Ventes d'œuvres le 1800.04.25

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  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Portrait of a Cardinal Colonna, (three quarters) in the most delicate style of this elegant painter. It may be fairly asserted, that no portrait ever exceeded, or approached so nearly to Nature as this exquisite performance All the following Pictures were purchased from out of the Colonna Palace (Domenichino)|The Portrait of a Cardinal Colonna, (three quarters) in the most delicate style of this elegant painter. It may be fairly asserted, that no portrait ever exceeded, or approached so nearly to Nature as this exquisite performance All the following Pictures were purchased from out of the Colonna Palace]] réalisée par Domenichino, vendue par [[[John Udney Esqr.]]], achetée par Col Macdonald au prix de 32.11 gs. [20]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A beautiful small Landscape, with many figures, historical, of Moses striking the Rock, the figures evidently touched by another hand, possibly Felipe Lauri, who often assisted this painter in the early part of his life All the following Pictures were purchased from out of the Colonna Palace (Claude Lorrain)|A beautiful small Landscape, with many figures, historical, of Moses striking the Rock, the figures evidently touched by another hand, possibly Felipe Lauri, who often assisted this painter in the early part of his life All the following Pictures were purchased from out of the Colonna Palace]] réalisée par Claude Lorrain, vendue par [[[John Udney Esqr.]]], achetée par Col Murray au prix de 40.19 gs. [29]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A small Model, of the Adoration of the Shepherds, for his celebrated picture in the Church of Saint Lorenzo at Florence. A grand composition, most highly finished. There is a fine print of it the size of this picture, by --. It is on pannel. This painter was one of the Florentine school, and died in 1580 All the following Pictures were purchased from out of the Colonna Palace (Bronzino)|A small Model, of the Adoration of the Shepherds, for his celebrated picture in the Church of Saint Lorenzo at Florence. A grand composition, most highly finished. There is a fine print of it the size of this picture, by --. It is on pannel. This painter was one of the Florentine school, and died in 1580 All the following Pictures were purchased from out of the Colonna Palace]] réalisée par Bronzino, vendue par [[[John Udney Esqr.]]], achetée par Col Macdonald au prix de 76.13 gs. [31]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Angel appearing to Joseph and the Virgin, a beautiful small picture, which, in the family catalogue, is called by this masster, but it may be an high finished work of Albano All the following Pictures were purchased from out of the Colonna Palace (L. Carracci)|The Angel appearing to Joseph and the Virgin, a beautiful small picture, which, in the family catalogue, is called by this masster, but it may be an high finished work of Albano All the following Pictures were purchased from out of the Colonna Palace]] réalisée par L. Carracci, vendue par [[[John Udney Esqr.]]], achetée par Robertson au prix de 31.10 gs. [32]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Ditto Landscape, its companion; they represent morning and evening. They were painted for the Colonna Family, in which they have continued in their original state, and are as perfect and pure as the day they were painted, and are more brilliant and clear than his later pictures, such as those of the Altieri All the following Pictures were purchased from out of the Colonna Palace (Claude Lorrain)|Ditto Landscape, its companion; they represent morning and evening. They were painted for the Colonna Family, in which they have continued in their original state, and are as perfect and pure as the day they were painted, and are more brilliant and clear than his later pictures, such as those of the Altieri All the following Pictures were purchased from out of the Colonna Palace]] réalisée par Claude Lorrain, vendue par [[[John Udney Esqr.]]], achetée par Robertson au prix de 357 gs. [34]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[His Celebrated Picture of St. Cecilia, in his grandest style, which he painted for Prince Colonna, as mentioned in the catalogue of the pictures of that Palace, where it has remained untouched till it was purchased by the present owner. It's merit and perfection will speak for themselves All the following Pictures were purchased from out of the Colonna Palace (Guido)|His Celebrated Picture of St. Cecilia, in his grandest style, which he painted for Prince Colonna, as mentioned in the catalogue of the pictures of that Palace, where it has remained untouched till it was purchased by the present owner. It's merit and perfection will speak for themselves All the following Pictures were purchased from out of the Colonna Palace]] réalisée par Guido, vendue par [[[John Udney Esqr.]]], achetée par Davidson au prix de 357 gs. [35]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin and Child. One of this master's finest and most highly finished eazel pictures. It was always placed over the communion table of the Princess Colonna, and not so frequently seen as the larger picture of Raffael in this collection, and possibly is one of the last pictures he painted for particular families; as there are none existing in his grandest style, such as the Transfiguration, except the Madonna della Sedia, he being entirely employed during the latter years of his short life in public works, which fortunately cannot be removed All the following Pictures were purchased from out of the Colonna Palace (Raffaël)|The Virgin and Child. One of this master's finest and most highly finished eazel pictures. It was always placed over the communion table of the Princess Colonna, and not so frequently seen as the larger picture of Raffael in this collection, and possibly is one of the last pictures he painted for particular families; as there are none existing in his grandest style, such as the Transfiguration, except the Madonna della Sedia, he being entirely employed during the latter years of his short life in public works, which fortunately cannot be removed All the following Pictures were purchased from out of the Colonna Palace]] réalisée par Raffaël, vendue par [[[John Udney Esqr.]]], achetée par Davidson au prix de 504 gs. [36]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Sea Storm, a grand work of this celebrated master, whose finest Pictures are not known in ths country. This was from Capo di Monte, and may be ranked among the fine works of the greatest masters in Landscape The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Tempesta)|A Sea Storm, a grand work of this celebrated master, whose finest Pictures are not known in ths country. This was from Capo di Monte, and may be ranked among the fine works of the greatest masters in Landscape The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Tempesta, vendue par [[[John Udney Esqr.]]], achetée par Col Murray au prix de 45.3 gs. [37]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape, with an infinite variety of insects, and flowers; the figures in it are by Rothenhamer, in his finest style. This is a curious picture of the master, and as pure and bright, as when first painted; as it never has been in any other collection than that it came from. On copper The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (John Brueghel, called Velvet Brueghel)|A Landscape, with an infinite variety of insects, and flowers; the figures in it are by Rothenhamer, in his finest style. This is a curious picture of the master, and as pure and bright, as when first painted; as it never has been in any other collection than that it came from. On copper The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par John Brueghel, called Velvet Brueghel, vendue par [[[John Udney Esqr.]]], achetée par Robertson au prix de 27.6 gs. [38]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Sea Nymphs. This beautiful picture was in the catalogue of the Parma pictures, called Parmigiano; but whether it be painted by Francis Mazzuoli, or by Jeronimo Mazzuoli, seems doubtful; as the proprietor does not wish to give them to wrong authors, he leaves the decision to the connoisseurs. They are both equally fine, and nothing can surpass the elegance and colouring of this fine picture and its companion. By their form, they must have been an additional ornament to some great work of one of these wonderful masters in the Parma collection; are on thick pannel, and have the Seal of the Family on the back of them The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Parmigiano)|Sea Nymphs. This beautiful picture was in the catalogue of the Parma pictures, called Parmigiano; but whether it be painted by Francis Mazzuoli, or by Jeronimo Mazzuoli, seems doubtful; as the proprietor does not wish to give them to wrong authors, he leaves the decision to the connoisseurs. They are both equally fine, and nothing can surpass the elegance and colouring of this fine picture and its companion. By their form, they must have been an additional ornament to some great work of one of these wonderful masters in the Parma collection; are on thick pannel, and have the Seal of the Family on the back of them The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Parmigiano, vendue par [[[John Udney Esqr.]]], achetée par Davidson au prix de 45.3 gs. [39]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Portrait of a Lady, with the following inscription, Giulia Orsina Delli Sigri. Di Viccovaro Sposa Di Pauolo Jaccovacci, Del Anno 1561, Alli 27 Febraro. This is a most beautiful and capital work The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Jeronimo Parmigiano)|The Portrait of a Lady, with the following inscription, Giulia Orsina Delli Sigri. Di Viccovaro Sposa Di Pauolo Jaccovacci, Del Anno 1561, Alli 27 Febraro. This is a most beautiful and capital work The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Jeronimo Parmigiano, vendue par [[[John Udney Esqr.]]], achetée par Col Macdonald au prix de 25.4 gs. [41]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Boy learning his Horn Book, which he has under his arm; a beautiful and spirited sketch. N. B. all those from Naples have the Parma arms on them The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Parmigiano)|A Boy learning his Horn Book, which he has under his arm; a beautiful and spirited sketch. N. B. all those from Naples have the Parma arms on them The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Parmigiano, vendue par [[[John Udney Esqr.]]], achetée par Nesbit au prix de 42.0 gs. [42]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Repose. This most elegant and graceful composition is carried to the greatest degree of perfection the Art of Painting is capable of, and is the most exquisite specimen of the genius, and sublime expression of this master. On a thick pannel, was painted for the Parma Family, and has their Seal on it The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Ludovico Carracci)|A Repose. This most elegant and graceful composition is carried to the greatest degree of perfection the Art of Painting is capable of, and is the most exquisite specimen of the genius, and sublime expression of this master. On a thick pannel, was painted for the Parma Family, and has their Seal on it The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Ludovico Carracci, vendue par [[[John Udney Esqr.]]], achetée par Col Murray au prix de 1155 gs. [43]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Holy Family, a repose. One of the most elegant compositions of this great master, pure as when first painted, and is so well known, that further description of it is unnecessary, as it had been in the Colonna Palace Upwards of Two Centuries. There is a fine etching of it by Buonasoni, but it has never been engraved, as the family would not allow a drawing to be made from it; nor is there any duplicate of this picture known by any of his disciples; and he was so much employed for the short time he lived, that it is not believed, in Italy, that he ever repeated himself any of his own pictures The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Raffael)|A Holy Family, a repose. One of the most elegant compositions of this great master, pure as when first painted, and is so well known, that further description of it is unnecessary, as it had been in the Colonna Palace Upwards of Two Centuries. There is a fine etching of it by Buonasoni, but it has never been engraved, as the family would not allow a drawing to be made from it; nor is there any duplicate of this picture known by any of his disciples; and he was so much employed for the short time he lived, that it is not believed, in Italy, that he ever repeated himself any of his own pictures The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Raffael, vendue par [[[John Udney Esqr.]]], achetée par Davidson au prix de 682.10 gs. [44]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. John in the Wilderness, a small figure, in an uncommonly grand style, for this master, and a fine Landscape. This picture is equal to most of the Works of his master, Annibal Carracci The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Albano)|St. John in the Wilderness, a small figure, in an uncommonly grand style, for this master, and a fine Landscape. This picture is equal to most of the Works of his master, Annibal Carracci The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Albano, vendue par [[[John Udney Esqr.]]], achetée par Davidson au prix de 73.10 gs. [49]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A most capital landscape, as clear and highly finished as Claude, with all the grandeur of this master The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Annibal Carracci)|A most capital landscape, as clear and highly finished as Claude, with all the grandeur of this master The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Annibal Carracci, vendue par [[[John Udney Esqr.]]], achetée par Col Murray au prix de 194.5 gs. [50]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Ditto A most capital landscape, its companion. N.B. These two pictures were painted for the Parma Gallery, and have the Seal of the Family on them The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Annibal Carracci)|Ditto A most capital landscape, its companion. N.B. These two pictures were painted for the Parma Gallery, and have the Seal of the Family on them The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Annibal Carracci, vendue par [[[John Udney Esqr.]]], achetée par Col Murray au prix de 178.10 gs. [51]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[David with the Head of Goliah, half length, in his finest manner. There is no work of the master superior to this picture; it was also of the Parma collection, and companion to the celebrated picture of the Magdalen, by Guido The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Guercino)|David with the Head of Goliah, half length, in his finest manner. There is no work of the master superior to this picture; it was also of the Parma collection, and companion to the celebrated picture of the Magdalen, by Guido The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Guercino, vendue par [[[John Udney Esqr.]]], achetée par Col Murray au prix de 262 gs. [52]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Magdalen. It is unnecessary to make any encomium on this wonderful picture, as it is undoubtedly one of the finest this master ever painted, both for grandeur and sublimity of character The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Guido)|A Magdalen. It is unnecessary to make any encomium on this wonderful picture, as it is undoubtedly one of the finest this master ever painted, both for grandeur and sublimity of character The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Guido, vendue par [[[John Udney Esqr.]]], achetée par Davidson au prix de 325.10 gs. [53]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Venus, Satyrs, and Cupid, large life. The celebrated picture, which he painted as a companion to the Magdalen by Titian, in the Tribune at Florence, and on which he has put his name and date: It was painted 1585, and is undoubtedly one of the highest finished works of the master, and in which he attempted to put himself in competition with the Venus of Titian, which faced it The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Annibal Carracci)|Venus, Satyrs, and Cupid, large life. The celebrated picture, which he painted as a companion to the Magdalen by Titian, in the Tribune at Florence, and on which he has put his name and date: It was painted 1585, and is undoubtedly one of the highest finished works of the master, and in which he attempted to put himself in competition with the Venus of Titian, which faced it The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Annibal Carracci, vendue par [[[John Udney Esqr.]]], achetée par Col Murray au prix de 110.5 gs. [54]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Girl learning the Lord's Prayer by Heart. This picture, from its singularity and innocent simplicity of expression, has ever been admired, and is well known by all who have been at Capo di Monte. It was one of the Parma collection, is on thick pannel, and has the Seal of the Family on it The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Schidoni)|A Girl learning the Lord's Prayer by Heart. This picture, from its singularity and innocent simplicity of expression, has ever been admired, and is well known by all who have been at Capo di Monte. It was one of the Parma collection, is on thick pannel, and has the Seal of the Family on it The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Schidoni, vendue par [[[John Udney Esqr.]]], achetée par Earl of Ashburnham au prix de 210 gs. [55]
  • 1800.04.25/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Judgement of Paris. A fine work of this master, who is little known in this country. It is an excellent specimen of him, and is equal to any of the small works of Raffael. On pannel, and was likewise of the Parma collection, having the Family Seal The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection (Polidore, da Caravaggio)|The Judgement of Paris. A fine work of this master, who is little known in this country. It is an excellent specimen of him, and is equal to any of the small works of Raffael. On pannel, and was likewise of the Parma collection, having the Family Seal The following Pictures all came from the Florence Gallery, and that of Capo di Monte belonging to the King of Naples, and were all of the Parma Collection]] réalisée par Polidore, da Caravaggio, vendue par [[[John Udney Esqr.]]], achetée par Hope au prix de 63 gs. [56]