Ventes d'œuvres le 1795.04.27

De Wikipast
Aller à la navigation Aller à la recherche
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Ratcatcher -- this Chef d'OEuvre of Dietricy was painted for the Duke of Aremberg, who paid him 6000 German florins for it, about £750; it is unquestionably the most capital and the most pleasing picture known of him, and is equal to the finest works of G. Dow, or Ostade (Dietricy)|The Ratcatcher -- this Chef d'OEuvre of Dietricy was painted for the Duke of Aremberg, who paid him 6000 German florins for it, about £750; it is unquestionably the most capital and the most pleasing picture known of him, and is equal to the finest works of G. Dow, or Ostade]] réalisée par Dietricy, vendue par Bryan au prix de 200.0 gs. [1]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Wisemen's Offering -- one of the most extraordinary high-finished and effective pictures that the art of painting ever produced. This celebrated picture has been painted upwards of three hundred years, and is still in the most perfect preservation -- it contains the portraits of John Duke of Brabant, that of the Painter, Albert Durer, Lucas of Leyden, and others. It was originally painted for the Abbey of St. Adrien, near Brussells, and was the work of upwards of seven years. When Albert and Isabella became governors of the Low Countries, they distinguished themselves by the patronage they gave to the Arts, and this curious picture was recommended to their notice by Rubens, who purchased it for them: after the death of Prince Charles of Lorraine it was publicly sold, and has been since brought to this Country (John de Mabuse)|The Wisemen's Offering -- one of the most extraordinary high-finished and effective pictures that the art of painting ever produced. This celebrated picture has been painted upwards of three hundred years, and is still in the most perfect preservation -- it contains the portraits of John Duke of Brabant, that of the Painter, Albert Durer, Lucas of Leyden, and others. It was originally painted for the Abbey of St. Adrien, near Brussells, and was the work of upwards of seven years. When Albert and Isabella became governors of the Low Countries, they distinguished themselves by the patronage they gave to the Arts, and this curious picture was recommended to their notice by Rubens, who purchased it for them: after the death of Prince Charles of Lorraine it was publicly sold, and has been since brought to this Country]] réalisée par John de Mabuse, vendue par Bryan au prix de 300.0 gs. [2]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Saviour bearing his Cross -- this sublime picture is alone sufficient to justify the appellation given to this inimitable painter in his own country, of the Divine Moralis -- It is impossible to describe the expression of patient and dignified suffering in the head of the Saviour; it fills the mind with the most impressive emotions (The Divine Moralis)|The Saviour bearing his Cross -- this sublime picture is alone sufficient to justify the appellation given to this inimitable painter in his own country, of the Divine Moralis -- It is impossible to describe the expression of patient and dignified suffering in the head of the Saviour; it fills the mind with the most impressive emotions]] réalisée par The Divine Moralis, vendue par Bryan au prix de 150.0 gs. [3]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Philosopher at his Study. It is impossible to conceive the art of painting to produce a more surprising and forcible effect; the finishing surpasses all description; it is a jewel of the first class, and would adorn a princely cabinet; from Baron Nagel's collection (G. Dow)|A Philosopher at his Study. It is impossible to conceive the art of painting to produce a more surprising and forcible effect; the finishing surpasses all description; it is a jewel of the first class, and would adorn a princely cabinet; from Baron Nagel's collection]] réalisée par G. Dow, vendue par Bryan. [12]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Card Players. This admirable picture is painted in the best time and manner of this captivating master; there is a spirit and character in the heads of the card players and spectators that has the appearance of life and nature; it is undoubtedly one of his finest pictures, and was one of the distinguished ornaments of the celebrated collection of Sir Thomas Dundas (Teniers)|The Card Players. This admirable picture is painted in the best time and manner of this captivating master; there is a spirit and character in the heads of the card players and spectators that has the appearance of life and nature; it is undoubtedly one of his finest pictures, and was one of the distinguished ornaments of the celebrated collection of Sir Thomas Dundas]] réalisée par Teniers, vendue par Bryan. [32]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A whole-length Portrait of the Duchess of Aremberg and her Son. Perhaps there does not exist a more capital portrait by this admirable painter; there is a grace, ease, and dignity in the attitudes, and an expression in the heads that cannot be surpassed. Vandyke certainly esteemed this one of the finest of his works, as he has signed it with the title he received from Charles First. Cavalo A. Vandyk fect Ano 1634. in his best time (Vandyke)|A whole-length Portrait of the Duchess of Aremberg and her Son. Perhaps there does not exist a more capital portrait by this admirable painter; there is a grace, ease, and dignity in the attitudes, and an expression in the heads that cannot be surpassed. Vandyke certainly esteemed this one of the finest of his works, as he has signed it with the title he received from Charles First. Cavalo A. Vandyk fect Ano 1634. in his best time]] réalisée par Vandyke, vendue par Bryan au prix de 150.0 gs. [43]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Democritus and Heraclitus -- a most capital picture. This great artist was contemporary with Rubens, and was also his competitor. It is recorded in his life that he gave a public challenge to Rubens to paint a picture in competition with him. The connoisseurs will be convinced from this specimen of his powers, that he was not unworthy of becoming the rival of the great Rubens (A. Jansen)|Democritus and Heraclitus -- a most capital picture. This great artist was contemporary with Rubens, and was also his competitor. It is recorded in his life that he gave a public challenge to Rubens to paint a picture in competition with him. The connoisseurs will be convinced from this specimen of his powers, that he was not unworthy of becoming the rival of the great Rubens]] réalisée par A. Jansen, vendue par Bryan. [44]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Martyrdom of St. Ignatius -- a very fine composition, painted in a spirited and masterly manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (P. de Cortona)|The Martyrdom of St. Ignatius -- a very fine composition, painted in a spirited and masterly manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par P. de Cortona, vendue par Bryan au prix de 20.0 gs. [45]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Satyrs, with a Tygress and her Young. The pictures of this admirable artist are extremely scarce in England; the few that we possess have deservedly raised his reputation to an equality with the greatest masters of the art; the colouring in this astonishing picture is rich and harmonious, and it is painted with a spirit and vigour that excite the surprise and admiration of the artist and connoisseur. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Velasquez)|Satyrs, with a Tygress and her Young. The pictures of this admirable artist are extremely scarce in England; the few that we possess have deservedly raised his reputation to an equality with the greatest masters of the art; the colouring in this astonishing picture is rich and harmonious, and it is painted with a spirit and vigour that excite the surprise and admiration of the artist and connoisseur. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Velasquez, vendue par Bryan au prix de 200.0 gs. [46]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Landscape -- a very grand composition; it is painted in the manner of G. Poussin, and is equal to his best works. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (F. Mile)|A Landscape -- a very grand composition; it is painted in the manner of G. Poussin, and is equal to his best works. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par F. Mile, vendue par Bryan au prix de 40.0 gs. [47]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Painter's Chamber, with Himself, Wife, and Child -- a very brilliant high-finished picture, much in the manner of Ostade. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Le Nain)|The Painter's Chamber, with Himself, Wife, and Child -- a very brilliant high-finished picture, much in the manner of Ostade. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Le Nain, vendue par Bryan au prix de 30.0 gs. [49]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The blowing Hot and Cold -- a very fine cabinet picture of this scarce master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (M. Angelo de la Bataille)|The blowing Hot and Cold -- a very fine cabinet picture of this scarce master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par M. Angelo de la Bataille, vendue par Bryan au prix de 30.0 gs. [50]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Saviour, with Martha and Mary. This capital picture exhibits the joint excellencies of two great artists; the disposition of the figures is happily appropriated to their respective characters; the graceful dignity and the expression in the countenance of the Saviour is admirable. The cabinet pictures of Rubens are extremely rare, and may be said to be invaluable. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Rubens)|The Saviour, with Martha and Mary. This capital picture exhibits the joint excellencies of two great artists; the disposition of the figures is happily appropriated to their respective characters; the graceful dignity and the expression in the countenance of the Saviour is admirable. The cabinet pictures of Rubens are extremely rare, and may be said to be invaluable. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Rubens, vendue par Bryan au prix de 350.0 gs. [54]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A group of Cattle. No picture can more deservedly authenticate the reputation of this scare and incomparable master, esteemed in Holland the father of animal painters; here is boldness and effect, with accuracy of drawing that cause the animals to appear like real objects, and not like paintig. It was formerly in the cabinet of Monsieur Braam-Camp of Amsterdam. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Potter)|A group of Cattle. No picture can more deservedly authenticate the reputation of this scare and incomparable master, esteemed in Holland the father of animal painters; here is boldness and effect, with accuracy of drawing that cause the animals to appear like real objects, and not like paintig. It was formerly in the cabinet of Monsieur Braam-Camp of Amsterdam. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Potter, vendue par Bryan au prix de 500.0 gs. [55]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A grand Landscape, with the subject of Orion, treated in the usual masterly style of this great genius. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (N. Poussin)|A grand Landscape, with the subject of Orion, treated in the usual masterly style of this great genius. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par N. Poussin, vendue par Bryan. [56]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Bacchanalian Dance. This astonishing artist, by the power of his superior genius, treated all subjects with equal success. The female figures exhibit perfect models of untutor'd beauty; the infant bacchants eagerly struggling for the juice of the grape, contrasted with the vigorous rusticity of the satyrs, are poetically imagined, and truly picturesque: it is evident this picture is designed to imitate the style and taste of the antique paintings, but possesses much greater perfection of colouring, drawing, and execution, than any we have extant, and is truly a Chef d'OEuvre. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (N. Poussin)|A Bacchanalian Dance. This astonishing artist, by the power of his superior genius, treated all subjects with equal success. The female figures exhibit perfect models of untutor'd beauty; the infant bacchants eagerly struggling for the juice of the grape, contrasted with the vigorous rusticity of the satyrs, are poetically imagined, and truly picturesque: it is evident this picture is designed to imitate the style and taste of the antique paintings, but possesses much greater perfection of colouring, drawing, and execution, than any we have extant, and is truly a Chef d'OEuvre. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par N. Poussin, vendue par Bryan. [57]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A warm Landscape, with a distant view of a Bridge and an extensive Country, enlivened with groups of Cattle and Figures, with a rich glowing Sky, producing a beautiful effect, and finished in the finest style of this inestimable master; late a principal ornament in the cabinet of Monsieur d'Arveley. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Berchem)|A warm Landscape, with a distant view of a Bridge and an extensive Country, enlivened with groups of Cattle and Figures, with a rich glowing Sky, producing a beautiful effect, and finished in the finest style of this inestimable master; late a principal ornament in the cabinet of Monsieur d'Arveley. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Berchem, vendue par Bryan au prix de 350.0 gs. [58]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Village Feast. This capital production has always been distinguished by the name of the Teniers' aux Chaudrons, and demands universal admiration, it being a scene from nature, replete with animation and spirit throughout the whole assemblage. Teniers has pourtrayed himself with his family on the fore ground; the whole exhibits a scene truly fascinating, and is undoubtedly one of the most capital pictures known of the master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Teniers)|A Village Feast. This capital production has always been distinguished by the name of the Teniers' aux Chaudrons, and demands universal admiration, it being a scene from nature, replete with animation and spirit throughout the whole assemblage. Teniers has pourtrayed himself with his family on the fore ground; the whole exhibits a scene truly fascinating, and is undoubtedly one of the most capital pictures known of the master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Teniers, vendue par Bryan. [59]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Le Bonnet Rouge, a Flemish Farm House, with Boors regaling. This inimitable performance unites all the valuable qualities of Teniers, in character, composition, and colouring, and is a Chef d'OEuvre. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Teniers)|Le Bonnet Rouge, a Flemish Farm House, with Boors regaling. This inimitable performance unites all the valuable qualities of Teniers, in character, composition, and colouring, and is a Chef d'OEuvre. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Teniers, vendue par Bryan au prix de 360 gs. [60]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Lot with his Daughters. This celebrated picture formed one of the principal ornaments in the famous collection of the Duke de Choiseul; Vanderwerf has treated this subject with uncommon taste and elegance. The composition and design would honour the first Italian masters; the distribution of the light and shadow is bold, and there is a richness and harmony in the colouring that he has seldom equalled. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Chevalier Vander Werf)|Lot with his Daughters. This celebrated picture formed one of the principal ornaments in the famous collection of the Duke de Choiseul; Vanderwerf has treated this subject with uncommon taste and elegance. The composition and design would honour the first Italian masters; the distribution of the light and shadow is bold, and there is a richness and harmony in the colouring that he has seldom equalled. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Chevalier Vander Werf, vendue par Bryan. [61]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Companion, of equal excellence, with the story of Cupid and Psyche. These pictures may deservedly be ranked amongst the most exquisite works of this inimitable painter; the warmth and clearness of the skies, the luxuriant richness of the trees, the delicacy of the distant tints, and the air that pervades the whole, are beyond expression. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Claude)|The Companion, of equal excellence, with the story of Cupid and Psyche. These pictures may deservedly be ranked amongst the most exquisite works of this inimitable painter; the warmth and clearness of the skies, the luxuriant richness of the trees, the delicacy of the distant tints, and the air that pervades the whole, are beyond expression. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Claude, vendue par Bryan. [62]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[This grand and captivating picture presents one of the most delightful views of Italy, with a castle of the most exquisite architecture on the rising ground; the subject, the Departure of Rinaldo These pictures may deservedly be ranked amongst the most exquisite works of this inimitable painter; the warmth and clearness of the skies, the luxuriant richness of the trees, the delicacy of the distant tints, and the air that pervades the whole, are beyond expression The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Claude)|This grand and captivating picture presents one of the most delightful views of Italy, with a castle of the most exquisite architecture on the rising ground; the subject, the Departure of Rinaldo These pictures may deservedly be ranked amongst the most exquisite works of this inimitable painter; the warmth and clearness of the skies, the luxuriant richness of the trees, the delicacy of the distant tints, and the air that pervades the whole, are beyond expression The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Claude, vendue par Bryan. [63]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Dutch Cabaret, Peasantry of both Sexes dancing, drinking, and making merry. No artist ever composed these subjects more successfully than Ostade, nor drew with greater truth the native characters of the boors of Holland; the whole scene is pleasing and animated. It is impossible in the art of colouring to surpass this beautiful picture for richness and effect. When pictures of Adrien Ostade possess these high qualities, they become truly invaluable; it is in the highest preservation. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (A. Ostade)|A Dutch Cabaret, Peasantry of both Sexes dancing, drinking, and making merry. No artist ever composed these subjects more successfully than Ostade, nor drew with greater truth the native characters of the boors of Holland; the whole scene is pleasing and animated. It is impossible in the art of colouring to surpass this beautiful picture for richness and effect. When pictures of Adrien Ostade possess these high qualities, they become truly invaluable; it is in the highest preservation. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par A. Ostade, vendue par Bryan au prix de 360.0 gs. [64]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Madona and Infant Saviour, with St. Elizabeth and St. John. The graceful display of this admirable composition would do honour to Raphael; it is richly and beautifully coloured, and deservedly ranks as one of the finest Italian pictures in this country. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Parmegiano)|The Madona and Infant Saviour, with St. Elizabeth and St. John. The graceful display of this admirable composition would do honour to Raphael; it is richly and beautifully coloured, and deservedly ranks as one of the finest Italian pictures in this country. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Parmegiano, vendue par Bryan au prix de 200.0 gs. [65]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A warm clear Landscape -- a grand and extensive scene. This painter acquired and merited the title of Both of Italy; he united the finished and delicate execution of the Dutch school to the magnificent scenes of nature in that country; this is one of his most capital works, and produces a noble effect. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Both of Italy)|A warm clear Landscape -- a grand and extensive scene. This painter acquired and merited the title of Both of Italy; he united the finished and delicate execution of the Dutch school to the magnificent scenes of nature in that country; this is one of his most capital works, and produces a noble effect. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Both of Italy, vendue par Bryan au prix de 200.0 gs. [66]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A small Landscape, with Cattle and Figures fording a Brook -- one of the most exquisite cabinet pictures ever painted by this inimitable master, whose works are extremely scarce. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (C. du Jardin)|A small Landscape, with Cattle and Figures fording a Brook -- one of the most exquisite cabinet pictures ever painted by this inimitable master, whose works are extremely scarce. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par C. du Jardin, vendue par Bryan. [67]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Madona and Infant Christ. Rubens has exerted all the force and beauty of his rich colouring in this charming picture; it is very highly finished, and of an admirable effect. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Rubens)|The Madona and Infant Christ. Rubens has exerted all the force and beauty of his rich colouring in this charming picture; it is very highly finished, and of an admirable effect. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Rubens, vendue par Bryan au prix de 200.0 gs. [68]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Holy Family. Schidoni was the most distinguished scholar of the great Corregio, and in this lovely picture has expressed all the grace and sweetness that we admire in the works of that divine painter; an inestimable cabinet jewel. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Schidoni)|The Holy Family. Schidoni was the most distinguished scholar of the great Corregio, and in this lovely picture has expressed all the grace and sweetness that we admire in the works of that divine painter; an inestimable cabinet jewel. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Schidoni, vendue par Bryan au prix de 200.0 gs. [69]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A small beautiful Landscape -- clear and sweetly coloured; a valuable and scarce cabinet picture. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Claude)|A small beautiful Landscape -- clear and sweetly coloured; a valuable and scarce cabinet picture. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Claude, vendue par Bryan au prix de 70.0 gs. [70]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Landscape, with Cattle on the Banks of a Canal -- one of the most brilliant and fascinating cabinet pictures of this inimitable painter; it is a jewel of the first water, and deserving a palce in the choicest collection. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Cuyp)|A Landscape, with Cattle on the Banks of a Canal -- one of the most brilliant and fascinating cabinet pictures of this inimitable painter; it is a jewel of the first water, and deserving a palce in the choicest collection. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Cuyp, vendue par Bryan au prix de 150.0 gs. [71]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A whole-length Portrait of Lucy Countess of Carlisle. Vandyke stands unrivalled as a painter of portraits; in this he has shewn a superior grace, dignity, and elegance; the beautiful carnation of the head and hands is admirable, and the rich drapery of white satin finished with infinite case and nature; one of the most capital portraits of this great master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Vandyke)|A whole-length Portrait of Lucy Countess of Carlisle. Vandyke stands unrivalled as a painter of portraits; in this he has shewn a superior grace, dignity, and elegance; the beautiful carnation of the head and hands is admirable, and the rich drapery of white satin finished with infinite case and nature; one of the most capital portraits of this great master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Vandyke, vendue par Bryan. [73]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Warm Landscape, with Cattle. This inimitable artist surpasses all the Dutch Masters for the beautiful tints of air and sunshine. This is a specimen of his greatest perfection; formerly one of the most distinguished pictures in the famous collection of M. D. Linden at Dort. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Cuyp)|A Warm Landscape, with Cattle. This inimitable artist surpasses all the Dutch Masters for the beautiful tints of air and sunshine. This is a specimen of his greatest perfection; formerly one of the most distinguished pictures in the famous collection of M. D. Linden at Dort. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Cuyp, vendue par Bryan. [74]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Landscape, with a Bridge -- a view from nature, an enchanting representation of a picturesque scene; the most finished and celebrated picture known of this charming painter. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Ruysdael)|A Landscape, with a Bridge -- a view from nature, an enchanting representation of a picturesque scene; the most finished and celebrated picture known of this charming painter. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Ruysdael, vendue par Bryan. [75]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Family of De Witt, the famous Minister and Patriot of Holland. In painting the portraits of this celebrated family, Terbourg has exerted all his excellencies; it is inimitable for the suavity and mellowness of its finishing, and is one of the finest pictures he has ever painted. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Terbourg)|The Family of De Witt, the famous Minister and Patriot of Holland. In painting the portraits of this celebrated family, Terbourg has exerted all his excellencies; it is inimitable for the suavity and mellowness of its finishing, and is one of the finest pictures he has ever painted. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Terbourg, vendue par Bryan au prix de 75.0 gs. [76]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Good Samaritan. The cabinet pictures of this esteemed master are very rarely to be met with; this charming little picture formed one of the ornaments of the collection of the Duke de Choiseul. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Rembrandt)|The Good Samaritan. The cabinet pictures of this esteemed master are very rarely to be met with; this charming little picture formed one of the ornaments of the collection of the Duke de Choiseul. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Rembrandt, vendue par Bryan. [77]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Rome Triumphant -- a finished sketch of an emblematic subject, painted with infinite spirit, and coloured in his best manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Rubens)|Rome Triumphant -- a finished sketch of an emblematic subject, painted with infinite spirit, and coloured in his best manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Rubens, vendue par Bryan au prix de 50.0 gs. [78]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Madona, Infant Saviour, and St. John. This is a most exquisite cabinet jewel of this scarce and valuable master; few pictures of this artist can be compared to this in point of colouring, which is rich and tender; the expression of the heads is extremely beautiful, and the composition uncommonly graceful. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Lionardo da Vinci)|The Madona, Infant Saviour, and St. John. This is a most exquisite cabinet jewel of this scarce and valuable master; few pictures of this artist can be compared to this in point of colouring, which is rich and tender; the expression of the heads is extremely beautiful, and the composition uncommonly graceful. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Lionardo da Vinci, vendue par Bryan. [79]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Portrait of an Old Man -- a very high-finished capital head, in his best and clearest manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Rembrandt)|The Portrait of an Old Man -- a very high-finished capital head, in his best and clearest manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Rembrandt, vendue par Bryan. [80]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Temple of the Sybil. This is perhaps one of the most capital pictures known of this admired artist; it is very grand in composition, and more correct in design than is usually found in this painter; a very elegant picture, and deserving a place in the first gallery. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (P. de Cortona)|The Temple of the Sybil. This is perhaps one of the most capital pictures known of this admired artist; it is very grand in composition, and more correct in design than is usually found in this painter; a very elegant picture, and deserving a place in the first gallery. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par P. de Cortona, vendue par Bryan au prix de 75.0 gs. [82]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Battle Piece. There are few pictures to be seen more capital of this esteemed master; the spirited animation of the combatants in this attack is surprising. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Wovermans)|A Battle Piece. There are few pictures to be seen more capital of this esteemed master; the spirited animation of the combatants in this attack is surprising. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Wovermans, vendue par Bryan au prix de 70.0 gs. [85]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Caesar repudiating Pompiea. This great artist has treated this difficult subject with uncommon success; the composition is grand and full of energy, and it is coloured in the highest style of Venetian excellence. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Titian)|Caesar repudiating Pompiea. This great artist has treated this difficult subject with uncommon success; the composition is grand and full of energy, and it is coloured in the highest style of Venetian excellence. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Titian, vendue par Bryan au prix de 200.0 gs. [86]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Madona and Infant Saviour -- there is a beauty and simplicity in this lovely picture that exceed description; the carnation is delicate and tender, and there is an appearance of life and animation in the expression of the heads, that is perhaps peculiar to this favorite painter; it is certainly one of the happiest productions of his pencil. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Morrillio)|The Madona and Infant Saviour -- there is a beauty and simplicity in this lovely picture that exceed description; the carnation is delicate and tender, and there is an appearance of life and animation in the expression of the heads, that is perhaps peculiar to this favorite painter; it is certainly one of the happiest productions of his pencil. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Morrillio, vendue par Bryan au prix de 250.0 gs. [87]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A superb Landscape, with St. George and the Dragon -- a most beautiful picture of this great artist. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Claude)|A superb Landscape, with St. George and the Dragon -- a most beautiful picture of this great artist. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Claude, vendue par Bryan au prix de 300.0 gs. [89]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Sketches for the Cielings at Whitehall; one, the Queen of Sheba before Solomon; the other, Esther before Ahasuerus. These original designs possess all the fire and animation that distinguish the works of this astonishing genius. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Rubens)|The Sketches for the Cielings at Whitehall; one, the Queen of Sheba before Solomon; the other, Esther before Ahasuerus. These original designs possess all the fire and animation that distinguish the works of this astonishing genius. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Rubens, vendue par Bryan au prix de 90.0 gs. [90]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Venus requesting the Arms for Eneas, and its companion -- a pair of very elegant cabinet pictures. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Josepini)|Venus requesting the Arms for Eneas, and its companion -- a pair of very elegant cabinet pictures. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Josepini, vendue par Bryan. [93]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[His own Portrait -- in this picture he has united all that we admire in Rubens or in Rembrandt; it is equal to any portrait of any master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Vander Helst)|His own Portrait -- in this picture he has united all that we admire in Rubens or in Rembrandt; it is equal to any portrait of any master. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Vander Helst, vendue par Bryan au prix de 40.0 gs. [95]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Flight into Egypt -- a most pleasing, well-composed picture, in the Italian manner, and of a very fine effect. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Dietricy)|The Flight into Egypt -- a most pleasing, well-composed picture, in the Italian manner, and of a very fine effect. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Dietricy, vendue par Bryan au prix de 45.0 gs. [96]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Holy Family -- a very capital picture, possessing all the depth and glow of colour for which he was so justly celebrated, and in the most perfect preservation. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Titian)|The Holy Family -- a very capital picture, possessing all the depth and glow of colour for which he was so justly celebrated, and in the most perfect preservation. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Titian, vendue par Bryan au prix de 200.0 gs. [97]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A young Satyr stealing Cupid's Arrows whilst he is sleeping -- a very fine-coloured picture, equal to Titian. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Giorgone)|A young Satyr stealing Cupid's Arrows whilst he is sleeping -- a very fine-coloured picture, equal to Titian. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Giorgone, vendue par Bryan. [105]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Portrait of a Venetian Nobleman. This surprizing head may be ranked as the most perfect model of portrait painting; it has the appearance of illusion, and seems to possess life and animation. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Titian)|The Portrait of a Venetian Nobleman. This surprizing head may be ranked as the most perfect model of portrait painting; it has the appearance of illusion, and seems to possess life and animation. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Titian, vendue par Bryan au prix de 80.0 gs. [106]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Storm, with a Shipwreck -- one of the grandest pictures of this inimitable sea painter; it is a tremendous agitation of the elements, and produces a very aweful effect; very capital. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (W. Vandevelde)|A Storm, with a Shipwreck -- one of the grandest pictures of this inimitable sea painter; it is a tremendous agitation of the elements, and produces a very aweful effect; very capital. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par W. Vandevelde, vendue par Bryan au prix de 60.0 gs. [108]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Saviour at the House of the Pharisee; the original design for his great work at Venice. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (P. Veronese)|The Saviour at the House of the Pharisee; the original design for his great work at Venice. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par P. Veronese, vendue par Bryan au prix de 25.0 gs. [110]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Infant Saviour, with St. John and the Lamb, painted on black marble -- a charming elegant cabinet picture. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Stella)|The Infant Saviour, with St. John and the Lamb, painted on black marble -- a charming elegant cabinet picture. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Stella, vendue par Bryan. [111]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Shepherd and Shepherdess, with Cattle in a Landscape, very capital, equal to the finest works of Rubens. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Jordeans)|A Shepherd and Shepherdess, with Cattle in a Landscape, very capital, equal to the finest works of Rubens. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Jordeans, vendue par Bryan. [112]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Cottage on the Banks of a Canal -- a charming rural scene; a perfect representation of Nature. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Decker)|A Cottage on the Banks of a Canal -- a charming rural scene; a perfect representation of Nature. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Decker, vendue par Bryan au prix de 28.0 gs. [114]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Meleager and Atalanta hunting the Wild Boar -- a most capital finished sketch, extremely fine. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Rubens)|Meleager and Atalanta hunting the Wild Boar -- a most capital finished sketch, extremely fine. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Rubens, vendue par Bryan. [115]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Dutch Schoolmaster -- a finished cabinet picture, equal to G. Dow, of whom he was a scholar. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Van Tol)|The Dutch Schoolmaster -- a finished cabinet picture, equal to G. Dow, of whom he was a scholar. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Van Tol, vendue par Bryan. [123]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[His own Portrait, with a Child -- a very spirited picture. The works of this master are extremely scarce. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Velasquez)|His own Portrait, with a Child -- a very spirited picture. The works of this master are extremely scarce. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Velasquez, vendue par Bryan. [125]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Entombing of Christ -- a very capital work, equal in colouring to Titian, and much in his manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it. (Old Palma)|The Entombing of Christ -- a very capital work, equal in colouring to Titian, and much in his manner. The following Pictures, to No.137, are from the superb Collection of M. de Calonne, and (with a very few exceptions) formed the most valuable Part of it.]] réalisée par Old Palma, vendue par Bryan au prix de 20.0 gs. [126]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Venus and Cupid. Titian has treated his favourite subject in this picture with unusual success; the design is extremely correct, and the expression of the heads most beautiful: it is undoubtedly one of the finest pictures known of him. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds (Titian)|Venus and Cupid. Titian has treated his favourite subject in this picture with unusual success; the design is extremely correct, and the expression of the heads most beautiful: it is undoubtedly one of the finest pictures known of him. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds]] réalisée par Titian, vendue par Bryan. [127]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[A Pastoral Landscape, with a Shepherd playing to a Nymph listening. The classical mind of this great artist has evidently had in view the beauties of Virgil in treating this Sylvan scene. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds (N. Poussin)|A Pastoral Landscape, with a Shepherd playing to a Nymph listening. The classical mind of this great artist has evidently had in view the beauties of Virgil in treating this Sylvan scene. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds]] réalisée par N. Poussin, vendue par Bryan. [129]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Herod's Cruelty -- a very capital picture; it is impossible to behold the various incidents of horror without feeling the most compassionate emotions; equal to Poussin. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds (S. Bourdon)|Herod's Cruelty -- a very capital picture; it is impossible to behold the various incidents of horror without feeling the most compassionate emotions; equal to Poussin. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds]] réalisée par S. Bourdon, vendue par Bryan au prix de 40.0 gs. [131]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Entombing of Christ. In this sublime picture the solemnity of the subject is treated in an aweful and impressive manner; in composition it is not inferior to the finest productions of Carrache, and unites the magic colouring of this great founder of the Venetian School; one of his most capital works. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds (Titian)|The Entombing of Christ. In this sublime picture the solemnity of the subject is treated in an aweful and impressive manner; in composition it is not inferior to the finest productions of Carrache, and unites the magic colouring of this great founder of the Venetian School; one of his most capital works. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds]] réalisée par Titian, vendue par Bryan au prix de 350.0 gs. [132]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[Joseph and Potiphar's Wife -- a grand and astonishing effort of art; the figures are displayed in the most masterly manner, producing a surprising effect; one of his most capital pictures. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds (Guerchino)|Joseph and Potiphar's Wife -- a grand and astonishing effort of art; the figures are displayed in the most masterly manner, producing a surprising effect; one of his most capital pictures. The following Pictures, to No.55, are from the Collection of Sir Joshua Reynolds]] réalisée par Guerchino, vendue par Bryan. [139]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Saviour on the Cross -- a finished design for the large picture at Ghendt. The correct drawing of this fine figure, and the grandeur of the surrounding scene, produce an effect awful and impressive; it is one of the finest pictures of this great master (Vandyke)|The Saviour on the Cross -- a finished design for the large picture at Ghendt. The correct drawing of this fine figure, and the grandeur of the surrounding scene, produce an effect awful and impressive; it is one of the finest pictures of this great master]] réalisée par Vandyke, vendue par Bryan. [146]
  • 1795.04.27/ maison de ventes : Bryan (Michael). Vente de l'œuvre décrite comme [[The Portrait of a Bishop kneeling before the Saviour bearing his Cross. This valuable curiosity is not only interesting as one of the first pictures in oil, but admirable as a beautiful painting, and is still in the most perfect preservation, and, except the picture at Chiswick, in the Duke of Devonshire's collection, perhaps there is not another in England of this scarce master (J. Van Eyck, or John of Bruges, the Inventor of Oil Painting in 1410)|The Portrait of a Bishop kneeling before the Saviour bearing his Cross. This valuable curiosity is not only interesting as one of the first pictures in oil, but admirable as a beautiful painting, and is still in the most perfect preservation, and, except the picture at Chiswick, in the Duke of Devonshire's collection, perhaps there is not another in England of this scarce master]] réalisée par J. Van Eyck, or John of Bruges, the Inventor of Oil Painting in 1410, vendue par Bryan. [164]
Récupérée de « https://wikipast.epfl.ch/index.php?title=Ventes_d%27œuvres_le_1795.04.27&oldid=3983232 »