Ventes d'œuvres le 1840.08.27

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  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Marriage of St Catharine in the presence of St. Sebastian. In the back ground is the Martyrdom of two Saints The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Corregio)|The Marriage of St Catharine in the presence of St. Sebastian. In the back ground is the Martyrdom of two Saints The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Corregio, vendue par John Douglas Esq. [1]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[St. Catharine, with the Emblem of her Sufferings -- canvass. The Saint is represented with her face lifted up towards Heaven in devout contemplation; she rests upon the wheel, the instrument of her torments, and holds in her hand the palm of Martyrdom. This Picture, which is replete with all the grace and sweetness of character peculiar to the Bolognese School at that period when the labours of Guido, Albano, and Domenihino shed a lustre upon its character, was brought to England in the celebrated Truchsessian Gallery, from whence it was purchased by an English Nobleman at a large price, it being esteemed one of the finest productions of the Master (Domenico Zampieri, called Domenichino)|St. Catharine, with the Emblem of her Sufferings -- canvass. The Saint is represented with her face lifted up towards Heaven in devout contemplation; she rests upon the wheel, the instrument of her torments, and holds in her hand the palm of Martyrdom. This Picture, which is replete with all the grace and sweetness of character peculiar to the Bolognese School at that period when the labours of Guido, Albano, and Domenihino shed a lustre upon its character, was brought to England in the celebrated Truchsessian Gallery, from whence it was purchased by an English Nobleman at a large price, it being esteemed one of the finest productions of the Master]] réalisée par Domenico Zampieri, called Domenichino, vendue par John Douglas Esq au prix de 714 gs. [2]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Landscape, with a Storm clearing off -- canvass The Pictures by this Master, of a high class, are rarely to be met with in this country. Whenever they are properly understood and appreciated, the connoisseur of taste thinks no sacrifice too great to possess them. This Picture has stood the test of severe criticism and refined judgment, and it is allowed to be a genuine production of the great Master to whose pencil it is assigned, and who is said to have first given to Landscape Painting character and importance. It displays a rich scene of diversified beauties pourtrayed with masterly power (Titian, Vecelli da Cadore)|A Landscape, with a Storm clearing off -- canvass The Pictures by this Master, of a high class, are rarely to be met with in this country. Whenever they are properly understood and appreciated, the connoisseur of taste thinks no sacrifice too great to possess them. This Picture has stood the test of severe criticism and refined judgment, and it is allowed to be a genuine production of the great Master to whose pencil it is assigned, and who is said to have first given to Landscape Painting character and importance. It displays a rich scene of diversified beauties pourtrayed with masterly power]] réalisée par Titian, Vecelli da Cadore, vendue par John Douglas Esq au prix de 39 gs. [3]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Holy Family -- canvass. The Virgin is seated holding the infant Jesus in her lap, who is looking with a kind expression upon John, and extends his arm towards him. John, resting upon the Cross, is devoutly adoring the Infant, and Joseph is in the back ground calmly looking on the scene. This Picture was taken surreptitiously from the Palace of the Escurial by a military officer. It unites the beauties of Raffaelle and Corregio, and is evidently the work of a great Master (Bernardo Lovini or Luini)|A Holy Family -- canvass. The Virgin is seated holding the infant Jesus in her lap, who is looking with a kind expression upon John, and extends his arm towards him. John, resting upon the Cross, is devoutly adoring the Infant, and Joseph is in the back ground calmly looking on the scene. This Picture was taken surreptitiously from the Palace of the Escurial by a military officer. It unites the beauties of Raffaelle and Corregio, and is evidently the work of a great Master]] réalisée par Bernardo Lovini or Luini, vendue par John Douglas Esq au prix de 45 gs. [4]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[An Italian Lake Scene, with Figures -- canvass. This splendid effort of Wilson's powers was purchased at the sale of the late Mr. Nolleken's Pictures, into whose hands it came from Wilson's patron. It is one of his richest and most effective Pictures, and in fine preservation. Hastings, who has etched this subject, remarks with great truth, "it is difficult to conceive that landscape painting could be carried to a higher pitch of excellence." Wilson's Pictures are every where highly prized, but in the "Principality" they must bear an additional value and interest, as he was a native of that country, and one of its brightest ornaments (Richard Wilson -- Born 1714, Died 1782)|An Italian Lake Scene, with Figures -- canvass. This splendid effort of Wilson's powers was purchased at the sale of the late Mr. Nolleken's Pictures, into whose hands it came from Wilson's patron. It is one of his richest and most effective Pictures, and in fine preservation. Hastings, who has etched this subject, remarks with great truth, "it is difficult to conceive that landscape painting could be carried to a higher pitch of excellence." Wilson's Pictures are every where highly prized, but in the "Principality" they must bear an additional value and interest, as he was a native of that country, and one of its brightest ornaments]] réalisée par Richard Wilson -- Born 1714, Died 1782, vendue par John Douglas Esq, achetée par Thompkinson au prix de 270 gs. [5]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Lady and Child, in a Landscape, enriched with Flowers -- panel. This matchless Picture is the portrait of a Lady of noble family, named Booven, and it remained at Antwerp, in the possession of the descendants of Rubens, with the celebrated "Chapeau de Paille" (now in the collection of Sir Robert Peel, Bart.). In 1809, the last survivor of the family, Madame Knyff, sold it to a French Dealer, from whom the late owner purchased it. The Landscape and Flowers are painted by Breughel, with great skill and knowledge of his art. Their beauty gives additional effect to the vivid and powerful colouring of the Figures. This Picture may be truly said to have been painted con. amore (Peter Paul Rubens)|A Lady and Child, in a Landscape, enriched with Flowers -- panel. This matchless Picture is the portrait of a Lady of noble family, named Booven, and it remained at Antwerp, in the possession of the descendants of Rubens, with the celebrated "Chapeau de Paille" (now in the collection of Sir Robert Peel, Bart.). In 1809, the last survivor of the family, Madame Knyff, sold it to a French Dealer, from whom the late owner purchased it. The Landscape and Flowers are painted by Breughel, with great skill and knowledge of his art. Their beauty gives additional effect to the vivid and powerful colouring of the Figures. This Picture may be truly said to have been painted con. amore]] réalisée par Peter Paul Rubens, vendue par John Douglas Esq, achetée par Thompkinson au prix de 155 gs. [6]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[Christ with his Disciples at Emaus -- canvass. This Picture is full of grandeur; the subject is finely told, the characters and expression strongly appropriate, and the effect is powerful. It is in Guercino's second manner, which is most approved for colouring (Guercino -- Born 1590, Died 1666)|Christ with his Disciples at Emaus -- canvass. This Picture is full of grandeur; the subject is finely told, the characters and expression strongly appropriate, and the effect is powerful. It is in Guercino's second manner, which is most approved for colouring]] réalisée par Guercino -- Born 1590, Died 1666, vendue par John Douglas Esq au prix de 210 gs. [7]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Descent from the Cross -- canvass. The Virgin, with an expression of intense grief, is supporting the upper part of the body of Christ; two Angels on the left are holding the Crown of Thorns; another Angel supports the left arm of the crucified Saviour, for whose sufferings every countenance expresses a deeply-felt sorrow: on the right are the instruments of the Passion. The two preceding Pictures are part of a series of eight, illustrative of the Life of the Vrgin, which are mentioned by Velasco, Captain Davies, and other writers on the Spanish Painters, to have been painted by Murillo, expressly for the Cathedral of the Trinidada at Seville, where the whole series remained until the approach of the French Armies to that city, when they were with difficulty brought from Spain, and were sold by Mr. Christie, in London, in the year 1810, when these master-pieces of Art were purchased by the late owner (Bartolome Esteban Murillo)|The Descent from the Cross -- canvass. The Virgin, with an expression of intense grief, is supporting the upper part of the body of Christ; two Angels on the left are holding the Crown of Thorns; another Angel supports the left arm of the crucified Saviour, for whose sufferings every countenance expresses a deeply-felt sorrow: on the right are the instruments of the Passion. The two preceding Pictures are part of a series of eight, illustrative of the Life of the Vrgin, which are mentioned by Velasco, Captain Davies, and other writers on the Spanish Painters, to have been painted by Murillo, expressly for the Cathedral of the Trinidada at Seville, where the whole series remained until the approach of the French Armies to that city, when they were with difficulty brought from Spain, and were sold by Mr. Christie, in London, in the year 1810, when these master-pieces of Art were purchased by the late owner]] réalisée par Bartolome Esteban Murillo, vendue par John Douglas Esq au prix de 90 gs. [8]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Annunciation -- canvass. The Virgin is seen kneeling at her devotion, with an expression of unaffected piety; -- the Angel, in a graceful attitude, announces his divine mission, pointing to the Dove, which is seen descending, surrounded by a multitude of beautiful Infant Angels, in a great variety of character and attitude. On the table at which the Virgin kneels the White Lily, the Emblem of Purity, is tastefully introduced, and adds much to the pleasing effect of this masterly composition and beautiful production of Spanish Art The two preceding Pictures are part of a series of eight, illustrative of the Life of the Vrgin, which are mentioned by Velasco, Captain Davies, and other writers on the Spanish Painters, to have been painted by Murillo, expressly for the Cathedral of the Trinidada at Seville, where the whole series remained until the approach of the French Armies to that city, when they were with difficulty brought from Spain, and were sold by Mr. Christie, in London, in the year 1810, when these master-pieces of Art were purchased by the late owner (Bartolome Esteban Murillo)|The Annunciation -- canvass. The Virgin is seen kneeling at her devotion, with an expression of unaffected piety; -- the Angel, in a graceful attitude, announces his divine mission, pointing to the Dove, which is seen descending, surrounded by a multitude of beautiful Infant Angels, in a great variety of character and attitude. On the table at which the Virgin kneels the White Lily, the Emblem of Purity, is tastefully introduced, and adds much to the pleasing effect of this masterly composition and beautiful production of Spanish Art The two preceding Pictures are part of a series of eight, illustrative of the Life of the Vrgin, which are mentioned by Velasco, Captain Davies, and other writers on the Spanish Painters, to have been painted by Murillo, expressly for the Cathedral of the Trinidada at Seville, where the whole series remained until the approach of the French Armies to that city, when they were with difficulty brought from Spain, and were sold by Mr. Christie, in London, in the year 1810, when these master-pieces of Art were purchased by the late owner]] réalisée par Bartolome Esteban Murillo, vendue par John Douglas Esq au prix de 275 gs. [9]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[Fishing Boats landing Fish on the Coast of Holland, with Figures employed in carrying it into the interior of the country -- canvass. The effect is that of nature on the Coast of Scheveling, which has been the subject of the pencils of the first Dutch Painters; -- a fine aerial effect, with a colour and transparency equal to Cuyp, pervades the Picture (Isaac Ostade -- Born 1617, Died Young)|Fishing Boats landing Fish on the Coast of Holland, with Figures employed in carrying it into the interior of the country -- canvass. The effect is that of nature on the Coast of Scheveling, which has been the subject of the pencils of the first Dutch Painters; -- a fine aerial effect, with a colour and transparency equal to Cuyp, pervades the Picture]] réalisée par Isaac Ostade -- Born 1617, Died Young, vendue par John Douglas Esq au prix de 50 gs. [15]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[Venus Sacrificing at the Statue of Adonis -- canvass. Adonis having in the Chase received a mortal wound from a Boar, Venus, inconsolable for his death, is related to have raised a Temple to his memory, and to have performed annual sacrifices therein. She pours a libation on his heart, which produces the purple flower anemone. Cupid, weeping, extinguishes his torch, while several of the Gods and Goddesses attend on the Cyprian Queen. The Huntsmen of Adonis with their Dogs are seen in the distance, and the Composition is enriched with groups of the Relatives of Adonis and the Sages of the Country, and adorned with the Graces, Fortune and Fates. The Picture is full of poetic beauty and classical elegance (Agostino Carracci)|Venus Sacrificing at the Statue of Adonis -- canvass. Adonis having in the Chase received a mortal wound from a Boar, Venus, inconsolable for his death, is related to have raised a Temple to his memory, and to have performed annual sacrifices therein. She pours a libation on his heart, which produces the purple flower anemone. Cupid, weeping, extinguishes his torch, while several of the Gods and Goddesses attend on the Cyprian Queen. The Huntsmen of Adonis with their Dogs are seen in the distance, and the Composition is enriched with groups of the Relatives of Adonis and the Sages of the Country, and adorned with the Graces, Fortune and Fates. The Picture is full of poetic beauty and classical elegance]] réalisée par Agostino Carracci, vendue par John Douglas Esq au prix de 12 gs. [16]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Miraculous Draft of Fishes. The original finished study for one of the compartments of the Altar-piece of a Church in Flanders. The large Picture was exhibited at Paris in 1814. Some of the Figures are changed in their places, and some of the subordinate parts have been altered, but the principal action and characters of the Figures are the same in both Pictures (Peter Paul Rubens)|The Miraculous Draft of Fishes. The original finished study for one of the compartments of the Altar-piece of a Church in Flanders. The large Picture was exhibited at Paris in 1814. Some of the Figures are changed in their places, and some of the subordinate parts have been altered, but the principal action and characters of the Figures are the same in both Pictures]] réalisée par Peter Paul Rubens, vendue par John Douglas Esq au prix de 20 gs. [17]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Landscape, in which is a Wood, with a View of a distant Country -- a Party of Figures, with Horses and Dogs, are preparing for the Sport of Hawking -- canvass. A genuine and beautiful Picture, in the finest style of the Master; it bears the date of 1675, with the original signature of Wynants, who the biographers state to have died in 1670. In Smith's Catalogue Raisonné of the works of this able Master, part 6, page 227, is the following remark, which shows that this Picture is correctly dated: -- "Biographers are mistaken in stating his death to have occurred in 1670, for the writer has seen Pictures by his hand dated 1673. A Dutch Dictionary of Painters, published in 1816, says he died in 1677." (John Wynants)|A Landscape, in which is a Wood, with a View of a distant Country -- a Party of Figures, with Horses and Dogs, are preparing for the Sport of Hawking -- canvass. A genuine and beautiful Picture, in the finest style of the Master; it bears the date of 1675, with the original signature of Wynants, who the biographers state to have died in 1670. In Smith's Catalogue Raisonné of the works of this able Master, part 6, page 227, is the following remark, which shows that this Picture is correctly dated: -- "Biographers are mistaken in stating his death to have occurred in 1670, for the writer has seen Pictures by his hand dated 1673. A Dutch Dictionary of Painters, published in 1816, says he died in 1677."]] réalisée par John Wynants, vendue par John Douglas Esq, achetée par Edwards. [18]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Doctor dressing the Foot of his Patient, and two Figures attending the operation -- panel. The colouring is transparent and rich -- the characters full of appropriate expression. This Picture was the property of the unfortunate Admiral Byng (Adrian Brawer)|A Doctor dressing the Foot of his Patient, and two Figures attending the operation -- panel. The colouring is transparent and rich -- the characters full of appropriate expression. This Picture was the property of the unfortunate Admiral Byng]] réalisée par Adrian Brawer, vendue par John Douglas Esq au prix de 19 1/2 gs. [27]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Seaport at Sunset, with numerous Vessels, Figures, a Palace on the Shore, &c. The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Claude)|A Seaport at Sunset, with numerous Vessels, Figures, a Palace on the Shore, &c. The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Claude, vendue par John Douglas Esq. [34]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[St. Augustin in Extacy, surrounded by Saints, to whom Jesus appears in Glory, attended by the Host of Heaven The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Vandyck)|St. Augustin in Extacy, surrounded by Saints, to whom Jesus appears in Glory, attended by the Host of Heaven The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Vandyck, vendue par John Douglas Esq. [35]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[Romulus and Remus, brought by Faustulus to his Wife Laurentia to nurse The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Pietro da Cortona)|Romulus and Remus, brought by Faustulus to his Wife Laurentia to nurse The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Pietro da Cortona, vendue par John Douglas Esq. [36]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Visitation of Mary to Elizabeth The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Sebastian del Piombo)|The Visitation of Mary to Elizabeth The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Sebastian del Piombo, vendue par John Douglas Esq. [37]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Landscape, with Cattle, Sheep, and Shepherd, from the original, which is the size of nature The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Paul Potter)|A Landscape, with Cattle, Sheep, and Shepherd, from the original, which is the size of nature The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Paul Potter, vendue par John Douglas Esq. [38]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Virgin lifting the Veil from the Sleeping Infant; St. John in Adoration The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Raffaelle)|The Virgin lifting the Veil from the Sleeping Infant; St. John in Adoration The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Raffaelle, vendue par John Douglas Esq. [39]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[Portrait of Alphonso D'Avalos, Marquis Dalguasto The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Titian)|Portrait of Alphonso D'Avalos, Marquis Dalguasto The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Titian, vendue par John Douglas Esq. [40]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[Education of Marie de Medicis, from the Luxembourg The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Rubens)|Education of Marie de Medicis, from the Luxembourg The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Rubens, vendue par John Douglas Esq. [41]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[Portrait of the Artist and his Mistress The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Titian)|Portrait of the Artist and his Mistress The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Titian, vendue par John Douglas Esq. [42]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Virgin and Infant Jesus, with St. John and two Angels The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Andrea del Sarto)|The Virgin and Infant Jesus, with St. John and two Angels The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Andrea del Sarto, vendue par John Douglas Esq. [43]
  • 1840.08.27/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Holy Family, with St. John and Elizabeth; the Angel scattering Flowers The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: -- (Raffaelle)|The Holy Family, with St. John and Elizabeth; the Angel scattering Flowers The following highly-finished and accurate Copies were purchased by Mr. Douglas, in Paris, in 1814, and are interesting recollections of the most splendid Works of Art which at that period adorned the Louvre. They are able and faithful Representations of these Pictures, the originals of which are beyond the reach of any power, but that of violence and conquest, and are worthy the possession of the British Amateur of cultivated taste: --]] réalisée par Raffaelle, vendue par John Douglas Esq. [44]
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