Ventes d'œuvres le 1841.08.17

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  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Martyrdom of St. Peter. The Easel picture for the great painting in the Louvre, executed in the Caravaggio style, and accurately corresponding with the engraving which must have been executed from it.-- The head of the aged Saint is supported in the arms of his executioners, while another hauls him up by the feet, to the top of the subverted cross.-- A third is ready overhead to nail him in this attitude to the accursed tree, on which he deemed himself unworthy to suffer in the same posture with his adorable Master. (Guido)|Martyrdom of St. Peter. The Easel picture for the great painting in the Louvre, executed in the Caravaggio style, and accurately corresponding with the engraving which must have been executed from it.-- The head of the aged Saint is supported in the arms of his executioners, while another hauls him up by the feet, to the top of the subverted cross.-- A third is ready overhead to nail him in this attitude to the accursed tree, on which he deemed himself unworthy to suffer in the same posture with his adorable Master.]] réalisée par Guido, vendue par Major Sirr au prix de 8.8 £. [11]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Bacchus and Ariadne. Bacchus is in the act of presenting the crown of seven stars to Ariadne, who half rises from her reclining posture, in apparent distress.-- There is a singular grace and beauty in the whole composition.-- The Cupids playing with the young Tigers, are very lovely. "Bacchus amat flores; Baccho placuisse coronam, Ex ariadnaeo sidere nosse potes." -- Ovid Fasti Lib. v, 345. Of this distinguished Painter it is said, "his works in small, were exceedingly more admired than those of a larger proportion. His usual subjects were taken from Ovid.-- They are in universal esteem, and eagerly bought up at large prices, in every part of Europe."-- Pilkington. (Filippo Laura)|Bacchus and Ariadne. Bacchus is in the act of presenting the crown of seven stars to Ariadne, who half rises from her reclining posture, in apparent distress.-- There is a singular grace and beauty in the whole composition.-- The Cupids playing with the young Tigers, are very lovely. "Bacchus amat flores; Baccho placuisse coronam, Ex ariadnaeo sidere nosse potes." -- Ovid Fasti Lib. v, 345. Of this distinguished Painter it is said, "his works in small, were exceedingly more admired than those of a larger proportion. His usual subjects were taken from Ovid.-- They are in universal esteem, and eagerly bought up at large prices, in every part of Europe."-- Pilkington.]] réalisée par Filippo Laura, vendue par Major Sirr au prix de 14.0 £. [27]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Conversation Party. A feast is partly spread.-- A damask cloth with lace edging is spread.-- A Peacock full plumed rests in a baking dish on the table.-- A servant enters with a Turkey cock, similarly served.-- The draperies are exquisitely finished. It is marked with the above name, and the date 1531. The writing of the name resembles Nekter. He was unknown to Pilkington.It is a splendid Cabinet Picture. (L. Netter)|Conversation Party. A feast is partly spread.-- A damask cloth with lace edging is spread.-- A Peacock full plumed rests in a baking dish on the table.-- A servant enters with a Turkey cock, similarly served.-- The draperies are exquisitely finished. It is marked with the above name, and the date 1531. The writing of the name resembles Nekter. He was unknown to Pilkington.It is a splendid Cabinet Picture.]] réalisée par L. Netter, vendue par Major Sirr au prix de 15.10 £. [28]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Lady at her Toilet. A most highly finished picture, of this admirable painter.-- To describe the exquisite draperies and pencilling, would be to recount the merits peculiar to the Master, which may more easily be found in Pilkington's History.-- Beside the Lady stands another figure, offering her earnestly a bag of money, which she rejects by the action of her hands, while with averted face she looks at her own charms in a Glass, which rests on a velvet covered table at which she sits. (Francis Mieris, The Old)|Lady at her Toilet. A most highly finished picture, of this admirable painter.-- To describe the exquisite draperies and pencilling, would be to recount the merits peculiar to the Master, which may more easily be found in Pilkington's History.-- Beside the Lady stands another figure, offering her earnestly a bag of money, which she rejects by the action of her hands, while with averted face she looks at her own charms in a Glass, which rests on a velvet covered table at which she sits.]] réalisée par Francis Mieris, The Old, vendue par Major Sirr au prix de 32.0 £. [34]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[St. Anthony Tempted. This splendid highly finished cabinet picture, was formerly in Baron La Coste's collection, at Amsterdam. The Saint embracing the infant Christ, who sits upon a Globe, has his back turned on the singular monsters, by whom he is surrounded.-- A Burning Tower is in the distance.-- A Watchman is toiling up the hill with a lantern.-- Strange creatures fill the air.-- There is an inscription on the picture, which cannot be deciphered. (Teniers)|St. Anthony Tempted. This splendid highly finished cabinet picture, was formerly in Baron La Coste's collection, at Amsterdam. The Saint embracing the infant Christ, who sits upon a Globe, has his back turned on the singular monsters, by whom he is surrounded.-- A Burning Tower is in the distance.-- A Watchman is toiling up the hill with a lantern.-- Strange creatures fill the air.-- There is an inscription on the picture, which cannot be deciphered.]] réalisée par Teniers, vendue par Major Sirr au prix de 11.10 £. [40]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Angel Speaking to Joseph in a Dream. "Fear not to take unto thee Mary thy Wife." Joseph reclines on his left hand, beneath a tree. Mary, in the distance, is seen seated at a table. -- Starting from the perusal of the Scriptures, she looks with wonder towards the Vision. The heads of two Cherubs appear beneath the Angel. The composition is graceful -- the light admirably managed -- the execution noble. (Guercino)|Angel Speaking to Joseph in a Dream. "Fear not to take unto thee Mary thy Wife." Joseph reclines on his left hand, beneath a tree. Mary, in the distance, is seen seated at a table. -- Starting from the perusal of the Scriptures, she looks with wonder towards the Vision. The heads of two Cherubs appear beneath the Angel. The composition is graceful -- the light admirably managed -- the execution noble.]] réalisée par Guercino, vendue par Major Sirr. [52]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[St. Sebastian shot at by Maurianian Archers. This splendid chef d'oeuvre cannot be surpassed for beauty of coloruing, correctness of drawing, precision of anatomical structure, and accurate representation of a soul-sustaining hope, combined with the flush of corporeal pain. The blood may be almost seen to recede from the corded and blackened wrists, by which the martyr is suspended to the tree. (Guido)|St. Sebastian shot at by Maurianian Archers. This splendid chef d'oeuvre cannot be surpassed for beauty of coloruing, correctness of drawing, precision of anatomical structure, and accurate representation of a soul-sustaining hope, combined with the flush of corporeal pain. The blood may be almost seen to recede from the corded and blackened wrists, by which the martyr is suspended to the tree.]] réalisée par Guido, vendue par Major Sirr. [54]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Charity. This lovely picture suffers no injury from its juxta position with some of the most splendidly coloured pictures of Italy. Maternal endurance is admirably pourtrayed. The intense sympathy, which enters into other's woe permits no annoyance to arise from the teazing gambols of the urchins' who clamber on her shoulders, or climb upon her lap. (Vandyck)|Charity. This lovely picture suffers no injury from its juxta position with some of the most splendidly coloured pictures of Italy. Maternal endurance is admirably pourtrayed. The intense sympathy, which enters into other's woe permits no annoyance to arise from the teazing gambols of the urchins' who clamber on her shoulders, or climb upon her lap.]] réalisée par Vandyck, vendue par Major Sirr. [55]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ betrayed. The composition is not a little remarkable. In the back ground, the Saviour is represented kneelintg in agony, while Peter sleeps. The same disciple is again seen warming himself at a fire, in the left hand corner. Judas is in the act of giving his insidious kiss. Two soldiers have already seized each a hand of the Redeemer. The eager looks of the multitude are very striking. A lantern lies upon the ground. (Tintoretto)|Christ betrayed. The composition is not a little remarkable. In the back ground, the Saviour is represented kneelintg in agony, while Peter sleeps. The same disciple is again seen warming himself at a fire, in the left hand corner. Judas is in the act of giving his insidious kiss. Two soldiers have already seized each a hand of the Redeemer. The eager looks of the multitude are very striking. A lantern lies upon the ground.]] réalisée par Tintoretto, vendue par Major Sirr. [56]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Woman taken in Adultery. It is difficult to say what is most to be admired in this splendid painting -- the richness of the colouring -- the speaking visages of the hypocritical Pharisees -- the shame painted in the downcast face of the unhappy criminal -- the mountain scene and buildings in the back ground -- or the mild, rebuking face of Him who came to seek and to save that which was lost. (Titian)|Woman taken in Adultery. It is difficult to say what is most to be admired in this splendid painting -- the richness of the colouring -- the speaking visages of the hypocritical Pharisees -- the shame painted in the downcast face of the unhappy criminal -- the mountain scene and buildings in the back ground -- or the mild, rebuking face of Him who came to seek and to save that which was lost.]] réalisée par Titian, vendue par Major Sirr. [57]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Last Supper. This splendid picture speaks for itself. The Saviour is in the act of blessing the bread, while his eyes are upraised in devotion. The pascal lamb, whole and roasted, with two lighted candles, lies upon the table. The variety of expression in the speaking visages of the Apostles, from the malignant scowl of Judas, to the soft, affectionate, absorbed countenance of the beloved Disciple, defies all description. The coloring is the richest imaginable. It is thought better not to affect to name the master. There is some resemblance to Rubens, but there is none of his mannerism, or occasional coarseness. Other names of eminence have been often mentioned, but as there is no positive certainty, and as every judge must discern that it is the work of a mighty genius, it has been deemed wise to leave this doubtful question to the decision of those, who may have seen an engraving of it, which is said to exist. (artiste anonyme)|The Last Supper. This splendid picture speaks for itself. The Saviour is in the act of blessing the bread, while his eyes are upraised in devotion. The pascal lamb, whole and roasted, with two lighted candles, lies upon the table. The variety of expression in the speaking visages of the Apostles, from the malignant scowl of Judas, to the soft, affectionate, absorbed countenance of the beloved Disciple, defies all description. The coloring is the richest imaginable. It is thought better not to affect to name the master. There is some resemblance to Rubens, but there is none of his mannerism, or occasional coarseness. Other names of eminence have been often mentioned, but as there is no positive certainty, and as every judge must discern that it is the work of a mighty genius, it has been deemed wise to leave this doubtful question to the decision of those, who may have seen an engraving of it, which is said to exist.]] réalisée par un.e artiste anonyme, vendue par Major Sirr. [58]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Daughter of Herodias with John the Baptist's Head. One of the most splendid, highly finished cabinet pictures in existence -- There is a magic and a beauty about the female which is indescribale. The minute embroidery of her attire is exquisite in the extreme. Her attitude, with the faulchion in her hand, is most imposing. The head of the tyrant is wonderfully executed -- The intelligent and malignant aspect of her aged mother is in harmonious keeping. The eye would never weary in reposing on this fascinating effort of the graphic art -- Its' freshness, and that of many other pictures in the Collection, is to be attributed to its having been long preserved in a mahogany case. (Titian)|Daughter of Herodias with John the Baptist's Head. One of the most splendid, highly finished cabinet pictures in existence -- There is a magic and a beauty about the female which is indescribale. The minute embroidery of her attire is exquisite in the extreme. Her attitude, with the faulchion in her hand, is most imposing. The head of the tyrant is wonderfully executed -- The intelligent and malignant aspect of her aged mother is in harmonious keeping. The eye would never weary in reposing on this fascinating effort of the graphic art -- Its' freshness, and that of many other pictures in the Collection, is to be attributed to its having been long preserved in a mahogany case.]] réalisée par Titian, vendue par Major Sirr. [61]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Figures. The most common observer will be struck with the truth and force of light and shade in this remarkable picture -- Remarkable as one of the few surprising efforts, ever executed in this branch of art, by this celebrated master. (Guercino)|Landscape and Figures. The most common observer will be struck with the truth and force of light and shade in this remarkable picture -- Remarkable as one of the few surprising efforts, ever executed in this branch of art, by this celebrated master.]] réalisée par Guercino, vendue par Major Sirr. [63]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Death of Adonis. This magnificant painting, (originlly brought from Italy, by Attorney General Tisdall,) in the grand style of history, combined with landscape, was considered by its late lamented possessor the finest picture in his possession.-- In chasteness of design, classical beauty of form, and exquisite harmony, it surpasses all other paintings of this extraordinary and versatile genius, which the writer of this Catalogue has ever seen.-- The representation of the distant sun-lit valley, the romantic mountain glen, was never exceeded by the art of man.-- The tragic posture and expression of the Venus -- the corpse of Adonis -- the mourning cupids -- and the unconscious swans are all so many studies in themselves. (Titian)|The Death of Adonis. This magnificant painting, (originlly brought from Italy, by Attorney General Tisdall,) in the grand style of history, combined with landscape, was considered by its late lamented possessor the finest picture in his possession.-- In chasteness of design, classical beauty of form, and exquisite harmony, it surpasses all other paintings of this extraordinary and versatile genius, which the writer of this Catalogue has ever seen.-- The representation of the distant sun-lit valley, the romantic mountain glen, was never exceeded by the art of man.-- The tragic posture and expression of the Venus -- the corpse of Adonis -- the mourning cupids -- and the unconscious swans are all so many studies in themselves.]] réalisée par Titian, vendue par Major Sirr. [64]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Death of Nero. He has fallen back into the arms of his attendants -- one hand grasps the weapon he has plunged into his throat. There is great force and power in the painting. Great is the muscular action in the various figures.-- Fruits are strewn about the fore-ground. (artiste anonyme)|The Death of Nero. He has fallen back into the arms of his attendants -- one hand grasps the weapon he has plunged into his throat. There is great force and power in the painting. Great is the muscular action in the various figures.-- Fruits are strewn about the fore-ground.]] réalisée par un.e artiste anonyme, vendue par Major Sirr. [65]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Jupiter in the form of a Satyr, surprising Antiope asleep. The couch on which Antiope reposes, is strewed with roses. This picture formerly belonged to Lord Moira's collection in Usher's Island, where it was called Correggio. If the subject be not agreeable, the painting is of surpassing beauty. Amateurs may contend about the name of a master, but any judge of painting will confess that a more perfect picture of sleeping beauty was never executed. (Titian)|Jupiter in the form of a Satyr, surprising Antiope asleep. The couch on which Antiope reposes, is strewed with roses. This picture formerly belonged to Lord Moira's collection in Usher's Island, where it was called Correggio. If the subject be not agreeable, the painting is of surpassing beauty. Amateurs may contend about the name of a master, but any judge of painting will confess that a more perfect picture of sleeping beauty was never executed.]] réalisée par Titian, vendue par Major Sirr. [72]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Angel appearing to the Shepherds. This striking picture, painted only in two colors, is expressive of all the natural astonishment, which men suddenly aroused from sleep by as unexpected vision, might experience. The moment chosen by the artist for the action of the piece is that in which the angel said unto them, "Fear not, for behold I bring unto you good tidings of great joy, which shall be to all people for unto you this day is born, in the city of David, a Saviour, which is Christ the Lord." -- Luke ii, 10, 11. (A, Kuyp)|The Angel appearing to the Shepherds. This striking picture, painted only in two colors, is expressive of all the natural astonishment, which men suddenly aroused from sleep by as unexpected vision, might experience. The moment chosen by the artist for the action of the piece is that in which the angel said unto them, "Fear not, for behold I bring unto you good tidings of great joy, which shall be to all people for unto you this day is born, in the city of David, a Saviour, which is Christ the Lord." -- Luke ii, 10, 11.]] réalisée par A, Kuyp, vendue par Major Sirr. [74]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[John the Baptist's Head. The daughter of Herodias is represented as placing the circular dish, on which the head reposes, on a table. Her action is as graceful as that of an accomplished butler. A massy candlestick, with a burning light, stands beside the charger. The coloring has all the richness of the School of Venice. (Bassano)|John the Baptist's Head. The daughter of Herodias is represented as placing the circular dish, on which the head reposes, on a table. Her action is as graceful as that of an accomplished butler. A massy candlestick, with a burning light, stands beside the charger. The coloring has all the richness of the School of Venice.]] réalisée par Bassano, vendue par Major Sirr. [77]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Trajan's Column, with surrounding Buildings and Figures. This beautiful architectural picture, was formerly in the possession of the late learned and excellent Primate of Ireland, Archbishop Newcombe, a man as distinguished for his taste as for his learning. (N. Poussin)|Trajan's Column, with surrounding Buildings and Figures. This beautiful architectural picture, was formerly in the possession of the late learned and excellent Primate of Ireland, Archbishop Newcombe, a man as distinguished for his taste as for his learning.]] réalisée par N. Poussin, vendue par Major Sirr. [89]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[View of a Wooded Hill, with a River God, &c. Numerous troups of joyous boys are seen sporting on the declivity, or in the Lake from which the mountain rises. In style and composition it much resembles another performance, by this master, of Cupids' gathering apples of which, an engraving was published in Rome, A.D. 1632, by George Giacomo Rossi. (Titian)|View of a Wooded Hill, with a River God, &c. Numerous troups of joyous boys are seen sporting on the declivity, or in the Lake from which the mountain rises. In style and composition it much resembles another performance, by this master, of Cupids' gathering apples of which, an engraving was published in Rome, A.D. 1632, by George Giacomo Rossi.]] réalisée par Titian, vendue par Major Sirr. [91]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Archers shooting at St. Stephen. This picture exhibits evidence of the wonderful rapidity and boldness of pencil of this celebrated painter. In a multitude of figures introduced, the attitudes are all various; and that of the Archer who shoots from behind a fallen frieze in the foreground, is wonderfully fine. (Tintoretto)|The Archers shooting at St. Stephen. This picture exhibits evidence of the wonderful rapidity and boldness of pencil of this celebrated painter. In a multitude of figures introduced, the attitudes are all various; and that of the Archer who shoots from behind a fallen frieze in the foreground, is wonderfully fine.]] réalisée par Tintoretto, vendue par Major Sirr. [93]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Adoration of the Shepherds. A chaste and natural composition. In the distance an angel is seen over a flock of sheep announcing the glad tidings. One shepherd on the left bears a lamb on his shoulders; -- another brings a bottle of milk; the graceful and gratified Virgin bends kneeling over the Infant of days, who reposes on a bed of straw, accurately represented; and a girl, with a basket of eggs, looks over Mary's shoulder on the lovely babe. (Murillo)|Adoration of the Shepherds. A chaste and natural composition. In the distance an angel is seen over a flock of sheep announcing the glad tidings. One shepherd on the left bears a lamb on his shoulders; -- another brings a bottle of milk; the graceful and gratified Virgin bends kneeling over the Infant of days, who reposes on a bed of straw, accurately represented; and a girl, with a basket of eggs, looks over Mary's shoulder on the lovely babe.]] réalisée par Murillo, vendue par Major Sirr. [94]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Judith putting the head of Holofernes into her bag of Meat. The bloody Cimiter is raised aloft in her hand -- the decapitated trunk of the slaughtered General lies upon the bed, and the crest of his helmet appears below. The figure of her maid is remarkably fine. (P. Veronese)|Judith putting the head of Holofernes into her bag of Meat. The bloody Cimiter is raised aloft in her hand -- the decapitated trunk of the slaughtered General lies upon the bed, and the crest of his helmet appears below. The figure of her maid is remarkably fine.]] réalisée par P. Veronese, vendue par Major Sirr. [96]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Elijah in the Wilderness. The aged Prophet leans upon his staff -- the crown of immortality -- the cruise of water, and the cake of bread, are beside him.-- A string of beads ridiculously pendant from his wrist, is the only impropriety introduced.-- A more expressive portraiture of thought and abstinence and holy fervor, of weariness and sorrow, may be sought in vain, through the whole composs of ancient or modern art. We are at once brought back to the desert, and can imagine that we hear the inward groanings of this Holy Servant of the Most High, as he bewails the Apostasy of Israel, and the judgments it provoked. (Spagnoletto)|Elijah in the Wilderness. The aged Prophet leans upon his staff -- the crown of immortality -- the cruise of water, and the cake of bread, are beside him.-- A string of beads ridiculously pendant from his wrist, is the only impropriety introduced.-- A more expressive portraiture of thought and abstinence and holy fervor, of weariness and sorrow, may be sought in vain, through the whole composs of ancient or modern art. We are at once brought back to the desert, and can imagine that we hear the inward groanings of this Holy Servant of the Most High, as he bewails the Apostasy of Israel, and the judgments it provoked.]] réalisée par Spagnoletto, vendue par Major Sirr. [97]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape with Sheep. The tower of a church is seen peeping above the trees, and a magnificent Oak occupies a great portion of the scenes sic. This picture was formerly in the possession of Dr. Barton of Manchester, who gave four hundred Guineas for it. (Gainsborough)|Landscape with Sheep. The tower of a church is seen peeping above the trees, and a magnificent Oak occupies a great portion of the scenes sic. This picture was formerly in the possession of Dr. Barton of Manchester, who gave four hundred Guineas for it.]] réalisée par Gainsborough, vendue par Major Sirr au prix de 33.0 £. [99]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ defending Mary from the charge of Martha. "Martha, Martha, thou art careful and troubled about many things; but one thing is needful; and Martha hath chosen that good part, which shall not be taken away from her." -- Luke x. 41-42. The historical portion, the chiara scuro, and the coloring, bear evidence that this master derived no mean benefit from his residence in Italy and from the instructions of Rubens, while the form of the figures and the larder, admirable in its way, and suitable also to the subject which he has introduced, testify to the continued retention of his original Dutch taste. (Abr. van Diepenbeke)|Christ defending Mary from the charge of Martha. "Martha, Martha, thou art careful and troubled about many things; but one thing is needful; and Martha hath chosen that good part, which shall not be taken away from her." -- Luke x. 41-42. The historical portion, the chiara scuro, and the coloring, bear evidence that this master derived no mean benefit from his residence in Italy and from the instructions of Rubens, while the form of the figures and the larder, admirable in its way, and suitable also to the subject which he has introduced, testify to the continued retention of his original Dutch taste.]] réalisée par Abr. van Diepenbeke, vendue par Major Sirr au prix de 2.0 £. [101]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Vulcan's Forge. A very grand and striking performance -- Venus is watching her favorite artificer while forging arrows for Cupid -- Vulcan's journeymen are engaged in the representation of brazen vessels of various sorts.-- The coloring has all the characteristic richness and boldness of the Venetian school. A traveller is seen descending the mountain path way in the distance, through an open window. (G. Bassano)|Vulcan's Forge. A very grand and striking performance -- Venus is watching her favorite artificer while forging arrows for Cupid -- Vulcan's journeymen are engaged in the representation of brazen vessels of various sorts.-- The coloring has all the characteristic richness and boldness of the Venetian school. A traveller is seen descending the mountain path way in the distance, through an open window.]] réalisée par G. Bassano, vendue par Major Sirr au prix de 35.0 £. [102]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The last Jugement. The subject is too weighrty even for Michael Angelo, but separating from our thoughts the dread scene, which shall take place in that day, when the secrets of all hearts shall be revealed, we cannot but admire the various expressions of human passions and human forms in this painting. (Le Brun)|The last Jugement. The subject is too weighrty even for Michael Angelo, but separating from our thoughts the dread scene, which shall take place in that day, when the secrets of all hearts shall be revealed, we cannot but admire the various expressions of human passions and human forms in this painting.]] réalisée par Le Brun, vendue par Major Sirr. [104]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Rape of Lucretia. This picture is most highly wrought and delicately pencilled. There is terrible force in the figure of the destroyer. The dagger is placed by a curious artifice in his left hand merely to strike terror, to give free scope to the right hand in his flagitious encounter with suffering innocence. (Titian)|The Rape of Lucretia. This picture is most highly wrought and delicately pencilled. There is terrible force in the figure of the destroyer. The dagger is placed by a curious artifice in his left hand merely to strike terror, to give free scope to the right hand in his flagitious encounter with suffering innocence.]] réalisée par Titian, vendue par Major Sirr au prix de 5.0 £. [105]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Israel Washing a Sinai. "And the Lord said unto Moses, go with the people, and sanctify them today and tomorrow, and let them wash their clothes, and be ready against the third day; for the third day the Lord will come down in the sight of all the people upon Mount Sinai. And Moses went down from the Mount unto the people, and sanctified the people; and they washed their clothes."-- Exod. xix, 10, 11-14. Such purity is demanded by the Holy One of Israel of all that approach him, that unless sanctified by the prophet like unto Moses, and washed in his blood and by his spirit, we cannot be accepted before him. (Ab. Bloemart)|Israel Washing a Sinai. "And the Lord said unto Moses, go with the people, and sanctify them today and tomorrow, and let them wash their clothes, and be ready against the third day; for the third day the Lord will come down in the sight of all the people upon Mount Sinai. And Moses went down from the Mount unto the people, and sanctified the people; and they washed their clothes."-- Exod. xix, 10, 11-14. Such purity is demanded by the Holy One of Israel of all that approach him, that unless sanctified by the prophet like unto Moses, and washed in his blood and by his spirit, we cannot be accepted before him.]] réalisée par Ab. Bloemart, vendue par Major Sirr au prix de 13.0 £. [106]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Susanna and the Elders. One of the most perfect and splendid pictures of this great master. The Susanna is a portrait of his mistress. The flesh is perhaps the finest piece of coloring in the world.-- Sitting in a bath, which is supplied from a fountain, she endeavors to draw a light sheet around her. Nothing can surpass the expression of the wicked and subtle sophistry of the Elders on either side of the abused mistress. (Titian)|Susanna and the Elders. One of the most perfect and splendid pictures of this great master. The Susanna is a portrait of his mistress. The flesh is perhaps the finest piece of coloring in the world.-- Sitting in a bath, which is supplied from a fountain, she endeavors to draw a light sheet around her. Nothing can surpass the expression of the wicked and subtle sophistry of the Elders on either side of the abused mistress.]] réalisée par Titian, vendue par Major Sirr au prix de 200.0 £. [109]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ bearing his Cross, a sketch. A Capuchin makes obeisance as he meets the Saviour -- A representation of the Almighty with encircling wreaths of angel boys, much resembling Corregio, after whom the picture has been often called, fill up the sketch, which is evidently the work of a master mind and hand. (Velasquez)|Christ bearing his Cross, a sketch. A Capuchin makes obeisance as he meets the Saviour -- A representation of the Almighty with encircling wreaths of angel boys, much resembling Corregio, after whom the picture has been often called, fill up the sketch, which is evidently the work of a master mind and hand.]] réalisée par Velasquez, vendue par Major Sirr au prix de 1.11 £. [115]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Calliope attending to the first strains of her son Orpheus. The muse leans on a pillar opposite the father of the youth, who sits gracefully on a square block, holding a pipe to his son's mouth. Musical instruments lie around. A Grecian temple and landscape occupy the back ground. It is a chaste and lovely composition. (N. Poussin)|Calliope attending to the first strains of her son Orpheus. The muse leans on a pillar opposite the father of the youth, who sits gracefully on a square block, holding a pipe to his son's mouth. Musical instruments lie around. A Grecian temple and landscape occupy the back ground. It is a chaste and lovely composition.]] réalisée par N. Poussin, vendue par Major Sirr. [118]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Merry-Making. The scene is laid in front of a country tavern. An old couple dance to the music of bagpipes.-- The performer stands upon a barrel.-- Various are the humors of the whole party.-- A sedate lady and her husband, spectators of the scene, stand out in strong contrast, yet in harmonious keeping with the lively group. These figures are executed by G. Dow. (A. Ostade)|Merry-Making. The scene is laid in front of a country tavern. An old couple dance to the music of bagpipes.-- The performer stands upon a barrel.-- Various are the humors of the whole party.-- A sedate lady and her husband, spectators of the scene, stand out in strong contrast, yet in harmonious keeping with the lively group. These figures are executed by G. Dow.]] réalisée par A. Ostade, vendue par Major Sirr. [119]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Saint Reading. A noble head.-- A scroll beneath indicates that Suidas Taddeas, (such is the name inscribed in dark letters above the scroll,) is engaged in pondering those holy truths, and actuated by those holy principles, which characterise the whole body of the faithful. The words are taken from the Apostle's Creed -- "viiii, Sanctam ecclesiam catholicam sanctorum communionem." (Velasquez)|Saint Reading. A noble head.-- A scroll beneath indicates that Suidas Taddeas, (such is the name inscribed in dark letters above the scroll,) is engaged in pondering those holy truths, and actuated by those holy principles, which characterise the whole body of the faithful. The words are taken from the Apostle's Creed -- "viiii, Sanctam ecclesiam catholicam sanctorum communionem."]] réalisée par Velasquez, vendue par Major Sirr au prix de 35.0 £. [123]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Adoration of the Magi. On the steps of the portico stands the Virgin, holding the infant -- Joseph is behind her. The Magi prostrate themselves in the dust. There is vast grace in all the attitudes -- the grouping is attractive, and the whole picture is marked with all the richness, beauty, and force of coloring of the Venetian painters. (Paul Veronese)|Adoration of the Magi. On the steps of the portico stands the Virgin, holding the infant -- Joseph is behind her. The Magi prostrate themselves in the dust. There is vast grace in all the attitudes -- the grouping is attractive, and the whole picture is marked with all the richness, beauty, and force of coloring of the Venetian painters.]] réalisée par Paul Veronese, vendue par Major Sirr au prix de 37.0 £. [124]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Marriage of St. Catherine. One of the best finished and most fascinating paintings of this eminent artist. Pilkington says of him, "He studied Titian, Raphael, Tintoretto, Corregio, and the Caracci; and his style, which is an agreeable mixture of them all, appeared naturally true, and very pleasing; and his coloring was excellent." The beauty and modesty of the female heads in this composition, must strike the most careless observer. (Julio C. Procaccini)|Marriage of St. Catherine. One of the best finished and most fascinating paintings of this eminent artist. Pilkington says of him, "He studied Titian, Raphael, Tintoretto, Corregio, and the Caracci; and his style, which is an agreeable mixture of them all, appeared naturally true, and very pleasing; and his coloring was excellent." The beauty and modesty of the female heads in this composition, must strike the most careless observer.]] réalisée par Julio C. Procaccini, vendue par Major Sirr au prix de 60.0 £. [125]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Curtius leaping into the Gulph. The horse and his rider are very striking.-- The foreshortening of the horse, is admirable. The coloring of all is very fine. The head of Curtius is thrown back, and there is great devotedness of purpose expressed in his countenance. (Bassan)|Curtius leaping into the Gulph. The horse and his rider are very striking.-- The foreshortening of the horse, is admirable. The coloring of all is very fine. The head of Curtius is thrown back, and there is great devotedness of purpose expressed in his countenance.]] réalisée par Bassan, vendue par Major Sirr au prix de 2.2 £. [128]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Salvator Mundi. The left hand of the Saviour rests upon a globe, his right hand is raised and points to heaven. Nothing can exceed the charming combination of manly beauty, pathetic compassionate feeling, tenderness and devotion depicted in the face. The broad streams of glory add to instead of diminishing the effect as is too cmmonly the case. The coloring is of the purest, chastest order, no eye can turn towards it without being rivetted by it. (Murillo)|Salvator Mundi. The left hand of the Saviour rests upon a globe, his right hand is raised and points to heaven. Nothing can exceed the charming combination of manly beauty, pathetic compassionate feeling, tenderness and devotion depicted in the face. The broad streams of glory add to instead of diminishing the effect as is too cmmonly the case. The coloring is of the purest, chastest order, no eye can turn towards it without being rivetted by it.]] réalisée par Murillo, vendue par Major Sirr au prix de 100.0 £. [130]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Finding of Moses. An astonished group have their attention fixed on the infant. A Moorish slave reclines in the fore-ground, and with the maid who holds the child, and the attendant who holds the cloth that wrapped him round, wait with their eyes turned to the Princess for her decision. It is a graceful composition. (Tintoretto)|Finding of Moses. An astonished group have their attention fixed on the infant. A Moorish slave reclines in the fore-ground, and with the maid who holds the child, and the attendant who holds the cloth that wrapped him round, wait with their eyes turned to the Princess for her decision. It is a graceful composition.]] réalisée par Tintoretto, vendue par Major Sirr au prix de 4.4 £. [131]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Paradise. The landscape is splendid -- the birds and beasts beautifully grouped -- Adam is represented in three positions -- in the distance playing with Eve, on the left discoursing with an angel, and in the fore-ground earrnestly contemplating heaven, as he holds communion with his Father and his God, while he sits upon a bank leaning on his left hand, his left leg being held over the other by his right hand. (Domenichino)|Paradise. The landscape is splendid -- the birds and beasts beautifully grouped -- Adam is represented in three positions -- in the distance playing with Eve, on the left discoursing with an angel, and in the fore-ground earrnestly contemplating heaven, as he holds communion with his Father and his God, while he sits upon a bank leaning on his left hand, his left leg being held over the other by his right hand.]] réalisée par Domenichino, vendue par Major Sirr. [134]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Death of Cato. A chaste and classical composition.-- The aged but mistaken philosopher is in the act of drawing out his entrails. One leg rests upon the ground -- one hand is pressed upon the bed.-- The straining muscles start from the canvas. One son eloquently expresses his horror -- another with phrenzy screams and shuts his ears with his open hands. An aged attendant claps his hands together in dismay. The coloring and chiaro scuro are most effective. (Salvator Rosa)|Death of Cato. A chaste and classical composition.-- The aged but mistaken philosopher is in the act of drawing out his entrails. One leg rests upon the ground -- one hand is pressed upon the bed.-- The straining muscles start from the canvas. One son eloquently expresses his horror -- another with phrenzy screams and shuts his ears with his open hands. An aged attendant claps his hands together in dismay. The coloring and chiaro scuro are most effective.]] réalisée par Salvator Rosa, vendue par Major Sirr. [135]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Time rebuking Intemperance. Though bound, the wings of time are spread, and he at once defies and admonishes the revellers. His rebuke is rendered pungent by the ruins that surround him, unheeded, though they lie, by the besotted debauchee, who rides an ass, meet sic emblem of his character. There is an engraving of another picture, which was probably a companion for this, executed by B. Picart, which is entitled L'Image de la vie humaine. (Nic. Poussin)|Time rebuking Intemperance. Though bound, the wings of time are spread, and he at once defies and admonishes the revellers. His rebuke is rendered pungent by the ruins that surround him, unheeded, though they lie, by the besotted debauchee, who rides an ass, meet sic emblem of his character. There is an engraving of another picture, which was probably a companion for this, executed by B. Picart, which is entitled L'Image de la vie humaine.]] réalisée par Nic. Poussin, vendue par Major Sirr au prix de 31.10 £. [136]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ amidst the Doctors. A Jewish Rabbi, dressed in a close yellow robe, occupies a chair of state having a canopy of silk, fringed with gold. His hands are loosely crossed upon his lap. On his right sits a Doctor in a loose white garment and turban, who earnestly looking at the president, points with his right hand to Christ, who seated below him, discourses on the law and the prophets. Another Doctor is seated nearly opposite to the Saviour, with an open book, from which he turns away his attention, as he hearkens to him, who spake as never man spake.-- There is amazing force given to every countenance.-- There are 13 Rabbis altogether in a circle. St. Joseph and the blessed Virgin with surprise and wonder, are seen entering the appartment. The Saviour is dressed in a purple robe, his long hair falling down the back and shoulders. The left hand rests on the left knee, and the right is pointed to his breast. (Rembrant)|Christ amidst the Doctors. A Jewish Rabbi, dressed in a close yellow robe, occupies a chair of state having a canopy of silk, fringed with gold. His hands are loosely crossed upon his lap. On his right sits a Doctor in a loose white garment and turban, who earnestly looking at the president, points with his right hand to Christ, who seated below him, discourses on the law and the prophets. Another Doctor is seated nearly opposite to the Saviour, with an open book, from which he turns away his attention, as he hearkens to him, who spake as never man spake.-- There is amazing force given to every countenance.-- There are 13 Rabbis altogether in a circle. St. Joseph and the blessed Virgin with surprise and wonder, are seen entering the appartment. The Saviour is dressed in a purple robe, his long hair falling down the back and shoulders. The left hand rests on the left knee, and the right is pointed to his breast.]] réalisée par Rembrant, vendue par Major Sirr au prix de 54.0 £. [137]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Virgin Mary and the Twelve Apostles. In this ancient and singular piece, the Virgin is seated in a chair of state, listening to one of the Apostles, who is reading the Hebrew Bible on his knees. St. John is holding a candle -- and another, with spectacles, is engaged in reading the same passage in the volume, which he holds. (A. Durer)|The Virgin Mary and the Twelve Apostles. In this ancient and singular piece, the Virgin is seated in a chair of state, listening to one of the Apostles, who is reading the Hebrew Bible on his knees. St. John is holding a candle -- and another, with spectacles, is engaged in reading the same passage in the volume, which he holds.]] réalisée par A. Durer, vendue par Major Sirr au prix de 12.0 £. [147]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[St. Sebastian Healed. Irene, the widow of St. Castulus, supposing he had been dead after the Mauritanian archers had done their work, was about to bury him, but discovering the remains of life within his body, brought him to her lodgings, and by means of ointments and stimulants, was the means of recalling animation. She is described in this picture in the act of applying a plaister. Her maid holds a torch, and the enfeebled body of the Saint half reclines upon a couch. There is vast expression, force of colouring, and depth of light and shade throughout the painting. It is altogether a work of most extraordinary merit. The martyrdom of the Saint is likewise painted in the upper corner at the right hand side in small. (Caracci)|St. Sebastian Healed. Irene, the widow of St. Castulus, supposing he had been dead after the Mauritanian archers had done their work, was about to bury him, but discovering the remains of life within his body, brought him to her lodgings, and by means of ointments and stimulants, was the means of recalling animation. She is described in this picture in the act of applying a plaister. Her maid holds a torch, and the enfeebled body of the Saint half reclines upon a couch. There is vast expression, force of colouring, and depth of light and shade throughout the painting. It is altogether a work of most extraordinary merit. The martyrdom of the Saint is likewise painted in the upper corner at the right hand side in small.]] réalisée par Caracci, vendue par Major Sirr. [150]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Flight into Egypt. The wearied Virgin, beside whom a Lamb browses, faints by the way.-- St, Joseph turns and stoops to comfort her as she totters.-- The Infant stretches out his hands and body towards him, and St. John who embraces, with one arm, a Lamb round its neck, is affectionately looking upward at the Saviour and his Virgin Mother. The composition is most graceful, the coloring very rich, and the Landscape admirably executed. (Georgioni)|Flight into Egypt. The wearied Virgin, beside whom a Lamb browses, faints by the way.-- St, Joseph turns and stoops to comfort her as she totters.-- The Infant stretches out his hands and body towards him, and St. John who embraces, with one arm, a Lamb round its neck, is affectionately looking upward at the Saviour and his Virgin Mother. The composition is most graceful, the coloring very rich, and the Landscape admirably executed.]] réalisée par Georgioni, vendue par Major Sirr. [151]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Boors Carousing. No description can give effect to the inimitable humour pourtrayed in every part of this composition. It possesses all the extraordinary drollery for which this master was so distinguished. The color is lively and natural, the touch light and unembarrassed. The principal figures are a pair of grotesque lovers. (Jan. Steen)|Boors Carousing. No description can give effect to the inimitable humour pourtrayed in every part of this composition. It possesses all the extraordinary drollery for which this master was so distinguished. The color is lively and natural, the touch light and unembarrassed. The principal figures are a pair of grotesque lovers.]] réalisée par Jan. Steen, vendue par Major Sirr. [152]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Deluge. Some are trying to raise their dying friends on a wooded bank which they have reached -- others are clamboring up a tree. The central group is on a float, which a muscular man is propelling by a pole -- a dead body floats nigh. Great is the wildness and horror of this scene. (N. Poussin)|The Deluge. Some are trying to raise their dying friends on a wooded bank which they have reached -- others are clamboring up a tree. The central group is on a float, which a muscular man is propelling by a pole -- a dead body floats nigh. Great is the wildness and horror of this scene.]] réalisée par N. Poussin, vendue par Major Sirr au prix de 6.0 £. [153]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Cupids rifled by Diana's Nymphs. An inimitable performance. The archness of the Nymphs, the classical beauty of all the forms, the effect of the Landscape, and the purity of the colouring, are all such as to demand admiration. The Cupids are all represented asleep. One Nymph is clipping the wing of a Cupid, a second has plundered another of his bow and quiver, and a third is breathlessly abstracting the bow from the relaxed arms of a wily archer; while Diana appears in the clouds ready to support the artful plunderers. (Dominichino)|Landscape and Cupids rifled by Diana's Nymphs. An inimitable performance. The archness of the Nymphs, the classical beauty of all the forms, the effect of the Landscape, and the purity of the colouring, are all such as to demand admiration. The Cupids are all represented asleep. One Nymph is clipping the wing of a Cupid, a second has plundered another of his bow and quiver, and a third is breathlessly abstracting the bow from the relaxed arms of a wily archer; while Diana appears in the clouds ready to support the artful plunderers.]] réalisée par Dominichino, vendue par Major Sirr au prix de 45.0 £. [158]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape, Distant Sea, and Figures. You may almost fancy that you feel the chill of the approaching tempest, which already beats against the cliff, rouses the angry deep, and blows against the garments of the travellers. A wild and masterly painting. (Loutherbourgh)|Landscape, Distant Sea, and Figures. You may almost fancy that you feel the chill of the approaching tempest, which already beats against the cliff, rouses the angry deep, and blows against the garments of the travellers. A wild and masterly painting.]] réalisée par Loutherbourgh, vendue par Major Sirr au prix de 35.0 £. [159]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Two Priestesses. A most masterly performance.-- One, whose countenance betrays great feeling, has her arms round her friend, whose downcast countenance betrays anxiety. A mask ready for use, is in her hands. The colouring and execution are splendid. (Giorgione)|Two Priestesses. A most masterly performance.-- One, whose countenance betrays great feeling, has her arms round her friend, whose downcast countenance betrays anxiety. A mask ready for use, is in her hands. The colouring and execution are splendid.]] réalisée par Giorgione, vendue par Major Sirr au prix de 5.10 £. [160]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Moses Treading on the Crown of Pharoah. Pharoah's daughter "put the Infant into Pharoah's hands. So he took him, and hugged him close to his breast, and on his daughter's account, in a pleasant way, put his diadem upon his head, but Moses threw it down upon the ground, and, in a puerile mood, he wreathed it round, and tread upon it with his feet, which seemed to bring along with it an evil presage, concerning the Kingdom of Egypt."-- Whitston's Josephus. Ant. B. ii. ch. 9. ¦ 7. A priest is in the act of predicting the downfall of the Pharoahs' in consequence -- Pharoah is seizing the boy, his daughter again saves him. (Seb. Bourdon)|Moses Treading on the Crown of Pharoah. Pharoah's daughter "put the Infant into Pharoah's hands. So he took him, and hugged him close to his breast, and on his daughter's account, in a pleasant way, put his diadem upon his head, but Moses threw it down upon the ground, and, in a puerile mood, he wreathed it round, and tread upon it with his feet, which seemed to bring along with it an evil presage, concerning the Kingdom of Egypt."-- Whitston's Josephus. Ant. B. ii. ch. 9. ¦ 7. A priest is in the act of predicting the downfall of the Pharoahs' in consequence -- Pharoah is seizing the boy, his daughter again saves him.]] réalisée par Seb. Bourdon, vendue par Major Sirr. [167]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. The Fall of the Angels. The "Son of God" is seatred on his Car, borne up by Angels. He is surrounded by the armed Hosts of Heaven. The figure of Michael, the Prince of the Celestial Armies, "arrayed in all the glorious panoply of War," stands prominent in the foreground. The Rebel Angels are falling into the fiery abyss, the ascending flames of which are just visible. Grief, rage, agony and despair, are strongly imprinted on the demon faces, some of which are turned upwards with a scowl of fierce hatred, whilst others, terror-struck, are looking down. Faces and bodies are contorted into every variety of agonized expression and attitude. The picture receives its light from the principal figure, "the Son," from whom proceeds a halo that sheds its brightness over and round the Angels of Heaven. Placid dignity, admiration, and joy, are the expessions of their countenances, while that of the Son is partially veiled by the radiance of his own glory. He seems to be looking down on the vanquished Rebels, and his right arm is stretched forth in an attitude of menace. The contrast between the bright light of the upper regions, and the lucid flames, gleaming from the bottomless pit, is most striking. Light and shade are managed with uncommon skill, and beautifully blended, producing that transendent chiar-oscuro, for which our painter is so celebrated. (Sebastian del Piombo)|The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. The Fall of the Angels. The "Son of God" is seatred on his Car, borne up by Angels. He is surrounded by the armed Hosts of Heaven. The figure of Michael, the Prince of the Celestial Armies, "arrayed in all the glorious panoply of War," stands prominent in the foreground. The Rebel Angels are falling into the fiery abyss, the ascending flames of which are just visible. Grief, rage, agony and despair, are strongly imprinted on the demon faces, some of which are turned upwards with a scowl of fierce hatred, whilst others, terror-struck, are looking down. Faces and bodies are contorted into every variety of agonized expression and attitude. The picture receives its light from the principal figure, "the Son," from whom proceeds a halo that sheds its brightness over and round the Angels of Heaven. Placid dignity, admiration, and joy, are the expessions of their countenances, while that of the Son is partially veiled by the radiance of his own glory. He seems to be looking down on the vanquished Rebels, and his right arm is stretched forth in an attitude of menace. The contrast between the bright light of the upper regions, and the lucid flames, gleaming from the bottomless pit, is most striking. Light and shade are managed with uncommon skill, and beautifully blended, producing that transendent chiar-oscuro, for which our painter is so celebrated.]] réalisée par Sebastian del Piombo, vendue par Major Sirr au prix de 24.0 £. [177]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. Satan detained by Sin and Death. This piece represents Satan ascending from his place of punishment, detained in his career by Sin and Death. The face and figure of Satan is particularly striking. Saint Avius, though a bold and powerful poet, was not above the superstition of his times: The outward appearance of his Archfiend is very different from that of Milton's "Archangel Ruined." The Bishop describes Satan with horns, tail, and all the accessories which the legend of that age bestowed on him. Such, likewise, the painter represents him; But his high forehead, though disfigured by horns,and scarred by the deep furrows which the thunders of Divine wrath have imprinted -- gives to his countenance a lofty and intellectual character, which is still more heightened by the glance of his haughty eye; while the scornful expression of his mouth bespeaks the reckless fiend. His figure is extremely muscular, and has an air of animation, as if it were actually starting out of the canvass. It forms the strongest contrast with the dim and shadowy skeleton of the King of Terrors, who, with uplifted dart, stands ready to strike down the bold fuigitive. The greatest anatomists of the day have expressed their admiration of the extreme correctness with which the skeleton is painted. Between the two contending figures, Sin -- her upper half the shape of a beautiful woman, the lower that of an ugly and frightful monster -- stands as mediatrix. Her right hand is stretched forth towards Satan, as if to arrest the blow his double pronged spear is about to inflict. A tripple headed hell hound stands as if ready to take part in the fray, by jumping at the threat of the daring fiend. Various shapes of Devils and Monsters appear in the back ground. The light preceeding in part from the upper half of Sin, and in part, from the flames bursting through the open gates of Hell, sheds a gloomy and commanding hue over the whole, and gives it that sombre character so well suited to the subject. (Sebastian del Piombo)|The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. Satan detained by Sin and Death. This piece represents Satan ascending from his place of punishment, detained in his career by Sin and Death. The face and figure of Satan is particularly striking. Saint Avius, though a bold and powerful poet, was not above the superstition of his times: The outward appearance of his Archfiend is very different from that of Milton's "Archangel Ruined." The Bishop describes Satan with horns, tail, and all the accessories which the legend of that age bestowed on him. Such, likewise, the painter represents him; But his high forehead, though disfigured by horns,and scarred by the deep furrows which the thunders of Divine wrath have imprinted -- gives to his countenance a lofty and intellectual character, which is still more heightened by the glance of his haughty eye; while the scornful expression of his mouth bespeaks the reckless fiend. His figure is extremely muscular, and has an air of animation, as if it were actually starting out of the canvass. It forms the strongest contrast with the dim and shadowy skeleton of the King of Terrors, who, with uplifted dart, stands ready to strike down the bold fuigitive. The greatest anatomists of the day have expressed their admiration of the extreme correctness with which the skeleton is painted. Between the two contending figures, Sin -- her upper half the shape of a beautiful woman, the lower that of an ugly and frightful monster -- stands as mediatrix. Her right hand is stretched forth towards Satan, as if to arrest the blow his double pronged spear is about to inflict. A tripple headed hell hound stands as if ready to take part in the fray, by jumping at the threat of the daring fiend. Various shapes of Devils and Monsters appear in the back ground. The light preceeding in part from the upper half of Sin, and in part, from the flames bursting through the open gates of Hell, sheds a gloomy and commanding hue over the whole, and gives it that sombre character so well suited to the subject.]] réalisée par Sebastian del Piombo, vendue par Major Sirr au prix de 24.0 £. [178]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Jacob and the Daughters of Laban. There is great beauty and classical dignity in the forms of the figures -- Jacob is seated beneath a tree.-- Baskets of fruits and flowers are gracefully borne by the women -- one supports her burden on her head with both hands, the other gracefully holds her's against her side. The attitudes are very striking. (N. Poussin)|Jacob and the Daughters of Laban. There is great beauty and classical dignity in the forms of the figures -- Jacob is seated beneath a tree.-- Baskets of fruits and flowers are gracefully borne by the women -- one supports her burden on her head with both hands, the other gracefully holds her's against her side. The attitudes are very striking.]] réalisée par N. Poussin, vendue par Major Sirr au prix de 6.10 £. [181]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Sacrifice of Iphigenia. The dagger is upraised against her-- Dianna appears to arrest the act -- Agamemnon, a most striking figure, turns away in the violence of grief to avoid the awful sight. The whole composition is exceedingly beautiful. (Francisco Mola)|Sacrifice of Iphigenia. The dagger is upraised against her-- Dianna appears to arrest the act -- Agamemnon, a most striking figure, turns away in the violence of grief to avoid the awful sight. The whole composition is exceedingly beautiful.]] réalisée par Francisco Mola, vendue par Major Sirr au prix de 11.10 £. [182]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Adoration of the Shepherds. The Blessed Virgin with graceful action and bending backwards, holds the swadling clothes open to their utmost limits, that the adoring shepherds may view and worship the new-born King of the Jews. They occupy different positions on the steps of the plat-form on which the Holy Family repose. Angels peep out in different places, and two females, one bearing a burden, complete the group. (Murillo)|The Adoration of the Shepherds. The Blessed Virgin with graceful action and bending backwards, holds the swadling clothes open to their utmost limits, that the adoring shepherds may view and worship the new-born King of the Jews. They occupy different positions on the steps of the plat-form on which the Holy Family repose. Angels peep out in different places, and two females, one bearing a burden, complete the group.]] réalisée par Murillo, vendue par Major Sirr au prix de 13.10 £. [183]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Moses Striking the Rock. This splendid picture is wholly different in composition to the great picture of this subject by the same master. There are twelve figures in all.-- Two women are peeping over the outstretched arm of the Prophet; an old woman bends forward beneath Moses to catch the first draught of the miraculous stream -- a boy whose back is seen, thrusts in his arm under hers -- a man bent down on his hands and feet is satiating his thirst -- a fine muscular man bears a vessel on his shoulders, which is kept upright by his hand thrown back -- a refreshed Camel with its leader, are already returning to their tent == the animal can scarcely be restrained from dashing forward, and offers a striking contrast to the weary animals and figures, who are trying with exhausted strength to urge their way onward to the fount. (Nic. Poussin)|Moses Striking the Rock. This splendid picture is wholly different in composition to the great picture of this subject by the same master. There are twelve figures in all.-- Two women are peeping over the outstretched arm of the Prophet; an old woman bends forward beneath Moses to catch the first draught of the miraculous stream -- a boy whose back is seen, thrusts in his arm under hers -- a man bent down on his hands and feet is satiating his thirst -- a fine muscular man bears a vessel on his shoulders, which is kept upright by his hand thrown back -- a refreshed Camel with its leader, are already returning to their tent == the animal can scarcely be restrained from dashing forward, and offers a striking contrast to the weary animals and figures, who are trying with exhausted strength to urge their way onward to the fount.]] réalisée par Nic. Poussin, vendue par Major Sirr au prix de 8.0 £. [184]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Tobit and the Angel. Two beautiful figures, in the richest style of Venetian painting. There is great simplicity in the manner and countenance of the youth. The fish he carries is true to the life, as is also the little dog which runs beside him. (Tintoretto)|Tobit and the Angel. Two beautiful figures, in the richest style of Venetian painting. There is great simplicity in the manner and countenance of the youth. The fish he carries is true to the life, as is also the little dog which runs beside him.]] réalisée par Tintoretto, vendue par Major Sirr au prix de 4.4 £. [185]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Magdalene. This affecting and effective picture, differs in some respects from the duplicates which exist of it:-- great is the depth of penitential sorrow and devotional feeling expressed in her uplifted countenance -- her hands are clasped across her breast with intense feeling; her dishevelled hair constitutes her only clothing. The pot of precious ointment lies at hand. The colouring is the perfection of the art of painting. (Titian)|Magdalene. This affecting and effective picture, differs in some respects from the duplicates which exist of it:-- great is the depth of penitential sorrow and devotional feeling expressed in her uplifted countenance -- her hands are clasped across her breast with intense feeling; her dishevelled hair constitutes her only clothing. The pot of precious ointment lies at hand. The colouring is the perfection of the art of painting.]] réalisée par Titian, vendue par Major Sirr au prix de 80.0 £. [187]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ brought into the Sepulchre. Borne in the arms of the Virgin and of Joseph of Arimathea, the lifeless body hangs in all the helplessness of death.-- Mary Magdalene bedows his feet with tears, and her tresses fall around them. Mary, the wife of Cleophas, holds the torch that illuminates the whole. There is infinite grace and feeling in the action of the Blessed Virgin, as she tenderly views the face, and clasps with expanded fingers, the wrists of the Crucified, who, while he was the son of her womb, was also her acknowledged God and Saviour. This picture was formerly in the collection of the late Right Hon. Isaac Corry, Chancellor of the Irish Exchequer before the Union. (Ludovico Caracci)|Christ brought into the Sepulchre. Borne in the arms of the Virgin and of Joseph of Arimathea, the lifeless body hangs in all the helplessness of death.-- Mary Magdalene bedows his feet with tears, and her tresses fall around them. Mary, the wife of Cleophas, holds the torch that illuminates the whole. There is infinite grace and feeling in the action of the Blessed Virgin, as she tenderly views the face, and clasps with expanded fingers, the wrists of the Crucified, who, while he was the son of her womb, was also her acknowledged God and Saviour. This picture was formerly in the collection of the late Right Hon. Isaac Corry, Chancellor of the Irish Exchequer before the Union.]] réalisée par Ludovico Caracci, vendue par Major Sirr au prix de 40.0 £. [188]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Original Sketch for Magdalene. This very remarkable and singular production is painted on paper; a practise which prevailed to a considerable extent amongst the great masters, when sketching their first compositions for their more elaborate and purposed works, of which some other instances occur in this collection. The neck of the Magdalene is rather more strained, and there is somewhat less of feeling in the expression of her countenance than exists in the finished picture, as will be seen by comparing it with No.140. (Titian)|Original Sketch for Magdalene. This very remarkable and singular production is painted on paper; a practise which prevailed to a considerable extent amongst the great masters, when sketching their first compositions for their more elaborate and purposed works, of which some other instances occur in this collection. The neck of the Magdalene is rather more strained, and there is somewhat less of feeling in the expression of her countenance than exists in the finished picture, as will be seen by comparing it with No.140.]] réalisée par Titian, vendue par Major Sirr au prix de 5.10 £. [191]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Vulcan's Forge. A remarkable and beautiful copy by his distinguished son, of the splendid picture by Giacomo Bassan, marked 55 in this collection. He was in no wise inferior to his father, and shared with Tintoretto, and Paolo Veronese in the glory of decorating the church of St. Mark's at Venice, with their extraordinary performances. "Haud secus ignipotens nec tempore segnior illo / Mollibus e sstratis ad fabrilia surgit." / Virgil AEn, viii, 414 (Francisco Bassano)|Vulcan's Forge. A remarkable and beautiful copy by his distinguished son, of the splendid picture by Giacomo Bassan, marked 55 in this collection. He was in no wise inferior to his father, and shared with Tintoretto, and Paolo Veronese in the glory of decorating the church of St. Mark's at Venice, with their extraordinary performances. "Haud secus ignipotens nec tempore segnior illo / Mollibus e sstratis ad fabrilia surgit." / Virgil AEn, viii, 414]] réalisée par Francisco Bassano, vendue par Major Sirr au prix de 31.0 £. [192]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Venus and Adonis. This celebrated and well known painting was bought in Rome, on the recommendation of Sir Joshua Reynolds, by the Earl of Bristol, Bishop of Derry, for the sum of £5000. It was purchased from his nephew, the late Sir Harvey Bruce, bart.-- It has been considered by competent judges to be superior, as it also differs, in some respects, from the duplicates which exist in London. It is marked on the lower hem of the falling vest of Venus, 1533 Adonis, Venus M. T. To detain from the fatal hunt, Adonis, who holds his dogs in one hand, while he supports himself on his spear with the other, the Goddess struggles to hold him in her arms. Cupid has fallen asleep while sitting beneath the trees. His posture is beautiful and natural. The execution will speak for itself, and justify the renown of this celebrated painter. It may be noticed that independently of the poetical introduction of the sleeping Cupid, there is something beautifully fanciful in the storm bursting over the woody hill, where one may suppose the boar to be lying, who is to occasion the catastrophe. Above the storm in the distance, Venus herself is seen descending in her chariot in prophetic lamentation for the loss of her cherished favourite. To an old Italian engraving from this picture by H.C.F., the following moralizing verses were attached:-- poem omitted (Titian)|Venus and Adonis. This celebrated and well known painting was bought in Rome, on the recommendation of Sir Joshua Reynolds, by the Earl of Bristol, Bishop of Derry, for the sum of £5000. It was purchased from his nephew, the late Sir Harvey Bruce, bart.-- It has been considered by competent judges to be superior, as it also differs, in some respects, from the duplicates which exist in London. It is marked on the lower hem of the falling vest of Venus, 1533 Adonis, Venus M. T. To detain from the fatal hunt, Adonis, who holds his dogs in one hand, while he supports himself on his spear with the other, the Goddess struggles to hold him in her arms. Cupid has fallen asleep while sitting beneath the trees. His posture is beautiful and natural. The execution will speak for itself, and justify the renown of this celebrated painter. It may be noticed that independently of the poetical introduction of the sleeping Cupid, there is something beautifully fanciful in the storm bursting over the woody hill, where one may suppose the boar to be lying, who is to occasion the catastrophe. Above the storm in the distance, Venus herself is seen descending in her chariot in prophetic lamentation for the loss of her cherished favourite. To an old Italian engraving from this picture by H.C.F., the following moralizing verses were attached:-- poem omitted]] réalisée par Titian, vendue par Major Sirr au prix de 31.0 £. [193]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Rape of Helen. Sic Helene dolcat, desertaque conjuge ploret. Ovid Ep. v. 75.-- The artist has adopted the favourable view of Helen's character, and represents her as torn from home in a state of the deepest anguish, by an attendant, while Paris waits anxiously on tiptoe for her approach, holding a horse ready caparisoned. His figure is the perfection of manly beauty. (N. Poussin)|The Rape of Helen. Sic Helene dolcat, desertaque conjuge ploret. Ovid Ep. v. 75.-- The artist has adopted the favourable view of Helen's character, and represents her as torn from home in a state of the deepest anguish, by an attendant, while Paris waits anxiously on tiptoe for her approach, holding a horse ready caparisoned. His figure is the perfection of manly beauty.]] réalisée par N. Poussin, vendue par Major Sirr au prix de 16.0 £. [194]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Adoration of the Shepherds. The composition of this picture varies materially from that of its companion (See No. 136.) Illuminated clouds and two angel heads are immediately over the infant. The Virgin, who sits beside the bed of straw, gazing on her blessed son, (who as "God over all blessed for ever," is the subject of worship,) with outstretched arms, directs the attention of the simple and devout countrymen to the Prince of peace. (Murillo)|Adoration of the Shepherds. The composition of this picture varies materially from that of its companion (See No. 136.) Illuminated clouds and two angel heads are immediately over the infant. The Virgin, who sits beside the bed of straw, gazing on her blessed son, (who as "God over all blessed for ever," is the subject of worship,) with outstretched arms, directs the attention of the simple and devout countrymen to the Prince of peace.]] réalisée par Murillo, vendue par Major Sirr au prix de 21.0 £. [195]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Portrait of Bianca, Queen of Cyprus. Thie magnificent Portrait may well tempt the spectator to pause. The whole is finished in the most exquisite manner. A coronet and rose decorate her hair -- jewels glitter on her neck and wrists -- a pearl necklace is gentlyheld between the thumb and forefinger of her left hand -- her right embraces an instrument, which may either be a sceptre or an ancient fan, and which falls back upon her shoulder -- The right arm itself rests upon a monument bearing the legend JASPAR EEM. Her cloathing is a robe of divers colors, richly figured. (Titian)|Portrait of Bianca, Queen of Cyprus. Thie magnificent Portrait may well tempt the spectator to pause. The whole is finished in the most exquisite manner. A coronet and rose decorate her hair -- jewels glitter on her neck and wrists -- a pearl necklace is gentlyheld between the thumb and forefinger of her left hand -- her right embraces an instrument, which may either be a sceptre or an ancient fan, and which falls back upon her shoulder -- The right arm itself rests upon a monument bearing the legend JASPAR EEM. Her cloathing is a robe of divers colors, richly figured.]] réalisée par Titian, vendue par Major Sirr. [196]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Crucifixion. In this most affecting and beautriful painting, the artist has seized upon the hour of the last agony, when the miraculous darkness is coming on. The heavens are cloathed in black, but a part of the city is still visible in the back ground. The Saviour appears to be about to utter the cheering words, "It is finished," by which he annnounced, with his last gasp, the perfection of that one offering once offered, whereby he completed the atonement and for ever put away sin. His arms outstretched to their utmost limits, and not contracted, as in most representations of this subject, denote the largeness of that love wherewith he loved the whole world, which he had called into being, and which he could fain reconcile to himself by the attraction of the cross. The beauty of the form, and the pallid hue of approaching death, are brought out into strong relief by the surrounding obscurity. Mary, low bending on the ground, embraces the cross with affectionate and steady purpose of heart. The mind may find food, and profitable food too, how long so-ever it may dwell on this instructive painting. (Guido)|The Crucifixion. In this most affecting and beautriful painting, the artist has seized upon the hour of the last agony, when the miraculous darkness is coming on. The heavens are cloathed in black, but a part of the city is still visible in the back ground. The Saviour appears to be about to utter the cheering words, "It is finished," by which he annnounced, with his last gasp, the perfection of that one offering once offered, whereby he completed the atonement and for ever put away sin. His arms outstretched to their utmost limits, and not contracted, as in most representations of this subject, denote the largeness of that love wherewith he loved the whole world, which he had called into being, and which he could fain reconcile to himself by the attraction of the cross. The beauty of the form, and the pallid hue of approaching death, are brought out into strong relief by the surrounding obscurity. Mary, low bending on the ground, embraces the cross with affectionate and steady purpose of heart. The mind may find food, and profitable food too, how long so-ever it may dwell on this instructive painting.]] réalisée par Guido, vendue par Major Sirr au prix de 20.0 £. [198]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ bearing His Cross. The Saviour, aided by Simon of Cyrene, bends beneath the weight of the cross, his head crowned with thorns,-- St. Veronica, a fictitious personage of great renown in Romish countries, is in the act of applying that imaginary handkerchief., of which such a multitude of originals are said to exist on the Continent, to the face of Christ, which is covered with blood. Four Roman horsemen, dismounted, stand beside their horses in the background. The Marys, oppressed with grief, occupy the foreground -- one has fallen with exhaustion. (Bassano)|Christ bearing His Cross. The Saviour, aided by Simon of Cyrene, bends beneath the weight of the cross, his head crowned with thorns,-- St. Veronica, a fictitious personage of great renown in Romish countries, is in the act of applying that imaginary handkerchief., of which such a multitude of originals are said to exist on the Continent, to the face of Christ, which is covered with blood. Four Roman horsemen, dismounted, stand beside their horses in the background. The Marys, oppressed with grief, occupy the foreground -- one has fallen with exhaustion.]] réalisée par Bassano, vendue par Major Sirr au prix de 5.5 £. [199]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. Eve tempted in Sleep. In the foreground Eve is asleep, her left arm resting on the head and shoulder of Adam, who is asleep at her side, while her right is carelessly thrown on her knee. Her head is somewhat inclined towards her own shoulder -- the natural attitude of a person asleep in her position; her face is, consequently, turned sideways; her closed eyes and compressed lips give to her countenance the expression of placid repose. Her figure is the perfection of symmetry and beuty; Her long tresses peeping forth under her right arm, descend over her hip and thigh, whilst every limb possesses the most exquisite morbidezza and delicacy. The rounded arm of Adam is exquisitely painted, andshows the full play of muscle -- as does also his left, which rests in his lap. Quite in the back ground, and hidden by the foilage sic of a tree, the head of the Serpent-fiend is cautiously peering forth. He has just been discovered by two Angels of Light, whose out-stretched hands point at him -- to whom, a third Angel, soaring over the head of Eve, is likewise directing their attention. A venomous creature coils round the car of Eve, but being discovered by two light and airy Angels, one is engaged in removing it with his hand, while the other is prepared with a dart to strike it. The moon sheds her pale rays full on the figure of Eve, which alone gives light to the picture. The whole is a night-scene of perfect repose. (Sebastian del Piombo)|The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. Eve tempted in Sleep. In the foreground Eve is asleep, her left arm resting on the head and shoulder of Adam, who is asleep at her side, while her right is carelessly thrown on her knee. Her head is somewhat inclined towards her own shoulder -- the natural attitude of a person asleep in her position; her face is, consequently, turned sideways; her closed eyes and compressed lips give to her countenance the expression of placid repose. Her figure is the perfection of symmetry and beuty; Her long tresses peeping forth under her right arm, descend over her hip and thigh, whilst every limb possesses the most exquisite morbidezza and delicacy. The rounded arm of Adam is exquisitely painted, andshows the full play of muscle -- as does also his left, which rests in his lap. Quite in the back ground, and hidden by the foilage sic of a tree, the head of the Serpent-fiend is cautiously peering forth. He has just been discovered by two Angels of Light, whose out-stretched hands point at him -- to whom, a third Angel, soaring over the head of Eve, is likewise directing their attention. A venomous creature coils round the car of Eve, but being discovered by two light and airy Angels, one is engaged in removing it with his hand, while the other is prepared with a dart to strike it. The moon sheds her pale rays full on the figure of Eve, which alone gives light to the picture. The whole is a night-scene of perfect repose.]] réalisée par Sebastian del Piombo, vendue par Major Sirr au prix de 24.0 £. [200]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. Adam and Eve after the Fall. They have completed the fatal act of disobedience: The fig leaves bear witness to their guilt and shame. Still the first sweet intoxication of their sin has not had time to subside. To the right Adam reclines, leaning on his elbow; his robust and muscular frame is fully displayed; his ardent gaze is fixed on the lovely instigator and partner of his crime. Eve, seated, is bending towards him: She leans on the palm of her right hand, while her left is pointed at him in the warmth of conversation. The fig leaves which encircle her, shade, but conceal not the matchless symmetry and beauty of her form. That peculiar skill in painting heads and hands which raised Fra Sebastiano above all competition is here displayed in its fullest perfection. The attitude chosen for Eve such as to give the fullest effect to the master's art; while the whole of her figure, and the soft and delicate carnations of the tints are every way worthy of the great rival of Raffaelle. Not in the immediate foreground, but still, by a most judicious management of the perspective, standing prominently forward, are Adam and Eve expelled from paradise. The skins which clothe them bespeak their altered state; Adam, reclining, seems entranced, while Eve stands watching over him. In the right, bacchanalian orgies and foul rites, in which demons intermingle with the sons and daughters of men. To the left, vivid lightnings gleam on the rushing torrents, which, directed by the ministers of Divine wrath, engulph a sinful race. In the upper compartment, and quite in the foreground of the aerial perspective, is the Supreme Judge, who, having pronounced the sentence against the first sinners, soars aloft to the regions of light. Such is the imperfect sketch of these Four Paintings, which, for grandeur, and correctness of design -- beauty and harmony of colouring -- skill in breadth of execution, and perfect modesty of expression, are every way worthy of the great master, who, in the best age of the art, was esteemed as the competitor of the Prince of Painters. (Sebastian del Piombo)|The plan of the four Pictures, 130, 131, 152, 154 in this Catalogue, is taken from the Poems of Alcimus Eediscius Avitus, Bishop of Vienne, in France, who was canonized by the Romish Church, and admitted into the Calendar as Saint Avitus, the name by which he is most generally known. This great man, born about the middle of the 5th century, descended from a senatorial family in which the Episcopal dignity was, in some measure, hereditary. Avitus being the fourth generation of Bishops, and succeeding his father Isicus in the See of Vienne, A.D. 490. The poems referred to are de origine mundi, (On Creation) in 325 verses; de originale peccato,, (on Original Sin) in 423 verses; and de sentenita dei, (on the Judgment of God) in 435 verses. They form one subject, and are to be considered as three Cantos of the same poem, which might be called "Paradise Lost." It is singular to remark that No.87, supplies a deficiency in the series of three pictures, representing our first parents in Paradise before the fall. Adam and Eve after the Fall. They have completed the fatal act of disobedience: The fig leaves bear witness to their guilt and shame. Still the first sweet intoxication of their sin has not had time to subside. To the right Adam reclines, leaning on his elbow; his robust and muscular frame is fully displayed; his ardent gaze is fixed on the lovely instigator and partner of his crime. Eve, seated, is bending towards him: She leans on the palm of her right hand, while her left is pointed at him in the warmth of conversation. The fig leaves which encircle her, shade, but conceal not the matchless symmetry and beauty of her form. That peculiar skill in painting heads and hands which raised Fra Sebastiano above all competition is here displayed in its fullest perfection. The attitude chosen for Eve such as to give the fullest effect to the master's art; while the whole of her figure, and the soft and delicate carnations of the tints are every way worthy of the great rival of Raffaelle. Not in the immediate foreground, but still, by a most judicious management of the perspective, standing prominently forward, are Adam and Eve expelled from paradise. The skins which clothe them bespeak their altered state; Adam, reclining, seems entranced, while Eve stands watching over him. In the right, bacchanalian orgies and foul rites, in which demons intermingle with the sons and daughters of men. To the left, vivid lightnings gleam on the rushing torrents, which, directed by the ministers of Divine wrath, engulph a sinful race. In the upper compartment, and quite in the foreground of the aerial perspective, is the Supreme Judge, who, having pronounced the sentence against the first sinners, soars aloft to the regions of light. Such is the imperfect sketch of these Four Paintings, which, for grandeur, and correctness of design -- beauty and harmony of colouring -- skill in breadth of execution, and perfect modesty of expression, are every way worthy of the great master, who, in the best age of the art, was esteemed as the competitor of the Prince of Painters.]] réalisée par Sebastian del Piombo, vendue par Major Sirr au prix de 24.0 £. [201]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Deluge. There is singular power and effect in this masterly sketch -- The heavens are dark, but there is still light in the horizon. One man is seen struggling to maintain his hold of a broken tree; another is floating in the last agonies on the rising surges, while his wife holding her infant, is distracted between affliction on his account and anxiety for her babo. A group of four persons occupy a wooded elevation -- and the ark is sailing in the distance. (Titian)|The Deluge. There is singular power and effect in this masterly sketch -- The heavens are dark, but there is still light in the horizon. One man is seen struggling to maintain his hold of a broken tree; another is floating in the last agonies on the rising surges, while his wife holding her infant, is distracted between affliction on his account and anxiety for her babo. A group of four persons occupy a wooded elevation -- and the ark is sailing in the distance.]] réalisée par Titian, vendue par Major Sirr au prix de 6.0 £. [202]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Holy Family. Nothing can exceed the grace and beauty of this group.-- The carnations are splendid.-- The Virgin bends over a kneeling St. Francis, (the old masters rejoiced in anachonisms,) and rests her left hand on his shoulders.-- The infant is half bounding from her lap while struggling to play with John the Baptist.-- A wreath of four angel boys with hands united hover over the Virgin mother.-- They are as lovely a group of boys as any on which the eye ever rested. This picture is painted on paper -- a most inimitable and beautifully executed copy of this attractive composition by Annibal Carracci, in his own peculiar style, on copper, is in the possession of Lady Harriet Daly. Annibal Carracci was in the habit, as noticed by Barry, of executing copies, chiefly on copper, in this manner, from Corregio's cartoons.-- This is a striking instance of the fact -- no judge can mistake the difference in the touch and colouring, if an opportunity offer of examining both. (Corregio)|Holy Family. Nothing can exceed the grace and beauty of this group.-- The carnations are splendid.-- The Virgin bends over a kneeling St. Francis, (the old masters rejoiced in anachonisms,) and rests her left hand on his shoulders.-- The infant is half bounding from her lap while struggling to play with John the Baptist.-- A wreath of four angel boys with hands united hover over the Virgin mother.-- They are as lovely a group of boys as any on which the eye ever rested. This picture is painted on paper -- a most inimitable and beautifully executed copy of this attractive composition by Annibal Carracci, in his own peculiar style, on copper, is in the possession of Lady Harriet Daly. Annibal Carracci was in the habit, as noticed by Barry, of executing copies, chiefly on copper, in this manner, from Corregio's cartoons.-- This is a striking instance of the fact -- no judge can mistake the difference in the touch and colouring, if an opportunity offer of examining both.]] réalisée par Corregio, vendue par Major Sirr au prix de 16.0 £. [203]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[An Evangelist, &c. The Saint, seated on a platform of many steps, is intently engaged in writing while angel forms float around. St. John the Baptist standing beneath, is addressing him.-- St. Laurence stands on the opposite side, and St. Cecilia is seated in he fore-ground in the midst of Music. This picture and is companion, No.158, are painted on paper. (Murillo)|An Evangelist, &c. The Saint, seated on a platform of many steps, is intently engaged in writing while angel forms float around. St. John the Baptist standing beneath, is addressing him.-- St. Laurence stands on the opposite side, and St. Cecilia is seated in he fore-ground in the midst of Music. This picture and is companion, No.158, are painted on paper.]] réalisée par Murillo, vendue par Major Sirr. [204]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ in the Tomb. A most beautiful and forcible picture. Two angels kneel beside the corpse -- one in the attitude of prayer, the other in that of devout admiration. The chill of death is partly relieved by the chaste glory which encircles the head, and by the linen sheet which is loosely thrown abou. (Guercino)|Christ in the Tomb. A most beautiful and forcible picture. Two angels kneel beside the corpse -- one in the attitude of prayer, the other in that of devout admiration. The chill of death is partly relieved by the chaste glory which encircles the head, and by the linen sheet which is loosely thrown abou.]] réalisée par Guercino, vendue par Major Sirr au prix de 3.5 £. [205]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Clown and Satyr. Original design on paper for his celebrated picture in the Orleans Gallery. The picture is thus mentioned in Mr. Carey's descriptive Catalogue of Mr. Hamilton's Paintings at Verville, "The Satyr and Clown, one of the finest small rustic subjects, which I have seen from his (Jordaens's) pencil, is in the very valuable collection of Major Sirr, in Dublin Castle." (Jordaens)|The Clown and Satyr. Original design on paper for his celebrated picture in the Orleans Gallery. The picture is thus mentioned in Mr. Carey's descriptive Catalogue of Mr. Hamilton's Paintings at Verville, "The Satyr and Clown, one of the finest small rustic subjects, which I have seen from his (Jordaens's) pencil, is in the very valuable collection of Major Sirr, in Dublin Castle."]] réalisée par Jordaens, vendue par Major Sirr au prix de 5.0 £. [207]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Marriage Festivity at Venice. Probably the marriage of Bianca Capello, Queen of Cyprus, and Francis, son of Cosimo II. She was afterwards poisoned by her uncle Ferdinand, a wicked Cardinal, against whose life she also had meditated violence. There was an engraving of one half of the picture in the collection which has been lost. Titian and Paul Veronese are represented as domestics peeping in on the party from behind a curtain.-- All the figures are portraits.-- Four of the ladies wear crowns -- a gondola is dimly seen in the distant Adriatic. (Paul Veronese)|Marriage Festivity at Venice. Probably the marriage of Bianca Capello, Queen of Cyprus, and Francis, son of Cosimo II. She was afterwards poisoned by her uncle Ferdinand, a wicked Cardinal, against whose life she also had meditated violence. There was an engraving of one half of the picture in the collection which has been lost. Titian and Paul Veronese are represented as domestics peeping in on the party from behind a curtain.-- All the figures are portraits.-- Four of the ladies wear crowns -- a gondola is dimly seen in the distant Adriatic.]] réalisée par Paul Veronese, vendue par Major Sirr au prix de 5.10 £. [211]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Holy Family and Friends. Fifteen Figures enter into the composition of this interesting group.-- Elizabeth and the young Baptist sit beside the Madona and child.-- Zacharias and Joseph are both present. There is a great variety of attitude and form in the various figures, much expression in their countenances, and great freedom in the pencilling. (Goltzius)|The Holy Family and Friends. Fifteen Figures enter into the composition of this interesting group.-- Elizabeth and the young Baptist sit beside the Madona and child.-- Zacharias and Joseph are both present. There is a great variety of attitude and form in the various figures, much expression in their countenances, and great freedom in the pencilling.]] réalisée par Goltzius, vendue par Major Sirr au prix de 6.0 £. [212]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Virgin, Child, and Landscape. A sweet and graceful composition -- a choice and rare specimen of the distinguished master. The Virgin is seated on a bank beneath a spreading tree.-- Upheld by her hands the Infant stands upon her lap, drawing over himself, with his left hand, the striped muslin shawl which covers the blessed mother's hand; the right hand is spread out from him, as if seeking support. (Giorgione)|Virgin, Child, and Landscape. A sweet and graceful composition -- a choice and rare specimen of the distinguished master. The Virgin is seated on a bank beneath a spreading tree.-- Upheld by her hands the Infant stands upon her lap, drawing over himself, with his left hand, the striped muslin shawl which covers the blessed mother's hand; the right hand is spread out from him, as if seeking support.]] réalisée par Giorgione, vendue par Major Sirr. [225]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Repose on the Way to Egypt. An exquisite specimen of the distinguished and admired imitator of the joint perfections of Raphael and Corregio. His sister and her child, as was his habit, were the models for the Madona and her Infant. The picture is engraved. The Virgin seated by a fountain stretches out a vessel to catch the limpid stream as it descends. The laughing infant seated beside her holds up her apron with one hand to secure the fruit with which he supplies it, while with his other he is in the act of taking from St. Joseph a branch of berries, which the old man, so he is represented, has first plucked from the overshadowing tree. A patient ass awaits their pleasure in the back ground -- the sweetness of the tints, the harmony of the colouring, and the unaffected grace of the forms all constitute this picture exceedingly attractive. (Frederick Baroccio)|Repose on the Way to Egypt. An exquisite specimen of the distinguished and admired imitator of the joint perfections of Raphael and Corregio. His sister and her child, as was his habit, were the models for the Madona and her Infant. The picture is engraved. The Virgin seated by a fountain stretches out a vessel to catch the limpid stream as it descends. The laughing infant seated beside her holds up her apron with one hand to secure the fruit with which he supplies it, while with his other he is in the act of taking from St. Joseph a branch of berries, which the old man, so he is represented, has first plucked from the overshadowing tree. A patient ass awaits their pleasure in the back ground -- the sweetness of the tints, the harmony of the colouring, and the unaffected grace of the forms all constitute this picture exceedingly attractive.]] réalisée par Frederick Baroccio, vendue par Major Sirr au prix de 43.0 £. [226]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Virgin and Child. An exquisite picture -- fully equal to any performance of Corregio,-- the sweetness and gratified composure of the Madona's face is admirable. The infant reposes on her left arm, with her right hand she gently lifts up the sheet that covers him. The natural playfulness of the smiling boy, apparently rejoicing after a refreshing sleep, with his finger archly lifted to his mouth, renders this painting peculiarly pleasing. (C. Maratti)|Virgin and Child. An exquisite picture -- fully equal to any performance of Corregio,-- the sweetness and gratified composure of the Madona's face is admirable. The infant reposes on her left arm, with her right hand she gently lifts up the sheet that covers him. The natural playfulness of the smiling boy, apparently rejoicing after a refreshing sleep, with his finger archly lifted to his mouth, renders this painting peculiarly pleasing.]] réalisée par C. Maratti, vendue par Major Sirr au prix de 37.0 £. [227]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Holy Family. St. Joseph holds an open Bible half-closed in his hands, which St. John tries to support on his.-- The infant sits upon a cushion in the virgin's lap, holds an apple in one hand, and with the other presses the breast of the virgin -- two angels stand behind. This beautifully finished picture is painted on copper. (Rottenhammer)|Holy Family. St. Joseph holds an open Bible half-closed in his hands, which St. John tries to support on his.-- The infant sits upon a cushion in the virgin's lap, holds an apple in one hand, and with the other presses the breast of the virgin -- two angels stand behind. This beautifully finished picture is painted on copper.]] réalisée par Rottenhammer, vendue par Major Sirr au prix de 15.0 £. [233]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[A Tavern Scene. Various are the occupations, amusing the grimaces of the party, consisting of an old Lady at dinner, a smoker, a wag, a fifer, a physician feeling a woman's pulse, a man on a ladder, and a girl drawing water from a bucket -- a beaituf poodle dog is begging in the foreground. (Janstein)|A Tavern Scene. Various are the occupations, amusing the grimaces of the party, consisting of an old Lady at dinner, a smoker, a wag, a fifer, a physician feeling a woman's pulse, a man on a ladder, and a girl drawing water from a bucket -- a beaituf poodle dog is begging in the foreground.]] réalisée par Janstein, vendue par Major Sirr au prix de 3.0 £. [236]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Discovery of Calista. A spirited and beautiful sketch -- Four nymphs unrobe the offender opposite to whom, beneath a tree, sits Diana on a scarlet mantle -- stern inexorable justice rests upon her brow -- Two nymphs in graceful attitudes wait behind her, another rests with outstretched arms on the basin of the fountain. (Rubens)|Discovery of Calista. A spirited and beautiful sketch -- Four nymphs unrobe the offender opposite to whom, beneath a tree, sits Diana on a scarlet mantle -- stern inexorable justice rests upon her brow -- Two nymphs in graceful attitudes wait behind her, another rests with outstretched arms on the basin of the fountain.]] réalisée par Rubens, vendue par Major Sirr au prix de 31.10 £. [237]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Sacrifice of Jephtha's Daughter. It is impossible to describe the beautiful drawing, and chaste composition of this picture which is painted on panel -- the mistaken version of the story is followed.-- She is represented in a kneeling posture, in the centre of a marble circular platform, viewing a beautiful group of angel boys with wreathes in their hands, ready to receive her -- Her head is thrown back and her arms are extended ready to receive the fatal knife, which is about to be plunged into her bosom. Strange that Jephtha;s vow should have been generally misconsttued -- he vowed to devote to the Lord whatever he should first meet, on his successful return, if an inferior animal, as a whole burnt offering -- his vow was fulfilled by devoting his daughter to perpetual virginity. This is plain from the close of the record, Judges xi 36-40. See Hale's Chronology. The Grecian buildings in the back ground are chaste and beautiful -- Jephtha on his white war horse is a noble figure.-- The whole group is magnificent. (Domenichino)|The Sacrifice of Jephtha's Daughter. It is impossible to describe the beautiful drawing, and chaste composition of this picture which is painted on panel -- the mistaken version of the story is followed.-- She is represented in a kneeling posture, in the centre of a marble circular platform, viewing a beautiful group of angel boys with wreathes in their hands, ready to receive her -- Her head is thrown back and her arms are extended ready to receive the fatal knife, which is about to be plunged into her bosom. Strange that Jephtha;s vow should have been generally misconsttued -- he vowed to devote to the Lord whatever he should first meet, on his successful return, if an inferior animal, as a whole burnt offering -- his vow was fulfilled by devoting his daughter to perpetual virginity. This is plain from the close of the record, Judges xi 36-40. See Hale's Chronology. The Grecian buildings in the back ground are chaste and beautiful -- Jephtha on his white war horse is a noble figure.-- The whole group is magnificent.]] réalisée par Domenichino, vendue par Major Sirr au prix de 15.0 £. [239]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Traveller taking his Siesta. A finished piece.-- The traveller holds his horse's bridle -- the animal stands in the attitude of perfect weariness -- a red cloak is cast across his loins -- a dog sits beside him.-- Though noon day, and in a village, not a stir is to be seen, so perfect is the repose. (Du Jardin)|Traveller taking his Siesta. A finished piece.-- The traveller holds his horse's bridle -- the animal stands in the attitude of perfect weariness -- a red cloak is cast across his loins -- a dog sits beside him.-- Though noon day, and in a village, not a stir is to be seen, so perfect is the repose.]] réalisée par Du Jardin, vendue par Major Sirr au prix de 24.0 £. [241]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Doctrine of Morality, an Allegorical View of Human Life, an Interior. This singular and exquisitely finished Allegory, which is painted on gold leaf laid down on Copper, is derived from the stoick philosophy -- it appears to have been painted for the instruction of the Dauphin. At least a book by Monsieur de Gomerville, illustrated with 103 engravings taken from it, was written in explanation of its various parts for his benefit. The explanatory comment on each engraving was accompanied with some Latin Hexameters, and a French stanza.-- This work, entitled the doctrine of morality, was afterwards translated by T.M. Gibbs, Oxford, and published by Bell, London, 1721. What it took an elaborate volume to describe, it would be impossible in a few sentences to dispatch.-- The passions which defile our nature are represented by the figures who occupy the apartment. The moral lessons are dramatized in the paintings which surround the room. (F. Franks)|The Doctrine of Morality, an Allegorical View of Human Life, an Interior. This singular and exquisitely finished Allegory, which is painted on gold leaf laid down on Copper, is derived from the stoick philosophy -- it appears to have been painted for the instruction of the Dauphin. At least a book by Monsieur de Gomerville, illustrated with 103 engravings taken from it, was written in explanation of its various parts for his benefit. The explanatory comment on each engraving was accompanied with some Latin Hexameters, and a French stanza.-- This work, entitled the doctrine of morality, was afterwards translated by T.M. Gibbs, Oxford, and published by Bell, London, 1721. What it took an elaborate volume to describe, it would be impossible in a few sentences to dispatch.-- The passions which defile our nature are represented by the figures who occupy the apartment. The moral lessons are dramatized in the paintings which surround the room.]] réalisée par F. Franks, vendue par Major Sirr au prix de 46.0 £. [243]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Portrait of a Lady and Black Page. A most remarkable picture painted on paper in two colours, and laid down on panel -- It was formerly in the Orleans collection and is mentioned by Barry.-- The engraving from it, which was a perfect fac simile, was stolen from the collection. (Titian)|Portrait of a Lady and Black Page. A most remarkable picture painted on paper in two colours, and laid down on panel -- It was formerly in the Orleans collection and is mentioned by Barry.-- The engraving from it, which was a perfect fac simile, was stolen from the collection.]] réalisée par Titian, vendue par Major Sirr au prix de 1.10 £. [250]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Stoning of Stephen. The Saint Paul in this picture seems to be a portrait.-- The eyes of the Martyr are directed to the Vision of the Holy One, while one of his assailants, with a stone in either hand, is in the act of kicking him as he kneels. (Otho Venius)|Stoning of Stephen. The Saint Paul in this picture seems to be a portrait.-- The eyes of the Martyr are directed to the Vision of the Holy One, while one of his assailants, with a stone in either hand, is in the act of kicking him as he kneels.]] réalisée par Otho Venius, vendue par Major Sirr au prix de 2.6 £. [266]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ Healing the Leper. The painter is not known, but nothing can exceed the representation of the importunate Leper. It would seem that his portrait was taken from life; his earnest countenance and imploring attitude are in exact keeping with the narration. "There came a Leper to him, beseeching him and kneeling down to him, and saying unto him, if thou wilt thou can'st make me clean. And Jesus moved with compassion put forth his hand and touched him, and saith unto him, I will, be thee clean." -- Mark i, 40, 41. (Probably one of the Carracci's)|Christ Healing the Leper. The painter is not known, but nothing can exceed the representation of the importunate Leper. It would seem that his portrait was taken from life; his earnest countenance and imploring attitude are in exact keeping with the narration. "There came a Leper to him, beseeching him and kneeling down to him, and saying unto him, if thou wilt thou can'st make me clean. And Jesus moved with compassion put forth his hand and touched him, and saith unto him, I will, be thee clean." -- Mark i, 40, 41.]] réalisée par Probably one of the Carracci's, vendue par Major Sirr au prix de 4.4 £. [271]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Portrait of a Lady. A characteristic picture of the time -- The following inscription in gold letters, is written above. I thought it good to Draw by art /These pictures that you see; / That after death, hath Stopt ther Breeth, / Remembered They may bee.-- God graunt them grace to Rune ther way, / according to his worde; / that menne May say another day, / these Children feard the lord" (Zucchero)|Portrait of a Lady. A characteristic picture of the time -- The following inscription in gold letters, is written above. I thought it good to Draw by art /These pictures that you see; / That after death, hath Stopt ther Breeth, / Remembered They may bee.-- God graunt them grace to Rune ther way, / according to his worde; / that menne May say another day, / these Children feard the lord"]] réalisée par Zucchero, vendue par Major Sirr. [280]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Portrait of Hippolitus.-- Master Unknown. A very curious portrait.-- The name of Hippolitus is painted over the crown of the head.-- On the right side is inscribed, Aetatis suoe 28, and on the left a beauiful Butterfly is painted with the motto underneath, "libertate splendesco." (Master unknown)|Portrait of Hippolitus.-- Master Unknown. A very curious portrait.-- The name of Hippolitus is painted over the crown of the head.-- On the right side is inscribed, Aetatis suoe 28, and on the left a beauiful Butterfly is painted with the motto underneath, "libertate splendesco."]] réalisée par Master unknown, vendue par Major Sirr. [299]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Feast in the Temple of Bel. The priests of Bel and their family are secretly partaking of the food by night, left by the credulous, for the use of the Idol through the day.-- Two figures are seen entering from beneath the altar.-- It is a remarkably fine architectural piece. (Steenwyck)|Feast in the Temple of Bel. The priests of Bel and their family are secretly partaking of the food by night, left by the credulous, for the use of the Idol through the day.-- Two figures are seen entering from beneath the altar.-- It is a remarkably fine architectural piece.]] réalisée par Steenwyck, vendue par Major Sirr au prix de 14.0 £. [302]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Hermit Reading. A beautifully finished and transparent picture.-- The Saint is pondering the the sic contents of the book, which lies open on his lap.-- He is seated at the entrance of a many arched Cavern, through which a silvery light is diffused.-- His companion is walking through the arches at a little distance.-- A blasted leafless tree rises up immediately behind the Saint.-- No picture can surpass this in finish. (G. Dow)|Hermit Reading. A beautifully finished and transparent picture.-- The Saint is pondering the the sic contents of the book, which lies open on his lap.-- He is seated at the entrance of a many arched Cavern, through which a silvery light is diffused.-- His companion is walking through the arches at a little distance.-- A blasted leafless tree rises up immediately behind the Saint.-- No picture can surpass this in finish.]] réalisée par G. Dow, vendue par Major Sirr au prix de 185.0 £. [303]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Menage. A Cavalier mounted on a magnificent Charger, has the aid of an experienced Horse breaker, who standing in front of the animal, is teaching him his paces with a whip gently applied to the foreleg.-- Another horse stands ready for use beside a post.-- The finish and colouring is inimirable.-- It is marked A.V. Velde.-- 1659. (A. vander Velde)|The Menage. A Cavalier mounted on a magnificent Charger, has the aid of an experienced Horse breaker, who standing in front of the animal, is teaching him his paces with a whip gently applied to the foreleg.-- Another horse stands ready for use beside a post.-- The finish and colouring is inimirable.-- It is marked A.V. Velde.-- 1659.]] réalisée par A. vander Velde, vendue par Major Sirr au prix de 54.0 £. [309]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Figures. An exquisite Landscape much in the style of Domenichino.-- It is beaufully finished throughout.-- It represents a wooded and craggy entrance to an inland lake.-- A long wooden bridge crosses the river.-- A man is riding an Ass over it, and another driving a flock of cattle.-- Two sportsmen with Greyhounds are in the foreground.-- A ruined temple crowns a neighbouring hill. (Patel)|Landscape and Figures. An exquisite Landscape much in the style of Domenichino.-- It is beaufully finished throughout.-- It represents a wooded and craggy entrance to an inland lake.-- A long wooden bridge crosses the river.-- A man is riding an Ass over it, and another driving a flock of cattle.-- Two sportsmen with Greyhounds are in the foreground.-- A ruined temple crowns a neighbouring hill.]] réalisée par Patel, vendue par Major Sirr au prix de 23.0 £. [310]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape. A flock of sheep are in the foreground, with pedestrians and a horseman. The highway towards the mountains passes by a group of houses. A spreading tree occupies much of the upper part of the picture, which is executed throughout in his own striking and peculiar style. (Domenichino)|Landscape. A flock of sheep are in the foreground, with pedestrians and a horseman. The highway towards the mountains passes by a group of houses. A spreading tree occupies much of the upper part of the picture, which is executed throughout in his own striking and peculiar style.]] réalisée par Domenichino, vendue par Major Sirr au prix de 2.12 £. [319]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ Bearing the Cross. A splendid easel paintng, from which the engraving was taken.-- Rubens has been more successful far than usual in this picture, in his representation of female forms. Both the Virgin and the Veronica possess all the grace, softness and feeling, the want of which is so much felt in his other productions. In fact there is nothing of coarseness or Dutch taste in the picture. The grouping is perfect -- the coloruing rich in the extreme. There is a harmony throughout it, which is bewitching. The patient endurance of the divine sufferer fainting beneath his load, draws forth not merely the sympathy of the women, but even of the hound, who pauses piteously on the road to view the man of sorrows. The venerable head of St. Joseph is well worthy of study, as is also the muscular action of Simon of Cyrene. (Rubens)|Christ Bearing the Cross. A splendid easel paintng, from which the engraving was taken.-- Rubens has been more successful far than usual in this picture, in his representation of female forms. Both the Virgin and the Veronica possess all the grace, softness and feeling, the want of which is so much felt in his other productions. In fact there is nothing of coarseness or Dutch taste in the picture. The grouping is perfect -- the coloruing rich in the extreme. There is a harmony throughout it, which is bewitching. The patient endurance of the divine sufferer fainting beneath his load, draws forth not merely the sympathy of the women, but even of the hound, who pauses piteously on the road to view the man of sorrows. The venerable head of St. Joseph is well worthy of study, as is also the muscular action of Simon of Cyrene.]] réalisée par Rubens, vendue par Major Sirr au prix de 63.0 £. [333]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Temple and Sacrifice. The range of Grecian building, the Corinthian capitals, and the distance are painted by a master hand. The priests are leading a bull to sacrifice.-- The virgins, with garlands, vases, and instruments of music are graceful in all their attitudes. There are twelve figures in the foreground. It is a swee, attractive picture. (Claude)|Temple and Sacrifice. The range of Grecian building, the Corinthian capitals, and the distance are painted by a master hand. The priests are leading a bull to sacrifice.-- The virgins, with garlands, vases, and instruments of music are graceful in all their attitudes. There are twelve figures in the foreground. It is a swee, attractive picture.]] réalisée par Claude, vendue par Major Sirr au prix de 10.0 £. [336]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Virgin teaching the Infant to Read. An exquisite and graceful picture.-- The head of the virgin is the perfection of beauty.-- The distant landscape is very fine.-- The child is sitting on a table pointing at the open book which the virgin holds for him.-- The painting is on copper. (A. Carracci)|The Virgin teaching the Infant to Read. An exquisite and graceful picture.-- The head of the virgin is the perfection of beauty.-- The distant landscape is very fine.-- The child is sitting on a table pointing at the open book which the virgin holds for him.-- The painting is on copper.]] réalisée par A. Carracci, vendue par Major Sirr au prix de 25.0 £. [338]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Call of Matthew the Publican. A very powerful picture. The publican is sitting at a table strewed with the receipts of his office, and his friends beside him.-- The attention of all is instantly withdrawn as Messiah, followed by his disciples, addeesses the pious proselyte. (Eeckhout)|The Call of Matthew the Publican. A very powerful picture. The publican is sitting at a table strewed with the receipts of his office, and his friends beside him.-- The attention of all is instantly withdrawn as Messiah, followed by his disciples, addeesses the pious proselyte.]] réalisée par Eeckhout, vendue par Major Sirr au prix de 33.0 £. [339]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape. This singular picture is a view taken from the back window of his house in Richmond. It was dashed off in a sudden frolic on the back of an old panel picture. He presented both to his gifted pupil, the late F.C. Pack, Esq, at the time, and he sawed them asunder. It was purchased from him. (Sir Joshua Reynolds)|Landscape. This singular picture is a view taken from the back window of his house in Richmond. It was dashed off in a sudden frolic on the back of an old panel picture. He presented both to his gifted pupil, the late F.C. Pack, Esq, at the time, and he sawed them asunder. It was purchased from him.]] réalisée par Sir Joshua Reynolds, vendue par Major Sirr au prix de 12.12 £. [343]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Figures. A close, woody, mountainous scene. The figures are intended to represent the sun-clothed woman of Rev. xii, under the erroneous idea of her being the Virgin. Embracing a lamb in her arms, and in a kneeling posture, her attention is drawn to a cross, with which she is presented by an angel. and to which another, his companion, points. Cherub forms hover in the clouds above. The rocks and trees are splendid and romantic. This magnificent picture was imported directly from the Continent. (G. Poussin)|Landscape and Figures. A close, woody, mountainous scene. The figures are intended to represent the sun-clothed woman of Rev. xii, under the erroneous idea of her being the Virgin. Embracing a lamb in her arms, and in a kneeling posture, her attention is drawn to a cross, with which she is presented by an angel. and to which another, his companion, points. Cherub forms hover in the clouds above. The rocks and trees are splendid and romantic. This magnificent picture was imported directly from the Continent.]] réalisée par G. Poussin, vendue par Major Sirr au prix de 80.0 £. [344]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape Figures, and Cattle. A horseman is riding up a woody hill. Near a river in the foreground, repose a flock of sheep and cows. The shepherd indolently rests on his arms upon a bank, listening to a tambourine, which a woman seated on the ground is playing. There are various buildings on the opposite side of the river. (Titian)|Landscape Figures, and Cattle. A horseman is riding up a woody hill. Near a river in the foreground, repose a flock of sheep and cows. The shepherd indolently rests on his arms upon a bank, listening to a tambourine, which a woman seated on the ground is playing. There are various buildings on the opposite side of the river.]] réalisée par Titian, vendue par Major Sirr au prix de 12,0 £. [345]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[An exquisitely finished and harmonious picture. The strong morning light adds vastly to the effect of the verdure. A boat, half loaded, lies beside the beach. A labourer is removing the goods to it from his cart. His jaded and unyoked horses stand idly by -- a cow and goat stand beside them. Another group of cattle, with their shepherds, are seen in another directrion. The hills and distant mountain are in admirable keeping. (A. Pynaker)|An exquisitely finished and harmonious picture. The strong morning light adds vastly to the effect of the verdure. A boat, half loaded, lies beside the beach. A labourer is removing the goods to it from his cart. His jaded and unyoked horses stand idly by -- a cow and goat stand beside them. Another group of cattle, with their shepherds, are seen in another directrion. The hills and distant mountain are in admirable keeping.]] réalisée par A. Pynaker, vendue par Major Sirr au prix de 45.0 £. [346]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Banditti. The Hermit of Italy never succeeded more fully in his emulation of Claude, or in successful imitation of nature, than in this pleasing picture. An ancient temple peers forth from a wooded cliff, beneath which a traveller stands against, being confronted by, two assassins, one of whom attacks him with a sword, the other with a pistol. (Swanefeld)|Landscape and Banditti. The Hermit of Italy never succeeded more fully in his emulation of Claude, or in successful imitation of nature, than in this pleasing picture. An ancient temple peers forth from a wooded cliff, beneath which a traveller stands against, being confronted by, two assassins, one of whom attacks him with a sword, the other with a pistol.]] réalisée par Swanefeld, vendue par Major Sirr au prix de 30.0 £. [350]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Figures. A most masterly and sketchy work. Carriers without loads, and idly sitting on their asses, are returning home though a hollow way, which passes through a wood.-- Buildings occupy a height on the left, and the spire of a church terminates the extreme distance in the centre. (Gainsborough)|Landscape and Figures. A most masterly and sketchy work. Carriers without loads, and idly sitting on their asses, are returning home though a hollow way, which passes through a wood.-- Buildings occupy a height on the left, and the spire of a church terminates the extreme distance in the centre.]] réalisée par Gainsborough, vendue par Major Sirr au prix de 60.0 £. [351]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Wine Cellar. There is a wonderful management of light and shade in this picture. The light is admitted through an open door.-- Two men stand together, as they sip their wine.-- A servant is drawing wine from one of the casks which lie along the ground. (Rembrant)|Wine Cellar. There is a wonderful management of light and shade in this picture. The light is admitted through an open door.-- Two men stand together, as they sip their wine.-- A servant is drawing wine from one of the casks which lie along the ground.]] réalisée par Rembrant, vendue par Major Sirr au prix de 11.0 £. [355]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Interior.-- A Caricature. Perhaps there is no picture of this distinguished artist, which more justifies Pilkington's statement -- "The power of his pencil was incredible; he knew how to adapt it to a variety of eminent artists, whose touch and colouring were exceedingly different; and yet could give his imitations of those masters so strong a character of originality, as to leave it doubtful whether they were not really painted by the very artists, of whose manner of thinking, composing, and pencilling, they were only an imitation, or (what the Italians call) Pastici, "-- In this instance he designed to imitate some Venetian master. The scene is a kind of kitchen.-- A vast number of monkies dressed up in various costumes are engaged in distinct occupations.-- One is getting his head shaved -- others are preparing dinner, and another, emulating the character of a slave, is protrate before a pair of very gorgeously attired gentlemen, one of whom is furnished with a muff. (Teniers)|Interior.-- A Caricature. Perhaps there is no picture of this distinguished artist, which more justifies Pilkington's statement -- "The power of his pencil was incredible; he knew how to adapt it to a variety of eminent artists, whose touch and colouring were exceedingly different; and yet could give his imitations of those masters so strong a character of originality, as to leave it doubtful whether they were not really painted by the very artists, of whose manner of thinking, composing, and pencilling, they were only an imitation, or (what the Italians call) Pastici, "-- In this instance he designed to imitate some Venetian master. The scene is a kind of kitchen.-- A vast number of monkies dressed up in various costumes are engaged in distinct occupations.-- One is getting his head shaved -- others are preparing dinner, and another, emulating the character of a slave, is protrate before a pair of very gorgeously attired gentlemen, one of whom is furnished with a muff.]] réalisée par Teniers, vendue par Major Sirr au prix de 75.0 £. [356]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Christ in the Garden. This picture has always been called Correggio, but it appears that the writer to be a copy, by his distinguished imitator, of the picture in the National Gallery. It was formerly in the Marquis of Ely's collection, See remarks on No.156. (A. Carracci)|Christ in the Garden. This picture has always been called Correggio, but it appears that the writer to be a copy, by his distinguished imitator, of the picture in the National Gallery. It was formerly in the Marquis of Ely's collection, See remarks on No.156.]] réalisée par A. Carracci, vendue par Major Sirr au prix de 7.10 £. [358]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Store-Room. A peculiarly well-painted picture, with geat depth of light and shade, resembling much the colouring of Murillo. One man is opening a trunk, another is stooping, and a woman is taking snuff. A corded trunk, two white bags, and a Spanish bottle, glistening in the light, contrast with the surrounding obscurity. The richness of the colouring and the silvery tone is superior to that of most Masters, who deligned in such subjects. It might possibly be a vagary of Teniers. The representation of the dust on the sole of the right foot of the kneeling figure is very curious. The picture has been called Murillo. (Murillo)|Store-Room. A peculiarly well-painted picture, with geat depth of light and shade, resembling much the colouring of Murillo. One man is opening a trunk, another is stooping, and a woman is taking snuff. A corded trunk, two white bags, and a Spanish bottle, glistening in the light, contrast with the surrounding obscurity. The richness of the colouring and the silvery tone is superior to that of most Masters, who deligned in such subjects. It might possibly be a vagary of Teniers. The representation of the dust on the sole of the right foot of the kneeling figure is very curious. The picture has been called Murillo.]] réalisée par Murillo, vendue par Major Sirr au prix de 9,0 £. [359]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Figures. A very beautiful and agreeable picture of this much-esteemed master, painted on copper, and marked with his name and the date 1669. His choice of subject is most agreeable -- the finishing exquisite.-- A sportsman and dogs are approaching a ford, and a horseman descending a hill behind them. The watert is pellucid -- the palings, rocks, herbage, dogs, all are touched with the nicest pencil. (Wynants)|Landscape and Figures. A very beautiful and agreeable picture of this much-esteemed master, painted on copper, and marked with his name and the date 1669. His choice of subject is most agreeable -- the finishing exquisite.-- A sportsman and dogs are approaching a ford, and a horseman descending a hill behind them. The watert is pellucid -- the palings, rocks, herbage, dogs, all are touched with the nicest pencil.]] réalisée par Wynants, vendue par Major Sirr au prix de 80.0 £. [366]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Pool of Bethesda. A Grecian building is placed beside the pool. There are a great number of figures in graceful attitudes.--The composition is quite classical.-- It is exquisitely finished. There is an engraving of it by P. Schenk of Amsterdam. (B. van Orlay)|Pool of Bethesda. A Grecian building is placed beside the pool. There are a great number of figures in graceful attitudes.--The composition is quite classical.-- It is exquisitely finished. There is an engraving of it by P. Schenk of Amsterdam.]] réalisée par B. van Orlay, vendue par Major Sirr au prix de 14.10 £. [371]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Monkeys at Cards. The most admirable and humourous caricature perhaps ever painted. Four monkies are seated on the floor, engaged in a diversion which, originally invented for a royal idiot, might fairly be abandoned to creatures without mind. Two are smoking beside them.-- Another is drinking their health in a glass of wine.-- One is drawing wine from a cask.-- Two are at the fire, where a pot is boiling, and meat roasting.-- A table is furnished with provisions, and a cabinet rests against the wall.-- Glasses and pipes are strewn about in various directions. (Teniers)|Monkeys at Cards. The most admirable and humourous caricature perhaps ever painted. Four monkies are seated on the floor, engaged in a diversion which, originally invented for a royal idiot, might fairly be abandoned to creatures without mind. Two are smoking beside them.-- Another is drinking their health in a glass of wine.-- One is drawing wine from a cask.-- Two are at the fire, where a pot is boiling, and meat roasting.-- A table is furnished with provisions, and a cabinet rests against the wall.-- Glasses and pipes are strewn about in various directions.]] réalisée par Teniers, vendue par Major Sirr au prix de 100.0 £. [394]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[The Sleeper Awakened. A magnificent picture. An angel is represented blowing a trumpet over a man who has been lying asleep on the ground. It remainds us of the words-- "Awake thou that sleepest, and arise from the dead, and Christ shall give thee light."-- Ephesians, v. 14. (Guercino)|The Sleeper Awakened. A magnificent picture. An angel is represented blowing a trumpet over a man who has been lying asleep on the ground. It remainds us of the words-- "Awake thou that sleepest, and arise from the dead, and Christ shall give thee light."-- Ephesians, v. 14.]] réalisée par Guercino, vendue par Major Sirr au prix de 12.10 £. [396]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Cattle. A beautiful and transparent village scene. Two figures seated at a cottage door, are the work of Ostade, who was in the habit of introducing figures of this description into the works of his friends. A waggon is entering the village. A cow, two goats, and six sheep, followed by the herdsman and dog, are in the foreground, and painted in the most splendid manner. (P. Potter)|Landscape and Cattle. A beautiful and transparent village scene. Two figures seated at a cottage door, are the work of Ostade, who was in the habit of introducing figures of this description into the works of his friends. A waggon is entering the village. A cow, two goats, and six sheep, followed by the herdsman and dog, are in the foreground, and painted in the most splendid manner.]] réalisée par P. Potter, vendue par Major Sirr. [436]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape. A beautiful and classical picture of this great master. Beyond a wooded river he has introduced his favorite Pantheon. An island with an old Castle is in the distance. Though painted exceedingly thin, it is quite surprising the manner in which his very distances are made out, and the flood of air which seems to pass through every part of this fascinating scene. There are two figures, one of whom is reclining on the nearer bank. (Claude)|Landscape. A beautiful and classical picture of this great master. Beyond a wooded river he has introduced his favorite Pantheon. An island with an old Castle is in the distance. Though painted exceedingly thin, it is quite surprising the manner in which his very distances are made out, and the flood of air which seems to pass through every part of this fascinating scene. There are two figures, one of whom is reclining on the nearer bank.]] réalisée par Claude, vendue par Major Sirr au prix de 22.0 £. [444]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape in a Fog. An indescribably effective painting. The sun is trying to pierce its way through a mass of vapour, beyond a group of tall trees, whose shadows tall with extraordinary power along the bank of a lazy river. A fisherman is engaged in angling at the nearer side. The opposite is dimly but yet distinctly seen through the haze. (Claude)|Landscape in a Fog. An indescribably effective painting. The sun is trying to pierce its way through a mass of vapour, beyond a group of tall trees, whose shadows tall with extraordinary power along the bank of a lazy river. A fisherman is engaged in angling at the nearer side. The opposite is dimly but yet distinctly seen through the haze.]] réalisée par Claude, vendue par Major Sirr au prix de 22.0 £. [446]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape. A splendid cabinet picture of this great master. A mountain lake in the foreground is shaded by a mass of wood, which extends to the neighbouring mountains. An open glade allows the eye to pierce the forest. Three graceful figures by N. Poussin are in the foreground. (G. Poussin)|Landscape. A splendid cabinet picture of this great master. A mountain lake in the foreground is shaded by a mass of wood, which extends to the neighbouring mountains. An open glade allows the eye to pierce the forest. Three graceful figures by N. Poussin are in the foreground.]] réalisée par G. Poussin, vendue par Major Sirr au prix de 40.0 £. [447]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Sunset. One of the most extraordinary and successful sunsets ever painted by any master. The horizon is brilliant with light reflected on many objects. A mass of dark clouds contrast strikingly with the scene. Cattle lie listlessly in all directions. The most minute objects in the hill which fill the bakground, are made out with extraordinary accuracy in the gilded distance.-- A stable boy from the neighbouring farm house, while watering his horses, is gazing back at the splendid view. (Gilpin)|Sunset. One of the most extraordinary and successful sunsets ever painted by any master. The horizon is brilliant with light reflected on many objects. A mass of dark clouds contrast strikingly with the scene. Cattle lie listlessly in all directions. The most minute objects in the hill which fill the bakground, are made out with extraordinary accuracy in the gilded distance.-- A stable boy from the neighbouring farm house, while watering his horses, is gazing back at the splendid view.]] réalisée par Gilpin, vendue par Major Sirr au prix de 44.0 £. [453]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[A Rural Scene. Though there are few objects, the whole effect of this landscape is charming. Two asses stand near the tall herbage in the foreground, beneath a torn, withered tree.-- An old man is plodding his weary way down hill, and a poor woman returning with faggots to a cottage on a craggy eminence, beside which a few trees are growing. It is a warm, sunny scene. (Gainsborough)|A Rural Scene. Though there are few objects, the whole effect of this landscape is charming. Two asses stand near the tall herbage in the foreground, beneath a torn, withered tree.-- An old man is plodding his weary way down hill, and a poor woman returning with faggots to a cottage on a craggy eminence, beside which a few trees are growing. It is a warm, sunny scene.]] réalisée par Gainsborough, vendue par Major Sirr au prix de 11.0 £. [454]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape. A very extraordinary painting, and of prodigious effect. An ass stands looking sulkily down into a storm which closes a mountain pass. The mass of cloud has risen to a great height, and obscured the sun, whose lucid beams are partly seen above. Beneath a spreading tree leans forward a young man, who rests his arm on a paling, and patiently awaits the coming of the storm. (Gainsborough)|Landscape. A very extraordinary painting, and of prodigious effect. An ass stands looking sulkily down into a storm which closes a mountain pass. The mass of cloud has risen to a great height, and obscured the sun, whose lucid beams are partly seen above. Beneath a spreading tree leans forward a young man, who rests his arm on a paling, and patiently awaits the coming of the storm.]] réalisée par Gainsborough, vendue par Major Sirr au prix de 35.0 £. [455]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape.-- A Sunset. This splendid picture is engraved in the Liber Varitatis. The sun is setting behind a distant hill, in front of which stretches a flat bridge and causeway. Magnificent trees conceal much of a nearer hill, and nymphs, painted by F. Laura, are playing in the river, by its nearer bank. (Claude)|Landscape.-- A Sunset. This splendid picture is engraved in the Liber Varitatis. The sun is setting behind a distant hill, in front of which stretches a flat bridge and causeway. Magnificent trees conceal much of a nearer hill, and nymphs, painted by F. Laura, are playing in the river, by its nearer bank.]] réalisée par Claude, vendue par Major Sirr. [456]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Companion to the foregoing. A morning scene. The spreading trees are even superior to those in the preceding picture. In the shade beneath them, the Holy Family urge on their way to Egypt.-- The figures in this picture seem to be by Claude himself. (Claude)|Companion to the foregoing. A morning scene. The spreading trees are even superior to those in the preceding picture. In the shade beneath them, the Holy Family urge on their way to Egypt.-- The figures in this picture seem to be by Claude himself.]] réalisée par Claude, vendue par Major Sirr. [457]
  • 1841.08.17/ maison de ventes : Littledate (John). Vente de l'œuvre décrite comme [[Landscape and Figures. An attractive and beautiful picture. A river winds its foamy way over its rocky bed, as it descends from the distant mountain. Its banks are wooded. Cottages and mills are seen at various intervals, and three classical figures adorn the foreground. (G. Poussin)|Landscape and Figures. An attractive and beautiful picture. A river winds its foamy way over its rocky bed, as it descends from the distant mountain. Its banks are wooded. Cottages and mills are seen at various intervals, and three classical figures adorn the foreground.]] réalisée par G. Poussin, vendue par Major Sirr. [458]
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