Ventes d'œuvres le 1804.05.19

De Wikipast
Aller à la navigation Aller à la recherche
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A pastoral Poet as appears by his crown of laurel, playing on a Musical Instrument to two Damsels seated on the Ground the landscape in the back-ground is very fine, the coloring equal to any of the finest works of Titian It was bought of the Bernardi family of Venice. (Giorgione)|A pastoral Poet as appears by his crown of laurel, playing on a Musical Instrument to two Damsels seated on the Ground the landscape in the back-ground is very fine, the coloring equal to any of the finest works of Titian It was bought of the Bernardi family of Venice.]] réalisée par Giorgione, vendue par Robert Udny, achetée par Barnett au prix de 69.6 £. [2]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. John the Baptist with his right Finger pointing upwards, his left at his Breast, holding in his left Arm a Cane Cross; as large as life: it was purchased last of the Caponi family at Florence, and was in the collection of King Charles the Ist. (vide King Charles the Ist's catalogue No. 71) painted on board (L. Da Vinci)|St. John the Baptist with his right Finger pointing upwards, his left at his Breast, holding in his left Arm a Cane Cross; as large as life: it was purchased last of the Caponi family at Florence, and was in the collection of King Charles the Ist. (vide King Charles the Ist's catalogue No. 71) painted on board]] réalisée par L. Da Vinci, vendue par Robert Udny, achetée par Tuffin au prix de 69.6 £. [3]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Tribute Money consisting of many figures, half length, as large as life, the coloring brilliant, design fine, and strong Expression in the different Characters It was last purchased from the Marquis Pucci at Florence, and is described by Couchin in his Voyage Pittoresque d'Italie (Bernards Strozzi, il Genoese)|The Tribute Money consisting of many figures, half length, as large as life, the coloring brilliant, design fine, and strong Expression in the different Characters It was last purchased from the Marquis Pucci at Florence, and is described by Couchin in his Voyage Pittoresque d'Italie]] réalisée par Bernards Strozzi, il Genoese, vendue par Robert Udny, achetée par Roscoe au prix de 22.1 £. [4]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Vision of St. Francis two small figures, with a fine landscape exhibiting a solemn sequestered scene ... one of his most highly finished and beautiful works: the expression in the face of the Saint is truly divine. This capital Picture was one of the Palavicini Collection. (Baroccio)|The Vision of St. Francis two small figures, with a fine landscape exhibiting a solemn sequestered scene ... one of his most highly finished and beautiful works: the expression in the face of the Saint is truly divine. This capital Picture was one of the Palavicini Collection.]] réalisée par Baroccio, vendue par Robert Udny, achetée par Conant au prix de 33.12 £. [33]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated with the Infant Jesus before her, resting upon a Globe, holding a Rose figures rather larger than life; painted on a thick board ... This Picture is in the grandest style of the master, and in perfect preservation. It was purchased from the Salviati family. (Parmegiano)|The Virgin seated with the Infant Jesus before her, resting upon a Globe, holding a Rose figures rather larger than life; painted on a thick board ... This Picture is in the grandest style of the master, and in perfect preservation. It was purchased from the Salviati family.]] réalisée par Parmegiano, vendue par Robert Udny, achetée par Roscoe au prix de 19.19 £. [68]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated with Infant Jesus on her Knee, upon a Cushion, his Left Hand resting on her Bosom It is in the second manner of the master This was esteemed one of the finest works in the Duke of Salviati's Palace, was one of the Collection of Octaviano of Medici, and came from Madamo Francesca his wife to his brother Cardinal Salviati and descended to the present family, from whom it was purchased and brought to this country in 1786. It is painted on board. (Raffaelle)|The Virgin seated with Infant Jesus on her Knee, upon a Cushion, his Left Hand resting on her Bosom It is in the second manner of the master This was esteemed one of the finest works in the Duke of Salviati's Palace, was one of the Collection of Octaviano of Medici, and came from Madamo Francesca his wife to his brother Cardinal Salviati and descended to the present family, from whom it was purchased and brought to this country in 1786. It is painted on board.]] réalisée par Raffaelle, vendue par Robert Udny, achetée par Cunningham au prix de 47.5 £. [76]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Triumph of Cupid, very fine. A beautiful and elegant little work ... it is slight, but very fine. It was well known in the Prince Chigi's Palace at Rome, presented by him to a Lady at Bologna, who sold it for 6000 Roman Crowns, in 1792 It is painted on board. (Parmegiano)|The Triumph of Cupid, very fine. A beautiful and elegant little work ... it is slight, but very fine. It was well known in the Prince Chigi's Palace at Rome, presented by him to a Lady at Bologna, who sold it for 6000 Roman Crowns, in 1792 It is painted on board.]] réalisée par Parmegiano, vendue par Robert Udny, achetée par Simmons au prix de 39.18 £. [77]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Holy Family figures small and very highly finished, the Infant Jesus standing on a Cushion; there is a sweetness of expression in the countenance of him, as well as that of the Madona, that is not to be described. The St. John is also very fine. (C. Dolce)|A Holy Family figures small and very highly finished, the Infant Jesus standing on a Cushion; there is a sweetness of expression in the countenance of him, as well as that of the Madona, that is not to be described. The St. John is also very fine.]] réalisée par C. Dolce, vendue par Robert Udny, achetée par Hill au prix de 189.0 £. [81]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin holding on her Knee the Infant Jesus, supporting him on her right arm, in her left hand is a book which she is reading; a beautiful and early Picture, painted on his first going to Florence, is described by Cinelli, p.286 Half figure, rather smaller than life. His name is on it. (Raphael)|The Virgin holding on her Knee the Infant Jesus, supporting him on her right arm, in her left hand is a book which she is reading; a beautiful and early Picture, painted on his first going to Florence, is described by Cinelli, p.286 Half figure, rather smaller than life. His name is on it.]] réalisée par Raphael, vendue par Robert Udny, achetée par Conant au prix de 33.12 £. [93]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Holy Family; the Virgin seated, holding a book, the infant Jesus on her knee, a bird in his hand, St. John near him in the act of adoration; Joseph resting his right hand on a stick, looks with complacency on the interesting objects before him. This Picture, independent of its excellence, is rendered still more interesting by its history. Raphael painted it when at Florence, residing in the house of Signor Taddio Taddei; it represents the portraits of Signor Taddei, his wife and children; it was preserved with great care in the Taddie family, and from them it was bought by the Marquis Chevalier Albergotte of Arizzo. See the paper on the back of the picture painted on thick pannel (Raphael)|The Holy Family; the Virgin seated, holding a book, the infant Jesus on her knee, a bird in his hand, St. John near him in the act of adoration; Joseph resting his right hand on a stick, looks with complacency on the interesting objects before him. This Picture, independent of its excellence, is rendered still more interesting by its history. Raphael painted it when at Florence, residing in the house of Signor Taddio Taddei; it represents the portraits of Signor Taddei, his wife and children; it was preserved with great care in the Taddie family, and from them it was bought by the Marquis Chevalier Albergotte of Arizzo. See the paper on the back of the picture painted on thick pannel]] réalisée par Raphael, vendue par Robert Udny, achetée par Tuffin au prix de 107.2 £. [97]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Ecce Homo, or Christ crowned with Thorns, and delivered to be crucified. Half figure, large as life This well known and celebrated picture was painted for an old noble family of Parma, then denominated Prata or Perata, now de la Rose, from whence about the year 1660 it passed in the possession of Cardinal Salviati, of Florence by collecting many of the most capital Pictures of which this was a sacred one, and was never moved till it came here. There is an etching of it by Agostino Caracci. Cinelli, in describing the Salviati Collection says, "...it represents Christ as exposed to the Jewish multitude." The flesh tints of our Saviour, and the figures surrounding him, have all the expression of truth of nature, particularly that most affecting one of the Virgin fallen in a swoon, at the sight of her son's agonies. It is perfectly pure, and in the highest preservation: painted upon thick pannel. (Correggio)|An Ecce Homo, or Christ crowned with Thorns, and delivered to be crucified. Half figure, large as life This well known and celebrated picture was painted for an old noble family of Parma, then denominated Prata or Perata, now de la Rose, from whence about the year 1660 it passed in the possession of Cardinal Salviati, of Florence by collecting many of the most capital Pictures of which this was a sacred one, and was never moved till it came here. There is an etching of it by Agostino Caracci. Cinelli, in describing the Salviati Collection says, "...it represents Christ as exposed to the Jewish multitude." The flesh tints of our Saviour, and the figures surrounding him, have all the expression of truth of nature, particularly that most affecting one of the Virgin fallen in a swoon, at the sight of her son's agonies. It is perfectly pure, and in the highest preservation: painted upon thick pannel.]] réalisée par Correggio, vendue par Robert Udny, achetée par Tuffin au prix de 159.12 £. [99]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Woman of Samaria and Christ at the well small whole figures; in a rich and beautiful landscape; the colouring very brilliant. This little picture is a fine specimen of master it is painted on board round at the top; from the Salviati collection (B. Garofalo)|The Woman of Samaria and Christ at the well small whole figures; in a rich and beautiful landscape; the colouring very brilliant. This little picture is a fine specimen of master it is painted on board round at the top; from the Salviati collection]] réalisée par B. Garofalo, vendue par Robert Udny, achetée par Tuffin au prix de 107.2 £. [102]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. Cecilia, figure to the knee, large as life she is represented with her usual attributes; the character exquisitely grand and beautiful, in her right hand is a palm branch; in her left a scroll of music; an angel supports her harp on one side, on the other is an organ; and her head is bound round with a wreath of roses. This justly admired and celebrated picture was of the Palavicini collection (Dominichino)|St. Cecilia, figure to the knee, large as life she is represented with her usual attributes; the character exquisitely grand and beautiful, in her right hand is a palm branch; in her left a scroll of music; an angel supports her harp on one side, on the other is an organ; and her head is bound round with a wreath of roses. This justly admired and celebrated picture was of the Palavicini collection]] réalisée par Dominichino, vendue par Robert Udny, achetée par Birch au prix de 211.1 £. [103]
  • 1804.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Danae; whole Figures, rather smaller than Life ... The fame of this celebrated Picture is so generally known and well established, that is seems unnecessary to expatiate on its merits here, unless it is by transcribing the account giving of it by M. Mengs in his Life of the painter ... The following is excerpted: painted (on canvas) for the Duke of Mantua as a present for the Emperor Charles the Fifth; picture went to Stockholm when Gustavus Adolphus, King of Sweden captured Prague; brought to Rome by Queen Christiana and after her death sold to the Pope's nephew Odescalchi; when in his possession an indifferent engraving was made; after his death purchased by the Regent of France, the Duke of Orleans, and placed in the Palais Royale; about 1728 painting cut up by the court painter M. Charles Coypel but then four months later sold to the noble Venetian Francis Lobia; in 1776 pawned by member of the Lobia family and the following year it was recovered by the noble Venetian lady Madona latti Minotto; purchased by Count Udny and sent to England in 1793" ... it is now as pure and perfect as when it was first painted. There was in the Orleans Collection an old copy of it. In short, it may be said without the smallest exaggeration, to be the finest and most perfect work of the master now in being. The preceding was excerpted (Corregio)|The Danae; whole Figures, rather smaller than Life ... The fame of this celebrated Picture is so generally known and well established, that is seems unnecessary to expatiate on its merits here, unless it is by transcribing the account giving of it by M. Mengs in his Life of the painter ... The following is excerpted: painted (on canvas) for the Duke of Mantua as a present for the Emperor Charles the Fifth; picture went to Stockholm when Gustavus Adolphus, King of Sweden captured Prague; brought to Rome by Queen Christiana and after her death sold to the Pope's nephew Odescalchi; when in his possession an indifferent engraving was made; after his death purchased by the Regent of France, the Duke of Orleans, and placed in the Palais Royale; about 1728 painting cut up by the court painter M. Charles Coypel but then four months later sold to the noble Venetian Francis Lobia; in 1776 pawned by member of the Lobia family and the following year it was recovered by the noble Venetian lady Madona latti Minotto; purchased by Count Udny and sent to England in 1793" ... it is now as pure and perfect as when it was first painted. There was in the Orleans Collection an old copy of it. In short, it may be said without the smallest exaggeration, to be the finest and most perfect work of the master now in being. The preceding was excerpted]] réalisée par Corregio, vendue par Robert Udny, achetée par Caleb Whiteford au prix de 210.0 £. [104]
Récupérée de « https://wikipast.epfl.ch/index.php?title=Ventes_d%27œuvres_le_1804.05.19&oldid=3984410 »