design and richness of colour, rank this specimen as one of his best works. The fine heads in the background to the left are the portraits of the contemporary artists, Bonifacio, Tintoretto, Bassano, Paul Veronese, and Titian. It is from the Zanudo Palace, in Venice]] réalisée par Tintoretto, vendue par W.G. Coesvelt, Esq, achetée par Marq Abercorn au prix de 99.15 gs. [36]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, Infant Jesus, St. John, and St. Joseph -- half-length figures; this rare master was remarkable for the skilful management of his effects of light. It was in the Royal Collection of Capo di Monte, at Naples, from whence it was taken when the French army entered that city (Bartolomeo Schidone)|The Virgin, Infant Jesus, St. John, and St. Joseph -- half-length figures; this rare master was remarkable for the skilful management of his effects of light. It was in the Royal Collection of Capo di Monte, at Naples, from whence it was taken when the French army entered that city]] réalisée par Bartolomeo Schidone, vendue par W.G. Coesvelt, Esq au prix de 260 gs. [37]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Salvator Mundi, with the globe in his hand, which can be seen to have been originally painted in a different position. On a golden ground. The draperies are broad, and the head finished with great care. From the Aldobrandini Villa, in Rome (Sebastian Del Piombo)|Salvator Mundi, with the globe in his hand, which can be seen to have been originally painted in a different position. On a golden ground. The draperies are broad, and the head finished with great care. From the Aldobrandini Villa, in Rome]] réalisée par Sebastian Del Piombo, vendue par W.G. Coesvelt, Esq, achetée par Stewart au prix de 55.13 gs. [40]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, covering the sleeping Infant Jesus with a veil, behind are the little St. John and St. Joseph: one of the most elaborate works of this great painter. Purchased of the Supreme Junta, in Madrid, on the fall of the Prince of Peace, in 1806 (Sebastian Del Piombo)|The Virgin, covering the sleeping Infant Jesus with a veil, behind are the little St. John and St. Joseph: one of the most elaborate works of this great painter. Purchased of the Supreme Junta, in Madrid, on the fall of the Prince of Peace, in 1806]] réalisée par Sebastian Del Piombo, vendue par W.G. Coesvelt, Esq au prix de 850 gs. [41]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. John in the Desert -- a figure the size of life. It is exactly repeated in the magnificent picture of the Madonna del Rosario, in the Bologna Gallery; the position of the feet only different, and the lamb is placed by the side of St. Agnes. Purchased in Bologna (Domenichino)|St. John in the Desert -- a figure the size of life. It is exactly repeated in the magnificent picture of the Madonna del Rosario, in the Bologna Gallery; the position of the feet only different, and the lamb is placed by the side of St. Agnes. Purchased in Bologna]] réalisée par Domenichino, vendue par W.G. Coesvelt, Esq au prix de 41 gs. [45]
  • 1837.06.03/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[This is one of the largest Landscapes known by the master; it is composed of magnificent rocks, scathed teees in the foreground, with a river, and the figures of Tobit and the Angel, and a woody back ground. The painter never produced a grander or more richly painted picture of the class. Its reputation in Rome was such as to render its removal exceedingly difficult. (Salvator Rosa)|This is one of the largest Landscapes known by the master; it is composed of magnificent rocks, scathed teees in the foreground, with a river, and the figures of Tobit and the Angel, and a woody back ground. The painter never produced a grander or more richly painted picture of the class. Its reputation in Rome was such as to render its removal exceedingly difficult.]] réalisée par Salvator Rosa, vendue par W.G. Coesvelt, Esq au prix de 420 gs. [46]
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