Ventes d'œuvres le 1803.04.28

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  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ amid the Doctors -- The face of Christ is meek, yet forcibly expressive, and his figure and attitude graceful; Joseph and Mary are in the back ground, anxiously waiting the issue of the dispute; finely grouped and has great richness of drapery and colouring (Genoese)|Christ amid the Doctors -- The face of Christ is meek, yet forcibly expressive, and his figure and attitude graceful; Joseph and Mary are in the back ground, anxiously waiting the issue of the dispute; finely grouped and has great richness of drapery and colouring]] réalisée par Genoese, vendue par Evans. [82]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ calling to Zaccheus in the Tree -- The attitude of Christ speaking to Zaccheus, is majestic and graceful, and his countenance expressive; the Disciples are grouped with skill and taste, and their draperies richly coloured in the true Venetian manner (Schivne)|Christ calling to Zaccheus in the Tree -- The attitude of Christ speaking to Zaccheus, is majestic and graceful, and his countenance expressive; the Disciples are grouped with skill and taste, and their draperies richly coloured in the true Venetian manner]] réalisée par Schivne, vendue par Evans. [88]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Repose in the Flight to Egypt -- The Virgin with the Child in her arms attended by an Angel, is seated on a bank under the shade of a high wide spreading tree, enjoying the motherly and tender caresses of her Infant; Joseph at a small distance fatigued, rests upon his staff, and fondly casts his eyes towards the objects of his love and care -- The rising ground is agreeably diversified, and the buildings grand though plain; the variegated tints of the Sky are finely contrasted with the deeper green of the lofty branches of the trees which give a charming effect to the whole, it is a pleasing and tranquil scene (Dominichino)|The Repose in the Flight to Egypt -- The Virgin with the Child in her arms attended by an Angel, is seated on a bank under the shade of a high wide spreading tree, enjoying the motherly and tender caresses of her Infant; Joseph at a small distance fatigued, rests upon his staff, and fondly casts his eyes towards the objects of his love and care -- The rising ground is agreeably diversified, and the buildings grand though plain; the variegated tints of the Sky are finely contrasted with the deeper green of the lofty branches of the trees which give a charming effect to the whole, it is a pleasing and tranquil scene]] réalisée par Dominichino, vendue par Evans. [89]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Virgin and the Infant Jesus -- The surrounding cherubim and glory, is an elevated idea; under the Virgin is St. John explaining the Book of Revelation; on his right are St. John the Minor, and St. Peter; both indicating most fervent zeal, on his left is a dignified Ecclesiastic assisting in the Divine Service: the principal devotee is an illustrious grand master of Malta; the insignia of which most noble and holy order he bears: the other devotee his lady is worshipping with great fervency. It is supposed this picture was painted as a private altar piece for these great personages, as their portraits are introduced, which was formerly a prevailing custom of the nobility of all countries, it is in a sublime stile and richly coloured (Murillo)|The Adoration of the Virgin and the Infant Jesus -- The surrounding cherubim and glory, is an elevated idea; under the Virgin is St. John explaining the Book of Revelation; on his right are St. John the Minor, and St. Peter; both indicating most fervent zeal, on his left is a dignified Ecclesiastic assisting in the Divine Service: the principal devotee is an illustrious grand master of Malta; the insignia of which most noble and holy order he bears: the other devotee his lady is worshipping with great fervency. It is supposed this picture was painted as a private altar piece for these great personages, as their portraits are introduced, which was formerly a prevailing custom of the nobility of all countries, it is in a sublime stile and richly coloured]] réalisée par Murillo, vendue par Evans, achetée par Clarke au prix de 18.0 £. [96]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Bohemian Family -- Emblematical of Fortitude, Love, Wisdom, and Innocence. The portraits, among which, is that of his late Majesty George I. are exquisitely finished; the draperies elegant, and delicately coloured; and the landscape uncommonly rich and beautiful; it is a fine cabinet picture, in the best manner of this eminent master, and formerly in the Collection of the late Sir John Cobb (Polemberg)|The Bohemian Family -- Emblematical of Fortitude, Love, Wisdom, and Innocence. The portraits, among which, is that of his late Majesty George I. are exquisitely finished; the draperies elegant, and delicately coloured; and the landscape uncommonly rich and beautiful; it is a fine cabinet picture, in the best manner of this eminent master, and formerly in the Collection of the late Sir John Cobb]] réalisée par Polemberg, vendue par Evans. [97]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape, Figures and Cattle -- The sky is light and broad, the clouds warm and floating, the distant hills covered with most agreeable verdure, the aerial effect very fine, the trees and ruins on the ridge of the rising ground are truly picturesque; the figures rustic, the cattle finely grouped and natural, and the herbage which enriches the fore ground is highly finished and beautiful (Berchem)|Landscape, Figures and Cattle -- The sky is light and broad, the clouds warm and floating, the distant hills covered with most agreeable verdure, the aerial effect very fine, the trees and ruins on the ridge of the rising ground are truly picturesque; the figures rustic, the cattle finely grouped and natural, and the herbage which enriches the fore ground is highly finished and beautiful]] réalisée par Berchem, vendue par Evans. [99]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Martyrdom of Saint Justiniani -- The principal figure is Justiniani wounded, in her dying countenance are sweetly conjoined, hope and resignation. The other figures are spiritedly drawn, and full of expression -- The draperies are cast with taste, elegance and grandeur, and transparently and beautifully coloured; it was Crozart's, and by him deemed an undoubted picture by the Master, which is confirmed by the late publication, called the English Connoisseur. -- Vide page 2, Mr. Bernard's Collection (Correggio)|The Martyrdom of Saint Justiniani -- The principal figure is Justiniani wounded, in her dying countenance are sweetly conjoined, hope and resignation. The other figures are spiritedly drawn, and full of expression -- The draperies are cast with taste, elegance and grandeur, and transparently and beautifully coloured; it was Crozart's, and by him deemed an undoubted picture by the Master, which is confirmed by the late publication, called the English Connoisseur. -- Vide page 2, Mr. Bernard's Collection]] réalisée par Correggio, vendue par Evans, achetée par Hesketh au prix de 31.10 £. [100]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Final Judgment -- This sublime subject is finely conceived and executed with great ability. The Deity seated on an arch in the heavens, and his feet on the globe, with transcendent majesty and glory -- In the immensity of space are myriads of beatified spirits surrounding; close to the Supreme is the Virgin Mary in a kneeling posture worshipping, on his right hand are two groups, the upper Angels supporting the Covenants and Prophecies, signified by the ladder and scroll; the lower Saved under the dispensation of the Law preceded by Moses, holding the Decalogue and the Prophets, on the left of the Almighty are also two groups, the upper of Angels bearing the Cross, indicating the Sufferings of Christ; the lower of those Saved under the dispensation of the Gospel preceded by Christ, who is adoring and interceding; close under this group is a flying Angel with a flaming Sword, precipitating some head-long to the Gulph below; between Heaven and Earth, are three Angels sounding trumpets, and underneath is the Sun of Righteousness shining on an innumerable Host going to Judgment, while others are ascending and rising out of the Earth; at the bottom is a beautiful Female assisted by an Angel, graceful and glorious, pointing to the Regions above, as if immediately to convey her there; near to this is another Angel driving with a flaming sword some, and Belzebub dragging others to their fatal doom. The design is elevated and comprehensively delineates the subject; the figures abound with elegance, grace and beauty, and the colouring is delicately soft and fine -- It was formerly in the Collection of the Duke of Kingston (Parmigiano)|The Final Judgment -- This sublime subject is finely conceived and executed with great ability. The Deity seated on an arch in the heavens, and his feet on the globe, with transcendent majesty and glory -- In the immensity of space are myriads of beatified spirits surrounding; close to the Supreme is the Virgin Mary in a kneeling posture worshipping, on his right hand are two groups, the upper Angels supporting the Covenants and Prophecies, signified by the ladder and scroll; the lower Saved under the dispensation of the Law preceded by Moses, holding the Decalogue and the Prophets, on the left of the Almighty are also two groups, the upper of Angels bearing the Cross, indicating the Sufferings of Christ; the lower of those Saved under the dispensation of the Gospel preceded by Christ, who is adoring and interceding; close under this group is a flying Angel with a flaming Sword, precipitating some head-long to the Gulph below; between Heaven and Earth, are three Angels sounding trumpets, and underneath is the Sun of Righteousness shining on an innumerable Host going to Judgment, while others are ascending and rising out of the Earth; at the bottom is a beautiful Female assisted by an Angel, graceful and glorious, pointing to the Regions above, as if immediately to convey her there; near to this is another Angel driving with a flaming sword some, and Belzebub dragging others to their fatal doom. The design is elevated and comprehensively delineates the subject; the figures abound with elegance, grace and beauty, and the colouring is delicately soft and fine -- It was formerly in the Collection of the Duke of Kingston]] réalisée par Parmigiano, vendue par Evans, achetée par Woodford au prix de 89.5 £. [101]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Offering of the Magi -- Joseph and Mary with the Infant Jesus, receive the ease and dignity the Magi, who kneeling with great humility, present their Offering; them and attendants are richly attired and form a grand group -- The colouring is truely Venetian and beautiful (Giorgione)|The Offering of the Magi -- Joseph and Mary with the Infant Jesus, receive the ease and dignity the Magi, who kneeling with great humility, present their Offering; them and attendants are richly attired and form a grand group -- The colouring is truely Venetian and beautiful]] réalisée par Giorgione, vendue par Evans, achetée par Woodford au prix de 38.17 £. [102]
  • 1803.04.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ Bearing the Cross -- The Centurions on Horseback are elegant, easy and natural, and every look and gesture evinces their consequence. The Horses are animated and noble, their action spirited and free; Christ is dragged, scoffed and reproached by his Executioners, yet has in his countenance the most dignified composure and resignation, truly characteristic of his Divinity -- The faces of the Officers who attend him are inimitably expressive; near behind Christ is the portrait of Raphael in the person of Simon of Syrene, who expresses great feeling -- St. John, whose figure is particularly graceful, with the tenderest anxiety, looks towards the deeply afflicted Females, and evidently participates of their distress -- Mary, the principal figure seems sinking under her sensibility, and dissolved in sorrow! The beauty of the different groups, the variety of characters, and the diversity of expression and emotion combine to make the picture wonderfully interesting and admirable; at the same time evincing a general excellence that none but this immortal Artist ever attained; the tints of the landscape are beautiful and the colouring of the whole extremely chaste and brilliant -- It was formerly in Monseur Crozart's Collection, but late in the Orleans (Raphael)|Christ Bearing the Cross -- The Centurions on Horseback are elegant, easy and natural, and every look and gesture evinces their consequence. The Horses are animated and noble, their action spirited and free; Christ is dragged, scoffed and reproached by his Executioners, yet has in his countenance the most dignified composure and resignation, truly characteristic of his Divinity -- The faces of the Officers who attend him are inimitably expressive; near behind Christ is the portrait of Raphael in the person of Simon of Syrene, who expresses great feeling -- St. John, whose figure is particularly graceful, with the tenderest anxiety, looks towards the deeply afflicted Females, and evidently participates of their distress -- Mary, the principal figure seems sinking under her sensibility, and dissolved in sorrow! The beauty of the different groups, the variety of characters, and the diversity of expression and emotion combine to make the picture wonderfully interesting and admirable; at the same time evincing a general excellence that none but this immortal Artist ever attained; the tints of the landscape are beautiful and the colouring of the whole extremely chaste and brilliant -- It was formerly in Monseur Crozart's Collection, but late in the Orleans]] réalisée par Raphael, vendue par Evans, achetée par Lund au prix de 115.10 £. [103]
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