Ventes d'œuvres le 1810.05.26

De Wikipast
Aller à la navigation Aller à la recherche
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Les Blanchisseuses; an Italian Scene of great richness and beauty, with a group of Women washing. These Figures are exquisitely painted, and the foliage of the Trees in the foreground is equal to anything in the Works of Claude or Berghem; painted at Rome in 1749 for one of his early patrons, from whose heirs it was purchased (Vernet)|Les Blanchisseuses; an Italian Scene of great richness and beauty, with a group of Women washing. These Figures are exquisitely painted, and the foliage of the Trees in the foreground is equal to anything in the Works of Claude or Berghem; painted at Rome in 1749 for one of his early patrons, from whose heirs it was purchased]] réalisée par Vernet, vendue par Trumbull au prix de 99.15 £. [46]
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[La Laitiere: -- a Stable with Cows and Figures -- the Dairy Woman pouring out Milk from her Pan, into a brass Market Pail, and the old Man at the Door to whom she turns to speak, are exquisitely painted. In this singular picture, this Proteus of the Art has contrived to combine the force and rich effect of Rembrandt, with the inimitable charms of his own light and elegant pencil (D. Teniers)|La Laitiere: -- a Stable with Cows and Figures -- the Dairy Woman pouring out Milk from her Pan, into a brass Market Pail, and the old Man at the Door to whom she turns to speak, are exquisitely painted. In this singular picture, this Proteus of the Art has contrived to combine the force and rich effect of Rembrandt, with the inimitable charms of his own light and elegant pencil]] réalisée par D. Teniers, vendue par Trumbull au prix de 247.0 £. [60]
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Assumption of St. Bruno, the Saint appears kneeling on the Clouds which open above, and Two Angels in highly elegant foreshortened attitudes are Ministering to him, Cherubim faintly sketched in the light above, a Landscape in miniature below -- very elegant (Murillo)|Assumption of St. Bruno, the Saint appears kneeling on the Clouds which open above, and Two Angels in highly elegant foreshortened attitudes are Ministering to him, Cherubim faintly sketched in the light above, a Landscape in miniature below -- very elegant]] réalisée par Murillo, vendue par Forster 1, achetée par Hill au prix de 12.12 £. [65]
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Susannah surprised by the Two Elders; in the back ground is a circular balustrade inclosing the Bath, with Birds and Fruit, and various Draperies and Utensils in the front of the Picture. This splendid piece of coloring, for warmth, richness and powerful effect, is of the very finest productions of the master The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House (Jordaens)|Susannah surprised by the Two Elders; in the back ground is a circular balustrade inclosing the Bath, with Birds and Fruit, and various Draperies and Utensils in the front of the Picture. This splendid piece of coloring, for warmth, richness and powerful effect, is of the very finest productions of the master The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House]] réalisée par Jordaens, vendue par Marchioness Lansdowne au prix de 78.15 £. [77]
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Sleeping Venus, reclined upon a bed covered with a red carpet; Satyrs approaching to surprise her. On a table in the Front Ground are represented a gold Vase and Dish and Jewels: -- a very fine and richly coloured Picture in the manner of Rubens. The Amorino which is represented waking the Venus and screaming in alarm, is by the tasteful hand of Sir Joshua Reynolds, to whom the Picture formerly belonged The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House (Rombout)|A Sleeping Venus, reclined upon a bed covered with a red carpet; Satyrs approaching to surprise her. On a table in the Front Ground are represented a gold Vase and Dish and Jewels: -- a very fine and richly coloured Picture in the manner of Rubens. The Amorino which is represented waking the Venus and screaming in alarm, is by the tasteful hand of Sir Joshua Reynolds, to whom the Picture formerly belonged The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House]] réalisée par Rombout, vendue par Marchioness Lansdowne au prix de 63.0 £. [78]
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Venus and Cupid at the Forge of Vulcan, who is preparing the Armour for AEneas; a Satyr and two Nymphs presenting Fruit and Corn, the Anvil and Implements of Vulcan, and a silver Flask appear in the Front Ground: a finely composed picture in the free and spirited manner of Rubens, and a rich and luxuriant display of Coloring The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House (Rubens)|Venus and Cupid at the Forge of Vulcan, who is preparing the Armour for AEneas; a Satyr and two Nymphs presenting Fruit and Corn, the Anvil and Implements of Vulcan, and a silver Flask appear in the Front Ground: a finely composed picture in the free and spirited manner of Rubens, and a rich and luxuriant display of Coloring The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House]] réalisée par Rubens, vendue par Marchioness Lansdowne. [79]
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Diogenes in deep reflection, struck with the sight of a Peasant drinking out of the Palm of his Hand at a Spring; a group of Figures near him, one of which holds the earthen cup which the Philosopher had thrown away as an unnecessary utensil, an Elder inclines forward in admiration, and a beautiful youth is attentive behind; a fourth in a Philosophical Habit reclining under a group of Beech Trees appears to wonder at the superior wisdom of Diogenes, who has been highly extolled by the Poets of antiquity on the occasion of this incident, as having been the first who pointed out the just value of possessions. The group is finely composed, the drawing of the Figures elegant and correct; the coloring in a solemn tone relieved by a fine effect of Chiaro Scuro. This very grand chef d'oeuvre and the following, its companion, were formerly in the Collection of Sir George Young, Bart. The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House (S. Rosa)|Diogenes in deep reflection, struck with the sight of a Peasant drinking out of the Palm of his Hand at a Spring; a group of Figures near him, one of which holds the earthen cup which the Philosopher had thrown away as an unnecessary utensil, an Elder inclines forward in admiration, and a beautiful youth is attentive behind; a fourth in a Philosophical Habit reclining under a group of Beech Trees appears to wonder at the superior wisdom of Diogenes, who has been highly extolled by the Poets of antiquity on the occasion of this incident, as having been the first who pointed out the just value of possessions. The group is finely composed, the drawing of the Figures elegant and correct; the coloring in a solemn tone relieved by a fine effect of Chiaro Scuro. This very grand chef d'oeuvre and the following, its companion, were formerly in the Collection of Sir George Young, Bart. The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House]] réalisée par S. Rosa, vendue par Marchioness Lansdowne au prix de 1029.0 £. [80]
  • 1810.05.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Heraclitus contemplating the decay of Nature, and the instability of Human Grandeur. The Philosopher is seated in a pensive attitude, his right elbow resting upon a Sarcophagus; about him are the dilapidated Sepulchral Monuments of AEgypt and Greece, a Pyramid, Obelisks, and fragments of Marbles intermixed with the Funereal Pine tree: at his Feet are the spoils of praedatory Animals, and the Skeletons of smaller ones, a Helmet and Skull, emblems of the destruction occasioned by War, and mouldering Books denoting the vanity of human learning and opinions. The solemn tone in which this noble picture is painted increases the melancholy of the scene, but it may be remarked that this learned Painter has ennobled the character of the Greek Philosopher, by giving him the air of contemplative melancholy, instead of pourtraying him in the imbecility of sorrow, as he was invariably described by the ancient Epigrammatists. Notwithstanding the simplicity of the colour, this Picture is of the richest tone, and the science and accuracy, the neatness and smartness of touch in the detail of anatomical objects in the front ground, are truly admirable This very grand chef d'oeuvre and the following, its companion, were formerly in the Collection of Sir George Young, Bart. The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House (S. Rosa)|Heraclitus contemplating the decay of Nature, and the instability of Human Grandeur. The Philosopher is seated in a pensive attitude, his right elbow resting upon a Sarcophagus; about him are the dilapidated Sepulchral Monuments of AEgypt and Greece, a Pyramid, Obelisks, and fragments of Marbles intermixed with the Funereal Pine tree: at his Feet are the spoils of praedatory Animals, and the Skeletons of smaller ones, a Helmet and Skull, emblems of the destruction occasioned by War, and mouldering Books denoting the vanity of human learning and opinions. The solemn tone in which this noble picture is painted increases the melancholy of the scene, but it may be remarked that this learned Painter has ennobled the character of the Greek Philosopher, by giving him the air of contemplative melancholy, instead of pourtraying him in the imbecility of sorrow, as he was invariably described by the ancient Epigrammatists. Notwithstanding the simplicity of the colour, this Picture is of the richest tone, and the science and accuracy, the neatness and smartness of touch in the detail of anatomical objects in the front ground, are truly admirable This very grand chef d'oeuvre and the following, its companion, were formerly in the Collection of Sir George Young, Bart. The following Capital Pictures were the Property of the late Marquis of Lansdowne, and are recently removed from Lansdowne House]] réalisée par S. Rosa, vendue par Marchioness Lansdowne au prix de 997.10 £. [81]