Ventes d'œuvres le 1798.05.21

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  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Nativity of the Virgin, a whole length figure, largely draped -- red and black chalk The ambassadors of Pope Clement VII. and the Bishop of Verona signing the treaty with the Count de Lannoy, commissary of Charles V. for the ransom of His Holiness -- bistre (Andrea del Sarto. Born at Florence in 1488)|Nativity of the Virgin, a whole length figure, largely draped -- red and black chalk The ambassadors of Pope Clement VII. and the Bishop of Verona signing the treaty with the Count de Lannoy, commissary of Charles V. for the ransom of His Holiness -- bistre]] réalisée par Andrea del Sarto. Born at Florence in 1488, vendue par late John Duke of Argyll. [16]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Nativity of the Virgin, a whole length figure, largely draped -- red and black chalk The ambassadors of Pope Clement VII. and the Bishop of Verona signing the treaty with the Count de Lannoy, commissary of Charles V. for the ransom of His Holiness -- bistre (Andrea del Sarto. Born at Florence in 1488)|Nativity of the Virgin, a whole length figure, largely draped -- red and black chalk The ambassadors of Pope Clement VII. and the Bishop of Verona signing the treaty with the Count de Lannoy, commissary of Charles V. for the ransom of His Holiness -- bistre]] réalisée par Andrea del Sarto. Born at Florence in 1488, vendue par late John Duke of Argyll. [17]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A saint reading in a book -- a boy on each side. -- The head is finished, and the rest masterly sketched in Indian ink, on blue paper, a little heightened with white -- on the back is a slight pen-sketch of a saint reading N.B. In Sir Peter Lely's pocket-book, letter XX. No. 329, are several more sketches, by Correggio (Antonio Allegri, or Lieto, surnamed Correggio, The prince of grace, of colouring, and of clair-obscur)|A saint reading in a book -- a boy on each side. -- The head is finished, and the rest masterly sketched in Indian ink, on blue paper, a little heightened with white -- on the back is a slight pen-sketch of a saint reading N.B. In Sir Peter Lely's pocket-book, letter XX. No. 329, are several more sketches, by Correggio]] réalisée par Antonio Allegri, or Lieto, surnamed Correggio, The prince of grace, of colouring, and of clair-obscur, vendue par late John Duke of Argyll. [116]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A saint reading in a book -- a boy on each side. -- The head is finished, and the rest masterly sketched in Indian ink, on blue paper, a little heightened with white -- on the back is a slight pen-sketch of a saint reading N.B. In Sir Peter Lely's pocket-book, letter XX. No. 329, are several more sketches, by Correggio (Antonio Allegri, or Lieto, surnamed Correggio, The prince of grace, of colouring, and of clair-obscur)|A saint reading in a book -- a boy on each side. -- The head is finished, and the rest masterly sketched in Indian ink, on blue paper, a little heightened with white -- on the back is a slight pen-sketch of a saint reading N.B. In Sir Peter Lely's pocket-book, letter XX. No. 329, are several more sketches, by Correggio]] réalisée par Antonio Allegri, or Lieto, surnamed Correggio, The prince of grace, of colouring, and of clair-obscur, vendue par late John Duke of Argyll. [117]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- a small naked figure of a youth, standing -- pen and bistre -- and a boy kneeling and holding a sheet -- a spirited little pen drawing (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two -- a small naked figure of a youth, standing -- pen and bistre -- and a boy kneeling and holding a sheet -- a spirited little pen drawing]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [118]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- a small naked figure of a youth, standing -- pen and bistre -- and a boy kneeling and holding a sheet -- a spirited little pen drawing (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two -- a small naked figure of a youth, standing -- pen and bistre -- and a boy kneeling and holding a sheet -- a spirited little pen drawing]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [119]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- Faith and Justice -- masterly pen drawings (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two -- Faith and Justice -- masterly pen drawings]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [120]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- St. John baptist -- spirited sketch, pen and bistre -- and Innocence -- pen drawing -- both on blue paper (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two -- St. John baptist -- spirited sketch, pen and bistre -- and Innocence -- pen drawing -- both on blue paper]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll, achetée par Cracherode au prix de 2.12 gs. [121]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- St. John baptist -- spirited sketch, pen and bistre -- and Innocence -- pen drawing -- both on blue paper (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two -- St. John baptist -- spirited sketch, pen and bistre -- and Innocence -- pen drawing -- both on blue paper]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll, achetée par Cracherode au prix de 2.12 gs. [122]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[The rape of Dejanira -- pen, on a yellow ground -- on the back, a beautiful figure of Minerva, on a bluish ground, with a charmingly light pen -- heightened with white (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|The rape of Dejanira -- pen, on a yellow ground -- on the back, a beautiful figure of Minerva, on a bluish ground, with a charmingly light pen -- heightened with white]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [123]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[The rape of Dejanira -- pen, on a yellow ground -- on the back, a beautiful figure of Minerva, on a bluish ground, with a charmingly light pen -- heightened with white (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|The rape of Dejanira -- pen, on a yellow ground -- on the back, a beautiful figure of Minerva, on a bluish ground, with a charmingly light pen -- heightened with white]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [124]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A female figure, draped, holding a cup -- Indian ink, on a brown stained ground, heightened with white -- arched at top (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|A female figure, draped, holding a cup -- Indian ink, on a brown stained ground, heightened with white -- arched at top]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [125]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A naked figure of a young man, sitting -- he appears to be in a fright -- spirited pen drawing (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|A naked figure of a young man, sitting -- he appears to be in a fright -- spirited pen drawing]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [126]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- Dejanira and the centuar -- spirited pen sketch -- and a lady and child, in red and white wash (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two -- Dejanira and the centuar -- spirited pen sketch -- and a lady and child, in red and white wash]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [127]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- Dejanira and the centuar -- spirited pen sketch -- and a lady and child, in red and white wash (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two -- Dejanira and the centuar -- spirited pen sketch -- and a lady and child, in red and white wash]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [128]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Madona and child in the clouds -- two saints below in the act of adoration -- an elegant pen outline, wonderfully spirited (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Madona and child in the clouds -- two saints below in the act of adoration -- an elegant pen outline, wonderfully spirited]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [129]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A leaf of charming sketches of heads, &c. pen, on blue paper -- on the back are four figures of sybils, &c. -- Indian ink (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|A leaf of charming sketches of heads, &c. pen, on blue paper -- on the back are four figures of sybils, &c. -- Indian ink]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [130]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A leaf of charming sketches of heads, &c. pen, on blue paper -- on the back are four figures of sybils, &c. -- Indian ink (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|A leaf of charming sketches of heads, &c. pen, on blue paper -- on the back are four figures of sybils, &c. -- Indian ink]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [131]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Moses striking the rock -- a capital design, of many figures, on a yellow ground, heightened with white (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Moses striking the rock -- a capital design, of many figures, on a yellow ground, heightened with white]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [132]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Three -- a naked female, writing on a monument -- pen drawing -- the other two in bistre (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Three -- a naked female, writing on a monument -- pen drawing -- the other two in bistre]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll, achetée par Cracherode au prix de 1.3 gs. [133]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Three -- a naked female, writing on a monument -- pen drawing -- the other two in bistre (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Three -- a naked female, writing on a monument -- pen drawing -- the other two in bistre]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll, achetée par Cracherode au prix de 1.3 gs. [134]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Madona and child, with Elizabeth and St. John -- a charming design, red chalk, lightly handled -- octagon form (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Madona and child, with Elizabeth and St. John -- a charming design, red chalk, lightly handled -- octagon form]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll, achetée par Cracherode au prix de 1.12 gs. [135]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A boy, in the character of Silence -- red chalk -- very fine N.B. Sketches on the back (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|A boy, in the character of Silence -- red chalk -- very fine N.B. Sketches on the back]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [136]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two designs -- red chalk -- one very fine (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two designs -- red chalk -- one very fine]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [137]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A saint reading in a book -- half-length -- in bistre -- very fine (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|A saint reading in a book -- half-length -- in bistre -- very fine]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [138]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[A conversation of three persons, busts only, finely characterised -- bistre, on brown paper, heightened with white (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|A conversation of three persons, busts only, finely characterised -- bistre, on brown paper, heightened with white]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [139]
  • 1798.05.21/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two ditto designs -- one in the style of Correggio, and the other, a head of St. Theresa in an extacy -- stumped (Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.)|Two ditto designs -- one in the style of Correggio, and the other, a head of St. Theresa in an extacy -- stumped]] réalisée par [[Francesco Mazzuoli, detto Parmeggiano. This incomparable Artist, whose grace is airy and elegant, was born at Parma in 1504, and died in 1540. Every touch of his pen or crayon is fascinating, and even his faults contribute to the beauty of his forms and attitudes.]], vendue par late John Duke of Argyll. [140]
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