Ventes d'œuvres le 1803.06.13

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  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Pascal Cicogna Doge of Venice, placing a chain of gold about the neck of Giacomo Bassan the celebrated painter, who to perpetuate the honour thus conferred upon him, painted this beautiful representation of the ceremony, and presented it to the Doge (Giacomo Bassan)|Pascal Cicogna Doge of Venice, placing a chain of gold about the neck of Giacomo Bassan the celebrated painter, who to perpetuate the honour thus conferred upon him, painted this beautiful representation of the ceremony, and presented it to the Doge]] réalisée par Giacomo Bassan. [3]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Furius Camillus sending back the schoolmaster of Faleri, who had treacherously delivered up his scholars to the Romans their enemies, Nicolo Poussin. This truly classical and learned picture, which is described by Felibien, was painted in the year 1634 for M. Passart, accomptant general of France, and afterwards passed into the royal collection. Poussin in a letter to the Sieur Stella mentions this valuable performance as his most sublime composition (Nicolo Poussin)|Furius Camillus sending back the schoolmaster of Faleri, who had treacherously delivered up his scholars to the Romans their enemies, Nicolo Poussin. This truly classical and learned picture, which is described by Felibien, was painted in the year 1634 for M. Passart, accomptant general of France, and afterwards passed into the royal collection. Poussin in a letter to the Sieur Stella mentions this valuable performance as his most sublime composition]] réalisée par Nicolo Poussin, vendue par [[[John Humble]]]. [89]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A grand bacchanalian fête, in honour of Priapus. The original spirit of this classical master appears in every touch of the pencil, and demonstrates an unrivalled superiority in composition and expression; the landscape peculiarly warm and glowing, and wonderfully appropriate to the scene of revelry in which the nymphs, satyrs, men, and boys are so deeply engaged (Nicolo Poussin)|A grand bacchanalian fête, in honour of Priapus. The original spirit of this classical master appears in every touch of the pencil, and demonstrates an unrivalled superiority in composition and expression; the landscape peculiarly warm and glowing, and wonderfully appropriate to the scene of revelry in which the nymphs, satyrs, men, and boys are so deeply engaged]] réalisée par Nicolo Poussin. [100]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A landscape with cattle and figures, its companion being a continuation of the same view. De la Rive was a member of the council of Geneva, before the French revolutionised that once happy republic. These two pictures were painted for the late Prussian Ambassador (De la Rive)|A landscape with cattle and figures, its companion being a continuation of the same view. De la Rive was a member of the council of Geneva, before the French revolutionised that once happy republic. These two pictures were painted for the late Prussian Ambassador]] réalisée par De la Rive, vendue par [[[John Humble]]]. [119]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The holy family with St. John, as large as life, one of the most valuable productions of Pordenone, and must convince the connoisseur that Titian had sufficient reason to be jealous of the wonderful powers of this great master, from the cabinet of Monsieur de Calonne (Pordenone)|The holy family with St. John, as large as life, one of the most valuable productions of Pordenone, and must convince the connoisseur that Titian had sufficient reason to be jealous of the wonderful powers of this great master, from the cabinet of Monsieur de Calonne]] réalisée par Pordenone. [127]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The good father reposing in the midst of his family, an interesting and affecting scene, most exquisitely represented, Greuse; the various ways of expressing filial piety and affection appear to have been well understood by this great master, who has been, not improperly, stiled the Sir Joshua Reynolds of France (Greuse)|The good father reposing in the midst of his family, an interesting and affecting scene, most exquisitely represented, Greuse; the various ways of expressing filial piety and affection appear to have been well understood by this great master, who has been, not improperly, stiled the Sir Joshua Reynolds of France]] réalisée par Greuse. [149]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A beautiful glowing landscape, with architecture, &c. Cuyp. King David is represented upon the battlements of his palace, observing with pleasure the fair Bathsheba washing her feet in a superb marble bath, a singular and valuable production of this fashionable master (Cuyp)|A beautiful glowing landscape, with architecture, &c. Cuyp. King David is represented upon the battlements of his palace, observing with pleasure the fair Bathsheba washing her feet in a superb marble bath, a singular and valuable production of this fashionable master]] réalisée par Cuyp, vendue par [[[John Humble?]]]. [172]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The destruction of Troy, most sublimely represented: Eneas is seen amidst the awful conflagration bearing off his aged father; the confusion and terror of the wretched inhabitants truly affecting; the fatal horse, the immediate cause of this dreadful catastrophe, appears in the distance, lighted by the burning palaces, and blazing temples of that renowned city (Elsheimar)|The destruction of Troy, most sublimely represented: Eneas is seen amidst the awful conflagration bearing off his aged father; the confusion and terror of the wretched inhabitants truly affecting; the fatal horse, the immediate cause of this dreadful catastrophe, appears in the distance, lighted by the burning palaces, and blazing temples of that renowned city]] réalisée par Elsheimar. [190]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Portrait of Charles XII. of Sweden, painted from life by David Wolkast, an eminent Swedish painter, presented by that monarch to Stanislaus, King of Poland, who afterwards gave it to the Marechal de Choiseul-Stainville, and is now the property of the Duke de Choiseul (David Wolkast)|Portrait of Charles XII. of Sweden, painted from life by David Wolkast, an eminent Swedish painter, presented by that monarch to Stanislaus, King of Poland, who afterwards gave it to the Marechal de Choiseul-Stainville, and is now the property of the Duke de Choiseul]] réalisée par David Wolkast. [193]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Holy Family, with Saint Catherine; Nicolo Poussin. This superb and valuable picture was painted for Cardinal Richlieu, who is represented in the character of Joseph; his favourite Mistress as St. Catherine, with their beautiful child, in the character of our Saviour (Nicolo Poussin)|The Holy Family, with Saint Catherine; Nicolo Poussin. This superb and valuable picture was painted for Cardinal Richlieu, who is represented in the character of Joseph; his favourite Mistress as St. Catherine, with their beautiful child, in the character of our Saviour]] réalisée par Nicolo Poussin. [209]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A warm romantic landscape, with the interesting fable of the old man, recommending unanimity to his sons, and proving its utility by the bundle of sticks, this sublime picture ranks as the most valuable production of Salvator Rosa. It was purchased out of one of the Palaces at Messina, in Sicily, by the late Mr. Gavin Hamilton (Salvator Rosa)|A warm romantic landscape, with the interesting fable of the old man, recommending unanimity to his sons, and proving its utility by the bundle of sticks, this sublime picture ranks as the most valuable production of Salvator Rosa. It was purchased out of one of the Palaces at Messina, in Sicily, by the late Mr. Gavin Hamilton]] réalisée par Salvator Rosa. [214]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The beautiful Bathsheba, from the Orleans Collection, considered the most perfect and interesting female figure ever pourtayed on canvas; the late Duke of Orleans in the character of King David, appears upon the Parapet of the Palais Royale at Paris; the lovely Bathsheba, whose extreme timidity shrinks from observation, is instantly concealed by her female attendant (Bonnieu)|The beautiful Bathsheba, from the Orleans Collection, considered the most perfect and interesting female figure ever pourtayed on canvas; the late Duke of Orleans in the character of King David, appears upon the Parapet of the Palais Royale at Paris; the lovely Bathsheba, whose extreme timidity shrinks from observation, is instantly concealed by her female attendant]] réalisée par Bonnieu. [228]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["The fair of Leyden" from the cabinet of the Burgomaster Van Der Mark, containing near one hundred figures, actively employed in dancing, drinking, gambling and gallantry, universally esteemed one of the most amusing and valuable compositions of Jean Stein. Sir Joshua Reynolds considered this great Master, superior in point of expression and character, to all the painters of the Dutch and Flemish Schools (Jean Stein)|"The fair of Leyden" from the cabinet of the Burgomaster Van Der Mark, containing near one hundred figures, actively employed in dancing, drinking, gambling and gallantry, universally esteemed one of the most amusing and valuable compositions of Jean Stein. Sir Joshua Reynolds considered this great Master, superior in point of expression and character, to all the painters of the Dutch and Flemish Schools]] réalisée par Jean Stein. [248]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Noah and his family employed in building the Ark, a variety of animals, birds, &c. appear already assembled to take shelter from the approaching deluge; the implements of husbandry, wearing apparel, domestic utensils, &c. most inimitably represented (Giacomo Bassan)|Noah and his family employed in building the Ark, a variety of animals, birds, &c. appear already assembled to take shelter from the approaching deluge; the implements of husbandry, wearing apparel, domestic utensils, &c. most inimitably represented]] réalisée par Giacomo Bassan. [264]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Salvator Mundi, Carlo Dolce. Whether we contemplate the divine resignation of the character, the correctness of the drawing, or the richness of the colouring, this Picture may justly rank as one of the most valuable productions of the above highly esteemed master (Carlo Dolce)|The Salvator Mundi, Carlo Dolce. Whether we contemplate the divine resignation of the character, the correctness of the drawing, or the richness of the colouring, this Picture may justly rank as one of the most valuable productions of the above highly esteemed master]] réalisée par Carlo Dolce. [312]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A grand romantic Landscape, with Rivers, Rocks, and mountains agreeably interspersed, Nicolo Poussin; the classical Fable of Hercules and Dejanira is beautifully introduced. This Picture with its companion, No. 1254, are consigned from Naples (Nicolo Poussin)|A grand romantic Landscape, with Rivers, Rocks, and mountains agreeably interspersed, Nicolo Poussin; the classical Fable of Hercules and Dejanira is beautifully introduced. This Picture with its companion, No. 1254, are consigned from Naples]] réalisée par Nicolo Poussin. [313]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Adonis being killed by a wild Boar, is discovered lifeless by Venus, who descends from her celestial Car, to bewail the untimely fate of her youthful favorite; Sebastian Bourdon. This interesting and classical story is enriched with a great variety of figures (Sebastian Bourdon)|Adonis being killed by a wild Boar, is discovered lifeless by Venus, who descends from her celestial Car, to bewail the untimely fate of her youthful favorite; Sebastian Bourdon. This interesting and classical story is enriched with a great variety of figures]] réalisée par Sebastian Bourdon. [314]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Zaleucus King of the Locrians enacted a law, that Adulterers should be punished with the loss of sight; soon after, his own son was found guilty of Adultery, and condemned to suffer the penalty. Immense crowds of Spectators assembled to witness the dreadful operation, and the youth had already been deprived of an eye, when the father in extreme agitation entreated, that the remainder of the punishment might be inflicted upon himself, and actually suffered the loss of one of his own eyes, to prevent his son being rendered totally blind. This truly astonishing performance contains near one thousand interesting figures, in perfect preservation (Julio Romano)|Zaleucus King of the Locrians enacted a law, that Adulterers should be punished with the loss of sight; soon after, his own son was found guilty of Adultery, and condemned to suffer the penalty. Immense crowds of Spectators assembled to witness the dreadful operation, and the youth had already been deprived of an eye, when the father in extreme agitation entreated, that the remainder of the punishment might be inflicted upon himself, and actually suffered the loss of one of his own eyes, to prevent his son being rendered totally blind. This truly astonishing performance contains near one thousand interesting figures, in perfect preservation]] réalisée par Julio Romano. [328]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[King Ahasuerus presenting his ring to Queen Esther -- "Write ye also for the Jews, as it liketh you, in the King's name, and seal it with the King's ring; for the writing which is written in the King's Name, and sealed with the King's ring, may no man reverse." Esther, Chap. viii. Verse 8. This fascinating performance is considered one of the most valuable productions of Carlo Dolce (Carlo Dolce)|King Ahasuerus presenting his ring to Queen Esther -- "Write ye also for the Jews, as it liketh you, in the King's name, and seal it with the King's ring; for the writing which is written in the King's Name, and sealed with the King's ring, may no man reverse." Esther, Chap. viii. Verse 8. This fascinating performance is considered one of the most valuable productions of Carlo Dolce]] réalisée par Carlo Dolce, vendue par [[[Col Hamilton's Executors]]]. [340]
  • 1803.06.13/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Cicero impeaching Cataline, in the Temple of Jupiter Stator, containing Portraits of forty of the principal Roman Senators taken from Antique Statues and Medals, being the most learned and classical composition of the late Gavin Hamilton, painted at Rome, and universally admired by the most distinguished Cognoscenti (Gavin Hamilton)|Cicero impeaching Cataline, in the Temple of Jupiter Stator, containing Portraits of forty of the principal Roman Senators taken from Antique Statues and Medals, being the most learned and classical composition of the late Gavin Hamilton, painted at Rome, and universally admired by the most distinguished Cognoscenti]] réalisée par Gavin Hamilton. [341]
  • 1803.06.13/ -. Vente de l'œuvre décrite comme [[Un tableau sur le devant duquel se voit un choc de cavalerie. On voit sur le premier plan plusieurs cavaliers variés d'attitudes et remplis de feu. Dans des plans plus éloignés, on distingue un corps de cavalerie qui fuit, des cavaliers et chevaux tués sont répandus çà et là. (Vander Meulen)|Un tableau sur le devant duquel se voit un choc de cavalerie. On voit sur le premier plan plusieurs cavaliers variés d'attitudes et remplis de feu. Dans des plans plus éloignés, on distingue un corps de cavalerie qui fuit, des cavaliers et chevaux tués sont répandus çà et là.]] réalisée par Vander Meulen, vendue par Duval. [343]
  • 1803.06.13/ -. Vente de l'œuvre décrite comme [[Vue des campagnes d'Italie, avec monumens, ruines, animaux ; et sur le premier plan la lutte de l'Ange et de Tobie. Ce tableau, dont le genre et la touche présentent un des bons ouvrages de ce peintre, est dans le style d'Italie. (Bartholomée Bréenberg)|Vue des campagnes d'Italie, avec monumens, ruines, animaux ; et sur le premier plan la lutte de l'Ange et de Tobie. Ce tableau, dont le genre et la touche présentent un des bons ouvrages de ce peintre, est dans le style d'Italie.]] réalisée par Bartholomée Bréenberg, vendue par Duval au prix de 72 fl. [344]
  • 1803.06.13/ -. Vente de l'œuvre décrite comme [[Deux marines, l'une éclairée au soleil couchant, offre un calme parfait, un vaisseau à la voile, des barques, des matelots, des animaux, et dans un des coins des personnages près d'un feu. L'autre représente une tempête, une masse de rochers contre lesquels s'est brisé un bâtiment dont on voit les débris, et des personnages secourant les naufragés. Ces deux tableaux approchent infiniment de la nature, par la vérité des effets. (Lacroix)|Deux marines, l'une éclairée au soleil couchant, offre un calme parfait, un vaisseau à la voile, des barques, des matelots, des animaux, et dans un des coins des personnages près d'un feu. L'autre représente une tempête, une masse de rochers contre lesquels s'est brisé un bâtiment dont on voit les débris, et des personnages secourant les naufragés. Ces deux tableaux approchent infiniment de la nature, par la vérité des effets.]] réalisée par Lacroix, vendue par Duval, achetée par Leblanc au prix de 60 fl. [374]