Ventes d'œuvres le 1859.08.10

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  • 1859.08.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Soldiers casting Lots for the Garment of Christ. Two soldiers, the one helmeted, the other is loose attire, are casting the dice; an elderly female is leaning over them, intently looking on, and appears to take great interest in the event. To the right, another soldier martially accoutred, with a helmet on his head and a spear in his hand, is watching the result. In the distance is a large turreted city on the borders of a lake, surrounded by a wild mountainous country. Painted with great breadth and force of colouring. (Salvator Rosa)|The Soldiers casting Lots for the Garment of Christ. Two soldiers, the one helmeted, the other is loose attire, are casting the dice; an elderly female is leaning over them, intently looking on, and appears to take great interest in the event. To the right, another soldier martially accoutred, with a helmet on his head and a spear in his hand, is watching the result. In the distance is a large turreted city on the borders of a lake, surrounded by a wild mountainous country. Painted with great breadth and force of colouring.]] réalisée par Salvator Rosa, vendue par Lord Northwick, achetée par Bennett au prix de 59.17 £. [51]
  • 1859.08.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Venus appearing to AEneas. This admirable picture represents the Goddess buoyant in the air attended by three cupids, her arms extended, and her attention directed to her son AEneas, who stands viewing with silent admiration the armour and arms which are attached to a tree before him, and to which the Goddess points. In the centre a river deity and two Naiads are reclining. Engraved by Loir. From the collection of the Prince de Carignan, M. Robit, and Sir Simon Clarke. (Niccolo Poussin)|Venus appearing to AEneas. This admirable picture represents the Goddess buoyant in the air attended by three cupids, her arms extended, and her attention directed to her son AEneas, who stands viewing with silent admiration the armour and arms which are attached to a tree before him, and to which the Goddess points. In the centre a river deity and two Naiads are reclining. Engraved by Loir. From the collection of the Prince de Carignan, M. Robit, and Sir Simon Clarke.]] réalisée par Niccolo Poussin, vendue par Lord Northwick, achetée par Chr. J. Nieuwenhuys au prix de 252.0 £. [57]
  • 1859.08.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Equestrian Portrait of Don Luis de Haro, with an attendant on foot. Don Luis de Haro, Marchese del Carpio, Minister to Philip the IV., at the treaty of the Pyrenees, in 1658. The magnificent portrait may be regarded as one of the finest works of the master. (Velasquez)|An Equestrian Portrait of Don Luis de Haro, with an attendant on foot. Don Luis de Haro, Marchese del Carpio, Minister to Philip the IV., at the treaty of the Pyrenees, in 1658. The magnificent portrait may be regarded as one of the finest works of the master.]] réalisée par Velasquez, vendue par Lord Northwick, achetée par B. James de Rothschild au prix de 966.0 £. [75]
  • 1859.08.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Portrait of Henry Howard, Earl of Surrey. He is represented seated, dressed in the rich costume of the period, with a black cap on his head, surmounted by a white feather; his right arm leans on a table, and in his hand he holds a dagger, while with his left he fondles a little dog. This superb Portrait is supposed to have been painted by Titian at Arezzo, during the Earl's visit to Italy. (Titian)|Portrait of Henry Howard, Earl of Surrey. He is represented seated, dressed in the rich costume of the period, with a black cap on his head, surmounted by a white feather; his right arm leans on a table, and in his hand he holds a dagger, while with his left he fondles a little dog. This superb Portrait is supposed to have been painted by Titian at Arezzo, during the Earl's visit to Italy.]] réalisée par Titian, vendue par Lord Northwick, achetée par Bennett au prix de 148.1 £. [78]
  • 1859.08.10/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Vision of Saint Augustine of Canterbury. The Saint is washing the feet of the Saviour, who appears before him in the character of a pilgrim. From his mouth proceed the words -- "Magne pater Augustine tibi commendo ecclesiam," This fine gallery picture was purchased from Don Julian Williams, by Mr. Standish, for £600, at Seville, in 1825. Ir was originally painted for the Nuns of the San Leandro Order of St. Austen, and was sold by them during the troubles caused by the army of Soult, in 1810, to Dr. Manuel Real, from whom it passed to Dom. J. Williams. The picture is mentioned in the work of Herrera D. Aviles Guia de Seville, 1832.-- From Mr. Dennistoun's collection. (Murillo)|The Vision of Saint Augustine of Canterbury. The Saint is washing the feet of the Saviour, who appears before him in the character of a pilgrim. From his mouth proceed the words -- "Magne pater Augustine tibi commendo ecclesiam," This fine gallery picture was purchased from Don Julian Williams, by Mr. Standish, for £600, at Seville, in 1825. Ir was originally painted for the Nuns of the San Leandro Order of St. Austen, and was sold by them during the troubles caused by the army of Soult, in 1810, to Dr. Manuel Real, from whom it passed to Dom. J. Williams. The picture is mentioned in the work of Herrera D. Aviles Guia de Seville, 1832.-- From Mr. Dennistoun's collection.]] réalisée par Murillo, vendue par Lord Northwick, achetée par Sir Edm. H. Lechmere au prix de 252.5 £. [82]
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