Ventes d'œuvres le 1783.05.28

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  • 1783.05.28/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[A large and capital high finished bronze of Venus and Cupid, by these celebrated artists; the latter was uncle to the present much esteemed artist, J.B. Cipriani which forms a centrical and noble piece of ornamental sculpture, with the other two; it is presumed these most capital bronzes are for magnitude and excellence equal to any in the first cabinets (Soldani of Florence)|A large and capital high finished bronze of Venus and Cupid, by these celebrated artists; the latter was uncle to the present much esteemed artist, J.B. Cipriani which forms a centrical and noble piece of ornamental sculpture, with the other two; it is presumed these most capital bronzes are for magnitude and excellence equal to any in the first cabinets]] réalisée par Soldani of Florence. [58]
  • 1783.05.28/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[St. Francis and St. Anthony; a very high performance of this much esteemed master, purchased from a convent in the Venetian state, which is represented at a distance in the landscape; the figures, in fact, seem to project from the canvas; the whole has an effect only to be obtained by that master (Titian)|St. Francis and St. Anthony; a very high performance of this much esteemed master, purchased from a convent in the Venetian state, which is represented at a distance in the landscape; the figures, in fact, seem to project from the canvas; the whole has an effect only to be obtained by that master]] réalisée par Titian. [67]
  • 1783.05.28/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[May-day; this is not only a fine picture by this celebrated painter, but one of his most highest finished ones, and was in the possession of Mr. Mussel, of Bethnal Green, above 30 years, for which he was offered, by Mr. Hogarth, 50 guineas (to engrave from, being the first of this great artist's works) but was refused, which was the reason of its not being among the rest of his plates (Hogarth)|May-day; this is not only a fine picture by this celebrated painter, but one of his most highest finished ones, and was in the possession of Mr. Mussel, of Bethnal Green, above 30 years, for which he was offered, by Mr. Hogarth, 50 guineas (to engrave from, being the first of this great artist's works) but was refused, which was the reason of its not being among the rest of his plates]] réalisée par Hogarth. [68]
  • 1783.05.28/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[This admirable resemblance of the painter, and the venerable old character (sold in the last sale) were a present by the late Emperor to his brother Prince Charles of Lorrain, and for many years engrossed the attention of the skillful and curious in general, and what they justly merited; these two heads have been acknowleded by all who have seen this artist's works, to be the best of his productions. It was desired by the late Emperor, after Denner had produced and delivered the venerable old character, that he might have the portrait of the artist, which was complied with, and astonished all that saw it, and was held in the greatest estimation at both courts (Denner)|This admirable resemblance of the painter, and the venerable old character (sold in the last sale) were a present by the late Emperor to his brother Prince Charles of Lorrain, and for many years engrossed the attention of the skillful and curious in general, and what they justly merited; these two heads have been acknowleded by all who have seen this artist's works, to be the best of his productions. It was desired by the late Emperor, after Denner had produced and delivered the venerable old character, that he might have the portrait of the artist, which was complied with, and astonished all that saw it, and was held in the greatest estimation at both courts]] réalisée par Denner. [72]
  • 1783.05.28/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[The conveying away of Phyrrus. This picture it is presumed is one of the most capital performances of this great master, and by far the most valuable of any that has been offered to public sale for some years. It is engraved, and if attentively examined, will be found to possess Nicola's reflections without his defects, being coloured in a style far beyond his works in general (N. Poussin)|The conveying away of Phyrrus. This picture it is presumed is one of the most capital performances of this great master, and by far the most valuable of any that has been offered to public sale for some years. It is engraved, and if attentively examined, will be found to possess Nicola's reflections without his defects, being coloured in a style far beyond his works in general]] réalisée par N. Poussin. [75]
  • 1783.05.28/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[Sampson and Dalilah, being one of the first pictures at the late Sir Gregory Page's, and for drawing, colouring, and effect, one of the most capital pictures in Europe. It was purchased for the late Sir Gregory, at an immense price, out of one of the first private collections abroad, where it had remained many years a considerable ornament and object of admiration (Vandyke)|Sampson and Dalilah, being one of the first pictures at the late Sir Gregory Page's, and for drawing, colouring, and effect, one of the most capital pictures in Europe. It was purchased for the late Sir Gregory, at an immense price, out of one of the first private collections abroad, where it had remained many years a considerable ornament and object of admiration]] réalisée par Vandyke. [78]
  • 1783.05.28/ maison de ventes : Bertels (Jean J.). Vente de l'œuvre décrite comme [[Its companion, Bacchus and Ariadne, equally fine which forms a centrical and noble piece of ornamental sculpture, with the other two; it is presumed these most capital bronzes are for magnitude and excellence equal to any in the first cabinets (Soldani of Florence)|Its companion, Bacchus and Ariadne, equally fine which forms a centrical and noble piece of ornamental sculpture, with the other two; it is presumed these most capital bronzes are for magnitude and excellence equal to any in the first cabinets]] réalisée par Soldani of Florence. [79]
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