Ventes d'œuvres le 1811.07.04

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  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Christ at Emaus with his two Disciples in the act of breaking the Bread. This Cabinet Picture is one of those inestimable Gems rarely to be met with; being in the highest state of preservation, and an undoubted Picture of that great Master's hand (Reubens)|Christ at Emaus with his two Disciples in the act of breaking the Bread. This Cabinet Picture is one of those inestimable Gems rarely to be met with; being in the highest state of preservation, and an undoubted Picture of that great Master's hand]] réalisée par Reubens. [62]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Reptiles, Insects, and Plants, Grapes, &c. being one of the finest productions of that kind in the country; the companion Picture they had in the Truckcession Gallery, which they valued at 1000 Guineas; this Master Pilkington informs us had a piece of ground for the purpose of training those reptiles in, to place themselves in such positions as he liked best for painting (Otho Masacus)|Reptiles, Insects, and Plants, Grapes, &c. being one of the finest productions of that kind in the country; the companion Picture they had in the Truckcession Gallery, which they valued at 1000 Guineas; this Master Pilkington informs us had a piece of ground for the purpose of training those reptiles in, to place themselves in such positions as he liked best for painting]] réalisée par Otho Masacus. [63]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Land Storm. The grandeur and effect of Lightning in this Picture must strike every beholder with dread, well knowing the consequence of such convulsions in nature as happen frequently within our own recollection; in Italy, where this scene is taken, it is much more dreadful than in this country; the scene at the moment, the Heavens as it were opened to suffer the electrical fluid to pass to the earth from whence it had generated and having just struck a peasant that appears laying upon his face under some trees. This Picture is in the best time and manner of Poussin, and perhaps the only Picture of this subject on Sale in the kingdom (Gasper Poussin)|Land Storm. The grandeur and effect of Lightning in this Picture must strike every beholder with dread, well knowing the consequence of such convulsions in nature as happen frequently within our own recollection; in Italy, where this scene is taken, it is much more dreadful than in this country; the scene at the moment, the Heavens as it were opened to suffer the electrical fluid to pass to the earth from whence it had generated and having just struck a peasant that appears laying upon his face under some trees. This Picture is in the best time and manner of Poussin, and perhaps the only Picture of this subject on Sale in the kingdom]] réalisée par Gasper Poussin. [64]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[A Battle; one of the most spirited productions of this truly able and great Artist's pencil, and gives you a just idea of his powerful abilities. An undoubted genuine Picture, in the highest state of preservation, and worthy any Collection in Europe (Salvator Rossa)|A Battle; one of the most spirited productions of this truly able and great Artist's pencil, and gives you a just idea of his powerful abilities. An undoubted genuine Picture, in the highest state of preservation, and worthy any Collection in Europe]] réalisée par Salvator Rossa. [65]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[This truly sublime Picture, the entombing of our Saviour, one of those beautiful compositions of this lovely Artist, is in his very best time, and gives the beholder a just idea of his powerful abilities in Sacred History, from which he generally painted and composed his subjects, and such as ever will reflect the highest honour upon him, and justly places him at the head of the Bolognese School. An undoubted genuine picture of that Master's hand (Ludovico Carracci)|This truly sublime Picture, the entombing of our Saviour, one of those beautiful compositions of this lovely Artist, is in his very best time, and gives the beholder a just idea of his powerful abilities in Sacred History, from which he generally painted and composed his subjects, and such as ever will reflect the highest honour upon him, and justly places him at the head of the Bolognese School. An undoubted genuine picture of that Master's hand]] réalisée par Ludovico Carracci. [66]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Landscape, Cattle, and Figures. This truly lovely picture is no doubt a true and faithful portrait from Nature, and that choice being a beautiful Evening Scene, all hush and still, that one might imagine ones self looking at Nature's self instead of a copy from her; this proves the greatness of powers of which this great Master was possessed, in his very best time, and not surpassed by any of his productions in this country (Adrian Vandevelde)|Landscape, Cattle, and Figures. This truly lovely picture is no doubt a true and faithful portrait from Nature, and that choice being a beautiful Evening Scene, all hush and still, that one might imagine ones self looking at Nature's self instead of a copy from her; this proves the greatness of powers of which this great Master was possessed, in his very best time, and not surpassed by any of his productions in this country]] réalisée par Adrian Vandevelde. [67]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Landscape, Cattle, and Figures, -- View, Evening, Lake of Alarno, with the Castle of Alphonzo placed on the point of a Rock, jetting into it; on the other side of the Lake are Peasants attending their flocks; a beautiful Pastoral Scene; the aereal tints are beautifully managed, and has all the effect of real Nature at a proper distance, and gives a just idea of this truly great Master's best productions, of which this is a genuine specimen (Claude Lorrain)|Landscape, Cattle, and Figures, -- View, Evening, Lake of Alarno, with the Castle of Alphonzo placed on the point of a Rock, jetting into it; on the other side of the Lake are Peasants attending their flocks; a beautiful Pastoral Scene; the aereal tints are beautifully managed, and has all the effect of real Nature at a proper distance, and gives a just idea of this truly great Master's best productions, of which this is a genuine specimen]] réalisée par Claude Lorrain. [68]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Subject hand-writing on the Wall. This Picture, in point of colouring, is perhaps not equalled by any of his works, and the effect of light and shade beautifully displayed; what with the Torches and Candles, it has the power of completely dazzling the eyes of the spectators; and when we consider the enormous sums paid for this great Master's works, even by the hammer, this production must be considered invaluable (Rembrandt)|Subject hand-writing on the Wall. This Picture, in point of colouring, is perhaps not equalled by any of his works, and the effect of light and shade beautifully displayed; what with the Torches and Candles, it has the power of completely dazzling the eyes of the spectators; and when we consider the enormous sums paid for this great Master's works, even by the hammer, this production must be considered invaluable]] réalisée par Rembrandt. [70]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Woman of Samaria and our Saviour at the Well, where he is in the act of unfolding to her those things which she knew were not known to any other human being, which had the desired effect of producing upon her mind the supernatural powers of the Man she was conversing with, for she immediately ran to call her companions to come and see a Man that had told her all things from her youth upwards. Poussin, in his truly divine Picture, has displayed all his magical powers, and conveys to the beholder a deception bordering upon reality, for the benign countenance of the Saviour of the World, and the astonishment of the Woman, are nearly equal, and certainly is considered as one of the best productions of that great Master's hand, of which there is a fine print (N. Poussin)|Woman of Samaria and our Saviour at the Well, where he is in the act of unfolding to her those things which she knew were not known to any other human being, which had the desired effect of producing upon her mind the supernatural powers of the Man she was conversing with, for she immediately ran to call her companions to come and see a Man that had told her all things from her youth upwards. Poussin, in his truly divine Picture, has displayed all his magical powers, and conveys to the beholder a deception bordering upon reality, for the benign countenance of the Saviour of the World, and the astonishment of the Woman, are nearly equal, and certainly is considered as one of the best productions of that great Master's hand, of which there is a fine print]] réalisée par N. Poussin au prix de 34 gs. [71]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Landscape, Cattle, and Figures, -- Italian Scene; Shepherd and Shepherdess in the foreground, with their Cattle around them; the Shepherd making love to his lovely Companion while seated on Nature's Couch, must interest and please every beholder, fond of her works. This truly invaluable Gem is one of those rare highly finished specimens of this great Master's works, and would do honour to any Collection in Europe (Dujardin)|Landscape, Cattle, and Figures, -- Italian Scene; Shepherd and Shepherdess in the foreground, with their Cattle around them; the Shepherd making love to his lovely Companion while seated on Nature's Couch, must interest and please every beholder, fond of her works. This truly invaluable Gem is one of those rare highly finished specimens of this great Master's works, and would do honour to any Collection in Europe]] réalisée par Dujardin. [72]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Landscape, Cattle, and Figures -- Italian Landscape. The grandeur of this Picture cannot be surpassed by any description that may be given of it; suffice it to say, there is no finer Picture of this Pencil in England, and needs only to be seen and admired; is in the highest state of preservation (Dominichino)|Landscape, Cattle, and Figures -- Italian Landscape. The grandeur of this Picture cannot be surpassed by any description that may be given of it; suffice it to say, there is no finer Picture of this Pencil in England, and needs only to be seen and admired; is in the highest state of preservation]] réalisée par Dominichino. [73]
  • 1811.07.04/ maison de ventes : Gaskill. Vente de l'œuvre décrite comme [[Madona and Child; a fine majestic composition, worthy of this great Man's Pencil. The chastness in colouring and sweetness of countenance of our Saviour, along with the breadth of drapery displayed in this truly valuable Picture, make it very desirable for any Collection, independent of the great scarcity of this great Artist's works (Andrea del Sarto)|Madona and Child; a fine majestic composition, worthy of this great Man's Pencil. The chastness in colouring and sweetness of countenance of our Saviour, along with the breadth of drapery displayed in this truly valuable Picture, make it very desirable for any Collection, independent of the great scarcity of this great Artist's works]] réalisée par Andrea del Sarto. [74]
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