Ventes d'œuvres le 1799.05.20

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  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Twelve -- the title to the collection, designed by B. Picart; portrait of Le Clerc, engraved by Duflos; and ten studies, small academy figures, &c. mostly in red chalk The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Twelve -- the title to the collection, designed by B. Picart; portrait of Le Clerc, engraved by Duflos; and ten studies, small academy figures, &c. mostly in red chalk The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clever au prix de 1.16 gs. [101]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Twelve -- the title to the collection, designed by B. Picart; portrait of Le Clerc, engraved by Duflos; and ten studies, small academy figures, &c. mostly in red chalk The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (B. Picart)|Twelve -- the title to the collection, designed by B. Picart; portrait of Le Clerc, engraved by Duflos; and ten studies, small academy figures, &c. mostly in red chalk The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par B. Picart, vendue par François Fagel, achetée par Clever au prix de 1.16 gs. [102]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Thirteen of vignettes and titles, most pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Thirteen of vignettes and titles, most pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Holt au prix de 0.16 gs. [103]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Fourteen ditto vignettes and titles -- ditto pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Fourteen ditto vignettes and titles -- ditto pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Barron au prix de 0.14 gs. [104]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Seventeen of ditto vignettes and title -- red chalk, pen and Indian ink, six are initial letters, of which three contain spirited designs The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Seventeen of ditto vignettes and title -- red chalk, pen and Indian ink, six are initial letters, of which three contain spirited designs The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par James au prix de 0.11 gs. [105]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Twelve of vignettes -- red chalk, pen and Indian ink, very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Twelve of vignettes -- red chalk, pen and Indian ink, very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par James au prix de 0.11 gs. [106]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- the monumental obelisk in honour of Prince Charles of Lorraine, with variations -- red chalk, pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Two -- the monumental obelisk in honour of Prince Charles of Lorraine, with variations -- red chalk, pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Barron au prix de 0.5 gs. [107]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[One -- the marriage ceremony of the Duke of Burgundy with a Princess of Savoy -- pen and Indian ink, Capital. -- It is engraved by Simonneau The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|One -- the marriage ceremony of the Duke of Burgundy with a Princess of Savoy -- pen and Indian ink, Capital. -- It is engraved by Simonneau The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par [[Clausson [?]]] au prix de 2.4 gs. [108]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Eleven of scripture and saint subjects, &c. chiefly in pen and Indian ink, highly finished -- very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Eleven of scripture and saint subjects, &c. chiefly in pen and Indian ink, highly finished -- very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Oliver au prix de 1.14 gs. [109]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Twelve historical vignettes, chiefly relating to history of the house of Lorraine -- red chalk, pen and Indian ink, very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Twelve historical vignettes, chiefly relating to history of the house of Lorraine -- red chalk, pen and Indian ink, very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par James au prix de 2.2 gs. [110]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Eleven vignettes, &c. relating to the history of the house Bouillon, &c. -- red chalk, pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Eleven vignettes, &c. relating to the history of the house Bouillon, &c. -- red chalk, pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clark au prix de 0.14 gs. [111]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Four -- the two Venus's on the sea, one in red chalk, the other, pen and Indian ink -- AEsculapius restoring Hippolitus to life, red chalk and pen The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Four -- the two Venus's on the sea, one in red chalk, the other, pen and Indian ink -- AEsculapius restoring Hippolitus to life, red chalk and pen The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clark au prix de 1.2 gs. [112]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Six vignettes, Venus and Cupid, &c. -- two in red chalk, and four red chalk, pen and indian ink -- fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Six vignettes, Venus and Cupid, &c. -- two in red chalk, and four red chalk, pen and indian ink -- fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clark au prix de 0.11 gs. [113]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Eight for the history of Cardinal Ximenes, and ceremonies of the order du Saint Esprit -- pen and Indian ink, highly finished The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Eight for the history of Cardinal Ximenes, and ceremonies of the order du Saint Esprit -- pen and Indian ink, highly finished The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Oliver au prix de 2.16 gs. [114]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Nine of landschapes -- red chalk -- some with a little Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Nine of landschapes -- red chalk -- some with a little Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Thane au prix de 1.10 gs. [115]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Forty-four medallions, relating to the history of France under Louis XIV. -- pen and Indian Ink, lightly drawn, and highly finished The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Forty-four medallions, relating to the history of France under Louis XIV. -- pen and Indian Ink, lightly drawn, and highly finished The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Barron au prix de 1.5 gs. [116]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Nine vignettes -- The Gamesters -- red chalk, pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Nine vignettes -- The Gamesters -- red chalk, pen and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Philipe au prix de 0.15 gs. [117]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Fifteen saint subjects for L'Histoire Ecclesiastique De Card. Fleury, &c. -- some in red chalk, pen and Indian ink, others in pen and Indian ink, highly finished The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Fifteen saint subjects for L'Histoire Ecclesiastique De Card. Fleury, &c. -- some in red chalk, pen and Indian ink, others in pen and Indian ink, highly finished The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Oliver au prix de 3.5 gs. [118]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Three -- the hall of the goblins -- red chalk and Indian ink, very fine -- and two subjects, never engraved, one a coronation ceremony, with an infinite number of spectators -- pen and bistre The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Three -- the hall of the goblins -- red chalk and Indian ink, very fine -- and two subjects, never engraved, one a coronation ceremony, with an infinite number of spectators -- pen and bistre The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Oliver au prix de 2.1 gs. [119]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Twelve -- six of the little conquests of Louis XIV. very fine, and six vignettes relating thereto The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Twelve -- six of the little conquests of Louis XIV. very fine, and six vignettes relating thereto The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Champernon au prix de 4.0 gs. [120]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Twelve -- four of ditto little conquests of Louis XIV., mostly pen and Indian ink -- two, the emblematical representation of Montmelian, with variation, in red chalk The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Twelve -- four of ditto little conquests of Louis XIV., mostly pen and Indian ink -- two, the emblematical representation of Montmelian, with variation, in red chalk The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Oliver au prix de 2.2 gs. [121]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Twelve -- eight of ditto little conquests of Louis XIV., red chalk, pen and Indian ink, very fine, and four vignettes The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Twelve -- eight of ditto little conquests of Louis XIV., red chalk, pen and Indian ink, very fine, and four vignettes The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Champernon au prix de 2.12 gs. [122]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- a siege, and an army in march, red chalk, pen and Indian ink -- very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Two -- a siege, and an army in march, red chalk, pen and Indian ink -- very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Thane au prix de 1.17 gs. [123]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- the passage of the Red Sea, pen and Indian ink, and the last judgment, ditto, with a little red chalk -- both very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Two -- the passage of the Red Sea, pen and Indian ink, and the last judgment, ditto, with a little red chalk -- both very fine The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Oliver au prix de 3.10 gs. [124]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- the first and second designs of the Puer Parvulus, with variations -- red chalk and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Two -- the first and second designs of the Puer Parvulus, with variations -- red chalk and Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Oliver au prix de 2.4 gs. [125]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Seven -- the history of Cupid and Psyche -- pen and Indian ink, some with a little red chalk -- three are variations -- curious The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Seven -- the history of Cupid and Psyche -- pen and Indian ink, some with a little red chalk -- three are variations -- curious The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clark au prix de 3.16 gs. [126]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- the Madona in a landschape, with angels, one of them presenting a basket of fruit to the child, with variations -- one in red chalk, the other vigorously washed with Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Two -- the Madona in a landschape, with angels, one of them presenting a basket of fruit to the child, with variations -- one in red chalk, the other vigorously washed with Indian ink The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clark au prix de 1.0 gs. [127]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- Capital -- The Academy of Sciences, with variations -- very curious The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Two -- Capital -- The Academy of Sciences, with variations -- very curious The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clark au prix de 1.9 gs. [128]
  • 1799.05.20/ maison de ventes : Philipe (Thomas). Vente de l'œuvre décrite comme [[Two -- Ditto Capital -- The Triumphal Entry of Alexander the Great into Babylon, with variations -- equally curious The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions (Clerc, Sebastian Le, French)|Two -- Ditto Capital -- The Triumphal Entry of Alexander the Great into Babylon, with variations -- equally curious The following numerous assemblage of the works of this pleasing artist was formed by his disciple, Bernard Picart, who carried it with him into Holland, where it was acquired by the ancestors of the present proprietor. It contains the original designs he made for his most capital prints, with curious variations, showing the great skill and facility with which he executed his conceptions]] réalisée par Clerc, Sebastian Le, French, vendue par François Fagel, achetée par Clark au prix de 3.3 gs. [129]
  • 1799.05.20/ maison de ventes : Milton Gallery. Vente de l'œuvre décrite comme [[Lapland Orgies, the Hell-hounds round Sin compared to those that follow the night-hag... Book II. Verse 662 Paradise Lost This subject, and the rest of those that relate to the deformities of Sin, prove the unequal power of images transmitted to the mind by sounds and by the eye. The Poet is suffered to say, and perhaps admired for saying, what the Painter would be loathed for, had he represented (Henry Fuseli)|Lapland Orgies, the Hell-hounds round Sin compared to those that follow the night-hag... Book II. Verse 662 Paradise Lost This subject, and the rest of those that relate to the deformities of Sin, prove the unequal power of images transmitted to the mind by sounds and by the eye. The Poet is suffered to say, and perhaps admired for saying, what the Painter would be loathed for, had he represented]] réalisée par Henry Fuseli, vendue par Henry Fuseli. [264]
  • 1799.05.20/ maison de ventes : Milton Gallery. Vente de l'œuvre décrite comme [[The creation of Eve, as related by Adam. Book VIII. What the second book is to the fancy, this is to the heart: its sentiments and language are the breath of humanity. With regard to the central figure in this and the following subject, the Painter disclaims the 'vaulting ambition' of an attempt to represent the Supreme Being. The form indicated, if it be found to possess sufficient dignity, may be considered as the semblance of an angelic agent. Verse 462, 470 Paradise Lost (Henry Fuseli)|The creation of Eve, as related by Adam. Book VIII. What the second book is to the fancy, this is to the heart: its sentiments and language are the breath of humanity. With regard to the central figure in this and the following subject, the Painter disclaims the 'vaulting ambition' of an attempt to represent the Supreme Being. The form indicated, if it be found to possess sufficient dignity, may be considered as the semblance of an angelic agent. Verse 462, 470 Paradise Lost]] réalisée par Henry Fuseli, vendue par Henry Fuseli. [273]
  • 1799.05.20/ maison de ventes : Milton Gallery. Vente de l'œuvre décrite comme [[Adam resolved to share the fate of Eve; the Guardian Angels leaving the Garden. By uniting the departure of the guardian angels, with Adam's resolution to share in the fate of Eve, and to taste the fruit, though Milton interposed the fervid consequences of that resolution; the Painter has endeavoured to invigorate the pathos of the scene: he has taken a similar liberty in the next subject, by saving Adam's firmness and love the degrading expostulations of the intermediate scenes. Book IX. Verse 953, 958, 990. Book X. Verse 17 Paradise Lost (Henry Fuseli)|Adam resolved to share the fate of Eve; the Guardian Angels leaving the Garden. By uniting the departure of the guardian angels, with Adam's resolution to share in the fate of Eve, and to taste the fruit, though Milton interposed the fervid consequences of that resolution; the Painter has endeavoured to invigorate the pathos of the scene: he has taken a similar liberty in the next subject, by saving Adam's firmness and love the degrading expostulations of the intermediate scenes. Book IX. Verse 953, 958, 990. Book X. Verse 17 Paradise Lost]] réalisée par Henry Fuseli, vendue par Henry Fuseli. [276]
  • 1799.05.20/ maison de ventes : Milton Gallery. Vente de l'œuvre décrite comme [[The Vision of Noah. The first public act of religious worship on record, has been thought a subject of greater dignity than a mere repetition of the Patriarch's descent from the ark, amid a motley crowd of quadrupeds, birds, and reptiles; though unaccountably on the list of Raphael's subjects. Book XI. Verse 861 Paradise Lost (Henry Fuseli)|The Vision of Noah. The first public act of religious worship on record, has been thought a subject of greater dignity than a mere repetition of the Patriarch's descent from the ark, amid a motley crowd of quadrupeds, birds, and reptiles; though unaccountably on the list of Raphael's subjects. Book XI. Verse 861 Paradise Lost]] réalisée par Henry Fuseli, vendue par Henry Fuseli. [282]
  • 1799.05.20/ maison de ventes : Milton Gallery. Vente de l'œuvre décrite comme [[Chremhild meditating revenge over the Sword of Sigrid. V. 109, 116. This image, from the poem of Chunrat, a bard anterior to Chaucer, in Homeric; Penelope weeping over the bow of Ulysses -- which was probably the moment chosen by Zeuxis for his picture of Penelope. Plin. 35. 10 (Henry Fuseli)|Chremhild meditating revenge over the Sword of Sigrid. V. 109, 116. This image, from the poem of Chunrat, a bard anterior to Chaucer, in Homeric; Penelope weeping over the bow of Ulysses -- which was probably the moment chosen by Zeuxis for his picture of Penelope. Plin. 35. 10]] réalisée par Henry Fuseli, vendue par Henry Fuseli. [290]
  • 1799.05.20/ maison de ventes : Milton Gallery. Vente de l'œuvre décrite comme [[Orgies of Cotytto. Baptae preparing a Philtrum. See the Vth Epode of Horace. V.124, 128, 134. Venus now wakes, and wakens Love. Come let us our rites begin -- Hail Goddess of nocturnal sport, Dark-veil'd Cotytto -- Stay they cloudy ebon chair, Wherein thou rid'st with Hecat', and befriend Us they vow'd priests, till utmost end Of all thy dues be done (Henry Fuseli)|Orgies of Cotytto. Baptae preparing a Philtrum. See the Vth Epode of Horace. V.124, 128, 134. Venus now wakes, and wakens Love. Come let us our rites begin -- Hail Goddess of nocturnal sport, Dark-veil'd Cotytto -- Stay they cloudy ebon chair, Wherein thou rid'st with Hecat', and befriend Us they vow'd priests, till utmost end Of all thy dues be done]] réalisée par Henry Fuseli, vendue par Henry Fuseli. [292]
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