Ventes d'œuvres le 1771.03.28

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  • 1771.03.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A quarrel, or fight of Dutch boors: The expression of anger and malice in the countenances of the principal combatants is amazing: the distress and timidity in those of the female is likewise extremely fine; and by its force of colouring appears as reliev'd from the canvas (Craesbeck)|A quarrel, or fight of Dutch boors: The expression of anger and malice in the countenances of the principal combatants is amazing: the distress and timidity in those of the female is likewise extremely fine; and by its force of colouring appears as reliev'd from the canvas]] réalisée par Craesbeck. [62]
  • 1771.03.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The inside view of the grand court of the palace of St. Mark, commonly called the Doge's Palace, or Pallazo Publico, at Venice: The richness and high finishing of the buildings is uncommonly fine; the whole masterly executed, and may rank with greatest masters (Marieschi)|The inside view of the grand court of the palace of St. Mark, commonly called the Doge's Palace, or Pallazo Publico, at Venice: The richness and high finishing of the buildings is uncommonly fine; the whole masterly executed, and may rank with greatest masters]] réalisée par Marieschi. [63]
  • 1771.03.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Melchior de Stanza and his family; he was physician to the Archduke Leopold: This picture is nobly designed; the attitudes are natural, and may be justly put in competition with Vandyck, whose taste he seems to have studied (Gonzales, commonly called Little Vandyck)|Melchior de Stanza and his family; he was physician to the Archduke Leopold: This picture is nobly designed; the attitudes are natural, and may be justly put in competition with Vandyck, whose taste he seems to have studied]] réalisée par Gonzales, commonly called Little Vandyck. [64]
  • 1771.03.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Rubens Children: The idea of the composition of this picture does honour to the master; the natural position of the boy throwing his leg on the dog's back is admirable; the ease and grace of the girl holding the dog, and the little child in the go-cart, all seeming in real motion; this picture is finely coloured, and in perfect condition (Rubens)|Rubens Children: The idea of the composition of this picture does honour to the master; the natural position of the boy throwing his leg on the dog's back is admirable; the ease and grace of the girl holding the dog, and the little child in the go-cart, all seeming in real motion; this picture is finely coloured, and in perfect condition]] réalisée par Rubens. [65]
  • 1771.03.28/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Madona and Child, accompanied by a group of angels; there is a greatness in the composition that does honour to the artist; the characters are agreeable; the stile of the whole very like Raffael; and, by the high finishing, it appears painted soon after he left that school (Andrea del Sarto)|A Madona and Child, accompanied by a group of angels; there is a greatness in the composition that does honour to the artist; the characters are agreeable; the stile of the whole very like Raffael; and, by the high finishing, it appears painted soon after he left that school]] réalisée par Andrea del Sarto. [66]