Ventes d'œuvres le 1840.05.09

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  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Storm with vessels stranded, near the Pharos, and harbour gate of Genoa; figures on a ledge of rocks in the foreground, are occupied in saving the crew; men in a boat are endeavouring to make the harbour. A heavy clouded sky charged with lightning, gives grand effect to the scene (Vernet)|A Storm with vessels stranded, near the Pharos, and harbour gate of Genoa; figures on a ledge of rocks in the foreground, are occupied in saving the crew; men in a boat are endeavouring to make the harbour. A heavy clouded sky charged with lightning, gives grand effect to the scene]] réalisée par Vernet, vendue par Sir Simon H Clarke Bart au prix de 157.10 gs. [23]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Tribute Money. The event here portrayed occurs in the interior of a temple, in which are assembled about sixteen persons, twelve of whom are congregated in the foreground of the scene, and amongst them is a Pharisee, richly habited, in the act of showing a piece of money to Jesus, who stands in the centre of the group, in a profile view, with one hand slightly extended, apparently uttering that unanswerable reply, "Render unto Caesar the things which are Caesar's, and unto God the things that are God's." Dated 1645. This is probably the picture which was engraved by McArdell, at the time it was in the collection of John Blackwood, Esq. From the collection of M. Robit. Exhibited in the British Gallery in 1815. See Smith's "Catalogue." (Rembrandt Van Rhyn)|The Tribute Money. The event here portrayed occurs in the interior of a temple, in which are assembled about sixteen persons, twelve of whom are congregated in the foreground of the scene, and amongst them is a Pharisee, richly habited, in the act of showing a piece of money to Jesus, who stands in the centre of the group, in a profile view, with one hand slightly extended, apparently uttering that unanswerable reply, "Render unto Caesar the things which are Caesar's, and unto God the things that are God's." Dated 1645. This is probably the picture which was engraved by McArdell, at the time it was in the collection of John Blackwood, Esq. From the collection of M. Robit. Exhibited in the British Gallery in 1815. See Smith's "Catalogue."]] réalisée par Rembrandt Van Rhyn, vendue par Sir Simon H Clarke Bart, achetée par F Woodburn au prix de 630.0 gs. [27]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Sea-Port at Sunrise. This admirable picture exhibits on the right hand a portion of a handsome portico, under which are three men, two of whom are observing a boat laden with bales of goods, conducted by two sailors; a little distant from the latter object are two vessels riding at anchor. The opposite side is distinguished by a rocky eminence, on which grow clusters of umbrageous trees; from hence the eye looks over a bay to a citadel with towers and bastions, commanding the entrance to the port. In this part may be observed a number of vessels sheltered by a high hill. The whole scene is suffused with the brilliancy of a fine summer's morning. From the collection of Madame Bandeville and Monsieur Robit. Exhibited in the British Gallery 1831. See Smith's "Catalogue." (Claude)|A Sea-Port at Sunrise. This admirable picture exhibits on the right hand a portion of a handsome portico, under which are three men, two of whom are observing a boat laden with bales of goods, conducted by two sailors; a little distant from the latter object are two vessels riding at anchor. The opposite side is distinguished by a rocky eminence, on which grow clusters of umbrageous trees; from hence the eye looks over a bay to a citadel with towers and bastions, commanding the entrance to the port. In this part may be observed a number of vessels sheltered by a high hill. The whole scene is suffused with the brilliancy of a fine summer's morning. From the collection of Madame Bandeville and Monsieur Robit. Exhibited in the British Gallery 1831. See Smith's "Catalogue."]] réalisée par Claude, vendue par Sir Simon H Clarke Bart, achetée par Norton au prix de 735.0 gs. [36]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Rembrandt's Wife represented in a profile view, with both hands placed on her waist in front. She has on a large crimson silk hat adorned with feathers, and is attired in an elegant dress, with jewels and other ornaments at the neck and bosom. From the collection of M. Robit. See Smith's "Catalogue." (Rembrandt Van Rhyn)|Rembrandt's Wife represented in a profile view, with both hands placed on her waist in front. She has on a large crimson silk hat adorned with feathers, and is attired in an elegant dress, with jewels and other ornaments at the neck and bosom. From the collection of M. Robit. See Smith's "Catalogue."]] réalisée par Rembrandt Van Rhyn, vendue par Sir Simon H Clarke Bart, achetée par R.E. au prix de 142.16 gs. [40]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Winter Scene; view of a canal with a village on its banks. The dreary scene is admirably enlivened by a number of figures skating, and others amusing themselves; among them are some children playing with the snow. From the collection of M. Geldemeester. See Smith's "Catalogue." (Ruysdael)|A Winter Scene; view of a canal with a village on its banks. The dreary scene is admirably enlivened by a number of figures skating, and others amusing themselves; among them are some children playing with the snow. From the collection of M. Geldemeester. See Smith's "Catalogue."]] réalisée par Ruysdael, vendue par Sir Simon H Clarke Bart, achetée par Artaria au prix de 210.0 gs. [41]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Le Depart des Cavaliers. A party of cavalry soldiers with three horses preparing to depart from at suttler's booth erected near the centre of a barren landscape at the side of an old tree; in the middle of the group is a beautiful white charger with a soldier on the further side of it, another horse stands close by, laden with baggage and arms, and a third on the opposite side is mounted by a man with his hat in his hand; a trumpeter, an ensign bearing a flag, and a soldier on one knee drinking a parting glass, in the foreground, other figures in the distance. From the collections of Le Marquis de Pange, M. Montribloud, and M. Folozan. Engraved by Moyreau. See Smith's "Catalogue." (Wouvermans)|Le Depart des Cavaliers. A party of cavalry soldiers with three horses preparing to depart from at suttler's booth erected near the centre of a barren landscape at the side of an old tree; in the middle of the group is a beautiful white charger with a soldier on the further side of it, another horse stands close by, laden with baggage and arms, and a third on the opposite side is mounted by a man with his hat in his hand; a trumpeter, an ensign bearing a flag, and a soldier on one knee drinking a parting glass, in the foreground, other figures in the distance. From the collections of Le Marquis de Pange, M. Montribloud, and M. Folozan. Engraved by Moyreau. See Smith's "Catalogue."]] réalisée par Wouvermans, vendue par Sir Simon H Clarke Bart, achetée par Nieuwenhuys au prix de 435.15 gs. [43]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Under the shade of some noble trees peasants are passing a ford with sheep and goats, a man is leading a cow, and a female following with a lamb under her arm, another figure is following in the rear. From the collection of Mons. Robit (Adrian Van De Velde)|Under the shade of some noble trees peasants are passing a ford with sheep and goats, a man is leading a cow, and a female following with a lamb under her arm, another figure is following in the rear. From the collection of Mons. Robit]] réalisée par Adrian Van De Velde, vendue par Sir Simon H Clarke Bart, achetée par Seguier au prix de 798.0 gs. [45]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Tired Traveller. A country inn, in front of which and under the cool shade of a vine trellis, is seated a traveller on a barrel, with a table before him, on which lies a fresh-gathered rose. This object has evidently allusion to a pretty female who is handing him a glass of wine; his attention, however, is so rivetted on the fair waiter that the liquor remains untouched. Painted with the tasteful elegance of Metzu. From the collection of the Duc de Valentinois, and J.F. Tuffen, Esq. 1818. Exhibited in the British Gallery 1819. See Smith's "Catalogue." (Jan Steen)|The Tired Traveller. A country inn, in front of which and under the cool shade of a vine trellis, is seated a traveller on a barrel, with a table before him, on which lies a fresh-gathered rose. This object has evidently allusion to a pretty female who is handing him a glass of wine; his attention, however, is so rivetted on the fair waiter that the liquor remains untouched. Painted with the tasteful elegance of Metzu. From the collection of the Duc de Valentinois, and J.F. Tuffen, Esq. 1818. Exhibited in the British Gallery 1819. See Smith's "Catalogue."]] réalisée par Jan Steen, vendue par Sir Simon H Clarke Bart, achetée par [[Belan [?]]] au prix de 588.0 gs. [47]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Venus appearing to Aeneas; this admirable picture represents the goddess buoyant in the air, attended by three cupids, her arms extended, and her attention directed to her son Aeneas, who stands at the side, viewing with silent admiration the magnificent armour and arms which are attached to the stem of a tree before him, and to which the goddess points. In the interval is introduced a river deity recumbent; and beyond him is a Naiad seated by the side of a vase arranging her hair; a second nymph is seen at the side, reclining near some rocks. Engraved by Le Noir. From the collections of the Prince de Carignan and M. Robit. Exhibited in the British Gallery in 1832. See Smith's "Catalogue." (Nicolo Poussin)|Venus appearing to Aeneas; this admirable picture represents the goddess buoyant in the air, attended by three cupids, her arms extended, and her attention directed to her son Aeneas, who stands at the side, viewing with silent admiration the magnificent armour and arms which are attached to the stem of a tree before him, and to which the goddess points. In the interval is introduced a river deity recumbent; and beyond him is a Naiad seated by the side of a vase arranging her hair; a second nymph is seen at the side, reclining near some rocks. Engraved by Le Noir. From the collections of the Prince de Carignan and M. Robit. Exhibited in the British Gallery in 1832. See Smith's "Catalogue."]] réalisée par Nicolo Poussin, vendue par Sir Simon H Clarke Bart, achetée par Collard au prix de 262.10 gs. [50]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Le Corset Rouge; the companion to the celebrated Corset Bleu, represents a lady dressed in a scarlet velvet corset, and a taffeta petticoat. She is seated, and appears to have quitted her drawing in order to caress a favourite dog; some blue paper lies in her lap; and the figure of an infant, in plaster, after Fiamingo, stands on a table before her, which is covered with a Turkey carpet. From the collections of R. de Boisset, M. Destouches, M. Wattier, and M. Robit. Exhibited in the British Gallery in 1815. See Smith's "Catalogue." (Gabriel Metzu)|Le Corset Rouge; the companion to the celebrated Corset Bleu, represents a lady dressed in a scarlet velvet corset, and a taffeta petticoat. She is seated, and appears to have quitted her drawing in order to caress a favourite dog; some blue paper lies in her lap; and the figure of an infant, in plaster, after Fiamingo, stands on a table before her, which is covered with a Turkey carpet. From the collections of R. de Boisset, M. Destouches, M. Wattier, and M. Robit. Exhibited in the British Gallery in 1815. See Smith's "Catalogue."]] réalisée par Gabriel Metzu, vendue par Sir Simon H Clarke Bart, achetée par R.E. au prix de 535.10 gs. [51]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Woman milking a Cow; a view near the river Maes, with a high bank on the left, on the summit of which are two cows, one of them lying down, the other standing; and at the foot of the hill in front is a young woman milking a red cow. The river, with its vessels and boats, occupies the right of the picture. From the collection of M. Robit. Exhibited in the British Gallery in 1829. See Smith's "Catalogue." (Cuyp)|A Woman milking a Cow; a view near the river Maes, with a high bank on the left, on the summit of which are two cows, one of them lying down, the other standing; and at the foot of the hill in front is a young woman milking a red cow. The river, with its vessels and boats, occupies the right of the picture. From the collection of M. Robit. Exhibited in the British Gallery in 1829. See Smith's "Catalogue."]] réalisée par Cuyp, vendue par Sir Simon H Clarke Bart, achetée par Artaria au prix de 955.10 gs. [52]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Holy Family; a composition of four figures, as large as life, seen to the knees. The Virgin is seated in the middle, with the infant Saviour in her arms, whose feet she has just finished washing in a basin; his head reclines on his mother's breast, and his attention is directed to an angel, who is presenting him a basket of fruit; St. Joseph (seen in a profile view) is on the opposite side. The back-ground represents a landscape. This capital picture is stated to have been painted for a M. Grouin, in whose family it continued until it was purchased for the Presle Collection, from whence it was transferred to. The collections of M. Robit, M. Wouter, Valckenier, Mr. Bryan, and G. Hibbert, Esq. Engraved by J. Ward. See Smith's "Catalogue." (Rubens)|The Holy Family; a composition of four figures, as large as life, seen to the knees. The Virgin is seated in the middle, with the infant Saviour in her arms, whose feet she has just finished washing in a basin; his head reclines on his mother's breast, and his attention is directed to an angel, who is presenting him a basket of fruit; St. Joseph (seen in a profile view) is on the opposite side. The back-ground represents a landscape. This capital picture is stated to have been painted for a M. Grouin, in whose family it continued until it was purchased for the Presle Collection, from whence it was transferred to. The collections of M. Robit, M. Wouter, Valckenier, Mr. Bryan, and G. Hibbert, Esq. Engraved by J. Ward. See Smith's "Catalogue."]] réalisée par Rubens, vendue par Sir Simon H Clarke Bart, achetée par Buchanan for Mr Holford au prix de 945.0 gs. [53]
  • 1840.05.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Freemasons; the interior of a large room, with a company of six peasants in front, two of whom are seated at a little table playing at cards; the one on the spectator's left is an elderly man, dressed in black, and having a broad frill round his neck; his adversary wears a cap on his head, and has a case of knives by his side; three of the others are on the further side of the table watching the game; the sixth is turned round to the wall; the company is overlooked by an old woman from a little window above. In the back part of the room are five more figures, and amongst them is a woman frying pancakes. This picture was formerly in the collection of M. Bellanger, 1747. It is engraved by Lepicier under the title of Les Francs-Macons Flamands (Teniers)|The Freemasons; the interior of a large room, with a company of six peasants in front, two of whom are seated at a little table playing at cards; the one on the spectator's left is an elderly man, dressed in black, and having a broad frill round his neck; his adversary wears a cap on his head, and has a case of knives by his side; three of the others are on the further side of the table watching the game; the sixth is turned round to the wall; the company is overlooked by an old woman from a little window above. In the back part of the room are five more figures, and amongst them is a woman frying pancakes. This picture was formerly in the collection of M. Bellanger, 1747. It is engraved by Lepicier under the title of Les Francs-Macons Flamands]] réalisée par Teniers, vendue par Sir Simon H Clarke Bart, achetée par Dunford au prix de 661.10 gs. [54]
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