Ventes d'œuvres le 1813.05.08

De Wikipast
Aller à la navigation Aller à la recherche
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of Helena Forman and Child; a rich specimen of colouring. This portrait was probably painted for, or at the instance of Breughel, to whom Helena Forman was related. Breughel has accordingly added a rich and elegant landscape in his luxuriant manner (Rubens)|Portrait of Helena Forman and Child; a rich specimen of colouring. This portrait was probably painted for, or at the instance of Breughel, to whom Helena Forman was related. Breughel has accordingly added a rich and elegant landscape in his luxuriant manner]] réalisée par Rubens, vendue par Lafontaine au prix de 58.16 £. [33]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Departure of the Prodigal; a group of four principal figures at the vestibule of a palace richly embellished with architecture and sculpture; a landscape in the distance, with horses and attendants preparing for a journey; the figures are elegantly drawn and very sweetly finished: a beautiful picture of the master (Weenix)|The Departure of the Prodigal; a group of four principal figures at the vestibule of a palace richly embellished with architecture and sculpture; a landscape in the distance, with horses and attendants preparing for a journey; the figures are elegantly drawn and very sweetly finished: a beautiful picture of the master]] réalisée par Weenix, vendue par Lafontaine, achetée par Eckford au prix de 37.16 £. [34]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape and Figures; of the best time of this admired painter: the subject, an extensive plain intersected by a river, on the bank of which is a group of eight cows and sheep, with peasants: a beautiful scene from nature, with fine aerial effect (P. Potter)|A Landscape and Figures; of the best time of this admired painter: the subject, an extensive plain intersected by a river, on the bank of which is a group of eight cows and sheep, with peasants: a beautiful scene from nature, with fine aerial effect]] réalisée par P. Potter, vendue par Lafontaine au prix de 241.10 £. [50]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Adoration of the Magi. This subject so often treated by various great masters, is here recommended with novel taste by the pencil of Palma. The character and deportment of the Virgin are replete with sweetness and grace, worthy of Titian, to whom many of Palma's works are not unfrequently ascribed (The Elder Palma)|Adoration of the Magi. This subject so often treated by various great masters, is here recommended with novel taste by the pencil of Palma. The character and deportment of the Virgin are replete with sweetness and grace, worthy of Titian, to whom many of Palma's works are not unfrequently ascribed]] réalisée par The Elder Palma, vendue par Lafontaine au prix de 14 1/2 gs. [55]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Iron-Grey Horse, equipped with a black velvet saddle, held by a groom, with a mastiff dog, the cavalier behind drawing on his boot; the back ground is a wood, on the skirts of which are a huntsman with greyhounds running; the distance warmed by a morning sun (A. Cuyp)|An Iron-Grey Horse, equipped with a black velvet saddle, held by a groom, with a mastiff dog, the cavalier behind drawing on his boot; the back ground is a wood, on the skirts of which are a huntsman with greyhounds running; the distance warmed by a morning sun]] réalisée par A. Cuyp, vendue par Lafontaine, achetée par [[WW[oodburn]]] au prix de 262.10 £. [67]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[View of Teniers' Country House, evening scene; a group of fishermen is represented dragging a net in the moat, and the gardener presenting a pike to Teniers, who with his family are on the bank: a composition of twelve figures. One of the very finely pencilled pictures of the master. The sky, clear and brilliant, shews the effect of a parting sun in an evening of autumn (D. Teniers)|View of Teniers' Country House, evening scene; a group of fishermen is represented dragging a net in the moat, and the gardener presenting a pike to Teniers, who with his family are on the bank: a composition of twelve figures. One of the very finely pencilled pictures of the master. The sky, clear and brilliant, shews the effect of a parting sun in an evening of autumn]] réalisée par D. Teniers, vendue par Lafontaine au prix de 252.0 £. [68]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[View of the Mouth of a River, a packet boat putting in at a pier, filled with passengers and other figures busily employed; in the half distance are vessels standing out under a stiff gale, and ships saluting: a spirited clear and grand chef d'oeuvre (Backhuysen)|View of the Mouth of a River, a packet boat putting in at a pier, filled with passengers and other figures busily employed; in the half distance are vessels standing out under a stiff gale, and ships saluting: a spirited clear and grand chef d'oeuvre]] réalisée par Backhuysen, vendue par Lafontaine au prix de 245 gs. [69]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Guard House, with soldiers gaming and smoking; the front corner is filled with a suit of armour and detached pieces, touched with surprising neatness of pencil; the subject of the conversation is told with dramatic spirit: a dog, only seen in part, is admirably represented from life (D. Teniers)|A Guard House, with soldiers gaming and smoking; the front corner is filled with a suit of armour and detached pieces, touched with surprising neatness of pencil; the subject of the conversation is told with dramatic spirit: a dog, only seen in part, is admirably represented from life]] réalisée par D. Teniers, vendue par Lafontaine au prix de 367.10 £. [70]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Flight Into AEgypt. This beautiful picture has been ever greatly admired for the elegance of the design, and the intelligence and feeling displayed in it. The expression of maternal tenderness in the Virgin is particularly engaging: she is proceeding with a hasty step, bearing the child in her arms, her countenance flushed with alarm, in the apprehension of being overtaken; while St. Joseph, more composed, is listening, in full reliance, to an angel flying above, and directing him on his way: buildings and lake scenery are in the distance. It is painted in a very clear tone. One of the engraved works of Poussin (N. Poussin)|The Flight Into AEgypt. This beautiful picture has been ever greatly admired for the elegance of the design, and the intelligence and feeling displayed in it. The expression of maternal tenderness in the Virgin is particularly engaging: she is proceeding with a hasty step, bearing the child in her arms, her countenance flushed with alarm, in the apprehension of being overtaken; while St. Joseph, more composed, is listening, in full reliance, to an angel flying above, and directing him on his way: buildings and lake scenery are in the distance. It is painted in a very clear tone. One of the engraved works of Poussin]] réalisée par N. Poussin, vendue par Lafontaine au prix de 462.0 £. [71]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A large Landscape, in which are to the left a Cabaret and Players at Bowls, two of them debating upon the mode of bowling; in the center a youth and a dog running. Beyond a river in the half distance, are rising grounds crowned by a village church, and other rural objects, lighted by a gleam of sun-shine thro' a shower: painted in a fresh tone: formerly the property of the Duke Albert (D. Teniers)|A large Landscape, in which are to the left a Cabaret and Players at Bowls, two of them debating upon the mode of bowling; in the center a youth and a dog running. Beyond a river in the half distance, are rising grounds crowned by a village church, and other rural objects, lighted by a gleam of sun-shine thro' a shower: painted in a fresh tone: formerly the property of the Duke Albert]] réalisée par D. Teniers, vendue par Lafontaine au prix de 650 gs. [72]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Mars Kneeling to Venus seated beneath an oak tree, her head tenderly inclined towards his temple, a Cupid attendant holds his casque, another a white charger. The composition and drawing are marked with that grandeur, freedom, and elegance that distinguish the pencil of V. Dyck; the colouring is of the most rich and mellow tone. This splendid chef d'oeuvre was formerly in the collection of the Prince de Condé (V. Dyck)|Mars Kneeling to Venus seated beneath an oak tree, her head tenderly inclined towards his temple, a Cupid attendant holds his casque, another a white charger. The composition and drawing are marked with that grandeur, freedom, and elegance that distinguish the pencil of V. Dyck; the colouring is of the most rich and mellow tone. This splendid chef d'oeuvre was formerly in the collection of the Prince de Condé]] réalisée par V. Dyck, vendue par Lafontaine au prix de 770 gs. [73]
  • 1813.05.08/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape, exhibiting a view of a broken passage through the sand hills of Westphalia, a cottage and various wild objects on the left, on the right a shallow river, a marsh, and an extent of flat country; a cart and peasants mounted, or on foot in the fordable parts of the river, are delightfully touched, the sky is filled with light fleecy clouds: the whole painted in a sweet chaste tone. This beautiful cabinet gem belonged to a family of high respectability at Amsterdam. It has generally been cited as the companion picture to the celebrated Hay Harvest by Wouvermans, formerly Mr. Schmidt's, but now in the cabinet of His Royal Highness the Prince Regent. This precious bijou is in exquisite preservation (P. Wouvermans)|A Landscape, exhibiting a view of a broken passage through the sand hills of Westphalia, a cottage and various wild objects on the left, on the right a shallow river, a marsh, and an extent of flat country; a cart and peasants mounted, or on foot in the fordable parts of the river, are delightfully touched, the sky is filled with light fleecy clouds: the whole painted in a sweet chaste tone. This beautiful cabinet gem belonged to a family of high respectability at Amsterdam. It has generally been cited as the companion picture to the celebrated Hay Harvest by Wouvermans, formerly Mr. Schmidt's, but now in the cabinet of His Royal Highness the Prince Regent. This precious bijou is in exquisite preservation]] réalisée par P. Wouvermans, vendue par Lafontaine au prix de 570 gs. [74]