Ventes d'œuvres le 1807.05.08

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  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Gipsey...A portrait of a gipsey reclining with her arms on a bank, at her back she has her baggage. It is supposed to be a likeness of the artist's wife, who was a beautiful woman. The execution of this is bold and masterly. -- On canvas (George Morland)|The Gipsey...A portrait of a gipsey reclining with her arms on a bank, at her back she has her baggage. It is supposed to be a likeness of the artist's wife, who was a beautiful woman. The execution of this is bold and masterly. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Bensley au prix de 2.17 £. [145]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Soldiers on their march...A very singular subject. The soldiers, having halted for refreshment, are proceeding on their way, and, by the baggage at their backs and irregular march, denote well the service they are on, that of being quartered at a new station. The effects of a high wind are well exhibited in the resistance of the soldiers, and the appearance of the countryman, his horse, and the Trees. An early production. -- On pannel (George Morland)|Soldiers on their march...A very singular subject. The soldiers, having halted for refreshment, are proceeding on their way, and, by the baggage at their backs and irregular march, denote well the service they are on, that of being quartered at a new station. The effects of a high wind are well exhibited in the resistance of the soldiers, and the appearance of the countryman, his horse, and the Trees. An early production. -- On pannel]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Linnell au prix de 12.12 £. [148]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Interior of a Wood with Figures...Every part of this composition has received, from the hands of the artist, an expression and power rarely to be met with. The thick foliage of the trees, at the entrance of the wood, with the beautiful perspective in the interior, where the eye is lost by the gloom that pervades it, are happily effected. The figures are truly natural and accord with the surrounding objects. The design was by a pupil of Morland; with which he was so much delighted that he finished the picture himself. -- On canvas (George Morland)|Interior of a Wood with Figures...Every part of this composition has received, from the hands of the artist, an expression and power rarely to be met with. The thick foliage of the trees, at the entrance of the wood, with the beautiful perspective in the interior, where the eye is lost by the gloom that pervades it, are happily effected. The figures are truly natural and accord with the surrounding objects. The design was by a pupil of Morland; with which he was so much delighted that he finished the picture himself. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 24.3 £. [149]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Two Shepherds under a Tree...The characters of the two shepherds watching their flocks are drawn with attentive observation; the foliage of the tree spreading itself over the whole piece is finely painted, and the distance well kept. -- On pannel (George Morland)|Two Shepherds under a Tree...The characters of the two shepherds watching their flocks are drawn with attentive observation; the foliage of the tree spreading itself over the whole piece is finely painted, and the distance well kept. -- On pannel]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Smith au prix de 12.12 £. [153]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Mill...The scenery of this production is highly picturesque, and describes all the beauties that could be appropriately brought into one subject. The broken surface of the fore ground is filled with incident; the transparent stream forced down the fall, steals gradually along the quiet vale, the prospect is full of richness and verdure, and as a whole, the landscape seems to furnish one of those retired and peaceful spots, the habitation of contented innocence -- On canvas (George Morland)|The Mill...The scenery of this production is highly picturesque, and describes all the beauties that could be appropriately brought into one subject. The broken surface of the fore ground is filled with incident; the transparent stream forced down the fall, steals gradually along the quiet vale, the prospect is full of richness and verdure, and as a whole, the landscape seems to furnish one of those retired and peaceful spots, the habitation of contented innocence -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Bullock au prix de 36.15 £. [154]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Storm...In his sea paintings, Morland acquired an astonishing degree of celebrity: in the early part of his life he devoted much time to the study of marine subjects, residing at that period on the sea coast. The scene of this painting is laid in the Isle of Wight: the strong effects of dense clouds passing rapidly over the surface of the ocean denotes the approach of danger; the massy fragments of rock seem rooted in their situations rather by the hand of nature than of the artist; the figures in the fore ground, securing the means of their subsistance from the effects of the storm, complete the subject: the transparency, fold, and foam, of his waves are admirably executed. -- On canvas (George Morland)|Storm...In his sea paintings, Morland acquired an astonishing degree of celebrity: in the early part of his life he devoted much time to the study of marine subjects, residing at that period on the sea coast. The scene of this painting is laid in the Isle of Wight: the strong effects of dense clouds passing rapidly over the surface of the ocean denotes the approach of danger; the massy fragments of rock seem rooted in their situations rather by the hand of nature than of the artist; the figures in the fore ground, securing the means of their subsistance from the effects of the storm, complete the subject: the transparency, fold, and foam, of his waves are admirably executed. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 50.8 £. [157]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The high mettled racer...It requires little to be said of this fine painting, than that it is in his best style, and executed in the year 1792, so completely has the artist entered into the minutiae of the celebrated ballad written by Mr. Dibdin, sen. The Poem which follows has been omitted on canvas (George Morland)|The high mettled racer...It requires little to be said of this fine painting, than that it is in his best style, and executed in the year 1792, so completely has the artist entered into the minutiae of the celebrated ballad written by Mr. Dibdin, sen. The Poem which follows has been omitted on canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Bensley au prix de 12.12 £. [158]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Thunder-Storm...An open common with a cottage on the left, before it a tree almost torn up by the violence of the storm, from which two figures in the fore-ground are hastening to shelter themselves; a bold and masterly cabinet-picture. -- On canvas (George Morland)|Thunder-Storm...An open common with a cottage on the left, before it a tree almost torn up by the violence of the storm, from which two figures in the fore-ground are hastening to shelter themselves; a bold and masterly cabinet-picture. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 15.4 £. [160]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Snow-Piece, with Horses...This piece describes very finely the rude desolation of winter: the chilly aspect of the country, and the distressed appearance of the cattle, endeavouring to shield themselves from the effects of the cold, render it a fac-simile of nature. -- On canvas (George Morland)|Snow-Piece, with Horses...This piece describes very finely the rude desolation of winter: the chilly aspect of the country, and the distressed appearance of the cattle, endeavouring to shield themselves from the effects of the cold, render it a fac-simile of nature. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 46.4 £. [163]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Hunt...The foremost object, a man thrown and his horse taking into the wood followed by two huntsmen in full chase. The spirit given in the delineation of this subject is very great; the beauty of the perspective forms a delightful contrast with the broken surface of the foreground and rich foliage of the wood. -- On canvas (George Morland)|The Hunt...The foremost object, a man thrown and his horse taking into the wood followed by two huntsmen in full chase. The spirit given in the delineation of this subject is very great; the beauty of the perspective forms a delightful contrast with the broken surface of the foreground and rich foliage of the wood. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Ravenhill au prix de 39.18 £. [164]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Sea-View and Figures...In the back ground there is a great boldness, which is relieved by the figures in front, representing fishermen laying up their boat after coming in from their labours. The sky portends an approaching storm, as the dark clouds are gradually overshadowing the brighter parts of the atmosphere. -- On canvas (George Morland)|Sea-View and Figures...In the back ground there is a great boldness, which is relieved by the figures in front, representing fishermen laying up their boat after coming in from their labours. The sky portends an approaching storm, as the dark clouds are gradually overshadowing the brighter parts of the atmosphere. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Sr Amour au prix de 22.1 £. [165]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Sail in View...To the right are two men descrying a ship beautifully introduced in the distance. An uncommon fine distribution of clouds, touched in a most brilliant style, which, with the perspective so happily observed, forms a most finished production. This picture is greatly admired by connoisseurs as combining infinite skill and fancy. -- On pannel (George Morland)|A Sail in View...To the right are two men descrying a ship beautifully introduced in the distance. An uncommon fine distribution of clouds, touched in a most brilliant style, which, with the perspective so happily observed, forms a most finished production. This picture is greatly admired by connoisseurs as combining infinite skill and fancy. -- On pannel]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Kensington au prix de 23.2 £. [166]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Watering Horses...A landscape, with a view of an extensive open country. A woman, on a rising ground in the centre, gives a fine effect to the distance; to the right a man watering two horses in a pool, at the foot of a high hill, on the summit of which is an old castle. -- On canvas (George Morland)|Watering Horses...A landscape, with a view of an extensive open country. A woman, on a rising ground in the centre, gives a fine effect to the distance; to the right a man watering two horses in a pool, at the foot of a high hill, on the summit of which is an old castle. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Curling au prix de 22.1 £. [167]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Fishermen wrecked...A very spirited production. The perspective is a range of cliffs admirably executed, the attitudes of the figures expressive, and the anxious fears of the old man are finely pourtrayed. The attention of the artist seems principally to have been directed to the effect of the waves in the fore ground. Finished with great boldness and skill. -- On canvas (George Morland)|Fishermen wrecked...A very spirited production. The perspective is a range of cliffs admirably executed, the attitudes of the figures expressive, and the anxious fears of the old man are finely pourtrayed. The attention of the artist seems principally to have been directed to the effect of the waves in the fore ground. Finished with great boldness and skill. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Curling au prix de 42.0 £. [171]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Wood-Cutters at Dinner...Two peasants at their repast. The attitude of the figures are extremely easy: the distant depth of the wood shaded with great skill. This composition, in itself simple and chaste, has been exhibited to the public by a fine engraving of Mr. Williamson. -- On canvas (George Morland)|Wood-Cutters at Dinner...Two peasants at their repast. The attitude of the figures are extremely easy: the distant depth of the wood shaded with great skill. This composition, in itself simple and chaste, has been exhibited to the public by a fine engraving of Mr. Williamson. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 25.4 £. [172]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Landscape and Figures...The approach of the storm is finely depicted. In the dark lowering clouds and agitated appearance of the trees, the distant village, seen through the opening, gives a happy effect and termination to the fight. -- On pannel (George Morland)|Landscape and Figures...The approach of the storm is finely depicted. In the dark lowering clouds and agitated appearance of the trees, the distant village, seen through the opening, gives a happy effect and termination to the fight. -- On pannel]] réalisée par George Morland, vendue par Charles Chatfield au prix de 30.9 £. [174]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Fruit-Stall...This composition is, in the highest degree, easy, and rich; displaying a great variety and happy combination of talent. The romantic situation of the cottage, under the canopy of two stately trees, most admirably executed, increases the beauty of the scenery. The figure of the woman, assuring the doubting carman (who is feeling for his money with reluctance) that her goods are excellent and not over-rated, is finely drawn: the depth and distance under the stall, which admits the tub and basket, and shews the legs of the man, are shaded and executed with beautiful effect: the vegetables and fruit are highly finished; and nothing can exceed the simplicity exhibited in the countenances of the children, who seem conversing with great eagerness on the perfection of the articles displayed before their longing eyes. -- On canvas (George Morland)|Fruit-Stall...This composition is, in the highest degree, easy, and rich; displaying a great variety and happy combination of talent. The romantic situation of the cottage, under the canopy of two stately trees, most admirably executed, increases the beauty of the scenery. The figure of the woman, assuring the doubting carman (who is feeling for his money with reluctance) that her goods are excellent and not over-rated, is finely drawn: the depth and distance under the stall, which admits the tub and basket, and shews the legs of the man, are shaded and executed with beautiful effect: the vegetables and fruit are highly finished; and nothing can exceed the simplicity exhibited in the countenances of the children, who seem conversing with great eagerness on the perfection of the articles displayed before their longing eyes. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 99.15 £. [175]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Gipsies reposing...The scenery of this painting is extremely pleasing; without possessing much variety; we feel sufficient interest in the wild simplicity and chasteness it displays; the brown appearance of the vegetation denotes the sterility of the soil; the colouring is particularly soft and mellow. -- On canvas (George Morland)|Gipsies reposing...The scenery of this painting is extremely pleasing; without possessing much variety; we feel sufficient interest in the wild simplicity and chasteness it displays; the brown appearance of the vegetation denotes the sterility of the soil; the colouring is particularly soft and mellow. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Kensington au prix de 30.9 £. [176]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Return of Fishermen...In firmness of touch, united with delicacy of pencil, clear and brilliant transparency of colour, and general air, this painting is in an uncommon degree pleasing. The figures are correctly drawn and characteristically marked: the fish, and little accompaniments, touched with great spirit; the distance and extent of the sea, when properly viewed, is a very striking beauty; the wave, half curled over and gradually breaking, displays minute observations of nature; the rocks and surrounding scenery form a happy combination. -- On canvas (George Morland)|The Return of Fishermen...In firmness of touch, united with delicacy of pencil, clear and brilliant transparency of colour, and general air, this painting is in an uncommon degree pleasing. The figures are correctly drawn and characteristically marked: the fish, and little accompaniments, touched with great spirit; the distance and extent of the sea, when properly viewed, is a very striking beauty; the wave, half curled over and gradually breaking, displays minute observations of nature; the rocks and surrounding scenery form a happy combination. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 98.14 £. [178]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Gravel-Diggers...In the interior of a gravel-pit are seen six figures taking their refreshment: on the ground are their different implements for work, touched with a degree of spirit and elegance beyond description: on the brow of the hill, in the perspective, are some sheep grasing. The whole scene is extremely perfect. -- On pannel (George Morland)|The Gravel-Diggers...In the interior of a gravel-pit are seen six figures taking their refreshment: on the ground are their different implements for work, touched with a degree of spirit and elegance beyond description: on the brow of the hill, in the perspective, are some sheep grasing. The whole scene is extremely perfect. -- On pannel]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Curling au prix de 30.9 £. [179]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Portrait of the Artist G. Morland...This is a acknowledged to be the most exact resemblance of this great and extraordinary painter that has ever been taken, and executed in a bold and masterly manner, by the late Mr. Muller, who was intimately acquainted with him (Mr. Muller)|A Portrait of the Artist G. Morland...This is a acknowledged to be the most exact resemblance of this great and extraordinary painter that has ever been taken, and executed in a bold and masterly manner, by the late Mr. Muller, who was intimately acquainted with him]] réalisée par Mr. Muller, vendue par Charles Chatfield au prix de 31.10 £. [180]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Woman ironing...The admirers of Morland will feel a particular interest in this portrait, commenced by his father and finished by himself. It possesses, in an eminent degree, spirit, brilliancy, and character; the countenance is full of expression an archness, marked with characteristic simplicity. The projection of the right arm, which seems to leave the canvas, is inimitably executed. -- On canvas (George Morland)|Woman ironing...The admirers of Morland will feel a particular interest in this portrait, commenced by his father and finished by himself. It possesses, in an eminent degree, spirit, brilliancy, and character; the countenance is full of expression an archness, marked with characteristic simplicity. The projection of the right arm, which seems to leave the canvas, is inimitably executed. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 34.13 £. [181]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Courtship, or Strangers at Home...Represents an aukward countryman paying his addresses to a girl equally bashful an simple. It is taken from the following description, in "Le Jeune Laboureur faisant la Cour à sa Maîtresse." Young Roger, the ploughman, who wanted a mate, Went along with his daddy a courting to Kate: With a nosegay so large, in his holiday-clothes, His hands in his pockets, away Roger goes. Now he was as bashful as bashful could be, And Kitty, poor girl, was as bashful as he, So he bow'd and he star'd, and he let his hat fall, Then he grinn'd, scratch'd his head, and said nothing at all. If aukward the swain, no less aukward the maid; She simper'd and blush'd, with her apron-strings play'd; Till the old folks, impatient to have the thing done, Agreed that young Roger and Kate should be one (George Morland)|The Courtship, or Strangers at Home...Represents an aukward countryman paying his addresses to a girl equally bashful an simple. It is taken from the following description, in "Le Jeune Laboureur faisant la Cour à sa Maîtresse." Young Roger, the ploughman, who wanted a mate, Went along with his daddy a courting to Kate: With a nosegay so large, in his holiday-clothes, His hands in his pockets, away Roger goes. Now he was as bashful as bashful could be, And Kitty, poor girl, was as bashful as he, So he bow'd and he star'd, and he let his hat fall, Then he grinn'd, scratch'd his head, and said nothing at all. If aukward the swain, no less aukward the maid; She simper'd and blush'd, with her apron-strings play'd; Till the old folks, impatient to have the thing done, Agreed that young Roger and Kate should be one]] réalisée par George Morland, vendue par Charles Chatfield, achetée par Curling au prix de 37.16 £. [182]
  • 1807.05.08/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Passing Shower...The subject of this piece may be happily contrasted with the land-storm. In executing this, the artist has been attentive to the perspective: on the right of the picture we see the return of fine weather, the eye again penetrates into the distance, which is denied to it on the left by the obscurity and rain; in the distribution of his objects, also, he has effected that variety which nature refuses to a flat country. -- On canvas (George Morland)|The Passing Shower...The subject of this piece may be happily contrasted with the land-storm. In executing this, the artist has been attentive to the perspective: on the right of the picture we see the return of fine weather, the eye again penetrates into the distance, which is denied to it on the left by the obscurity and rain; in the distribution of his objects, also, he has effected that variety which nature refuses to a flat country. -- On canvas]] réalisée par George Morland, vendue par Charles Chatfield au prix de 99.15 £. [183]
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