Ventes d'œuvres le 1808.06.11

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  • 1808.06.11/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Battle of Licinnius. A picture of uncommon energy and vivacity of composition -- a most animated description of one of the famous battles fought under the auspices of the Emperor Constantine, exemplifying throughout the whole performance all the powers and spirit of this great Master's Pencil (Rubens)|The Battle of Licinnius. A picture of uncommon energy and vivacity of composition -- a most animated description of one of the famous battles fought under the auspices of the Emperor Constantine, exemplifying throughout the whole performance all the powers and spirit of this great Master's Pencil]] réalisée par Rubens, vendue par [[[Thomas Hammersley]]] au prix de 210.0 £. [5]
  • 1808.06.11/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Portrait of Francis I. of France, a capital representation of that gallant and honorable Monarch, the Rival of Charles the Fifth, contemporary of Henry VIII. and Pride of the Kingdom he governed -- it is no wonder that Leonardo da Vinci should have displayed all his Art in delineating the Portrait of his Royal Friend and Patron (Leonardo da Vinci)|Portrait of Francis I. of France, a capital representation of that gallant and honorable Monarch, the Rival of Charles the Fifth, contemporary of Henry VIII. and Pride of the Kingdom he governed -- it is no wonder that Leonardo da Vinci should have displayed all his Art in delineating the Portrait of his Royal Friend and Patron]] réalisée par Leonardo da Vinci, vendue par Troward au prix de 105.0 £. [8]
  • 1808.06.11/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[St. Cecilia, an admirable Performance, painted for the Cardinal Sausi, recently brought into this Country and is in most perfect preservation, equal to any of the Works of this esteemed Painter -- the attention and admiration of the Angel contemplating the countenance of the Saint as she is singing, is in perfect Character and adds interest to the Subject (Domenichino)|St. Cecilia, an admirable Performance, painted for the Cardinal Sausi, recently brought into this Country and is in most perfect preservation, equal to any of the Works of this esteemed Painter -- the attention and admiration of the Angel contemplating the countenance of the Saint as she is singing, is in perfect Character and adds interest to the Subject]] réalisée par Domenichino, vendue par Troward au prix de 525.0 £. [12]
  • 1808.06.11/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Virgin supporting the Saviour with two attendant Angels, from the private Chapel of the Pope: It was painted by Michael Angelo, for Pope Clement VII. There is a sublime expression throughout mingled with feeling, which none but a great Master could accomplish -- Elegance of Drawing and perfect Knowledge of Anatomy displays itself in the Figure of our Saviour; and the marking of the Muscles about the Arms and Shoulders of the Angels, equally evince the great Science of this unrivalled Painter -- it is a Master Piece of perfection and sweetly colored (Michael Angelo Buonaroti)|The Virgin supporting the Saviour with two attendant Angels, from the private Chapel of the Pope: It was painted by Michael Angelo, for Pope Clement VII. There is a sublime expression throughout mingled with feeling, which none but a great Master could accomplish -- Elegance of Drawing and perfect Knowledge of Anatomy displays itself in the Figure of our Saviour; and the marking of the Muscles about the Arms and Shoulders of the Angels, equally evince the great Science of this unrivalled Painter -- it is a Master Piece of perfection and sweetly colored]] réalisée par Michael Angelo Buonaroti, vendue par Troward au prix de 420.0 £. [14]
  • 1808.06.11/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Divine Christ in the Personification of the Second Person of the Trinity -- The Son of God represented (in an Allegorical allusion) as in the Act of creating the Universe -- The Globe is in the left hand describing the Ptolemaic Hypothesis, which was the prevailing System acknowledged in the Painters Time -- This extraordinarily excellent Picture was painted for Francis I. in whose Arms Leonardo expired. Publius Lentulus presiding in Judea, in the Reign of the Emperor Tiberius, transmitted the following Epistle to the Senate of Rome. The quotation which follows has been omitted. The wonderfully transcendant abilities of the Painter has evidently been called into the fullness of exertion, by the extraordinary and forcible description of the writer -- Lentulus the Heathen seems to have been inspired with the Subject; and if ever the Art of Painting was more than congenial with literary description, the pallette and pencil have in this instance shewn powers that could only emanate from a superior mind, brought into Action by it for the most sublime of purposes, the representation of the Divine Saviour; not as the Man of Sorrow and acquainted with Grief, but as the sublime Creator of the World, decorated with all the Majesty of beauty and animated by apparent solicitude for the welfare of Mankind before the fall. -- Art stands challenged in this sublime Performance; it cannot be surpassed. (Leonardo da Vinci)|The Divine Christ in the Personification of the Second Person of the Trinity -- The Son of God represented (in an Allegorical allusion) as in the Act of creating the Universe -- The Globe is in the left hand describing the Ptolemaic Hypothesis, which was the prevailing System acknowledged in the Painters Time -- This extraordinarily excellent Picture was painted for Francis I. in whose Arms Leonardo expired. Publius Lentulus presiding in Judea, in the Reign of the Emperor Tiberius, transmitted the following Epistle to the Senate of Rome. The quotation which follows has been omitted. The wonderfully transcendant abilities of the Painter has evidently been called into the fullness of exertion, by the extraordinary and forcible description of the writer -- Lentulus the Heathen seems to have been inspired with the Subject; and if ever the Art of Painting was more than congenial with literary description, the pallette and pencil have in this instance shewn powers that could only emanate from a superior mind, brought into Action by it for the most sublime of purposes, the representation of the Divine Saviour; not as the Man of Sorrow and acquainted with Grief, but as the sublime Creator of the World, decorated with all the Majesty of beauty and animated by apparent solicitude for the welfare of Mankind before the fall. -- Art stands challenged in this sublime Performance; it cannot be surpassed.]] réalisée par Leonardo da Vinci, vendue par Troward au prix de 1522.0 £. [15]
  • 1808.06.11/ maison de ventes : Rijp. Vente de l'œuvre décrite comme [[Een Oosters Vorst ligt in een prachtig Ledikant, een Kamerling gezeten voor hetzelve, terwyl een jonge Neger met eene toors by hun staat, voorts op den tweede grond Lyfwacht en andere personen, Wapenrusting, Kroon en verder Bywerk versieren dit Schildery; Transpirant, gloeiend en meesterlyk behandeld (Als door F: Bol)|Een Oosters Vorst ligt in een prachtig Ledikant, een Kamerling gezeten voor hetzelve, terwyl een jonge Neger met eene toors by hun staat, voorts op den tweede grond Lyfwacht en andere personen, Wapenrusting, Kroon en verder Bywerk versieren dit Schildery; Transpirant, gloeiend en meesterlyk behandeld]] réalisée par Als door F: Bol au prix de 25 frs. [92]
  • 1808.06.11/ maison de ventes : Rijp. Vente de l'œuvre décrite comme [[Een Hollandsch Landschap, met Koeijen, Bok, Schapen en Figuur; natuurlyk, aangenaam en zeer uitvoerig geschilderd. Op Mahognie Paneel, hoog 17, breed 22 1/2 duim. Een Wedergade, in alles als de voorgaande; zullen in eene Koop geveild worden (J: Janson, 1775)|Een Hollandsch Landschap, met Koeijen, Bok, Schapen en Figuur; natuurlyk, aangenaam en zeer uitvoerig geschilderd. Op Mahognie Paneel, hoog 17, breed 22 1/2 duim. Een Wedergade, in alles als de voorgaande; zullen in eene Koop geveild worden]] réalisée par J: Janson, 1775, achetée par Rohan au prix de 104 frs. [140]
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