Ventes d'œuvres le 1773.02.05

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  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Madona, Bambino, St. John, and an angel, full length figures, big as life. The Virgin, who sits in a very easy and noble attitude, under a canopy, seems to be the same favourite female figure as that in Lord Spencer's fine picture of Modesty, which is engraved by the ingenious Mr. Strange, and which picture was sold some years ago, at Mr. De Pesta's sale, for 1200l. the same size as this; the angel, which is one of the most graceful figures in painting, is similar in idea to the little boy, so much admired, with the pidgeons, in the altar-piece at Modena. This piece is painted in his clear manner, and must be allow'd a capital work (Guido)|Madona, Bambino, St. John, and an angel, full length figures, big as life. The Virgin, who sits in a very easy and noble attitude, under a canopy, seems to be the same favourite female figure as that in Lord Spencer's fine picture of Modesty, which is engraved by the ingenious Mr. Strange, and which picture was sold some years ago, at Mr. De Pesta's sale, for 1200l. the same size as this; the angel, which is one of the most graceful figures in painting, is similar in idea to the little boy, so much admired, with the pidgeons, in the altar-piece at Modena. This piece is painted in his clear manner, and must be allow'd a capital work]] réalisée par Guido. [1]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Holy Family, Virgin, Child sleeping, and Joseph, and in part of the back ground a fine landscape, one of his most elegant and best painted easel pieces, the colouring perfect, and the characters less heavy than usual. It was done for the Cornaro family, whilst he resided in Italy; the figures as big as life (Rubens)|Holy Family, Virgin, Child sleeping, and Joseph, and in part of the back ground a fine landscape, one of his most elegant and best painted easel pieces, the colouring perfect, and the characters less heavy than usual. It was done for the Cornaro family, whilst he resided in Italy; the figures as big as life]] réalisée par Rubens. [3]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A most beautiful landscape and figures, representing countrywomen going to a wedding with the bride, who has a crown on her head, and a boor walking before the group of women, playing on the bagpipes; a hill with a cottage on it, with small figures, is surprisingly well painted, and the back ground much in the stile of Rubens (Teniers)|A most beautiful landscape and figures, representing countrywomen going to a wedding with the bride, who has a crown on her head, and a boor walking before the group of women, playing on the bagpipes; a hill with a cottage on it, with small figures, is surprisingly well painted, and the back ground much in the stile of Rubens]] réalisée par Teniers. [6]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Christ carrying the cross, six fine figures, as big as life, three quarters length. The correctness of the drawing, and fine composition of this and the following piece make them deservedly esteemed of the best works of this master (Polidora di Carrivaggio)|Christ carrying the cross, six fine figures, as big as life, three quarters length. The correctness of the drawing, and fine composition of this and the following piece make them deservedly esteemed of the best works of this master]] réalisée par Polidora di Carrivaggio. [8]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Madona, Child, and St. John kissing him, small life, in a beautiful landscape, in his warm glowing stile of colouring. The Virgin and manner of painting resembles so much the characters of his celebrated altar-piece at Venice, that it is probable it was painted much about that time, and is a most beautiful piece of this author (Titiano)|Madona, Child, and St. John kissing him, small life, in a beautiful landscape, in his warm glowing stile of colouring. The Virgin and manner of painting resembles so much the characters of his celebrated altar-piece at Venice, that it is probable it was painted much about that time, and is a most beautiful piece of this author]] réalisée par Titiano. [9]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The portrait of the noble Venetian family at Belegnia Belegno?, 24 figures, big as life, the Virgin sitting on a throne in the centre, with the Bambino, and two angels holding a curtain over them, two others sitting on the steps at her feet, playing on musical instruments; the men of the family kneeling on one side of the Virgin, the females on the other side. This piece was begun by Paul, left unfinished, and terminated by his disciple Palma (Palma Giovana)|The portrait of the noble Venetian family at Belegnia Belegno?, 24 figures, big as life, the Virgin sitting on a throne in the centre, with the Bambino, and two angels holding a curtain over them, two others sitting on the steps at her feet, playing on musical instruments; the men of the family kneeling on one side of the Virgin, the females on the other side. This piece was begun by Paul, left unfinished, and terminated by his disciple Palma]] réalisée par Palma Giovana. [11]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Judith with the head of Holifernes, in his great stile, with uncommon fine expression and dignity of character, half figure, big as life. The author on the beauty of painting, who is universally allowed one of the best judges of the art, was so pleased with this piece, that he had a copy done of it by Mr. Peters, and declared it to be the most sublime character of a half figure he had ever seen by any painter (Dominichino)|Judith with the head of Holifernes, in his great stile, with uncommon fine expression and dignity of character, half figure, big as life. The author on the beauty of painting, who is universally allowed one of the best judges of the art, was so pleased with this piece, that he had a copy done of it by Mr. Peters, and declared it to be the most sublime character of a half figure he had ever seen by any painter]] réalisée par Dominichino. [12]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Virgin, child, St. John and St. Catharine, small life, in a very beautiful landscape: there is a grace, elegance and beauty of colouring in this great master, added to a surprising knowlede in landscape painting, that makes his works very valuable; his constant study of Titian and Parmegiano, has gained him this beautiful mixture, which fully appears in this fine piece (Andrea Sciavoni)|Virgin, child, St. John and St. Catharine, small life, in a very beautiful landscape: there is a grace, elegance and beauty of colouring in this great master, added to a surprising knowlede in landscape painting, that makes his works very valuable; his constant study of Titian and Parmegiano, has gained him this beautiful mixture, which fully appears in this fine piece]] réalisée par Andrea Sciavoni. [15]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The real works of this master are very scarce, many of his scholars performances having been dispersed in different parts for his; Orlandi says, that after having sudied the works of Raphael, at Rome; Correggio, at Parma; Titian, Paul and Tintoret, at Venice, he formed so graceful and solid a manner of painting, that he was universally applauded by the public. This piece represents Sculpture and Drawing, the one in the character of a young woman with a pencil, the other, a man with a chissel, executed with great elegance and beauty; both figures as big as life (Chevalier Liberi)|The real works of this master are very scarce, many of his scholars performances having been dispersed in different parts for his; Orlandi says, that after having sudied the works of Raphael, at Rome; Correggio, at Parma; Titian, Paul and Tintoret, at Venice, he formed so graceful and solid a manner of painting, that he was universally applauded by the public. This piece represents Sculpture and Drawing, the one in the character of a young woman with a pencil, the other, a man with a chissel, executed with great elegance and beauty; both figures as big as life]] réalisée par Chevalier Liberi. [19]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An allegorical piece, representing the triumph of the polite Arts in the character of two young women trampling on Time, and holding the emblems of the art in their hand, whose wings Time, their genii are unfeathering. In the back ground, a fine figure of Envy, who is flying before the Arts, the colouring, correctness of drawing, architecture, the statue, the leafing of the trees altogether, are executed in so masterly a style, and so much in the manner of the Carracci's, whom Poussin sometimes imitated, that it must be allowed one of the best of his works of this size (N. Poussin)|An allegorical piece, representing the triumph of the polite Arts in the character of two young women trampling on Time, and holding the emblems of the art in their hand, whose wings Time, their genii are unfeathering. In the back ground, a fine figure of Envy, who is flying before the Arts, the colouring, correctness of drawing, architecture, the statue, the leafing of the trees altogether, are executed in so masterly a style, and so much in the manner of the Carracci's, whom Poussin sometimes imitated, that it must be allowed one of the best of his works of this size]] réalisée par N. Poussin. [21]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Christ crown'd with thorns, with five other figures, as big as life; the excellence of this fine piece with sufficiently speak for itself, when the nobleness of the Character of Christ, the fine drapery, drawing and colouring of the whole is considered, and above all the scareceness of finding so good a subject by this master who usually painted the most horrid and unpleasing compositions (Spagnioletta Detto Crespi)|Christ crown'd with thorns, with five other figures, as big as life; the excellence of this fine piece with sufficiently speak for itself, when the nobleness of the Character of Christ, the fine drapery, drawing and colouring of the whole is considered, and above all the scareceness of finding so good a subject by this master who usually painted the most horrid and unpleasing compositions]] réalisée par Spagnioletta Detto Crespi. [23]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[This ingenious professor, who was a nobleman of Treviso, has a mixture of elegance and beauty of colouring, that few of the Venetian artists can pretend to, as is evident from the Samaritan woman with Christ at the well, three of the apostles behind, in a fine landscape, very elegant figurees, half life, add to this his knowledge in the ancient sculpture, as appears by the very beautiful basso relief round the well (Burdoni)|This ingenious professor, who was a nobleman of Treviso, has a mixture of elegance and beauty of colouring, that few of the Venetian artists can pretend to, as is evident from the Samaritan woman with Christ at the well, three of the apostles behind, in a fine landscape, very elegant figurees, half life, add to this his knowledge in the ancient sculpture, as appears by the very beautiful basso relief round the well]] réalisée par Burdoni. [27]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[This ingenious artist who was son to Augustin Carracci, had he not died at the age of 35 years, would probably have surpas'd his father and other relations, having been chiefly occupied in assisting them in their great works for the churches, very few of his pictures are to be met with; this specimen of his genius, is a sufficient testimony of his great merit in the art: the two sisters of St. Sebastian, drawing out the arrows from his body, three fine figures big as life, finely coloured, painted with great spirit, and a delicacy and tenderness in the sisters, which is finely expressed (Antonio Carracci)|This ingenious artist who was son to Augustin Carracci, had he not died at the age of 35 years, would probably have surpas'd his father and other relations, having been chiefly occupied in assisting them in their great works for the churches, very few of his pictures are to be met with; this specimen of his genius, is a sufficient testimony of his great merit in the art: the two sisters of St. Sebastian, drawing out the arrows from his body, three fine figures big as life, finely coloured, painted with great spirit, and a delicacy and tenderness in the sisters, which is finely expressed]] réalisée par Antonio Carracci. [33]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[This celebrated scholar of Rubens, has very closely imitated his master's stile, which makes his works much sought after and esteemed. The adoration of the shepherds, 7 figures, small life, there is a brilliancy in the colouring and a nature in these rustick characters, that are worthy of admiration (Jordaens)|This celebrated scholar of Rubens, has very closely imitated his master's stile, which makes his works much sought after and esteemed. The adoration of the shepherds, 7 figures, small life, there is a brilliancy in the colouring and a nature in these rustick characters, that are worthy of admiration]] réalisée par Jordaens. [36]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Venus and Cupid with 2 doves, (life) with 2 small spirited figures, of Envy and Malice in the back ground, this excellent scholar of Julio Romano, having been so long employed in the extensive works which he painted for the king of France, at Fontanbleau, makes his pictures very scarce, the brilliancy of his colouring and poetical compositions have rank'd him among the first professors of the art (Primaticcio)|Venus and Cupid with 2 doves, (life) with 2 small spirited figures, of Envy and Malice in the back ground, this excellent scholar of Julio Romano, having been so long employed in the extensive works which he painted for the king of France, at Fontanbleau, makes his pictures very scarce, the brilliancy of his colouring and poetical compositions have rank'd him among the first professors of the art]] réalisée par Primaticcio. [40]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Apollo with many other figures playing on instruments, and nymphs singing, half life, with variety of small figures in the back ground, vide Ridolfi who mentions the excellent scholar of Tintoret's, having painted this picture for the Gradanigo family (Paulo Fiamingo)|Apollo with many other figures playing on instruments, and nymphs singing, half life, with variety of small figures in the back ground, vide Ridolfi who mentions the excellent scholar of Tintoret's, having painted this picture for the Gradanigo family]] réalisée par Paulo Fiamingo. [42]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The virgin sitting in an elegant posture and reading, elegant life, with three cherubs, there is a modesty and grace in the pleasing figure, which corresponds to the epiteth Padre Orlandi, gives to this ingenious scholar of Carlo Maratt's, after saying he has much of the grace of Corregggio he adds, a manner, che sommamente diletta (Antonio Balestra)|The virgin sitting in an elegant posture and reading, elegant life, with three cherubs, there is a modesty and grace in the pleasing figure, which corresponds to the epiteth Padre Orlandi, gives to this ingenious scholar of Carlo Maratt's, after saying he has much of the grace of Corregggio he adds, a manner, che sommamente diletta]] réalisée par Antonio Balestra. [54]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A beautifull full length figure, half life, of a St. Catharine leaning on a wheel; there is a remarkable pleasing grace in the Idea of the Saint, as well as a spirited pencil and which fully answers Mr. Pope's Epiteth -- Paola's free Touch -- the innocence and sweetness of character, in this Figure, is seldom to be seen in the Venetian painters (P. Veronese)|A beautifull full length figure, half life, of a St. Catharine leaning on a wheel; there is a remarkable pleasing grace in the Idea of the Saint, as well as a spirited pencil and which fully answers Mr. Pope's Epiteth -- Paola's free Touch -- the innocence and sweetness of character, in this Figure, is seldom to be seen in the Venetian painters]] réalisée par P. Veronese. [57]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[This very scarce Spanish artist, from the judicious choice he made of his two great masters, Titian and Michael Angelo, acquired the name? of the Divine. His elegance of character, and high finishing, added to his other perfections, makes his works truly valuable. This half figure, big as life, represents a beautiful shepherdess with a hat on, and in the old Spanish dress (Moralese)|This very scarce Spanish artist, from the judicious choice he made of his two great masters, Titian and Michael Angelo, acquired the name? of the Divine. His elegance of character, and high finishing, added to his other perfections, makes his works truly valuable. This half figure, big as life, represents a beautiful shepherdess with a hat on, and in the old Spanish dress]] réalisée par Moralese. [61]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[This celebrated scholar of Poussin acquired great reputation in his native country of Genoa, where he is chiefly known, and where great prices are paid for his works, having died young. Padre Orlandi justly terms his compositions full of delightful situations, ornamented with judicious and pleasing figures. It represents a land storm (Travella)|This celebrated scholar of Poussin acquired great reputation in his native country of Genoa, where he is chiefly known, and where great prices are paid for his works, having died young. Padre Orlandi justly terms his compositions full of delightful situations, ornamented with judicious and pleasing figures. It represents a land storm]] réalisée par Travella. [68]
  • 1773.02.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An allegorical composition, a young woman riding an old man, with a bridle in his mouth, finely drawn and coloured. It is engraved by Sadler. -- The works of this artist in painting are very scarce in small; he employed most of his time in engraving, and dying at the age of 39 years, few of his pieces are to be met with. -- THis is perhaps one of the best cabinet pictures he ever made (Golzius)|An allegorical composition, a young woman riding an old man, with a bridle in his mouth, finely drawn and coloured. It is engraved by Sadler. -- The works of this artist in painting are very scarce in small; he employed most of his time in engraving, and dying at the age of 39 years, few of his pieces are to be met with. -- THis is perhaps one of the best cabinet pictures he ever made]] réalisée par Golzius. [70]
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